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ARCH.2003.21, Rendition: 789884
The image is a historical newspaper clipping from June 1, 1913, titled "Art Treasure Is Restored." It discusses the restoration of a large painting by the Sienese School, which had been thought to be ruined. The article mentions that this work, measuring about 6x7½ feet, was treated at the Fogg Museum of Art in Boston over the course of 11 years. The painting was purchased by a Boston collector in 1899, but it had already been restored before that time. It was eventually brought to the Fogg Museum for further treatment and is now considered to be in excellent condition.
The article also mentions the exhibition of early Italian engravings at the Boston Museum of Fine Arts, which opened on September 17, 1913, and ran until November 25. It highlights the work of several Italian engravers, including Antonio Pollaiuolo, Andrea Mantegna, Christofano Robetta, and others. The article notes the addition of new engravings to the exhibition, including the "Assumption of the Virgin" from the Fogg Museum collection.
There is also a smaller article at the bottom of the page about the Fogg Art Museum's exhibition of student work in the Print Room, which opened on June 19, 1913, and ran until Thursday, June 19. The exhibition featured work by students in the freehand drawing courses of the Fine Arts Department and illustrated a new experiment in the teaching of drawing and painting.
This image is a photograph of a newspaper clipping from June 1, 1913, titled "ART TREASURE IS RESTORED." The article discusses the restoration of a large Italian painting from the Sienese school, which was thought to be ruined but was successfully restored and rehung at the Fogg Museum after 11 years of work. The painting, measuring about 6x7 1/2 feet, was restored by museum curators John Briggs Potter and William Ellerton, and it is believed to be the work of Benvenuto di Giovanni or his son Girolamo di Giovanni.
The article is divided into several sections, including "No Effort to Deceive," "Origin Is Uncertain," and "Took Chance in Purchase." It details the meticulous restoration process, the uncertain origin of the painting, and the fact that it was purchased despite expert advice against it.
The clipping also includes another article titled "ENGRAVINGS AT THE MUSEUM," which discusses an exhibition of works by early Italian masters at the Boston Museum of Fine Arts, scheduled to be on view from September 17 to November 25, 1913. The collection includes engravings from the museum's own collection, supplemented by prints from the Gray collection at the Fogg Museum and loans from the estate of Francis Bullard.
At the bottom of the clipping, there is another article titled "FOGG ART MUSEUM," which mentions an exhibition of student work in the Print Room of the Fogg Museum, showcasing the results of an experiment in the adaptation of drawing and painting teaching methods to the requirements and limitations of the college curriculum. The exhibition was open until 5 p.m. on Thursday, June 19, 1913.
This image displays a single, aged, and yellowed page from a newspaper or museum bulletin, dated June 1, 1913, with handwritten annotations. The paper is visibly fragile, with tattered edges, creases, and discoloration typical of early 20th-century newsprint. Two inked notes are written on the page: a signature and date, “To Agatha. June 7, 1913,” near the bottom, and “Sept. 12, 1913” at the top right corner, indicating it was possibly read or archived later.
The document is divided into three main columns, all relating to the Fogg Art Museum at Harvard University.
This is the primary headline, announcing the successful restoration of a large painting titled The Rehuing (likely a misspelling or variant of Rêve d’une nuit d’été or another title; context suggests it is The Madonna and Child with Saints by Domenico di Bartolo or a similar Sienese master — the text cites “Sienese Rehuing” and references “Madonna by Benevenuto di Giovanni,” though Benevenuto di Giovanni was active later).
The article details how the painting — measuring 6½ feet by 6¾ feet — had been so damaged by collectors and dealers that it was considered nearly lost or “the size of a soup plate.” It was rescued from obscurity after an 11-year restoration process led by curator John B. O’Keefe and William E. Bostock, involving delicate work like removing centuries-old varnish, discolored paint, and flaking surfaces. The painting, now restored to reveal “almost perfect condition,” is described as depicting the Madonna and Child with saints and angels, dating to around 1400 A.D. A key quote notes that “it could not safely be shown in any other way” before restoration.
The article ends with a brief note on the museum’s “Chance in Purchase,” explaining how the painting was saved from potential loss after being bought by Mr. Forbes in 1902 and then acquired by the museum in 1903 for $3,500.
This section addresses the controversy and uncertainty surrounding the painting’s origin and artistic attribution.
This column announces two exhibitions occurring at the Fogg Museum in 1913.
This section announces an exhibition of student work from the Fine Arts Department:
The document showcases the evolving field of art restoration and museum curation in the early 1900s — emphasizing scientific preservation over “re-creation,” documenting provenance, and educational outreach. It reflects the scholarly seriousness of the Fogg Art Museum, then a leading American venue for teaching, research, and exhibition of fine art.
The handwritten notes — “To Agatha. June 7, 1913” and “Sept. 12, 1913” — suggest personal ownership or archival tagging, perhaps by someone connected to the museum or an art history student, giving the artifact a human, archival quality.
This is a newspaper clipping from June 1, 1913, detailing the restoration of a major early Sienese painting at the Fogg Art Museum, alongside news of exhibitions featuring Italian Renaissance engravings and student work. The article highlights the technical achievement, scholarly caution, and institutional ambition of early 20th-century American art museums. The physical object, with its annotations and signs of age, adds a layer of historical intimacy to the institutional narrative.
The image shows a newspaper clipping from the Boston Herald, dated June 1, 1913. The clipping contains two articles. The first article, titled "Art Treasure Is Restored," discusses the restoration of a large Italian painting, "The Madonna and Saints," by Benvenuto di Giovanni, which had been missing for over a century. The painting was restored by Curator John Briggs and is now displayed at the Fogg Art Museum. The second article, titled "Engravings at the Museum," talks about a notable exhibition of early Italian engravings from the Gray Collection, which was on view until November 17. The exhibition included prints from the late fifteenth and early sixteenth centuries, featuring notable engravers like Maso Finiguerra, Baccio Baldini, and Francesco Rosselli.
The image depicts a vintage newspaper clipping with a headline that reads "ART TREASURE IS RESTORED." The clipping appears to be from a newspaper published on June 1, 1913, as indicated by the date at the top of the page. The clipping is from the Boston Museum, which is mentioned multiple times throughout the text.
The article discusses the restoration of a large painting of the Sienese School, which had been undergoing restoration for 11 years. The painting, which was originally purchased by the museum in 1899, had been in a poor state of preservation, with significant damage and deterioration. The restoration process involved the removal of old varnish and overpainting, as well as the repair of damaged areas.
The article highlights the significance of the painting, which is described as a "remarkable feat of restoration" that has preserved the work for future generations. The restoration process is said to have taken place at the Fogg Museum, which is mentioned as being part of the Boston Museum.
The article also mentions other works of art that have been restored or are currently undergoing restoration at the museum, including a patient toil at the Boston Museum and a large Italian painting of the Sienese School that had been in a state of disrepair. The article notes that the restoration of these works is important for preserving the cultural heritage of the museum and ensuring that these works can be enjoyed by future generations.
Overall, the article highlights the importance of art restoration and the efforts of the Boston Museum to preserve its collection for future generations. The clipping is a valuable historical document that provides insight into the museum's restoration practices and the significance of preserving cultural heritage.
The image is a scanned page from a newspaper dated June 1, 1913, titled "Herald", featuring an article about the restoration of a significant artwork. The article is titled "ART TREASURE IS RESTORED" and discusses the Large Painting of the Sienese Madonna at the Fogg Museum in Boston. Here is a detailed breakdown of the content:
Main Headline:
"ART TREASURE IS RESTORED"
This indicates the central theme of the article: the successful restoration of a valuable piece of art.
Subheadings:
The image is a historical newspaper article documenting the successful restoration of the Sienese Madonna, a significant Italian painting at the Fogg Museum. The article emphasizes the dedication, expertise, and care involved in preserving this artwork, which was once considered beyond repair. It also provides context about the museum's broader collections and exhibitions, showcasing the importance of art conservation in the early 20th century.
The image depicts a yellowed newspaper clipping with a headline that reads "ART TREASURE IS RESTORED" in large black text. The clipping is torn and worn, with visible creases and discoloration.
Headline and Subheadings:
Article Content:
Additional Text:
Background:
Overall, the image presents a historical document that showcases the restoration of a significant art piece and highlights the importance of preserving cultural heritage.
The image depicts a newspaper clipping from 1913, featuring an article about the Fogg Art Museum. The clipping is yellowed and worn, with visible tears and creases. The article discusses the museum's collection of Italian engravings, which were exhibited at the time. The clipping also includes a section on the restoration of a large painting of the Sienese school, which was done at the Fogg Museum after 11 years' work. Additionally, there is a mention of a notable exhibition of works by early Italian masters to be held at the museum in September 1913. Overall, the clipping provides insight into the museum's activities and collections during that period.
The image is a scanned newspaper clipping from June 7, 1913, featuring three articles related to art.
Main Article: "ART TREASURE IS RESTORED"
Other Articles
Overall
The image presents a vintage newspaper clipping, yellowed with age and featuring a prominent headline that reads "ART TREASURE IS RESTORED" in large black text. The article discusses the restoration of a large painting by the Sienese school, which had been damaged by fire and was restored after 11 years of work.
Key Features:
Overall Impression:
The image appears to be a historical document, likely from the early 20th century, showcasing a significant event in the art world. The yellowed newspaper clipping and handwritten notes add to the sense of age and authenticity, while the light blue-gray background provides a clean and neutral contrast.