Archives Scrapbooks

The image shows a collection of newspaper clippings and articles about the Fogg Art Museum at Harvard University. The articles date back to the early 1900s, specifically from 1912 and 1913. The clippings discuss various aspects of the museum, including its exhibitions, accommodations for students, and the improvement of its facilities. The articles mention the donation of artworks, the organization of art conferences, and the display of unique pictures, such as one of Geoffrey Chaucer by Professor Charles Eliot Norton. The clippings are arranged in a manner that suggests they were saved and possibly kept for a personal or professional reference, as they are taped together and appear to have been stored in a folder or binder. The text is clear and legible, providing historical insights into the Fogg Art Museum's activities and significance during that time period.

This image shows a historic scrapbook page containing newspaper clippings from 1912 and 1913. The clippings appear to be from various sections of a college or university gazette, discussing events and features related to the Fogg Museum, which is now part of the Harvard Art Museums. Here's a detailed breakdown:

Top Left Section:

• Date: November 8, 1912
• Title: "University Gazette"
• Content: Describes alterations made to the semi-circular lecture room of the Fogg Museum. The changes were funded by a generous gift from Mr. Alfred Atmore Pope of Farmington, Conn. The room was made smaller to seat about 200 students and is now ready for use in Fine Arts courses. The casts that were previously exhibited in the large entrance hall have been moved to a raised platform behind the room, and the remaining casts are placed in the circular corridor outside the lecture room. This change allows for the exhibition of original Greek marbles and vases. The room on the other side of the hall, which formerly held Renaissance casts, is now available for temporary exhibitions.

Top Middle Section:

• Date: March 12, 1913
• Title: "First Art Conference in Fogg"
• Content: Announces the first of a series of conferences in the Fogg Art Museum, which will be held on the afternoon of March 12, 1913, at 3:30 o'clock. Professor George H. Chase '96 will speak on Arretine pottery. The Grandhara sculpture will be the subject of the next conference on March 26, 1913, when Mr. Langdon Warner '03 will speak. The conferences are open to all students interested and are encouraged to attend.

Top Right Section:

• Date: March 13, 1913
• Title: "List of Valuable Gifts Received—Improvements in Building"
• Content: Summarizes the annual report of Director Edward W. Forbes '95 on the Fogg Art Museum for the year 1911-12, showing moderate growth in exhibits. Lists various valuable gifts received, including a Tondo of the late Italian School from Alfred Atmore Pope, etchings by Herman A. Webster, lithographs by Joseph Pennell and Alexandre Calame, and an engraving by Albrecht Altdorfer. Also mentions the improvements in the museum's building, including the semi-circular lecture room and the semi-circular corridor.

Bottom Left Section:

• Date: March 3, 1913
• Title: "Unique Picture Exhibited in Fogg"
• Content: Discusses a rare and valuable picture of Geoffrey Chaucer, the English poet, which was bequeathed to the Harvard College Library by Professor Charles Eliot Norton. The portrait is now on exhibition in the Fogg Museum. The portrait was at Llanshaw Court, in Gloucestershire, for more than three centuries and bears a close resemblance to the only known authentic portrait of Chaucer, the miniature in Occleve’s "De regimine principum." The portrait was presented to Professor Norton by Mr. James Loeb as a memorial of two lovers of Chaucer, Francis James Child and James Russell Lowell.

Bottom Middle Section:

• Date: March 1913
• Title: "Illustrated"
• Content: Describes the Fogg Museum's permanent and frequent loan exhibitions of art, offering unusual opportunities for those interested in painting, sculpture, and kindred subjects. Mentions an Oriental collection including work of Tibetans illustrating the Lamaist religion, which is particularly interesting and will remain on view for some time. Also discusses a loan exhibition of Gandhara sculpture from India dating from the second century A.D., which is of much interest because of the theory that the art of the west furnished the germ of the arts of the Orient.

Bottom Right Section:

• Date: February 28, 1913
• Content: Continues the discussion on the Fogg Museum's exhibitions and the value of the exhibits. Mentions Mr. Forbes, the curator of the Fogg Museum, and his efforts to make museums interesting. Describes a lecture given in connection with the exhibit of Oriental art that was intelligible and enlightening to even those ignorant of the first principles of painting. The lecture was well advertised in the Crimson and by placards, and was held on Tuesday and Thursday afternoons.

The clippings are arranged on a brown paper background, and some of the text is hand-written, indicating that this is likely a personal collection or scrapbook of news articles related to the Fogg Museum.

This image displays a collection of aged, yellowed newspaper clippings mounted on a light brown, slightly textured backing within a clear protective sleeve or frame. The clippings, dated between November 1913 and March 1918, report on the activities, acquisitions, and developments of the Fogg Museum (now part of the Harvard Art Museums) at Harvard University.

The articles are arranged in a collage-like fashion, clipped from different newspapers, as indicated by varying fonts and layouts. All clippings are visibly annotated by hand with dates and sometimes names—such as “University Gazette—Nov. 8, 1913″, “Crimson—Mar. 18, 1913″, and “Crimson—Mar. 2, 1913,” suggesting personal archiving or scrapbooking.

Key topics covered in the clippings include:

• Museum Improvements & Space Management (late 1913): Describes renovations to the semi-circular lecture room made possible by a gift from Mr. Alfred Atmore Pope. The room is being reconfigured to accommodate casts and exhibitions, with cast removal enabling better display of original Greek marbles. The article mentions plans for improved lighting and ventilation on the second floor.

• First Art Conference in Fogg (March 1913): Announces the first of a series of conferences to be held in the museum, featuring speakers like Professor George H. Chase and Langdon Warner. These were intended to foster informal discussions on the Fogg Museum’s art collection for University members.

• Exhibition of Turner’s Works (March 1913): Reports on a loan exhibition of paintings and drawings by J.M.W. Turner, including a rare sketch of a New York oil mill. The exhibit is noted for its “beautiful Turner oil sketch on paper” and handling of “difficulties” by the master.

• Unique Picture of Geoffrey Chaucer (March 1913): Details the display of a rare, 14th-century portrait of Geoffrey Chaucer, bequeathed by Professor Charles Eliot Norton to the Harvard College Library. The article notes its significance as one of the only authentic portraits of Chaucer and mentions its prior location at Llanishaw Court in Gloucestershire.

• Oriental Art & Gandhara Sculpture (May 1913): Discusses the Fogg Museum’s permanent loan exhibition of Oriental art, including Tibetan works and Gandhara sculptures. The article explains the historical context of Gandhara art’s development along the Silk Road, bridging Greek and Buddhist artistic traditions, and notes the expected long-term display of a Gandhara sculpture from India.

• Annual Report & Gifts (March 1913): Summarizes the annual report by Director Edward W. Forbes, highlighting moderate growth in exhibits and detailing valuable gifts received. These include 12 etchings from Alfred Atmore Pope, works by Hermann A. Webster, lithographs by Joseph Pennell, and etchings by Jules Ferdinand Jacquemart. The report also notes recent acquisitions through purchase and the reconfiguration of spaces for better exhibit flow, including raising a platform and separating casts from original works.

The overall tone of the clippings is academic and enthusiastic, reflecting the museum’s active curatorial program and its growing reputation in the early 20th century. The visible date annotations and the physical degradation of the paper suggest these are personal memorabilia or archival material preserved by someone closely associated with the museum or Harvard’s arts community.

In summary, the image is a historical scrapbook page of early 20th-century Fogg Museum news clippings, documenting exhibitions, acquisitions, lectures, and renovations in 1913 and 1918, preserved and annotated by hand for posterity.

The image is a scanned page from a newspaper or magazine featuring two articles. The top article is titled "University of Cambridge" and dated "Nov. 8, 1918." It discusses the alterations in the semi-circular lecture hall of the Fogg Art Museum, which were made possible by a generous gift from Mr. Alfred Attwood Pope of Framingham, Connecticut. The article mentions that the room has been made smaller in size but is now complete, and it highlights the improved seating arrangement and the exhibition of original Greek marbles and Greek vases. The article also mentions the availability of the room for temporary exhibitions and the planned improvements to the lighting and ventilation of the Fogg building.

The bottom article is titled "First Art Conference in Fogg" and dated "Mar. 18, 1913." It announces the first series of conferences in the Fogg Art Museum, which will begin at 3:30 o'clock and include presentations by Professor George H. Chase on the subject of the Gandhara sculpture, Mr. Langdon Warner on the Museum's collection of art, and Mr. Landon D. Parsons on the technique of art in the Fogg Museum. The article also mentions an exhibition of paintings and drawings by J. W. Turner and a small but beautiful Turner oil sketch on paper, which will be on view for about two weeks.

The image also includes a list of valuable gifts received by the Fogg Art Museum for the year 1911-1912, which shows a moderate growth in exhibits over the previous year. The gifts include works of art, books, and photographs, as well as a collection of Joseph's complete to date, 11 lithographs by Joseph Pennell, and 6 etchings by Alexandre Cabanel.

The image is a historical document that provides insight into the development of the Fogg Art Museum and the art exhibitions and conferences held there during the early 20th century. It also highlights the generosity of donors who contributed to the museum's growth and the value placed on art and education during that time.

The image depicts a collection of old newspaper clippings, likely from the early 20th century, mounted on a glass panel. The clippings are arranged in a grid-like pattern, with each piece of paper containing a different article or announcement. The articles are written in a typewriter-style font, and some of them have been torn or cut, giving the impression that they were carefully selected and arranged for display.

The articles cover a range of topics, including art exhibitions, museum acquisitions, and cultural events. One article, dated March 18, 1918, discusses the first art conference in Fogg, featuring a series of lectures on various art subjects. Another article, dated March 3, 1918, announces the exhibition of a rare and valuable portrait of Geoffrey Chaucer, the English poet, in the Fogg Museum.

The overall impression of the image is one of nostalgia and historical significance, as it captures a glimpse of the cultural and artistic landscape of the past. The careful arrangement of the clippings suggests a sense of reverence and appreciation for the content they contain, highlighting the importance of preserving and sharing historical information.

The image shows a collection of typed or printed newspaper clippings or notices, likely from a university or museum newsletter, dated between March 8, 1918, and March 19, 1918. The text is organized into three distinct sections, each with its own heading and content. Here is a detailed description:

Top Section:

• Heading: "University of Notre Dame, Mar 8, 1918"
• Content:
  This section discusses alterations made to the semi-circular lecture room of the Fine Arts Museum at Notre Dame. Key points include:
  • The room was made possible by a generous gift from Mr. Alfred Amore Pope of Farmington, Conn.
  • The room is ready for use in the Fine Arts courses and is designed for smaller groups, seating about 200 students.
  • The back of the room features a raised platform, and around it are large entrance casts from the Museum of Fine Arts in Boston.
  • The casts are placed outside the lecture room, allowing for the original Greek entrance hall to remain intact.
  • The room is smaller than the original lecture hall, with one side closed up entirely, and books from the College library are used to house the Fine Arts books temporarily.
  • The room will not be available for the use of the Museum for two or three years due to the temporary use by the Fine Arts Department.

Middle Section:

• Heading: "First Art Conference in Fogg, Mar 8, 1918"
• Content:
  This section announces the first of a series of conferences in the Fogg Art Museum, scheduled to begin at 3:20 p.m. on Wednesday, March 20, 1918. Key details include:
  • The conference will be held in the Fogg Art Museum.
  • Professor H. Chase '96 will speak on Argentine pottery.
  • The next conference will focus on the Grandhara sculpture, with Mr. Langdon Warner giving a talk on India.
  • These conferences are open to members of the University and the public.
  • An exhibition of Turner's Works is also mentioned, with drawings by J. M. W. Turner on display at the Fogg Museum until Saturday, April 20. Two pictures will remain on view for about these weeks.
  • The Fogg Museum has recently placed on loan from the Harvard Art Museum a small but beautiful Turner oil sketch on paper, which is a temporary loan from the Ham Engelhart Fund.
  • The subject is a wooden interior, and the difficulties are handled with rare skill by the master.

Bottom Section:

• Heading: "Brunsom, Mar 5, 1918"
• Content:
  This section describes a unique picture exhibited in the Fogg Museum, which is a rare and valuable English portrait of Geoffrey Chaucer. Key points include:
  • The portrait was bequeathed to the Harvard College Library by Professor Charles Eliot Norton in the Fogg Museum.
  • The portrait has recently been placed on exhibit in the Fogg Museum.
  • It is described as a close resemblance of Chaucer, bearing a resemblance to the only known authentic portrait of Chaucer, the miniature in Oxford's "De regimine principum", written in 1411-12.
  • The portrait is a full-length portrait in another British Museum manuscript.
  • It has been inscribed as a memorial to two lovers of Chaucer: Francis James Child and James Russell Lowell.
  • The portrait was presented to the Library by Professor Norton, who requested it be inscribed as a memorial.

Additional Notes:

• The text is formatted in a newspaper or newsletter style, with clear headings and structured paragraphs.
• The dates (March 8, 1918, and March 19, 1918) suggest these are updates or announcements from the same time period.
• The content focuses on art exhibitions, university activities, and notable donations, indicating a focus on cultural and academic events.

This document provides insights into the activities and exhibitions at the Fogg Art Museum and the University of Notre Dame during the early 20th century.

The image shows a newspaper clipping about the Fogg Museum, which is a part of Harvard University. The clipping is from the Harvard Crimson, a student-run newspaper, and it was published on March 18, 1913.

Newspaper Clipping Details

• Title: "First Art Conference in Fogg"
• Date: March 18, 1913
• Source: Harvard Crimson
• Content: The article discusses the first art conference held at the Fogg Museum, which took place on March 26, 1913. It mentions that the conference was open to members of the university and that it featured talks on various art-related topics.
• Additional Articles: There are two additional articles on the clipping, one titled "Exhibition of Turner's Works" and the other titled "List of Valuable Gifts Received—Improvements in Building." The first article discusses an exhibition of paintings and drawings by J.M.W. Turner, while the second article lists some of the valuable gifts received by the museum, including a collection of etchings by Joseph Pennell and a lithograph by Alexandre Calame.

Visual Description

• Color: The clipping is a light brown color, with some darker brown areas where the ink has faded over time.
• Text: The text is written in black ink and is arranged in columns, with headings and subheadings in larger font sizes.
• Layout: The clipping has a rectangular shape, with a slight tear at the top-right corner.
• Background: The background of the image is a plain gray color, which helps to highlight the details of the clipping.

Conclusion

Overall, the image provides a glimpse into the history of the Fogg Museum and its early days as a hub for art education and exhibitions at Harvard University. The clipping is a valuable resource for anyone interested in the museum's past and its contributions to the field of art.

The image presents a collection of newspaper clippings, each featuring articles about art exhibitions and events at the Fogg Museum. The clippings are arranged in a collage style, with some overlapping each other.

Key Features:

• Newspaper Clippings: The image consists of multiple newspaper clippings, each containing articles about art exhibitions and events at the Fogg Museum.
• Collage Style: The clippings are arranged in a collage style, with some overlapping each other.
• Article Content: The articles discuss various aspects of the museum's activities, including exhibitions, lectures, and loan exhibitions.
• Dates: The clippings are dated from 1912 to 1913, providing a historical context for the events described.
• Fogg Museum: The Fogg Museum is the central focus of the articles, highlighting its role in promoting art and culture.

Overall Impression:

The image provides a glimpse into the artistic and cultural activities of the Fogg Museum during the early 20th century. The collage style of the clippings adds a sense of depth and complexity to the image, while the articles themselves offer valuable insights into the museum's history and significance.

The image presents a framed, yellowed newspaper clipping from March 18, 1913, featuring articles about the Fogg Art Museum at Harvard University. The clipping is divided into six columns, each containing a distinct article.

Article Summaries

• The leftmost column discusses alterations to the semi-circular lecture room, including the removal of casts from the entrance hall to create space for exhibiting original Greek marbles.
• The adjacent column announces the first art conference at the Fogg Art Museum, scheduled for March 26, 1913, with Professor George H. Chase as the speaker.
• The third column lists valuable gifts received by the museum, including works by Edward W. Forbes and other notable artists.
• The fourth column highlights a unique picture exhibited in the Fogg Museum, a rare and valuable portrait of Geoffrey Chaucer.
• The fifth column showcases the Fogg Museum's permanent and frequent loan exhibitions, featuring an Oriental collection with Tibetan illustrations.
• The rightmost column discusses the exhibition of Turner's works, including a loan exhibition of paintings and drawings by J.M. Turner.

Overall Impression

The image provides a glimpse into the Fogg Art Museum's activities and exhibitions in 1913, highlighting its growth and development during that period.

The image presents a collection of aged newspaper clippings, carefully preserved in a protective case. The clippings are arranged in two columns, with four articles visible.

Newspaper Clippings:

• The clippings appear to be from the early 20th century, featuring articles about the Fogg Art Museum at Harvard University.
• The articles discuss various topics, including:
  • The museum's collection and exhibitions
  • The acquisition of new artworks
  • The museum's history and development

Condition and Presentation:

• The clippings exhibit signs of aging, with:
  • Yellowed paper
  • Torn edges
  • Handwritten notes and dates in the margins
• The clippings are mounted on a white background, likely a piece of cardboard or paper, which provides a clean and neutral contrast to the aged newspaper.

Overall Impression:

• The image conveys a sense of nostalgia and historical significance, highlighting the importance of preserving and showcasing cultural artifacts and historical documents.
• The careful presentation of the clippings in a protective case suggests a desire to conserve and protect these valuable items for future generations.