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The image shows a newspaper clipping from the Harvard Crimson, dated February 7, 1935, detailing various exhibitions at the Fogg Art Museum.

Main Exhibitions:

1. Fragments of Gandhara Sculpture:

   • The Fogg Museum has opened an exhibition featuring a collection of Gandhara sculpture fragments.
   • Alexander the Great brought Greek artisans to India, who settled in the Punjab region.
   • These artisans influenced the sculptural traditions of the area, merging Greek techniques with religious sculpture, particularly Buddhist.
   • The exhibition includes heads and other fragments that highlight the Greco-Buddhist style.

2. Honor of Book Plates:

   • An exhibition of bookplates is being held in the Print Room, continuing a display that started the previous week.
   • The collection includes a large number of prints, with many notable examples from the 15th to 19th centuries.
   • The exhibition features works by artists like Albrecht Dürer, William Hogarth, and other prominent engravers.
   • The prints are arranged chronologically, starting from the earliest known examples up to the 20th century.

3. Lithographs by Joseph Pennell:

   • An exhibition of large lithographs by Joseph Pennell, showcasing his views from New York City, among other works.
   • Pennell’s works include etchings by Herman A. Webster and Whistler’s Thames set, though these were previously exhibited and have been removed.

Additional Information:

• The article mentions that the exhibitions are curated to highlight specific themes and artists.
• The museum’s exhibitions are open daily and on Sundays during specific hours, with no admission fee for some collections.
• The Fogg Museum is noted for its significant collections and exhibitions, including those of prints, bookplates, and ancient sculptures.

Executors:

• The executors for the collections mentioned include A. Kingsley Porter, Paul J. Sachs, Edward W. Forbes, John S. Newberry, and Meta P. Haas. Charles H. Taylor, Jr. is noted as the president of the Museum. The executors are named for their roles in managing the museum’s collections.

The image appears to be a collage of historical newspaper clippings and articles related to the Fogg Art Museum in Cambridge, Massachusetts, dated from February 7, 1913, to February 14, 1913. The articles discuss an exhibition opened at the Fogg Museum, which featured fragments of Gandhara sculpture, emphasizing its Greco-Buddhist influence. The text also mentions the temporary exhibition of bookplates by Edwin Davis French, which were highly prized and previously exhibited at the Museum of Fine Arts in Boston. Another article highlights the donation of a rare series of Goethe's "Faust" by Stephen Bullard to the Charles Eliot Norton collection at Harvard College Library. The clippings are preserved in a clear plastic sleeve and are in a slightly worn condition, suggesting they are part of a collection or archive.

This image shows a collection of newspaper clippings displayed in a protective sleeve. The clippings are dated from February 1913 and discuss exhibitions at the Fogg Art Museum in Cambridge, Massachusetts. The main topics covered in these clippings include:

1. An exhibition of fragments of Gandhara sculpture, which were influenced by Greek workmen who settled in the Punjab region of India. The clippings describe the historical significance of these sculptures and their impact on Buddhist art.

2. A collection of bookplates engraved by Edwin Davis French, which are on loan to the museum from Mr. Pierre La Rose. The bookplates include various topics and are of interest to local collectors and enthusiasts.

3. Other works on display, such as lithographs by Joseph Pennell and etchings by Herman A. Webster, which are gifts to the museum and have not been exhibited before.

The clippings are from different newspapers, including the "Boston Transcript," the "Gazette," and the "Daily Commercial." The text is somewhat faded and the papers are yellowed, indicating their age. The clippings are arranged in a way that allows for easy reading of the content.

This image displays a framed collection of aged newspaper clippings, primarily from 1913, detailing exhibitions and acquisitions at the Fogg Art Museum in Cambridge, Massachusetts.

The clippings, appearing to be from publications like The Boston Transcript and The Boston Evening Transcript, are arranged within a simple, clear frame. They feature yellowed paper with black text, some marked with handwritten annotations and dates, such as "Feb. 7, 1913" and "Feb. 8, 1913".

The content of the clippings centers around two main exhibitions:

1. Gandhara Sculpture Exhibition: Several articles describe a newly opened, curious exhibition of fragments of Gandhara sculpture. These pieces, brought to India by Alexander the Great's Greek workmen, were created in the 2nd century A.D. and later traveled through Asia to Japan. One notable piece is a relief depicting the "temptation of Buddha" or "death of Buddha," described as a "remarkable and fine example of this Greco-Buddhist work".

2. Exhibition of Book Plates and Prints: Other clippings announce the exhibition of rare works of art, specifically bookplates and etchings, donated by Mr. Pierre Le Rose. The exhibition features works by American artists, including a significant number by the late Edwin Davis French. It also mentions an extension of the show and the addition of more etchings. Another article notes the loan of large lithographs by Joseph Pennell and etchings by Herman A. Webster and Whistler, which were recently received and had not been exhibited before.

The overall impression is that of archival material, meticulously preserved to document the history and specific exhibitions of the Fogg Art Museum during the early 20th century. The frame serves to protect and present this historical record.

The image appears to be a collage of newspaper clippings and articles about an exhibition at the Fogg Art Museum at Harvard University. The clippings cover different dates from 1913 to 1917 and discuss various aspects of the exhibition.

The exhibition featured fragments of Gandhara sculptures, which were brought to India by Alexander the Great and his Greek soldiers. It also showcased book plates designed by American artists, including Edwin A. Abbey and Louis P. Potter. The exhibition ran from January 1913 until February 1913, with extended hours on weekends.

The articles highlight the historical and artistic significance of the Gandhara sculptures, which blended Greek and Buddhist influences. They also mention the rare and valuable nature of some of the book plates on display, which were engraved by Harvard undergraduate clubs.

Overall, the image provides a glimpse into the exhibition at the Fogg Art Museum and the interest it generated among art enthusiasts and scholars during that time period.

The image shows a collection of old newspaper clippings, all of which appear to be from the Fogg Art Museum. The clippings are arranged in a grid-like pattern, with some overlapping each other. The clippings contain text that describes various exhibitions and events at the museum.

The top-left clipping mentions an exhibition of Gandhara sculpture, which consists of fragments of Gandhara sculpture. The text describes the influence of Greek workmen who settled in the Punjab region of India and the impact of their technical skill on Buddhist sculpture.

The top-right clipping mentions an exhibition of bookplates, which includes works by Charles Davis French, Joseph Pennell, and others. The text describes the bookplates as being of American interest and mentions that they are all artist's proofs, with the exception of one or two original drawings.

The bottom-left clipping mentions an exhibition of lithographs by Joseph Pennell, which includes six views of New York City and a number of etchings by Herman A. Webster and Whistler's Thames set. The text describes the lithographs and etchings as being of American interest and mentions that they are all artist's proofs.

The bottom-right clipping mentions an exhibition of bookplates by Charles Davis French, which includes a series of plates engraved for the Harvard College Library and an unpublished print of the Harvard College Yard. The text describes the bookplates as being of American interest and mentions that they are all artist's proofs.

Overall, the image shows a collection of newspaper clippings that provide information about various exhibitions and events at the Fogg Art Museum, with a focus on American artists and their work.

The image shows a scanned page from the Fogg Art Museum newsletter or publication, dated February 7, 1913. The page contains two articles, both discussing recent exhibitions at the museum. Here is a detailed description:

Layout and Content:

1. Header Information:

   • The top of the page includes the museum name, "Fogg Art Museum," along with a date ("Feb. 7, 1913") and a reference number ("Gandhara Sculpture").
   • There are handwritten notes in the margins, including dates ("Feb. 10, 1913") and annotations such as "Boston Transcript" and "Gandhara Sculpture."

2. Article 1: "Exhibition of Book Plates"

   • Title: "Exhibition of Book Plates"
   • Content:
     • The article discusses an exhibition of book plates at the Fogg Art Museum, curated by Edwin Davis French.
     • The exhibition features approximately one hundred and ninety plates, including original drawings and proofs by artists such as Louis Potter.
     • The plates are described as being of special local interest, with some engraved for the Harvard College Library and others unpublished.
     • The exhibition is noted to be an unusually large collection for an individual collector and includes works by notable artists like Joseph Pennell, Hermann A. Weber, and Whistler.
     • The exhibition is open to the public, with specific visiting hours mentioned: daily from 9 A.M. to 5 P.M., Sundays and holidays from 1 P.M. to 5 P.M. Visitors are invited to examine the prints in the west-east room of the museum, one flight up.

3. Article 2: "Gandhara Sculpture"

   • Title: "Gandhara Sculpture"
   • Content:
     • The article describes a curious exhibition of fragments of Gandhara sculpture, brought by Alexander Workman from India.
     • The sculptures are attributed to the descendants of Buddhist priests who settled in the northwestern part of India and maintained traditions of their fathers.
     • The works are noted to be created in the second century A.D., influenced by travels over greater parts of Asia, and pieces traveled through China to Japan.
     • Some of the pieces are now on view in the Fine Arts Museum in Boston, while others have never been exhibited in this country.
     • The exhibition includes notable examples such as the temptation of Buddha, a death of Buddha, and Greco-Buddhist work.
     • The exhibition is located in the Print Room, where it will continue for one week longer than the book plates exhibition.

4. Additional Notes:

   • The page includes handwritten marginalia, such as dates and references to other publications or sources.
   • The text is formatted in a newspaper-style layout, with clear headings and subheadings for each article.
   • The content reflects early 20th-century art museum practices, emphasizing exhibitions of both historical and contemporary works.

Overall Impression:

The page provides a glimpse into the cultural and artistic activities of the Fogg Art Museum in 1913, highlighting its role in showcasing both historical artifacts (Gandhara sculpture) and contemporary art (book plates). The detailed descriptions and public engagement details suggest a focus on accessibility and education for museum visitors. The handwritten notes in the margins indicate that this page may have been part of a larger collection or archive, possibly used for reference or commentary.

The image presents a newspaper clipping from the Fogg Art Museum, featuring two articles about the museum's exhibitions. The clipping is yellowed and torn, with handwritten notes and dates in the margins.

• Newspaper Clipping
  • The clipping is from an unknown newspaper, likely from the early 20th century.
  • It features two articles about the Fogg Art Museum, one titled "Curious Exhibition" and the other "Curious Collection of Fragments at the Fogg Museum of Art in Cambridge."
  • The articles discuss the museum's exhibitions, including a series of bookplates engraved by the late Edwin Davis French and a collection of fragments from the Fogg Museum of Art in Cambridge.
• Handwritten Notes
  • The clipping has several handwritten notes and dates in the margins, including "Feb. 7, 1913" and "Feb. 10, 1913."
  • These notes suggest that the clipping was used as a reference or reminder for someone.
• Torn Edges
  • The clipping has torn edges, which may have occurred when it was removed from a larger document or newspaper.
  • The tears are mostly along the edges of the clipping, but there are also some smaller tears throughout the text.
• Yellowed Paper
  • The paper of the clipping is yellowed, indicating that it is old and has been exposed to light for an extended period.
  • The yellowing is more pronounced on the edges of the clipping, where the paper is thinner and more prone to discoloration.

Overall, the image provides a glimpse into the past, showcasing a newspaper clipping from the Fogg Art Museum that has been preserved for over a century. The clipping's yellowed paper and torn edges serve as a reminder of its age and history, while the handwritten notes and dates add a personal touch to the document.

This image presents a newspaper clipping featuring an article about the Fogg Art Museum, accompanied by handwritten notes and dates. The clipping is yellowed with age, indicating its vintage nature.

Article Content:

The article discusses the museum's exhibition of bookplates, which includes a collection of rare works of art from India. The exhibition showcases the influence of Chinese art on Japanese art, as well as the impact of Buddhism on the art of the region. The article highlights the significance of the exhibition, which provides a unique opportunity for viewers to appreciate the beauty and craftsmanship of these ancient works of art.

Handwritten Notes:

The clipping features several handwritten notes and dates, including:

• "Fogg Art Museum" written in pencil at the top of the clipping
• "Feb 7, 1913" written in ink below the title
• "Boston Transcript" written in pencil at the bottom of the clipping
• "Feb 10, 1913" written in ink next to the previous date

These notes suggest that the clipping was likely taken from a newspaper published in Boston in February 1913.

Overall Significance:

The image provides a glimpse into the cultural and artistic landscape of Boston in the early 20th century. The exhibition at the Fogg Art Museum highlights the city's rich cultural heritage and its connection to the wider world. The handwritten notes and dates add a personal touch to the image, suggesting that the clipping was carefully preserved and passed down through generations.

The image is a scanned copy of a newspaper clipping from 1913, featuring an article about the Fogg Art Museum at Harvard University. The clipping is yellowed and torn, with visible creases and wear around the edges.

The article discusses the museum's recent exhibition of Gandhara sculpture fragments, which were brought to India by Alexander the Great. The fragments are described as being created in the second century A.D. and traveled over the greater part of Asia, penetrating through China even to Japan. Some of the pieces are now on view in the Fogg Museum, while others have never been on view in this country.

The article also mentions that the exhibition includes a number of Greek workmen who settled in the northwestern part of India, and that the descendants of these men still kept the traditions of their fathers, using their technical skill as sculptors in the service of the Buddhist priests. The influence of these works is evident in the reliefs representing the temptation of Buddha and the death of Buddha.

In addition to the Gandhara sculpture fragments, the article notes that the Fogg Museum has on exhibition a series of book-plates engraved by the late Edwin Davis French. The prints are about one hundred and seventy-five in number, and are all artist's proofs, with the exception of one or two original drawings. Of local interest will be the plates which Mr. French engraved for the Harvard College Library and for several of the Harvard undergraduate clubs, and also an unpublished print of the Harvard College Yard.

The article concludes by mentioning that there are several large lithographs by Joseph Pennell (among them six views in New York city), a number of etchings by Herman A. Webster, and Whistler's Thames set. The Pennell lithographs and Webster etchings are gifts recently received, and have not been exhibited before in the Fogg Museum.

Overall, the image provides a glimpse into the Fogg Art Museum's exhibition history and highlights the significance of the Gandhara sculpture fragments and other artworks on display.