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The image shows a newspaper clipping from the Harvard Crimson, dated February 7, 1935, detailing various exhibitions at the Fogg Art Museum.

Main Exhibitions:

1. Fragments of Gandhara Sculpture:

   • The Fogg Museum has opened an exhibition featuring a collection of Gandhara sculpture fragments.
   • Alexander the Great brought Greek artisans to India, who settled in the Punjab region.
   • These artisans influenced the sculptural traditions of the area, merging Greek techniques with religious sculpture, particularly Buddhist.
   • The exhibition includes heads and other fragments that highlight the Greco-Buddhist style.

2. Honor of Book Plates:

   • An exhibition of bookplates is being held in the Print Room, continuing a display that started the previous week.
   • The collection includes a large number of prints, with many notable examples from the 15th to 19th centuries.
   • The exhibition features works by artists like Albrecht Dürer, William Hogarth, and other prominent engravers.
   • The prints are arranged chronologically, starting from the earliest known examples up to the 20th century.

3. Lithographs by Joseph Pennell:

   • An exhibition of large lithographs by Joseph Pennell, showcasing his views from New York City, among other works.
   • Pennell’s works include etchings by Herman A. Webster and Whistler’s Thames set, though these were previously exhibited and have been removed.

Additional Information:

• The article mentions that the exhibitions are curated to highlight specific themes and artists.
• The museum’s exhibitions are open daily and on Sundays during specific hours, with no admission fee for some collections.
• The Fogg Museum is noted for its significant collections and exhibitions, including those of prints, bookplates, and ancient sculptures.

Executors:

• The executors for the collections mentioned include A. Kingsley Porter, Paul J. Sachs, Edward W. Forbes, John S. Newberry, and Meta P. Haas. Charles H. Taylor, Jr. is noted as the president of the Museum. The executors are named for their roles in managing the museum’s collections.

The image appears to be a collage of historical newspaper clippings and articles related to the Fogg Art Museum in Cambridge, Massachusetts, dated from February 7, 1913, to February 14, 1913. The articles discuss an exhibition opened at the Fogg Museum, which featured fragments of Gandhara sculpture, emphasizing its Greco-Buddhist influence. The text also mentions the temporary exhibition of bookplates by Edwin Davis French, which were highly prized and previously exhibited at the Museum of Fine Arts in Boston. Another article highlights the donation of a rare series of Goethe's "Faust" by Stephen Bullard to the Charles Eliot Norton collection at Harvard College Library. The clippings are preserved in a clear plastic sleeve and are in a slightly worn condition, suggesting they are part of a collection or archive.

This image shows a collection of newspaper clippings displayed in a protective sleeve. The clippings are dated from February 1913 and discuss exhibitions at the Fogg Art Museum in Cambridge, Massachusetts. The main topics covered in these clippings include:

1. An exhibition of fragments of Gandhara sculpture, which were influenced by Greek workmen who settled in the Punjab region of India. The clippings describe the historical significance of these sculptures and their impact on Buddhist art.

2. A collection of bookplates engraved by Edwin Davis French, which are on loan to the museum from Mr. Pierre La Rose. The bookplates include various topics and are of interest to local collectors and enthusiasts.

3. Other works on display, such as lithographs by Joseph Pennell and etchings by Herman A. Webster, which are gifts to the museum and have not been exhibited before.

The clippings are from different newspapers, including the "Boston Transcript," the "Gazette," and the "Daily Commercial." The text is somewhat faded and the papers are yellowed, indicating their age. The clippings are arranged in a way that allows for easy reading of the content.

This image displays a framed collection of aged newspaper clippings, primarily from 1913, detailing exhibitions and acquisitions at the Fogg Art Museum in Cambridge, Massachusetts.

The clippings, appearing to be from publications like The Boston Transcript and The Boston Evening Transcript, are arranged within a simple, clear frame. They feature yellowed paper with black text, some marked with handwritten annotations and dates, such as "Feb. 7, 1913" and "Feb. 8, 1913".

The content of the clippings centers around two main exhibitions:

1. Gandhara Sculpture Exhibition: Several articles describe a newly opened, curious exhibition of fragments of Gandhara sculpture. These pieces, brought to India by Alexander the Great's Greek workmen, were created in the 2nd century A.D. and later traveled through Asia to Japan. One notable piece is a relief depicting the "temptation of Buddha" or "death of Buddha," described as a "remarkable and fine example of this Greco-Buddhist work".

2. Exhibition of Book Plates and Prints: Other clippings announce the exhibition of rare works of art, specifically bookplates and etchings, donated by Mr. Pierre Le Rose. The exhibition features works by American artists, including a significant number by the late Edwin Davis French. It also mentions an extension of the show and the addition of more etchings. Another article notes the loan of large lithographs by Joseph Pennell and etchings by Herman A. Webster and Whistler, which were recently received and had not been exhibited before.

The overall impression is that of archival material, meticulously preserved to document the history and specific exhibitions of the Fogg Art Museum during the early 20th century. The frame serves to protect and present this historical record.

The image appears to be a collage of newspaper clippings and articles about an exhibition at the Fogg Art Museum at Harvard University. The clippings cover different dates from 1913 to 1917 and discuss various aspects of the exhibition.

The exhibition featured fragments of Gandhara sculptures, which were brought to India by Alexander the Great and his Greek soldiers. It also showcased book plates designed by American artists, including Edwin A. Abbey and Louis P. Potter. The exhibition ran from January 1913 until February 1913, with extended hours on weekends.

The articles highlight the historical and artistic significance of the Gandhara sculptures, which blended Greek and Buddhist influences. They also mention the rare and valuable nature of some of the book plates on display, which were engraved by Harvard undergraduate clubs.

Overall, the image provides a glimpse into the exhibition at the Fogg Art Museum and the interest it generated among art enthusiasts and scholars during that time period.

The image shows a collection of old newspaper clippings, all of which appear to be from the Fogg Art Museum. The clippings are arranged in a grid-like pattern, with some overlapping each other. The clippings contain text that describes various exhibitions and events at the museum.

The top-left clipping mentions an exhibition of Gandhara sculpture, which consists of fragments of Gandhara sculpture. The text describes the influence of Greek workmen who settled in the Punjab region of India and the impact of their technical skill on Buddhist sculpture.

The top-right clipping mentions an exhibition of bookplates, which includes works by Charles Davis French, Joseph Pennell, and others. The text describes the bookplates as being of American interest and mentions that they are all artist's proofs, with the exception of one or two original drawings.

The bottom-left clipping mentions an exhibition of lithographs by Joseph Pennell, which includes six views of New York City and a number of etchings by Herman A. Webster and Whistler's Thames set. The text describes the lithographs and etchings as being of American interest and mentions that they are all artist's proofs.

The bottom-right clipping mentions an exhibition of bookplates by Charles Davis French, which includes a series of plates engraved for the Harvard College Library and an unpublished print of the Harvard College Yard. The text describes the bookplates as being of American interest and mentions that they are all artist's proofs.

Overall, the image shows a collection of newspaper clippings that provide information about various exhibitions and events at the Fogg Art Museum, with a focus on American artists and their work.

The image shows a scanned page from the Fogg Art Museum newsletter or publication, dated February 7, 1913. The page contains two articles, both discussing recent exhibitions at the museum. Here is a detailed description:

Layout and Content:

1. Header Information:

   • The top of the page includes the museum name, "Fogg Art Museum," along with a date ("Feb. 7, 1913") and a reference number ("Gandhara Sculpture").
   • There are handwritten notes in the margins, including dates ("Feb. 10, 1913") and annotations such as "Boston Transcript" and "Gandhara Sculpture."

2. Article 1: "Exhibition of Book Plates"

   • Title: "Exhibition of Book Plates"
   • Content:
     • The article discusses an exhibition of book plates at the Fogg Art Museum, curated by Edwin Davis French.
     • The exhibition features approximately one hundred and ninety plates, including original drawings and proofs by artists such as Louis Potter.
     • The plates are described as being of special local interest, with some engraved for the Harvard College Library and others unpublished.
     • The exhibition is noted to be an unusually large collection for an individual collector and includes works by notable artists like Joseph Pennell, Hermann A. Weber, and Whistler.
     • The exhibition is open to the public, with specific visiting hours mentioned: daily from 9 A.M. to 5 P.M., Sundays and holidays from 1 P.M. to 5 P.M. Visitors are invited to examine the prints in the west-east room of the museum, one flight up.

3. Article 2: "Gandhara Sculpture"

   • Title: "Gandhara Sculpture"
   • Content:
     • The article describes a curious exhibition of fragments of Gandhara sculpture, brought by Alexander Workman from India.
     • The sculptures are attributed to the descendants of Buddhist priests who settled in the northwestern part of India and maintained traditions of their fathers.
     • The works are noted to be created in the second century A.D., influenced by travels over greater parts of Asia, and pieces traveled through China to Japan.
     • Some of the pieces are now on view in the Fine Arts Museum in Boston, while others have never been exhibited in this country.
     • The exhibition includes notable examples such as the temptation of Buddha, a death of Buddha, and Greco-Buddhist work.
     • The exhibition is located in the Print Room, where it will continue for one week longer than the book plates exhibition.

4. Additional Notes:

   • The page includes handwritten marginalia, such as dates and references to other publications or sources.
   • The text is formatted in a newspaper-style layout, with clear headings and subheadings for each article.
   • The content reflects early 20th-century art museum practices, emphasizing exhibitions of both historical and contemporary works.

Overall Impression:

The page provides a glimpse into the cultural and artistic activities of the Fogg Art Museum in 1913, highlighting its role in showcasing both historical artifacts (Gandhara sculpture) and contemporary art (book plates). The detailed descriptions and public engagement details suggest a focus on accessibility and education for museum visitors. The handwritten notes in the margins indicate that this page may have been part of a larger collection or archive, possibly used for reference or commentary.

The image shows a collection of newspaper clippings related to the Fogg Art Museum, dated around 1913. The clippings seem to be mounted on a piece of paper or inside a protective sleeve.

The main content of the articles revolves around exhibitions at the Fogg Art Museum. One primary exhibition discussed is a display of fragments of Gandhara sculptures, linked to Alexander the Great bringing these artifacts into India. The sculptures are linked to Buddhist priests who decorated monasteries with religious statues. These works, dating back to the second century A.D., traveled through Asia and were exhibited in museums, including the Museum of Fine Arts in Boston.

Another theme is a series of book plates and lithographs exhibited at the Fogg Art Museum, which include works by Herbert La Thaug Davis French and others such as Joseph Pennell, Herman A. Webster, and Whistler’s Thames set. These prints and bookplates highlight the interest in contemporary American artists of the time.

Another clipping mentions a "Curious Collection of Fragments at the Fogg Museum of Art in Cambridge," providing further context on the Gandhara sculpture exhibition and the museum's acquisition and display of these ancient artifacts.

Overall, these clippings document early 20th-century exhibitions at the Fogg Art Museum, focusing on both ancient art from Asia and contemporary American prints and bookplates.

This image depicts a collage of newspaper clippings about exhibitions at the Fogg Art Museum, dated from February 1913. The articles focus on various topics, including:

1. A collection of Gandharan sculptures, exploring the influence of Greek workmen in India after Alexander the Great's time. The display features ancient Buddhist sculptures that reflect a combination of Greco-Buddhist art traditions and their spread through Asia.

2. An exhibition of engraved bookplates by Edwin Davis French, showcasing around 175 pieces. The focus is on American artists, with an emphasis on the relationship between art and literature.

3. Mention of lithographs and etchings by various artists, including Joseph Pennell and Whistler, some being exhibited for the first time.

These clippings, neatly organized, seem to highlight the diversity of exhibits and reflect the museum's ambition to showcase a variety of artistic and historical works from different cultures. Handwritten notes provide references or details like publication dates and possibly personal observations. The edges of the clippings show signs of wear, suggesting age and handling.

A framed collage of newspaper clippings mounted on a tan backing. The clippings appear to come from an early 20th-century exhibit description (Fogg Art Museum, around 1913) and discuss topics like Gandhara sculpture, Buddhist art, book plates, and Oriental paintings. The pages are arranged in several small columns with rough, torn edges, and there are handwritten notes in pencil along the top margins. The overall look is that of a scrapbook or press-release display about the museum exhibit.