Archives Scrapbooks

The image appears to be a collection of newspaper clippings and excerpts, presumably related to the Fogg Art Museum, Harvard University. The papers are aged and have a yellowed appearance, suggesting they are from the early to mid-20th century. The clippings are arranged and taped together in a scrapbook-like manner.

The clippings include articles dated from February 15, 1912, to March 19, 1912, discussing various aspects of the Fogg Art Museum, including exhibitions, lectures, and acquisitions. Some of the headlines include:

• "What is the Meleager?"
• "Fogg Art Museum"
• "For a Bigger, Better Fogg Museum"
• "Museum Gets Engravings"
• "Two Lectures on Art and Sculpture"

Handwritten notes and markings are also present, which might indicate that the person who collected these items made annotations for reference or personal use. The papers are protected by a clear plastic sleeve, which further suggests that they are part of a collection meant to be preserved.

This image is a collection of newspaper clippings, likely from 1912, discussing various topics related to the Fogg Art Museum at Harvard University. The clippings are arranged on a brown paper backing and are of different sizes and shapes. Here is a detailed description of each clipping:

1. Top Left Clipping: "What is the Meleager?"

   • This clipping is from the "Crimson" dated Thursday, February 15, 1912. It discusses the lack of interest in the Fogg Museum among the university students and the need for more engagement with the museum's collection. The article mentions a letter from Edward W. Forbes, the curator of the Fogg Museum, urging undergraduates to appreciate the fine arts through the museum's treasures.

2. Top Right Clipping: "Fogg Art Museum"

   • This clipping is from the "Gazette" dated February 16, 1912. It reports on a recent gift to the Fogg Museum from Mr. Paul J. Sachs, a series of etchings by Herman A. Webster and lithographs by Pennell. The article describes the quality and significance of these prints, noting their influence and artistic value.

3. Middle Right Clipping: "For a Bigger, Better Fogg Museum"

   • This clipping is from the "Transcript" dated February 29, 1912. It discusses the inadequacy of the current Fogg Museum building and the need for enlargement and better facilities to properly display the growing collection of paintings. The article mentions the efforts of the fine arts department to address these needs.

4. Bottom Right Clipping: "Two Lectures on Art and Sculpture"

   • This clipping is from the "Crimson" dated March 19, 1912. It announces two lectures on ancient sculpture by George Henry Chase, an assistant professor of classical archaeology and curator of classical antiquities. The lectures are scheduled to take place in the exhibition hall of the Fogg Museum, with the first lecture focusing on the models of ancient sculpture and the second on the pictures in the museum.

5. Middle Left Clipping: "Museum Gets Engravings"

   • This clipping is from the "Boston Herald" dated March 17, 1912. It reports that the Fogg Museum has acquired two engravings by Martin Schongauer, a German artist, and describes the significance of these additions to the museum's collection.

6. Handwritten Notes:

   • There are several handwritten notes on the brown paper backing, indicating the dates and sources of the clippings, such as "Gazette - Feb 16, 1912," "Also in Springfield Republican Feb. 25, 1912," and "Boston Herald Mar. 17, 1912."

The clippings are arranged in a collage-like manner, with some overlapping and some placed side by side. The overall theme of the clippings is the promotion and discussion of the Fogg Art Museum and its collections, as well as the need for better facilities and increased engagement with the museum.

This image displays a historical scrapbook page, carefully preserved under clear protective plastic. The page is made of aged, yellowed paper and contains a collage of newspaper clippings from early 1912, all centered around the Fogg Art Museum at Harvard University.

The clippings are arranged in a grid-like fashion, with handwritten notes in pencil adding context and dates to the page.

Key Articles and Content:

1. Top-Left Clipping (Crimson, Feb. 15, 1912): "WHAT IS THE MELEAGER?"

   • This article criticizes the Harvard student body for its lack of interest in the Fogg Museum's valuable art collection, particularly questioning their ignorance of a famous sculpture, the "Meleager." It laments that while students seek culture, they are oblivious to the art treasures right in their midst.

2. Top-Right Clipping (Handwritten: "Fogg Art Museum"):

   • This article announces that the Fogg Museum received a gift of etchings from Mr. Paul J. Sachs and Mr. Herman A. Webster. It praises the quality of the etchings, noting they are fine, brilliant, and show the influence of the artist Méryon.

3. Middle-Left Clipping (Springfield Republican, Feb. 17, 1912):

   • This clipping reports on a letter from Edward W. Forbes, curator of the Fogg Museum. He urges Harvard students to use the museum, lamenting their neglect of this valuable resource. He notes that the editorial "Meleager" in the Crimson was correct in its criticism.

4. Middle-Right Clipping (Boston Herald, Mar. 17, 1912): "FOR A BIGGER, BETTER FOGG MUSEUM"

   • This article highlights the inadequacy of the current Fogg Museum building to house its growing collection. It reports on plans to enlarge the museum and add a more adequate picture gallery, citing the need to properly display the "architectural character" of the collection.

5. Bottom-Left Clipping (Crimson, Mar. 19, 1912): "Two Lectures on Art and Sculpture"

   • This is an announcement of upcoming lectures at the museum. George Henry Chase will speak on "Ancient Sculpture," and Dr. Denman Waldo Ross will speak on "Art and Sciences." Both lectures are open to undergraduates, aiming to bridge the gap between students and the museum's collections.

6. Bottom-Right Clipping (Boston Herald, Mar. 17, 1912): "MUSEUM GETS ENGRAVINGS"

   • This article details new acquisitions for the Fogg Museum, including engravings from Martin Schongauer and a small painting by Antoniozzo Romano. It notes the collection has grown significantly, with acquisitions including works by Russian, French, and Japanese artists.

Handwritten Notes:

A pencil note in the top right corner reads: "Also on Springfield Republican / Feb. 26, 1912," likely pointing to another relevant article not included on this page.

Overall Significance:
The scrapbook page is a fascinating snapshot of early 20th-century cultural discourse at Harvard. It documents a period of transition for the Fogg Museum, marked by:

• A critical dialogue about student engagement with art.
• Significant new acquisitions and gifts.
• Plans for major architectural expansion to accommodate its growing importance.

The handwritten notes suggest this was a curated collection, likely compiled by someone deeply interested in the museum's development and public perception during this pivotal time.

The page is presented in a simple white or light gray mat, emphasizing the historical and archival nature of the artifact.

The image is a scanned copy of a newspaper clipping. The clipping is from the Harvard Crimson, dated February 15, 1912. The clipping includes several articles and columns, each with a distinct title and content. The main article, titled "What is the Meleagrid?" discusses the concept of the "Meleagrid," a term used to describe individuals who seek culture but lack genuine understanding or respect for it. The article explores the presence of such individuals at Harvard University, particularly within the Fine Arts Department and the Fogg Museum. It suggests that these individuals are often attracted to the university's cultural offerings but fail to appreciate their true value. The article also mentions the Fogg Museum's recent acquisition of etchings by Pennell and Weber, highlighting the museum's efforts to expand its collection. Other sections of the clipping include a report on the Fogg Museum's engravings, a discussion on the enlargement of the Harvard Art Building, and a brief mention of upcoming lectures on art and sculpture. The overall tone of the clipping is informative and somewhat critical of the superficial engagement with culture by some students.

The image shows a page from a newspaper or a magazine, dated Thursday, February 15, 1912. The page is slightly aged, with a brownish tint, suggesting it has been preserved for a long time. The page contains several articles, each with its own title and content.

The top article is titled "WHAT IS THE MELEAGER?" and discusses the concept of a "meleagers," which seems to refer to individuals who possess a natural appeal and are well-versed in various forms of art, literature, and music. The article mentions the Fogg Museum and its collection, suggesting that the museum is a place where such individuals might be found.

Below this article, there is another titled "FOGG ART MUSEUM," which reports on recent gifts received by the museum, including etchings and lithographs. The article highlights the influence of these artists on the museum's collection and the need for a more adequate gallery space.

Further down, there is an article titled "FOR A BIGGER, BETTER FOGG MUSEUM," which discusses the inadequacy of the current museum building and the need for expansion. It mentions the plans for a new building and the challenges in fundraising for its construction.

The bottom article is titled "MUSEUM GETS ENGRAVINGS" and reports on the acquisition of engravings by the museum, including works by notable artists. It also mentions upcoming lectures on art and sculpture by prominent figures in the field.

The layout of the page is typical of early 20th-century newspapers, with multiple columns and a mix of headlines and body text. The articles are separated by horizontal lines, and the text is in a serif font, which was common for newspapers of that era.

The image is a scanned page from a historical newspaper or publication dated Thursday, February 15, 1912. The page features a collection of articles and news snippets, primarily focused on art, museums, and cultural events. Here is a detailed description:

Header Information

• Date: Thursday, February 15, 1912.
• Headline Section: The top of the page includes a header with the word "CRIMSON," likely indicating the name of the publication or section.
• Annotations: There are handwritten notes and markings on the page, including:
  • A note in the top right corner: "Aver in Springfield +6 25 1/12."
  • Another note: "Manuscrypt Feb 16, 1912."
  • Additional markings such as "Fogg Art Museum" and "For a Bigger, Better Fogg Museum."

Main Content

The page is divided into several articles, each discussing different topics related to art, museums, and cultural events. Below is a breakdown of the main sections:

1. "What is the Meleger?"

• Topic: This article discusses the concept of the "Meleger," a term used to describe an individual who appreciates art but does not actively engage with it. The article critiques the Fogg Art Museum for its perceived neglect of this group.
• Key Points:
  • The author argues that the Fogg Museum fails to attract individuals who are interested in art but do not possess formal knowledge or understanding.
  • The article compares the situation to Berlin, where the "Meleger" is better understood and catered to.
  • The author suggests that the Fogg Museum should make greater efforts to engage this audience, perhaps by improving its collections or staff.

2. "Fogg Art Museum"

• Topic: This section announces that the Fogg Art Museum has received a gift of etchings by Herman A. Sachs, Class of 1900, a series of etchings by Mr. F. J. Webster, and photographs of paintings by the Websters.
• Key Points:
  • The etchings by Sachs are described as fine and brilliant impressions, showing the influence of Merryon.
  • The photographs by the Websters depict scenes in Paris, inspired by Merryon's work.
  • The article highlights the significance of these gifts and their contribution to the museum's collection.

3. "For a Bigger, Better Fogg Museum"

• Topic: This article discusses plans to expand and improve the Fogg Art Museum.
• Key Points:
  • The current building is deemed inadequate for displaying the valuable collection properly.
  • There is a proposal to enlarge the museum and provide more adequate gallery space.
  • The article mentions that the museum is planning to build a new wing, and the architectural unity of the Fogg Art Museum with the Harvard Art Department is a concern.
  • The museum has recently received a gift of engravings attributed to Antonio Ranzoni, which will be added to the collection.

4. "Museum Gets Engravings"

• Topic: This section reports that the Fogg Museum has received a series of engravings from the heirs of John S. Sargent.
• Key Points:
  • The engravings include plates and the "Adoration of the Magi" by this great artist.
  • The gift is described as a significant addition to the museum's collection.

5. "Two Lectures on Art and Sculpture"

• Topic: This article announces two lectures on art and sculpture to be held at the Fogg Museum.
• Key Points:
  • Lecture 1: George Henry Chase '96, Assistant Professor of Classical Archaeology and Curator of Classical Antiquities, will speak informally on Ancient Sculpture on Thursday afternoon at 3:30 o'clock. The talk will focus on the modern use of the word "sculpture" and will be illustrated directly by the statutory collection in the museum. Admission is free to members of the University.
  • Lecture 2: Dr. Denman Ross '75 will talk on the pictures in the Fogg Museum on Monday, March 25, at 3:30 o'clock. Dr. Ross is a Fellow of the American Academy of Arts and Sciences and has been a Trustee of the Boston Museum of Fine Arts since 1898. He has lectured or has written a book on the same subject. The lecture will be open to undergraduates only.

Visual and Layout Details

• Typography: The text is printed in a serif font typical of early 20th-century newspapers.
• Annotations: Handwritten notes and markings are visible, suggesting the page may have been used for reference or study.
• Columns: The page is formatted into multiple columns, a common layout for newspapers of the era.
• Headings: Each article is clearly labeled with a bold heading, making it easy to identify topics.

Overall Context

The page reflects the cultural and artistic interests of the early 20th century, focusing on museum collections, lectures, and the evolving role of art institutions in engaging the public. The Fogg Art Museum is a central theme, with discussions about its collections, expansion plans, and educational programs. The handwritten notes suggest the page may have been part of a personal or institutional archive.

• The image shows an old newspaper clipping mounted on a light brown backing inside a clear protective sleeve.
• The clipping is yellowed and frayed at the edges, giving it an antique look.
• At the top, a column header reads “FOGG ART MUSEUM” with the date “Thursday, February 15, 1912.”
• The page contains multiple small columns of text with several headlines, including “What Is The Meleager?”, “Two Lectures on Art and Sculpture,” and “For a Bigger, Better FOGG MUSEUM,” along with other articles about the museum and art topics.
• There are handwritten notes in the margins and on the reverse edges, adding to the archival appearance.
• Overall, it’s a collage of vintage newspaper clippings related to the Fogg Art Museum from the early 20th century.

This image displays an arrangement of old newspaper clippings about the Fogg Museum. The clippings feature articles dated around 1912, discussing topics including events and acquisitions related to the museum, such as lectures, new additions of engravings, and appeals for increased patronage and engagement with the museum.

The articles are arranged on a single sheet, with annotations and markings visible around some of the text. Notable headlines include:

• "What is the Meleager?"
• "Fogg Art Museum"
• "Museum Gets Engravings"
• "For a Bigger, Better Fogg Museum"
• "Two Lectures on Art and Sculpture"

The background paper is aged, with a yellowish-brown tone, and shows signs of wear, including smudges and some tears at the edges. Handwritten notes are visible, indicating annotations or cataloging details. The overall image highlights historical documentation and reflects the early 20th-century focus on art education and museum development.

This image presents a page that appears to be from a historical newspaper or journal, dated Thursday, February 15, 1912. The text is a collage of various articles and notices, but it is not entirely clear, as it seems the page has been annotated and has some parts cut out or pasted over. The visible headlines and text pertain to topics relevant at the time, such as discussions about art and news about the Fogg Art Museum, including acquisitions of art and future expansions.

On the top right part of the page, there is an article with the headline "FOR A BIGGER, BETTER FOGG MUSEUM", calling for the enlargement and provision of a more adequate picture gallery. On the left side, a separate column questions "WHAT IS THE MELEAGER?" discussing the role of the Fogg Museum and critiquing what is framed as a neglect of a valuable collection piece.

Handwritten annotations and stamps suggest that the document might be part of a collection or has been archived (e.g., "Duplicate Feb 26, 1912"). There are visible tears and creases which indicate its age and use over time. The bottom right of the page also notes an upcoming lecture on art and sculpture at the museum.

Overall, this image captures a piece of art and cultural history, reflecting discussions and developments in the art community during that era.

The image shows a yellowed newspaper clipping with multiple articles about the Fogg Art Museum, dated Thursday, February 15, 1912. The main article, titled "WHAT IS THE MELEAGER?" highlights a call for more interest in the Fogg Museum's art department. It mentions how the university is expected to have a respect for art, literature, and paintings, indicating a negligence in this area. There are assorted articles surrounding the main one, discussing different aspects and events related to the Fogg Art Museum, such as new acquisitions, lectures on art and sculpture, and improvements to the museum's gallery space. Handwritten notes appear on the margins, indicating dates and publications of the articles.