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The image displays a collection of newspaper clippings pasted on two pages, likely from an archival scrapbook. The clippings are articles discussing the works of the French artist Edgar Degas, with a focus on an exhibition of his paintings at the Fogg Museum in Cambridge. The articles are dated between April 10, 1911, and April 23, 1911.

Summary of the Content:

1. April 10, 1911 Article ("The Boston Globe"):

   • The article highlights an exhibition of Degas's work at the Fogg Museum, noting that it is the first time such a collection of his paintings has been shown in America.
   • It mentions that the exhibition includes 17 pastels and 12 oils, emphasizing that the pastels are particularly impressive, with some being pre-1870.
   • The article discusses the technical aspects of Degas's work, such as his use of color and light, and his departure from traditional methods, which makes his work distinctive and modern.
   • It also notes that while some of his works may not be finished, they all bear the unmistakable mark of a genius.

2. April 17, 1911 Article ("The Boston Globe"):

   • This article reviews the Degas exhibition at the Fogg Museum, noting that it is the most comprehensive collection of his works ever shown in America.
   • It highlights that the exhibition includes pastels, oils, etchings, and lithographs, spanning the artist's entire career.
   • The article discusses the unique qualities of Degas's work, such as his ability to capture movement and his innovative use of color and composition.
   • It also notes that the exhibition provides a valuable opportunity for the public to appreciate the development of Degas's artistic style over time.

3. April 23, 1911 Article ("The Boston Globe"):

   • This article reiterates the significance of the Degas exhibition at the Fogg Museum, emphasizing that it is a rare chance to see such a wide range of the artist's works in one place.
   • It mentions that the exhibition includes not only pastels and oils but also some of Degas's sculptures.
   • The article again highlights Degas's innovative techniques and his unique ability to capture movement and life.
   • It also notes that the exhibition has attracted a large number of visitors, indicating the public's appreciation for Degas's work.

Additional Notes:

• The articles are accompanied by handwritten annotations, possibly indicating the dates and sources of the clippings.
• The articles provide a historical context for the reception and appreciation of Degas's work in America during the early 20th century.
• The focus on the Fogg Museum's role in presenting this exhibition underscores its importance as a center for art and culture at the time.

The image shows a collection of newspaper clippings related to the exhibition of paintings by the French artist Edgar Degas at the Fogg Museum in Cambridge, Massachusetts, and other art-related articles.

1. First Clipping (Globe, April 10, 1911)

   • Title: "Paintings by Degas"
   • This article discusses some of the eminent works by Edgar Degas, highlighting his paintings in the Fogg Museum. It notes Degas' influence and the recognition he has received for his contributions to art, despite initially being overlooked.

2. Second Clipping (New York Sun, April 16, 1911)

   • Title: "Art Gossip"
   • This piece covers the appreciation of Degas’ works in New England. It mentions that the Harvard Art Museum's exhibition of Degas' works was well-attended, with many works being reproductions and photographs of drawings and pastels. The article emphasizes Degas' significant impact on the art world over the last 50 years.

3. Third Clipping (Fog Museum, Cambridge, April 17, 1911)

   • This brief note describes the Fogg Museum's exhibition of Degas’ artworks. It mentions that the works were exhibited in various forms, including drawings and photographs, and provides details on the specific pieces displayed.

4. Fourth Clipping (Boston Transcript, April 19, 1911)

   • Title: "Fogg Museum of Art"
   • The article provides a detailed review of the Degas exhibition, noting the variety of mediums used and the historical significance of the works. It also mentions the inclusion of prints and photographs, and the choice of pieces that illustrate different periods of Degas’ career.

5. Fifth Clipping (Freerence Journal, April 23, 1911)

   • This article reiterates the importance of the Degas exhibition in New England, emphasizing the breadth and depth of the works on display. It underscores the recognition Degas has garnered and the significant impact his art has had on the American art scene.

The clippings collectively highlight the critical reception and importance of Degas' artworks during their exhibition at the Fogg Museum, emphasizing his lasting influence and the recognition he received within the art community.

The image shows a collection of newspaper clippings and articles about the exhibitions of paintings by the French artist Jean-Auguste-Dominique Ingres, often referred to as "Degas," at various museums in the United States, specifically in Cambridge, Boston, and New York, around 1911.

1. Top Clipping (Globe, April 10, 1911)

   • Title: "Paintings by Degas."
   • The article discusses an exhibition of works by Degas at the Fogg Art Museum at Harvard University.
   • It mentions that Degas is a prominent French artist whose work has been recognized globally.
   • The exhibition includes a variety of paintings, and the author notes that Degas has a unique ability to capture movement and life in his works.
   • The article highlights the influence of Degas's work on patrons and his status as one of the great artists of his time.

2. Second Clipping (New York Sun, April 16, 1911)

   • Title: "Appreciation of Degas in New England."
   • The article discusses the appreciation of Degas's works in New England, particularly in Cambridge at the Fogg Art Museum.
   • It mentions the exhibition of his paintings, sketches, and photographs, which attracted considerable attention.
   • The writer notes that Degas is one of the most influential artists of the last fifty years, whose works have been widely admired.
   • The article highlights that the exhibition includes various works from different periods, showing Degas's versatility.

3. Third Clipping (Boston Transcript, April 17, 1911)

   • Title: "Appreciation of Degas in New England."
   • This clipping also discusses the exhibition at the Fogg Museum in Cambridge.
   • It mentions that the exhibition includes a diverse range of works, including sketches and photographs.
   • The writer notes the significant impact Degas has had on art and his recognition as one of the great artists of the 19th century.
   • The article also mentions the inclusion of works like "Portrait of Tourny" and "La Foyer de la Dance."

4. Fourth Clipping (Boston Transcript, April 19, 1911)

   • Title: "Fogg Museum of Art."
   • The clipping focuses on the Degas exhibition at the Fogg Museum, which has been well-received.
   • It mentions the inclusion of different periods of Degas's work and the quality of the reproductions.
   • The article also notes the significance of Degas's work in capturing the essence of human life and movement.

5. Fifth Clipping (Fremont Journal, April 23, 1911)

   • Title: "Appreciation of Degas in New England."
   • The article reiterates the positive reception of the Degas exhibition in Cambridge.
   • It mentions the inclusion of various works and the recognition of Degas as a significant artist.
   • The writer notes the influence of Degas's work on modern art and its continued relevance.

In summary, these clippings collectively highlight the significance of the Degas exhibition at the Fogg Art Museum in Cambridge, showcasing his diverse and influential works and the appreciation of his art in New England.

The image shows several newspaper clippings from different dates and publications, all discussing an exhibition of paintings by the eminent French artist Edgar Degas at the Fogg Art Museum, Harvard University. Here’s a detailed summary of each clipping:

1. Globe - April 10, 1911 (Top Left)

   • The article discusses Degas's exhibition at the Fogg Art Museum, highlighting his influence among painters and his unique style. It mentions that Degas, despite his fame, had a reclusive personality and preferred to be known as a painter rather than a sculptor. The article also notes his skill in depicting ballet dancers, horses, and women, emphasizing his ability to capture movement and emotion.

2. Port (Fitchburg) - April 17, 1911 (Top Right)

   • This article provides an overview of the exhibition, stating that it is one of the most important collections of Degas's works in America. The article mentions that the exhibition includes various works such as pastels, drawings, and paintings, showcasing Degas's versatility and skill across different media.

3. N.Y. Sun - April 6, 1911 (Middle Left)

   • This article is titled "ART GOSSIP" and discusses the exhibition of Degas's works at the Fogg Art Museum. It notes that the exhibition includes a significant number of Degas's works, including pastels, paintings, and drawings. The article mentions specific works like "Portrait of Tournay" and "Raceshorses" and highlights Degas's ability to capture the essence of his subjects with precision and grace.

4. Boston Transcript - April 8, 1911 (Middle Right)

   • This article describes the Degas exhibition as one of the most important collections of his works to be seen in America. It notes that the exhibition includes paintings, pastels, and drawings, emphasizing Degas's mastery of different artistic techniques.

5. Frederick Journal - April 23, 1911 (Bottom)

   • This article mentions the exhibition of Degas's works at the Fogg Art Museum, highlighting the significance of the collection. It discusses the variety of works included, such as pastels, drawings, and paintings, and notes the importance of the exhibition in providing a comprehensive view of Degas's artistic career.

Overall, these clippings collectively emphasize the importance and uniqueness of Degas's works on display at the Fogg Art Museum, highlighting his influence and skill as a painter. They mention various types of works, including pastels, drawings, and paintings, and note the significance of the exhibition in showcasing Degas's artistic range and talent.

The image is a collection of newspaper clippings from early April 1911, discussing exhibitions of paintings by the French artist Edgar Degas.

Top Left Clipping (Globe, April 10, 1911)

Title: Paintings by Degas. Some of the Work by This Eminent French Artist Is Being Shown at the Fogg Museum.

This article discusses an exhibition at the Fogg Art Museum at Harvard University. It mentions that Degas is one of the most eminent French painters and that his art has been shown extensively in Paris, but this is the first major exhibition in the United States. The article praises Degas' unique approach to composition and his ability to capture the essence of movement and life, particularly in his ballet scenes and horse races. It highlights Degas' sensitivity to minor details and the artistic vitality of his works, which are noted to be more varied and less brutal than often assumed.

Middle Clipping (Unknown Source, April 10, 1911)

Title: Art Gossip

This section discusses the appreciation of Degas' work in New England, specifically at the Fogg Art Museum in Cambridge and the Boston Museum of Fine Arts. It mentions that the exhibition at Harvard includes a range of Degas' works, such as drawings, paintings, and pastels. The article notes that the Boston Museum of Fine Arts has a significant collection of Degas' works, including notable pieces like "Portrait of a Young Woman" and "Foyer de la Danse." It also mentions that Degas' works are highly valued by collectors and that the current exhibition offers an excellent opportunity for analysis and appreciation of his genius.

Top Right Clipping (Post, Unknown Date)

This brief segment reiterates the exhibition of Degas' works at the Fogg Art Museum and lists some of the notable pieces on display, including works like "La Femme au Tub" and "Danseuse."

Bottom Left Clipping (Boston Transcript, April 8, 1911)

Title: Four Museums of Mr. Degas

This article emphasizes the significance of the Degas exhibition at the Fogg Art Museum and the Boston Museum of Fine Arts. It highlights the opportunity to study Degas' pastels, which are noted for their freshness and variety. The article praises Degas' innovative use of pastels and the vividness of his compositions, especially in depicting human figures and scenes from everyday life.

Bottom Right Clipping (Unknown Source, April 23, 1911)

Title: Appreciation of Degas in New England

This article also mentions the exhibition of Degas' works in New England. It notes that the Fogg Art Museum has displayed a variety of Degas' works, including portraits and figure studies. The writer appreciates the chance to view Degas' work closely and the importance of such exhibitions for both art students and the general public.

Overall, these clippings collectively highlight the excitement and critical acclaim surrounding the Degas exhibitions in Boston and Cambridge during 1911. They emphasize Degas' unique contributions to art, particularly his innovative techniques and dynamic compositions.

The image shows a collection of newspaper clippings from various publications in 1911, discussing the works of French painter Edgar Degas. The articles highlight an exhibition of Degas's paintings at the Fogg Art Museum at Harvard University.

Key points from the clippings include:

1. Globe (October 10, 1911):

   • The article discusses the exhibition of Degas's work at the Fogg Art Museum.
   • It mentions that Degas is one of the 19th-century French painters who has been more of an influence on modern art than any other.
   • The article notes that Degas's works have been seen in this country before but never in such quantity.
   • The writer praises Degas's ability to capture the essence of his subjects, particularly dancers and horses.

2. T. L. S. (October 6, 1911):

   • This article, titled "Art Gossip," discusses the appreciation of Degas in New England.
   • It mentions an exhibition at the Fogg Art Museum, highlighting Degas's paintings and pastels.
   • The article notes that Degas's works have never been well known beyond a limited circle of connoisseurs and that the present exhibition shows his representative works.

3. Post (Philadelphia) (October 17, 1911):

   • The article discusses the same exhibition and mentions that Degas's works are now being shown more widely.
   • It highlights that Degas's paintings and pastels are exhibited alongside photographs of other works.
   • The article notes that Degas's works have been seen before in New York and Boston but never in such quantity.

4. Boston Transcript (October 8, 1911):

   • This article discusses the Fogg Museum of Art and its collection of works by Degas.
   • It mentions that the museum has a collection of photographs of Degas's works and that the original paintings are available to students of art.

5. Providence Journal (October 23, 1911):

   • This article also discusses the exhibition at the Fogg Art Museum.
   • It mentions that Degas's works have been seen before in New York and Boston but never in such quantity.
   • The article highlights the importance of the exhibition in bringing Degas's works to a wider audience.

Overall, the clippings emphasize the significance of the exhibition in showcasing Degas's works to a broader audience and highlighting his influence on modern art.

This image depicts a collection of newspaper clippings from various dates, the oldest being from April 10, 1911. The clippings are neatly aligned on a surface and they appear to be related to art critiques or reports, specifically discussing paintings by the artist Edgar Degas. The clippings feature titles such as "PAINTINGS BY DEGAS," "ART GOSSIP," and include mentions of other works and exhibitions.

The text in each clipping references different aspects of Degas's work, exhibitions, and the reception of his artwork during that time. For instance, one title references a show at the Fogg Museum and another mentions the appreciation of Degas in New England.

The newspapers are aged, as indicated by the yellowing of the paper, and there are handwritten notes and dates on the clippings which add a personal touch to the documents, suggesting they could have been collected by an art enthusiast or a researcher. Additionally, there are annotations and underlinings in the text, highlighting certain pieces of information.

This type of collection can be valuable for historical research on public reception and critique of Degas's work in the early 20th century.

The image shows a collage of newspaper clippings adhered to a single sheet of paper. The clippings are dated in April 1911, with specific dates handwritten next to each article. The articles discuss an exhibition of paintings by the French artist Edgar Degas at the Fogg Museum of Harvard. Each clipping focuses on different aspects of the exhibition and the works displayed.

The titles and dates of the articles are as follows:

1. Globe (April 10, 1911) - "Paintings by Degas."
2. N.Y. Sun (April 16, 1911) - "Art Gossip."
3. Post (Pittsburgh) (April 17, 1911) - Untitled article appreciating Degas.
4. Boston Transcript (April 18, 1911) - Untitled article on the Degas exhibition.
5. Providence Journal (April 23, 1911) - Untitled article on Degas.

The clippings mention various works and aspects of Degas' artistry, such as his use of color, composition, and subject matter. The articles also highlight the importance of the exhibition for American audiences and the response from both critics and the public. The paper has aged with a yellow-brown hue and edges that show signs of wear and fragility.

The image shows a collection of newspaper clippings and typed text on a single sheet of brown paper. The content focuses on the artist Edgar Degas and exhibitions of his work in various museums.

The clippings appear to date from April 1911 and include mentions of several newspapers and journals such as Globe (April 10, 1911), N.Y. Sun (April 16, 1911), Post (Pittsburgh, April 17, 1911), Boston transcript (April 18, 1911), and Providence Journal (April 23, 1911).

The articles generally discuss the exhibition of Degas' paintings, drawings, and pastels at the Fogg Art Museum in Cambridge, especially highlighting the appreciation of Degas in New England and the significance of his work.

There are detailed critical comments about Degas' subjects, techniques, comparison to Whistler, and observations on his artistic focus on ballet dancers and horses. Some parts mention specific works like "Portrait of Tourny," pastel landscapes, and others.

The text also references a special exhibition of Flemish paintings and mentions important artists such as Jan van Eyck, Hans Memling, Rogier van der Weyden, and Quentin Matsys in relation to this exhibition.

Overall, the sheet is an archival documentation of the critical reception and exhibition history of Edgar Degas' art in early 20th century America.

The image shows an old newspaper clipping with several articles about the French painter Edgar Degas. The clipping includes excerpts from various articles discussing Degas' work and exhibitions of his paintings. The articles praise Degas as one of the most influential and original artists of his time, highlighting his skill in capturing movement, light, and color. The clipping also mentions exhibitions of Degas' work in New England, including at the Fogg Art Museum at Harvard University and the Boston Museum of Fine Arts.