Archives Scrapbooks

This image appears to be a collection of newspaper clippings and articles, likely from the early 20th century, discussing an exhibition of paintings by the French artist Edgar Degas at the Fogg Art Museum in Harvard University. The articles are dated from around April 1911, and they focus on the reception and significance of Degas's work in New England, particularly in Boston. The clippings are presented in a way that suggests they are part of a scrapbook or a collection of notes. The text is primarily in black ink on a yellowed background, typical of aged paper. Some of the articles are labeled with the source of the clipping, such as "Globe April 10, 1911," "N.Y. Sun April 16, 1911," and others, indicating the newspapers and dates of publication. The articles discuss the importance of Degas's work, his influence on fellow artists, and the reception of his pieces at the exhibition. The clippings also mention other artworks and artists from the period, such as Whistler and Flemish painters.

This image is a collage of newspaper clippings from 1911, discussing an exhibition of paintings by the French artist Edgar Degas at the Fogg Museum of Art (now part of Harvard Art Museums). The clippings are from various newspapers and are dated between April 10 and April 23, 1911. Each clipping provides different perspectives on the exhibition and Degas's work.

Key points from the clippings include:

1. Globe, April 10, 1911: This article highlights the significance of the exhibition and Degas's influence on painters. It mentions that Degas is more recognized by painters than by the general public and praises his ability to capture the essence of ballet and the harmony of light, color, and movement.

2. Post (Pittsburg), April 17, 1911: This clipping discusses the exhibition's importance in showcasing Degas's works to a wider audience, noting that his paintings have been primarily known within a small circle of admirers.

3. N.Y. Sun, April 16, 1911: This article provides details about the exhibition, listing some of the works on display and praising the quality and variety of Degas's paintings.

4. Boston Transcript, April 18, 1911: This clipping focuses on the technical aspects of Degas's paintings, particularly his use of color and composition. It also mentions that the exhibition includes a mix of paintings and pastels.

5. Providence Journal, April 23, 1911: This article reiterates the significance of the exhibition in bringing Degas's work to a broader audience and highlights the quality of the paintings on display.

Overall, the clippings collectively emphasize the importance of the Degas exhibition at the Fogg Museum and the artist's contributions to the art world.

This image displays a single, aged, yellowed newspaper clipping mounted on a white background, likely for archival or display purposes. The clipping appears to be an "Art Gossip" or review section from various newspapers in April 1911, documenting a significant exhibition of paintings by the French artist Edgar Degas.

The clipping is composed of several distinct articles from different newspapers, all centered on the same event: the exhibition of Degas’s work at the Fogg Art Museum at Harvard University in Cambridge, Massachusetts.

Key details from the articles:

• Headline: "PAINTINGS BY DEGAS" appears prominently at the top, stating "Some of the Work by This Eminent French Artist Is Being Shown at the Fogg Museum."
• Date: The articles are dated between April 10 and April 23, 1911.
• Featured Newspapers:
  • The Globe (April 10, 1911)
  • The New York Sun (April 16, 1911) - This article is handwritten with the date "N.Y. Sun April 16, 1911".
  • The Post (Pittsburg) (April 17, 1911)
  • The Boston Transcript (Apr. 18, 1911)
  • The Providence Journal (Apr. 23, 1911)
• Content of the Articles:
  • All articles praise the exhibition as a rare and valuable opportunity for the public to see the work of Degas, who is described as one of the "greatest painters of the last fifty years" and a "master" of the 19th century.
  • The exhibitions were organized by Harvard University, which had recently acquired Degas's works, including "Twelve paintings and pastels" and a "fine collection of casts" and "ancient coins and medallions."
  • The reviews highlight Degas's mastery of color, light, composition, and his focus on subjects like ballet dancers ("La Femme au Tub," "Danseuses," "Ballet Girls"), horse races ("Au Champ de Courses"), and portraits.
  • Critics note his unique style, particularly his use of color and form, and his ability to capture movement and human character, including the "hard working, vulgar woman" beneath the ballet costume.
  • Several articles quote or reference the writer A. J. Philpott, who contributed to the exhibition's catalogue or newspaper coverage.
  • The reviews also mention that this was the first special exhibition of Degas's work ever held in America and specifically in Boston, making it a significant cultural event.

Physical Characteristics:

• The paper is visibly aged, with a brownish-yellow hue and some fraying along the edges.
• At the top right, handwritten in pencil, is the number "20", likely an archival or cataloging number.
• The entire clipping is presented within a simple white border and appears to be laminated or mounted under a protective sheet.

In summary, the image is a historical artifact — a composite newspaper clipping that serves as primary source material documenting the critical reception and public excitement surrounding one of the first major American exhibitions of Edgar Degas's work, held at Harvard University in April 1911.

The image shows an old newspaper clipping with several articles about the French painter Edgar Degas. The clipping includes excerpts from various articles discussing Degas' work and exhibitions of his paintings. The articles praise Degas as one of the most influential and original artists of his time, highlighting his skill in capturing movement, light, and color. The clipping also mentions exhibitions of Degas' work in New England, including at the Fogg Art Museum at Harvard University and the Boston Museum of Fine Arts.

The image is a photograph of a collection of old newspaper clippings, which are arranged on a transparent sheet. The clippings are from various newspapers and date from the early 20th century, as indicated by the dates visible on the clippings.

The clippings are primarily focused on art exhibitions and the works of Edgar Degas, a renowned French artist. The text includes reviews and descriptions of Degas's paintings, highlighting his unique style and the impact of his work on the art world.

The clippings also mention specific exhibitions where Degas's works were displayed, such as at the Fogg Art Museum in Cambridge, Massachusetts, and the Boston Museum of Fine Arts. The reviews praise Degas's ability to capture the essence of his subjects, particularly in his depictions of dancers and horse races.

The clippings are arranged in a somewhat haphazard manner, with some overlapping and others placed side by side. The overall impression is of a collection of historical documents that provide insight into the critical reception of Degas's work during his lifetime and in the years following his death.

The image shows a scanned page from a publication or newspaper, likely from the early 20th century, as indicated by the date stamps and formal layout. The page is titled "PAINTINGS BY DEGAS. Some of the Work of This Eminent French Artist Is Being Shown at the Fogg Museum" and is dated April 10, 1911. The content is an article discussing an exhibition of works by the renowned French artist Edgar Degas, held at the Fogg Art Museum in Cambridge, Massachusetts.

Key Features of the Image:

1. Header and Title:

   • The top of the page prominently displays the title, "PAINTINGS BY DEGAS. Some of the Work of This Eminent French Artist Is Being Shown at the Fogg Museum."
   • The date, April 10, 1911, is visible in the top left corner, along with a page number 30 in the top right corner.

2. Article Content:

   • The article provides an overview of Degas's work, emphasizing his status as a leading French artist and highlighting the significance of the exhibition at the Fogg Museum.
   • It discusses Degas's artistic style, noting his focus on capturing movement, light, and color, particularly in scenes of ballet, horse racing, and everyday life.
   • The article mentions specific works on display, such as "Au Champa de Courses" (Horses at the Races), "La Femme de l'Opéra" (The Opera Box), and "La Danseuse" (The Dancer), among others.
   • It also includes commentary on Degas's technique, such as his use of pastels and his preference for depicting human subjects in motion.

3. Exhibition Details:

   • The article describes the Fogg Museum as a venue for showcasing Degas's work, noting that the exhibition includes both paintings and pastels.
   • It highlights the rarity and importance of Degas's work, stating that many of his pieces are not widely known or exhibited, making this exhibition a significant opportunity for viewers.

4. Visual Layout:

   • The text is printed in a clean, serif font typical of early 20th-century publications.
   • The page includes several stamps and annotations, such as "Post (Pittsburg) April 17, 1911" and "Providence Journal April 23, 1911," indicating that this page was part of a broader distribution or archival process.
   • The right margin contains additional notes and references, including mentions of "ART GOSPIE" and "Appreciation of Degas in New England," suggesting related articles or discussions.

5. Condition and Preservation:

   • The page appears aged, with a slightly yellowed tone and some visible creases or folds, indicative of its historical nature.
   • The edges are trimmed, and the page is encased in a protective sleeve, suggesting it is part of an archive or collection.

Summary:

The image depicts a historical newspaper or magazine page from April 10, 1911, discussing an exhibition of Edgar Degas's paintings and pastels at the Fogg Art Museum in Cambridge, Massachusetts. The article provides insights into Degas's artistic style, highlights specific works on display, and emphasizes the significance of the exhibition. The page also includes stamps and annotations, indicating its circulation and archival context. The overall presentation reflects the formal and informative style of early 20th-century journalism.

A scrapbook-style page showing a collage of old newspaper clippings about the painter Degas. The clippings are mounted on a tan/orange backing and set under a clear protective sleeve. There are notes in handwriting at the top (dates like 1911) and several clipped articles with headings such as “PAINTINGS BY DEGAS” and “ART GOSSIP.” The articles discuss Degas’s paintings, exhibitions (at places like the Fogg Museum in Cambridge), and other art news. The paper is aged and yellowed, with ragged edges and overlaps where the clippings are arranged in a grid-like layout.

The image shows an old, yellowed newspaper page that appears to be a scrapbook or compilation of several columns and articles. The texts discuss the works of Edgar Degas and their exhibition at the Fogg Museum in New England. The articles critique and appreciate Degas' artistry, noting his contributions to art and describing his techniques and themes.

The page includes columns from multiple sources written in a serif typeface, with headings like "Paintings by Degas" and "Art Gossip." Some articles are annotated in handwriting with references to dates or publications ("Globe April 10, 1911," "N.Y. Sun April 16, 1911," "Boston Transcript April 15, 1911"). The document has been carefully preserved, though the edges are browned and slightly tattered, signifying its age. Overall, the material has a historical and archival feel.

This image depicts a collection of newspaper clippings from various dates, the oldest being from April 10, 1911. The clippings are neatly aligned on a surface and they appear to be related to art critiques or reports, specifically discussing paintings by the artist Edgar Degas. The clippings feature titles such as "PAINTINGS BY DEGAS," "ART GOSSIP," and include mentions of other works and exhibitions.

The text in each clipping references different aspects of Degas's work, exhibitions, and the reception of his artwork during that time. For instance, one title references a show at the Fogg Museum and another mentions the appreciation of Degas in New England.

The newspapers are aged, as indicated by the yellowing of the paper, and there are handwritten notes and dates on the clippings which add a personal touch to the documents, suggesting they could have been collected by an art enthusiast or a researcher. Additionally, there are annotations and underlinings in the text, highlighting certain pieces of information.

This type of collection can be valuable for historical research on public reception and critique of Degas's work in the early 20th century.

The image shows a collage of newspaper clippings adhered to a single sheet of paper. The clippings are dated in April 1911, with specific dates handwritten next to each article. The articles discuss an exhibition of paintings by the French artist Edgar Degas at the Fogg Museum of Harvard. Each clipping focuses on different aspects of the exhibition and the works displayed.

The titles and dates of the articles are as follows:

1. Globe (April 10, 1911) - "Paintings by Degas."
2. N.Y. Sun (April 16, 1911) - "Art Gossip."
3. Post (Pittsburgh) (April 17, 1911) - Untitled article appreciating Degas.
4. Boston Transcript (April 18, 1911) - Untitled article on the Degas exhibition.
5. Providence Journal (April 23, 1911) - Untitled article on Degas.

The clippings mention various works and aspects of Degas' artistry, such as his use of color, composition, and subject matter. The articles also highlight the importance of the exhibition for American audiences and the response from both critics and the public. The paper has aged with a yellow-brown hue and edges that show signs of wear and fragility.