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Fogg Art Museum Scrapbook, January 1900-September 1920

ARCH.2003.21, Rendition: 789854

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The image presented is a collage of several historical newspaper clippings and articles, seemingly related to the Fogg Art Museum and its activities, dating back to the early 20th century. The articles appear to discuss various aspects of the museum, including the acquisition of art pieces, exhibitions, and notable donations or acquisitions related to the likes of Sir Matthew and Lady Holworthy portraits, as well as the Whistler etching titled "Furnace Nocturne." The clippings are from different publications, dated between October 1910 and January 1911, and are displayed in a manner that suggests they have been carefully assembled, possibly for educational or archival purposes, with some pieces appearing hand-written or annotated. The overall tone of the articles reflects a period of significant interest in art history and the development of museum collections.

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This image appears to be a collection of newspaper clippings mounted on a brown paper background. The clippings are from various newspapers and cover different topics related to art and cultural events, primarily from the early 20th century. Here are the details of each clipping:

  1. Top Left Clipping:

    • Title: "Lely Portraits"
    • Date: October 14, 1910
    • Content: Discusses portraits by Sir Peter Lely that were presented to the Fogg Art Museum. The portraits are of Sir Matthew and Lady Holworthy and are described as charming and harmonious in color.
  2. Top Right Clipping:

    • Title: "Fogg Art Museum"
    • Date: December 23, 1910
    • Content: Talks about the French government presenting examples of Sévres porcelain to Harvard College. It also mentions Mr. James Loeb's collection of classical antiquities and the Fogg Museum's recent purchase of a lithotint by Whistler.
  3. Middle Left Clipping:

    • Title: "Transcript"
    • Date: Not specified
    • Content: Reports on the activities of the Colonial Society of Massachusetts, including the annual meeting and the election of officers.
  4. Middle Right Clipping:

    • Title: "Old Masters in Boston"
    • Date: November 30, 1910
    • Content: Discusses the exhibition of the Frick collection at the Museum of Fine Arts and revives interest in the old masters.
  5. Bottom Right Clipping:

    • Title: "Whistler Etching Given to Fogg"
    • Date: January 1911
    • Content: Mentions the Fogg Museum receiving a fine impression of Whistler's etching, "Furnace Nocturne," and other items like a Japanese painting and prints.

The clippings are neatly arranged and appear to be part of a scrapbook or archive, possibly for the Fogg Art Museum or a related institution, focusing on art acquisitions and exhibitions.

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This image displays a collection of four aged, yellowed newspaper clippings, neatly mounted within a single white mat and under glass, creating a framed archival display.

The clippings cover topics related to art, history, and museum acquisitions from the early 20th century, primarily concerning the Fogg Art Museum at Harvard University. They are arranged in a two-by-two grid:

Top-Left Clipping: "LELY PORTRAIT" (Herald)

  • Dated October 14, 1910, this article from the Herald discusses two portraits of Sir Matthew Holworthy and Lady Holworthy, painted by Sir Peter Lely in the 17th century.
  • It notes they were presented to Harvard in 1889 by Edward F. Whitney and that they were recently hung together in the Fogg Museum in honor of the donor, who had given £1,000 to the College.
  • It highlights the portraits' charm and authenticity as 17th-century works.

Top-Right Clipping: "FOGG ART MUSEUM" (Gazette)

  • Also dated October 14, 1910, from the Gazette, this article reports on the French Government's loan of Sévres porcelain to Harvard for an exhibition in the Fogg Room.
  • It details other items on display, including vases, a figure of Mozart, and one of Cupid.
  • It mentions James Loeb's plan to take his collection of antiquities to his Munich house, except for his Greek vases, bronzes, and other treasures which will remain at the Fogg.
  • It also notes the museum's recent purchase of a Whistler lithograph, which is a "noteworthy" acquisition.

Bottom-Left Clipping: "COLONIAL SOCIETY" & "OLD MASTERS IN BOSTON"

  • This clipping, dated November 30, 1910, is from the Transcript.
  • The upper half discusses the annual meeting of the Colonial Society of Massachusetts, mentioning figures like Charles Edwards Park and the society's publications and activities.
  • The lower, larger section, titled "OLD MASTERS IN BOSTON," provides a comparative analysis of Boston's art collections. It laments that, despite the opening of the Fogg Museum's new collection, Boston does not yet rival the private collections of New York or the public collections of Europe.
  • It notes the absence of a major private collection of "old masters" in Boston and praises the Boston Athenaeum's collection for being the first local collection of old pictures with real distinction.
  • The article also describes the Fogg's collection as being composed mainly of works by American artists and 19th-century European painters, concluding that while Boston has some excellent pictures, it lacks a strong foundation of major old masters.

Bottom-Right Clipping: "Whistler Etching Given to Fogg" (Crimson)

  • Dated January 1911, from the Crimson, this brief article announces that the Fogg Museum received a gift of a Whistler etching, titled "Furnace Nocturne."
  • It states that the etching was produced in 1886 and is one of the most valuable among the 26 "Venice" etchings by Whistler.
  • It describes the scene in the etching as a brilliantly lit interior with a furnace, seen through a square doorway, and notes the presence of a "face just visible peering out of a window."
  • The article mentions that the gift was from O. Bryan '04 and included other items: a Japanese painting, an Italian bobbin piece, a 17th-century painting, and 17 ancient gems.

Overall, the collection of clippings offers a snapshot of the art world and museum culture in Boston and at Harvard around 1910-1911, focusing on significant acquisitions, exhibitions, and commentary on the quality and scope of the region's art collections. The visible signs of aging, such as yellowing paper and slightly uneven edges, enhance their historical character.

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The image shows a newspaper clipping from the Fogg Art Museum, dated October 14, 1910. The clipping features several articles related to the museum, including:

  1. The Holworthy Portraits: The article discusses the acquisition of two portraits of Sir Matthew and Lady Holworthy by the museum. These portraits were painted by Sir Peter Lely, a renowned English portrait painter of the seventeenth century. The portraits were gifted to the university by Mr. J. Pierpont Morgan, Jr., in memory of his father, Mr. Edward Pierpont Morgan. The article highlights the historical significance and artistic value of the portraits.

  2. The French Government's Gift: This section mentions that the French Government has presented Harvard College with examples of Sèvres porcelain. These objects have been placed on exhibition in the Fogg Room of the Fogg Museum. The article notes the presence of various valuable items, including vases, figure subjects representing Mozart, and Cupid shaving his arrows.

  3. Mr. James Loeb's Plans: The article informs readers that Mr. James Loeb is planning to take his Greek vases, bronzes, terra-cotta figurines, antique glass, gold ornaments, bronze cista, and some of his valuable collection of Arretine pottery to his house in Munich. These objects will be left on exhibition at the Fogg Museum.

  4. The Fogg Museum's Purchase: The article reports that the Fogg Museum has recently purchased a beautiful lithotint by Whistler. It is described as a noteworthy acquisition for those interested in Whistler's work.

  5. Old Masters in Boston: This section discusses the exhibition of the Frick collection at the Museum of Fine Arts. The article highlights the significance of the Frick collection and its impact on the art world, emphasizing the importance of private collections in Boston.

  6. Whistler Etching Given to Fogg: The article mentions that the Fogg Museum has recently received a Whistler etching, the "Furnace Nocturne," from a gift. It is noted as one of the finest subjects and belongs to the "Twenty-six Plates" series. The etching is described as a distinct addition to the print collection of the Fogg Museum.

  7. Additional Acquisitions: The clipping also includes a brief mention of the museum receiving an original Japanese painting and a piece of Italian holmwood lace, possibly from the seventeenth century, along with 17 ancient gems.

Overall, the clipping provides a snapshot of the activities and acquisitions of the Fogg Art Museum in October 1910, highlighting its role in preserving and exhibiting significant works of art.

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The image shows a collage of old newspaper clippings, each containing a different article. The articles are arranged in a grid-like format, with some overlapping slightly. The newspaper clippings are in black and white, and the text is printed in various fonts and sizes.

The top left article is titled "Lely Portrait," and it discusses the presentation of two portraits of Sir Peter Lely to Harvard College. The article mentions that the portraits were painted by Sir Peter Lely and were given to the college by Mr. Edward P. Whitney.

The top right article is titled "Fogg Art Museum," and it talks about the recent acquisition of French objects by Harvard College. The objects include examples of Sèvres porcelain, which have been placed on exhibition in the Fogg Room of the Fogg Museum.

The bottom left article is titled "Old Masters in Boston," and it discusses an exhibition of old master paintings in Boston. The exhibition features works by famous artists such as Rembrandt, Rubens, and Titian, among others.

The bottom right article is titled "Whistler Etching Given to Fogg," and it reports on the donation of a Whistler etching to the Fogg Art Museum. The etching is described as a fine impression of Whistler's "Furnance Nocturne," which is one of the Furnace subjects and belongs to the print collection of the Fogg Museum.

Overall, the image presents a collection of historical articles about art and cultural institutions, showcasing the importance of preserving and sharing artistic and cultural heritage.

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The image is a scanned page from a newspaper or magazine dated October 14, 1910, and later annotated with additional notes dated November 30, 1910, and January 1911. The page is titled "Fogg Art Museum" and features several articles and announcements related to the museum and its activities. Here is a detailed description:

Header Information:

  • Title: "Fogg Art Museum"
  • Date: October 14, 1910
  • Additional Notes: Handwritten annotations include "Lely Portrait," "Script," and "Crimson January 1911," indicating that the page was later reviewed or annotated.

Main Articles:

1. LELY PORTRAIT

  • Content: This section discusses the acquisition of a portrait by Sir Peter Lely, a renowned 17th-century English painter. The portrait is of Sir Matthew Holworthy, a merchant who left a significant bequest to Harvard College in 1678.
  • Details:
    • The portrait was a gift from Mr. J. Pierpont Morgan, Jr., Class of 1888.
    • Sir Matthew Holworthy was an English merchant who left $11,000 to Harvard College, the largest individual gift made to the university at the time.
    • The portrait is described as charming, with its soft yet expressive characteristics typical of Lely's work.
    • The article highlights the historical significance of the portrait and its connection to Harvard's history.

2. OLD MASTERS IN BOSTON

  • Content: This article discusses the Old Masters exhibition at the Museum of Fine Arts in Boston. It emphasizes the growing interest in old masters in the United States and highlights the quality and rarity of the works on display.
  • Details:
    • The exhibition features works from private collections, including those of notable individuals such as Mr. Freck, Mr. Clark, Mr. Johnson, Mr. Widener, Mr. Elkins, Mrs. Hunt, Mr. Mrs. Havemeyer, Mr. Vanderbilt, Mr. Gould, Mr. Bordet, and others.
    • The article notes that Boston collections are often more valuable than those in New York, as they tend to focus on older, rarer works.
    • It mentions the Penway Court collection and the Athenæum, noting that these institutions hold significant old master collections.
    • The article also discusses the Boston Athenaeum collection, which is described as one of the best in the country, with many works dating back to the 17th century.

3. Whistler Etching Given to Fogg

  • Content: This section announces the acquisition of a fine impression of James McNeill Whistler's etching, titled "Venice Nocturne", by the Fogg Art Museum.
  • Details:
    • The etching is part of the "Furneaux No. 2" set, known as the "Turner's Palette".
    • It is described as a brilliant representation of a brightly lit interior with a view through a square doorway, featuring a gondola and a face visible above the window.
    • The article also mentions other recent acquisitions by the Fogg Museum, including an original Japanese print, a piece of Italian bobbin lace, and possibly an ancient Italian portrait.

Additional Notes and Annotations:

  • Handwritten Notes:
    • "Lely Portrait": Likely refers to the article about the Lely portrait.
    • "Script": Possibly indicates that the page was part of a script or report.
    • "Crimson January 1911": Suggests that the page was later reviewed or referenced in a publication titled The Crimson in January 1911.

Visual Characteristics:

  • The page has a slightly aged appearance, with some discoloration and faint markings.
  • The text is printed in a clear, formal font typical of early 20th-century newspapers or magazines.
  • Handwritten annotations are visible in black ink, adding a layer of historical context to the printed content.

Overall Context:

The page provides a snapshot of art museum activities and acquisitions in early 20th-century Boston, highlighting the Fogg Art Museum's role in acquiring significant artworks and its engagement with notable collectors and donors. The annotations suggest that the page was later reviewed or used as a reference in subsequent discussions or publications.

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The image shows a newspaper clipping from the Fogg Art Museum, featuring an article about the museum's collection of portraits. The article is titled "The Holworthy Portraits" and includes a list of portraits in the museum's collection, along with information about the artists who painted them.

  • Newspaper Clipping:
    • The clipping is from the Fogg Art Museum and features an article about the museum's collection of portraits.
    • The article is titled "The Holworthy Portraits" and includes a list of portraits in the museum's collection, along with information about the artists who painted them.
  • Article Content:
    • The article discusses the history of the portraits in the museum's collection, including how they were acquired and their significance.
    • It also includes quotes from museum officials and curators, providing insight into the museum's approach to collecting and preserving art.
  • Visual Elements:
    • The clipping includes several images of the portraits, including a portrait of Sir Edward Lefevre and a portrait of Lady Holworthy.
    • The images are accompanied by captions that provide information about the portraits, including the artist who painted them and the year they were created.
  • Overall Impression:
    • The clipping provides a glimpse into the Fogg Art Museum's collection of portraits and highlights the importance of preserving and showcasing art for future generations.
    • It also demonstrates the museum's commitment to education and community engagement, as evidenced by the inclusion of quotes from museum officials and curators.

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The image depicts a collection of newspaper clippings, likely from the early 20th century, featuring articles about art exhibitions and collections at the Fogg Art Museum in Boston. The clippings are arranged on a gray background, with some overlapping each other.

Key Features:

  • Newspaper Clippings: The clippings appear to be from different newspapers, with varying font styles and sizes.
  • Art Exhibitions: The articles discuss various art exhibitions held at the Fogg Art Museum, including a collection of portraits by Sir Peter Lely and an exhibition of old masters in Boston.
  • Art Collections: The clippings also mention the museum's collections, such as the Whistler etchings given to the museum and the French Government's presentation of Sevres porcelain to Harvard College.
  • Dates: The dates mentioned in the clippings range from October 1910 to January 1911.
  • Background: The gray background provides a neutral setting for the newspaper clippings, allowing the viewer to focus on the content of the articles.

Conclusion:

The image presents a fascinating glimpse into the art world of the early 20th century, highlighting the significance of the Fogg Art Museum as a hub for art exhibitions and collections. The newspaper clippings provide valuable insights into the museum's activities during this period, showcasing its commitment to showcasing important works of art.

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The image presents a yellowed, aged newspaper page, likely from the early 20th century, with a torn and worn appearance. The page is divided into three columns, each containing articles related to art and culture.

Column 1:
The first column features an article titled "LELY PORTRAIT" in bold font, accompanied by a subheading that reads "Young Morgan's Gift Hung in Fogg." The article discusses two portraits by Sir Peter Lely, gifted to the Fogg Art Museum by Mr. J. Pierpont Morgan Jr. and Mr. Edward F. Whitney. The portraits are described as being of Sir Matthew Holworthy and Lady Holworthy.

Column 2:
The second column contains an article titled "The Holworthy Portraits," which provides more information about the two portraits mentioned in the first column. The article highlights the significance of the portraits and their connection to the Holworthy family.

Column 3:
The third column features several articles, including "The French Government has recently presented to Harvard College some examples of Sèvres porcelain" and "Whistler Etching Given to Fogg." These articles discuss various art-related topics, such as the presentation of Sèvres porcelain to Harvard College and the gift of a Whistler etching to the Fogg Art Museum.

Overall:
The image appears to be a page from a newspaper or magazine that was published in the early 20th century. The content suggests that it was focused on art and culture, with articles discussing various art-related topics and events. The yellowed and worn condition of the page indicates that it has aged significantly over time. The page is displayed in a clear protective sleeve, suggesting that it may be part of a collection or archive.

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The image presents a collection of aged newspaper clippings, likely from the early 20th century, featuring articles about art and cultural events. The clippings are arranged in a collage style, with some overlapping or torn edges, giving them a vintage appearance.

Newspaper Clippings:

  • The clippings appear to be from various publications, including "The Harvard Crimson" and "The Fogg Art Museum".
  • The articles discuss topics such as:
    • Art exhibitions
    • Museum acquisitions
    • Cultural events

Visual Description:

  • The clippings have a yellowed or browned color, indicating age.
  • Some clippings have torn or rough edges, while others appear to be cut neatly.
  • The text is printed in black ink, with varying font sizes and styles.
  • The background of the image is a light gray color, which helps to highlight the clippings.

Overall Impression:

  • The image conveys a sense of nostalgia and historical significance.
  • The use of aged newspaper clippings creates a sense of authenticity and connection to the past.
  • The arrangement of the clippings in a collage style adds visual interest and creates a sense of depth.