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This image appears to be a historical document or clipping, likely from a newspaper or academic publication, discussing the Fogg Art Museum, Harvard University. The document is divided into different sections, each describing various exhibitions and acquisitions at the Fogg Art Museum, specifically related to Italian and Dutch art.

The text mentions specific artworks, such as early Italian paintings, a drawing by Rembrandt, and paintings by artists like Tintoretto, Ghirlandaio, and Sano di Pietro. It also discusses the loan of paintings from private collections in Boston, Harvard University, and other institutions like Radcliffe College and Yale.

The document is dated from the early 20th century, specifically from 1910. The writing style and the tone suggest that it is an academic or news article about the museum's exhibitions and collections. The document is printed on aged, yellowed paper, which further supports the idea that it is a historical piece.

This image is a collage of newspaper clippings from the Harvard University Gazette and the Harvard Bulletin, dated between February and March 1910. The clippings are glued onto a brown paper background and appear to be related to exhibitions and acquisitions at the Fogg Art Museum.

The left side of the image contains clippings from the Harvard University Gazette. The top clipping discusses a loan exhibition of early Italian paintings at the Fogg Museum, which replaced the Ruskin exhibition. It mentions various paintings on display, including works attributed to Ghirlandaio, Tintoretto, Bonifazio Veneziano, and others. The bottom clipping from the Herald, dated February 20, 1910, also mentions the loan exhibition of early Italian paintings and the works on display.

The right side of the image contains a clipping from the Harvard Bulletin, dated March 5, 1910. It discusses the purchase of a Rembrandt drawing by the Fogg Museum, titled "Joseph in the Carpenter's Shop." The clipping describes the drawing in detail and mentions that it is now on exhibition in the print room. It also notes that a selection of Rembrandt's etchings is on exhibition, along with two new paintings recently bought by the Fogg Museum.

The clippings provide a detailed account of the art exhibitions and acquisitions at the Fogg Art Museum during that time period, highlighting the significance of the works on display and the museum's efforts to expand its collection.

This image shows a single, aged, and torn page from a newspaper or museum bulletin, mounted on a light-colored mat board. The paper is visibly yellowed and brittle, with rough, irregular edges, especially along the left side and bottom, suggesting it has been cut or torn from a larger publication and perhaps handled over time.

The page features three distinct columns of text, all concerning the Fogg Art Museum. The paper appears to be from Harvard University, as "Harvard University" is written in a cursive hand at the top of the left column and "Harvard Bulletin" is printed at the top of the right column, dated "Mar. 5, 1910." The page number "76" is visible on the right side.

Here is a description of the content in each column:

Left Column: "FOGG ART MUSEUM"

Titled “Loan Exhibition of Early Italian Paintings”, this article describes the exhibitions following the recent Ruskin exhibition. It details a loan exhibition of early Italian paintings lasting two to three months. Key items mentioned include:

• A "Madonna and Child" by Ghirlandaio, loaned by Radcliffe College.
• Seven paintings from the collection of Professor Norton (two of which are Venetian portraits and one of a woman playing a lute).
• A large painting of "Adoration of the Shepherds" by Bonifazio Veneziano.
• Other Venetian portraits and a "Madonna and Child with saints" by Sano di Pietro.
• Two paintings by Charles B. Perkins (one attributed to Zaganelli, the other to Bonifazio Veneziano).
• A Flemish Gothic door panel from Michelangelo's "Holy Family."
• A Madonna and Child by Samuel B. Dean.

At the bottom, there's a smaller, inset article or clipping titled “Early Italian Works in Boston” with a dateline from “Herald, Feb. 20, 1910.” This section references the same loans, specifically mentioning paintings by Tintoretto and Sano di Pietro, and notes that the collection includes works from the Fogg Museum itself, including the “Madonna and Child” attributed to Dolce from Ghirlandaio.

Right Column: "FOGG ART MUSEUM"

Titled “A Rembrandt Drawing Has Been Bought.—Other Accessions.”, this section announces the Fogg Museum’s recent acquisitions:

• A superb drawing by Rembrandt: “Joseph in the Carpenter’s Shop”, which is now on exhibition. The article describes the scene and notes the drawing’s mastery of line and chiaroscuro. It measures 7 1/2 by 9 inches and was formerly in the collections of Lord Warwick and Sir Thomas Lawrence.
• A selection of Rembrandt’s etchings are also on display to illustrate his work in etching and dry-point.
• Two new paintings were bought with help from Mrs. Edward M. Cary of Milton:
  1. A “Holy Family” by Pinturicchio (1454-1513), a beautiful work from the late 15th century with rich colors from Rome, which retains much of its original charm.
  2. A “Madonna” (possibly St. Luke painting the Madonna) attributed to a follower of Quentin Matsys, likely executed around 1525.
• The article also notes that Mr. Edwin S. Webster donated a Madonna and Child by Francesco Francia (a North Italian painter) and a portrait of a young woman by Palma Giovane (a later master of the Venetian School).
• Professor Thomas Whittemore of Tufts College also lent works: a Madonna and Child by a master of the Siennese School.

Overall Impression

This page is a historical artifact from 1910, documenting the Fogg Art Museum’s active acquisition and exhibition program. It provides valuable insight into the museum's early collecting priorities, particularly its focus on early Italian and Northern Renaissance paintings, as well as major Dutch masters like Rembrandt. The physical condition of the page underscores its age and the passage of time since its publication. It appears to have been preserved and possibly curated for archival purposes.

The image appears to be a page from a newspaper or magazine clipping dated March 5, 1919, featuring an article about an exhibition of early Italian paintings at the Fogg Art Museum at Harvard University. The article provides details about the paintings on display, which were on loan from various sources, including Radcliff College, Professor Norton, and private collectors.

The paintings mentioned include works by notable artists such as Ghirlandaio, Tintoretto, Lorenzo di Credi, and Bonifazio Veronese. The article also discusses the significance of the exhibition, which showcased a variety of styles and techniques from different regions of Italy, providing a comprehensive view of early Italian art.

Additionally, the article mentions the acquisition of a Rembrandt drawing by the Fogg Museum and the exhibition of etchings by Rembrandt and other artists. The clipping also includes a brief description of the paintings and their historical context, highlighting the importance of the exhibition for art enthusiasts and scholars.

Overall, the image captures a moment in art history, showcasing the efforts to preserve and display early Italian paintings and the appreciation for these works among art collectors and institutions.

The image shows a page from a newspaper or magazine featuring an article about an exhibition of early Italian paintings at the Fogg Art Museum. The article is dated September 20, 1919, and provides details about the exhibition, which includes works by artists such as Tintoretto, Ghirlandaio, and Raphael. The article also mentions that the exhibition is a loan exhibition, meaning that the artworks are borrowed from other institutions or private collections. The article highlights the significance of the exhibition and the importance of the works on display, which include religious and mythological subjects, as well as portraits and landscapes. The article also notes that the exhibition is a rare opportunity to see these works in one place and that it is a must-see for art lovers and scholars alike.

The image shows a scanned page from a historical document, likely a museum bulletin or newsletter, dated September 20, 1910. The document is from the Fogg Art Museum, as indicated by the header at the top of the page. The content is divided into two main sections, each discussing different aspects of the museum's collections and exhibitions.

Left Section: Loan Exhibition of Early Italian Paintings

• Title: "Loan Exhibition of Early Italian Paintings"
• Content:
  • The document announces a loan exhibition of early Italian paintings at the Fogg Art Museum, following a recent Ruskin exhibition.
  • The exhibition features several works loaned by the Ruskin collection, including:
    • A fine Madonna and Child, attributed to Ghirlandaio, loaned by Radcliffe College.
    • Seven paintings formerly belonging to Professor Norton, loaned by the Misses Norton. Two of these are attributed to Titoretto.
    • A large painting of a lute and a portrait of a woman, possibly by Bonifazio Veneziano.
    • An Adoration of the Shepherds, perhaps by Bonifazio Veneziano, described as a good example of Venetian color.
    • Three other Venetian portraits and an early Sienese Madonna and Child Annunciation, by Sano di Pietro.
    • A Holy Family by Lorenzo di Credi, loaned by Mr. W.E.C. Eustis.
    • A Madonna and Child with saints, executed in the manner of Ghirlandaio, loaned by Mr. Augustus Hemingway and Mrs. W.E.C. Eustis.
  • The exhibition is displayed in the Photograph Room and will last for three months.
  • The document also mentions other interesting paintings from the collection of Mr. Charles B. Perkins, both representing the Holy Family, attributed to Zaganelli and Bonifazio Veneziano.
  • A copy of Michel Angelo's famous Holy Family carved in oak, loaned by Mr. Samuel B. Dean of Boston, is also part of the exhibition.

Right Section: A Rembrandt Drawing Has Been Bought

• Title: "A Rembrandt Drawing Has Been Bought. Other Accessions."
• Content:
  • The Fogg Museum has recently purchased a superb drawing by Rembrandt, titled "Joseph in the Carpenter's Shop," now on exhibition in the print room.
  • The drawing depicts Joseph standing at his workbench with the Virgin, with the infant Christ on her lap, sitting at one side with arms outstretched. Another figure, possibly Joseph’s wife, is seated at the right, falling through a window, lighting the other figures, which are done in brown wash. The drawing is executed in brown wash with lines to indicate outlines and contours.
  • The drawing measures 7 1/2 by 9 inches and is a splendid example of Rembrandt's mastery in the particulars of his art. It belonged formerly in the collections of Lord Warwick and Sir Thomas Lawrence.
  • A selection of Rembrandt's etchings is also on exhibition, illustrating his work in etching and printmaking. Examples include treatments of portrait, landscape, and figure subjects. These etchings and drawings provide an exceptional opportunity to study one phase of the work of this great master.
  • Two new paintings have lately been bought by the Fogg Museum, with the help of Mrs. Edward M. Cary of Milton. The first is a beautiful "Holy Family" by Pinturicchio (1454–1513), which has suffered in past years but has been restored. The painting is rich in color and fine in suggestion. The Borgia apartments in Rome, which were so splendidly decorated by this master, are pictured in the background.
  • The other painting is an interesting little Flemish picture of St. Luke painting the Madonna, under the influence of Michel Angelo. It was probably executed in the work of the period and is an example of the mastery of the period.
  • Probably additions have been made to the museum's collection of Italian paintings at three exhibitions about the year 1555.
  • Mr. Edwin S. Webster lends a fine Madonna and Child by Francesco Francia, one of the important North Italian painters of the late 15th century. Mr. Thomas Whittemore of Tufts College has lent a "Madonna and Child" by a younger master of the Venetian School.

Additional Notes:

• The document includes handwritten notes at the bottom, likely annotations or corrections made by someone reviewing the text.
• The overall tone is formal and informative, typical of museum bulletins or newsletters from the early 20th century.

Visual Elements:

• The page is typed in a serif font, with clear headings and subheadings.
• The text is neatly arranged in two columns, with some handwritten notes at the bottom.
• The document appears to be part of an archival collection, as indicated by the reference to "Harvard University" at the top and the date "Sept. 20, 1910."

This document provides insight into the museum's activities, acquisitions, and exhibitions during that period, highlighting the importance of early Italian and Flemish art in the Fogg Art Museum's collection.

The image is a scanned copy of a newspaper clipping from the Fogg Art Museum, featuring an article about the loan exhibition of early Italian paintings. The article is titled "Loan Exhibition of Early Italian Paintings" and discusses the exhibition, which includes works by artists such as Ghirlandajo, Perugino, and Botticelli.

• Title
  • The title of the article is "Loan Exhibition of Early Italian Paintings."
  • The title is written in bold font at the top of the page.
• Article
  • The article discusses the loan exhibition of early Italian paintings at the Fogg Art Museum.
  • The exhibition features works by artists such as Ghirlandajo, Perugino, and Botticelli.
  • The article mentions that the exhibition includes 17 paintings, including works by Michelangelo, Raphael, and Titian.
  • The article also mentions that the exhibition is part of a larger effort to bring together works by early Italian artists for the first time.
• Newspaper Clipping
  • The newspaper clipping is from the Fogg Art Museum.
  • The clipping is dated February 20, 1910.
  • The clipping is torn and worn, with visible signs of aging.
• Background
  • The background of the image is a light gray color.
  • The background is plain and does not distract from the content of the image.

Overall, the image provides a glimpse into the history of art exhibitions and the efforts of museums to showcase important works. The article highlights the significance of the loan exhibition and the importance of bringing together works by early Italian artists for the first time.

This image depicts a newspaper clipping from the Harvard Bulletin, dated March 5, 1910, featuring an article about the Fogg Art Museum. The clipping is yellowed and torn, with handwritten notes in the top-left corner indicating it was received on February 20, 1910.

The article discusses the loan exhibition of early Italian paintings at the Fogg Art Museum, which includes works by renowned artists such as Madonna and Child, attributed to Ghirlandaio, and a large painting of a woman playing a lute, attributed to Tintoretto. The exhibition also features portraits by Bonifazio Veneziano and an early Siennese Madonna and Child with saints by Sano di Pietro.

The article highlights the significance of the exhibition, which showcases the beauty and restoration of the paintings. It also mentions that the museum has purchased a superb drawing by Rembrandt, "Joseph in the Carpenter's Shop," which is now on exhibition in the print room.

Overall, the image provides a glimpse into the art world of the early 20th century, highlighting the importance of the Fogg Art Museum as a hub for artistic innovation and appreciation.

The image presents a collection of three yellowed newspaper clippings, each featuring articles about the Fogg Art Museum. The clippings are arranged in a collage format, with the leftmost clipping being the most prominent and the other two partially overlapping it on the right side.

Left Clipping:

• Title: "Loan Exhibition of Early Italian Paintings"
• Date: March 20, 1910
• Content: The article discusses the loan exhibition of early Italian paintings at the Fogg Art Museum, highlighting several notable works, including a Madonna and Child attributed to Ghirlandaio and a large painting of the Adoration of the Shepherds attributed to Tintoretto.
• Additional Information: The article mentions that the exhibition will last for two or three months and that several other paintings and drawings are also on display.

Right Clippings:

• Top Right Clipping:
  • Title: "A Rembrandt Drawing Has Been Bought"
  • Date: March 5, 1914
  • Content: The article announces the purchase of a Rembrandt drawing, "Joseph in the Carpenter's Shop," by the Fogg Museum.
  • Additional Information: The article describes the drawing as a superb example of Rembrandt's work and notes that it is now on exhibition in the print room.
• Bottom Right Clipping:
  • Title: Not visible
  • Date: Not visible
  • Content: The article discusses the loan exhibition of Italian paintings at the Fogg Museum, including a Madonna and Child attributed to Pinturicchio and a portrait of a young woman by Palma Giovane.
  • Additional Information: The article mentions that the exhibition has been enriched by the addition of new paintings and that the Fogg Museum has acquired several important works.

Overall:

• The image provides a glimpse into the history of the Fogg Art Museum and its collections.
• The articles highlight the museum's efforts to acquire and exhibit significant works of art, including paintings and drawings by renowned artists.
• The yellowed newspaper clippings add a sense of nostalgia and historical significance to the image.

The image presents a vintage newspaper clipping, yellowed with age and featuring two articles from the Fogg Art Museum. The left article discusses a loan exhibition of early Italian paintings, while the right article announces the purchase of a Rembrandt drawing.

• Left Article: Loan Exhibition of Early Italian Paintings
  • The Ruskin exhibition has been replaced by a loan exhibition of early Italian paintings.
  • The exhibition will last for two or three months.
  • Seven paintings are on display, including works attributed to Ghirlandaio, Tintoretto, and Sano di Pietro.
  • The paintings were loaned by Radcliffe College, the Misses Norton, Mr. W. E. C. Eustis, Mr. Augustus Hemenway, and Mr. Charles B. Perkins.
• Right Article: A Rembrandt Drawing Has Been Bought
  • The Fogg Museum has purchased a superb drawing by Rembrandt, "Joseph in the Carpenter's Shop."
  • The drawing measures 7 1/2 by 5 inches and is an excellent example of Rembrandt's work.
  • The drawing is done in brown wash with lines to indicate outlines and main contours.
  • The drawing belonged to Lord Warwick and Sir Thomas Lawrence.
• New Additions to the Fogg Art Museum
  • Three new paintings have been added to the Fogg Art Museum.
  • Mr. Edwin S. V. Webster lends a fine Madonna and Child by Francesco Francia.
  • Professor Thomas Whittmore of Tufts College has lent a Madonna and Child by a master of the Siennese School.

In summary, the image showcases two articles from the Fogg Art Museum, highlighting a loan exhibition of early Italian paintings and the purchase of a Rembrandt drawing. The articles provide details about the artworks on display, including their artists, sizes, and provenance. Additionally, the image mentions new additions to the museum's collection, including paintings by Francesco Francia and a master of the Siennese School.