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Fogg Art Museum Scrapbook, January 1900-September 1920

ARCH.2003.21, Rendition: 789838

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This image is a page from the "Index to Fogg Art Museum Scrap Book, Volume I," covering the period from 1900 to October 1, 1920. The page is titled "LOANS (CONTINUED)" and lists various art loans made to the Fogg Art Museum. Each entry includes the name of the artist or the title of the work, along with the date of the loan. The content includes a wide range of artworks, such as paintings, sculptures, drawings, and manuscripts, by various artists, including such names as Koffermans, Leandro Bassano, Lorenzo Monaco, Michelangelo, and more. The page is formatted as a typewritten document, with a formal and historical tone. The page number "11" is visible in the top right corner, indicating its place within the larger scrapbook.

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This image is a scanned page from the "Index to Fogg Art Museum Scrap Book, Volume I," covering the period from 1900 to October 1, 1920. The page is numbered "11" in the top right corner and "10" at the bottom of the page. The heading indicates that this section is a continuation of "LOANS."

The page lists various artworks that were loaned to the museum, organized alphabetically by artist. Each entry includes the artist's name, the title of the artwork, and the date of the loan. The artists and artworks mentioned include:

  • Koffermans, Marcellus: Flemish Triptych, October, 1916
  • Leandro Bassano: Venetian Painting, April, 1910
  • Loeb, J.: Collection of Classical Antiquities, December, 1910, January, 1911
  • Lorenzetti: St. Agnes pinnacle, October, 1911
  • Lorenzetti, Pietro: Crucifixion, February, 1920
  • Lorenzo Monaco: Madonna and Child, March, 1915
  • Lorenzo di San Severino: Umbrian Madonna, February, 1915; March, 1915
  • MacKnight: Water colors, November, 1916
  • Maës, Nicholas: The Lace Maker, May, 1916
  • Maes, Nicolaas: Portrait of a captain in armor, April, 1916
  • Manship, Paul: Centaur and Nymph (bronze), March, 1917; Dancer and Gazelles (Bronze), March, 1917
  • Martin Drawings: September, 1917
  • Masolino (?): Madonna and Child, March, 1915
  • Matteo di Giovanni: Virgin and Child, March, 1917
  • Michaelangelo: Holy Family (copy), October, 1911, March, 1915
  • Moretto da Brescia: The Magdalen, March, 1916
  • Morgan Manuscripts: January, 1914; February, 1914; February, 1918; April, 1918; April, 1919; April, 1920; March, 1921
  • Moro, Antonio: Portrait, September, 1917, May, 1919
  • Nattier, Jean: Mme. Marsollier and Daughter, April, 1919
  • Neroccio di Landi: Madonna and Child, March, 1920, April, 1920
  • Pantoja de la Cruz: King Philip II of Spain, February, 1914, March, 1914
  • Pennell Lithographs, February, 1914
  • Persian Miniatures, January, 1919
  • Perugino: Holy Family, February, 1915, March, 1915
  • Piero della Francesca: Crucifixion, January, 1916, December, 1916
  • Piero di Cosimo: Madonna adoring the Child, March, 1917
  • Pinturicchio: Madonna, February, 1915, March, 1915
  • Polidoro da Lanzano: Santa Conversazione, March, 1915
  • Pollaiuolo, Antonio: Battle of Naked Men (Drawing), March, 1919
  • Porcelain, Sevres: December, 1910, January, 1911
  • Raeburn: Portrait, September, 1917
  • Raeburn, Sir Henry: Portrait of Mrs. Veitch, May, 1915
  • Rembrandt Drawings: Morgan Collection, March, 1917
  • Rembrandt: Saint Bartholomew, April, 1916
  • Rossetti, D. G.: Before the Battle, June, 1912
  • Rubens: Meleager and Atlanta, May, 1926
  • Sano di Pietro: Madonna and Child, June, 1912
  • Schiavone, Gregoto: Madonna and Child (pupil of Paduan Squarcione), December, 1917, January, 1918, December, 1918

The page is well-organized and appears to be a historical record of loans made to the Fogg Art Museum during the early 20th century.

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This image displays page 10 of a typed document titled:

INDEX TO FOGG ART MUSEUM SCRAP BOOK
VOLUME I
1900 — OCTOBER 1, 1920

The page is part of an archival index, specifically under the section "LOANS (CONTINUED)". It is a single sheet of aged, cream-colored paper, likely from a bound scrapbook or archival volume, as suggested by the visible binding holes along the left margin.

The document is formatted as a list of art loans to the Fogg Art Museum during the specified period. Each entry includes:

  1. Artist's Name (e.g., Koffermans, Marcellus; Leandro Bessano; Lorenzetti, Pietro).
  2. Title of the Work (e.g., Flemish Triptych, Venetian Painting, Crucifixion).
  3. Date of Loan (e.g., October, 1916; April, 1910; February, 1920).

The list is arranged alphabetically by artist's last name. Many artists, such as Piero della Francesca, Rembrandt, and Rubens, have multiple works or multiple loan instances listed with different dates.

The content reflects the museum's acquisition and display of a diverse range of European art, including paintings, sculptures (e.g., Centaur and Nymph (bronze)), drawings (Battle of Naked Men (Drawing)), and even lithographs (Fennell Lithographs).

The typewritten text is clear and legible, printed in a standard monospaced font common for typewriters of that era. The page is numbered "-10-" at the bottom center, and "11" appears in the top right corner, possibly indicating a different pagination system (e.g., the original scrapbook page number).

Overall, the image captures a historical record of the Fogg Art Museum's loan collections in the early 20th century, providing valuable information for art historians and curators.

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The image shows a page from an index of a scrapbook. The page is titled "Index to Fogg Art Museum Scrap Book Volume I" and covers the years 1900 to October 1, 1920. The page lists various loans made to the Fogg Art Museum during this period, including works by artists such as Leonardo Bassano, Leandro Bassano, and Lorenzo Monaco. The loans are listed in chronological order, with the artist's name, the title of the work, and the date of the loan. The page appears to be a record of the museum's acquisitions and loans during this period.

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The image is a page from a book titled "Index to Fogg Art Museum Scrap Book Volume I 1900 - October 1, 1920." The page appears to be a list of artworks, possibly loans or acquisitions, organized alphabetically by artist's last name. The entries include the artist's name, the title of the artwork, and the date or period when the artwork was created or when it was loaned or acquired.

The page is numbered "-10-" at the bottom, indicating its position within the book. The text is neatly typed, and the page has a slightly aged look, suggesting it is from an older publication.

The artworks listed cover a variety of subjects and styles, including portraits, religious scenes, and mythological themes. The artists mentioned range from well-known names to lesser-known figures, indicating a diverse collection. The dates span from the early 1900s to 1920, reflecting the time period covered by this volume of the index.

The page is well-organized, with clear headings and consistent formatting, making it easy to read and navigate. The information provided is concise, focusing on the essential details of each artwork. This index page would be a valuable resource for researchers or art enthusiasts looking to explore the collection of the Fogg Art Museum during the specified time period.

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The image shows a page from an index of a scrapbook titled "INDEX TO FOGG ART MUSEUM SCRAP BOOK". This page is labeled as VOLUME I and covers the period from 1900 to October 1, 1920. The content is organized under the heading "LOANS (CONTINUED)", indicating it is a continuation of a list of loans or acquisitions made by the Fogg Art Museum during that time.

Key Details:

  1. Header Information:

    • The page is part of a larger index, specifically Volume I.
    • The time frame covered is 1900–October 1, 1920.
    • The heading indicates it is a continuation of a section titled "LOANS".
  2. Content:

    • The page lists various artworks, artists, and related items that were loaned to or acquired by the Fogg Art Museum.
    • Each entry includes:
      • The name of the artist or lender.
      • The title of the artwork or collection.
      • The date of the loan or acquisition (month and year).
  3. Examples of Entries:

    • Koffermans, Marcellus: Flemish Triptych, October 1916.
    • Leandro Bassano: Venetian Painting, April 1910.
    • Loeb, J.: Collection of Classical Antiquities, December 191Q (likely a typo, possibly December 1911).
    • Lorenzetti, S.: Agnes pinnacle, October 1911.
    • Lorenzetti, Pietro: Crucifixion, February 1920.
    • Lorenzo di San Severino: Umbrian Madonna, March 1915.
    • Lorenzo Monaco: Madonna and Child, February 1915; March 1915.
    • MacKnight: Water colors, November 1916.
    • Maes, Nicolas: The Lace Maker, May 1916.
    • Maes, Nicolas: Portrait of a captain in armor, April 1916.
    • Manship, Paul: Centaur and Nymph (bronze), March 1917; Dancer and Gazelles (bronze), March 1917.
    • Martin Drawings: September 1917.
    • Masolino (7): Madonna and Child, March 1915.
    • Matteo di Giovanni: Virgin and Child, March 1917.
    • Michelangelo: Holy Family (copy), October 1911; March 1915.
    • Moretto da Brescia: The Magdalen, March 1916.
    • Morgan Manuscripts: Various months and years from 1914 to 1921.
    • Moro, Antonio: Portrait, September 1917; May 1919.
    • Nattier, Jean: Mme. Marsollier and Daughter, April 1919.
    • Neroccio de Landi: Madonna and Child, March 1920; April 1920.
    • Pentoja de la Cruz: King Philip II of Spain, February 1914, March 1914.
    • Pennell Lithographs, February 1914.
    • Persian Miniatures, January 1919.
    • Pergolino: Holy Family, February 1915; March 1915.
    • Piero della Francesca: Crucifixion, January–December 1916.
    • Piero di Cosimo: Madonna adoring the Child, March 1917.
    • Pinturicchio: Madonna, February 1915; March 1915.
    • Poldoro da Lenza: Battle of Naked Men (Drawing), March 1915.
    • Poliainolo, Antonio: Senta Conversazione, March 1919.
    • Porcelain, Sèvres: December 1910, January 1911.
    • Raeburn: Portrait, September 1917.
    • Raeburn, Sir Henry: Portrait of Mrs. Veitch, May 1915.
    • Rembrandt Drawings: Morgolomew Collection, March 1917.
    • Rembrandt: Saint Bartholomew, April 1916.
    • Rossetti, D. G.: Before the Battle, June 1912.
    • Rubens: Meleager and Atlanta, May 1926.
    • Sano di Pietro: Madonna and Child, June 1912.
    • Schiavone, Gregorio: Madonna and Child (pupil of Paduan Squarzione), December 1917; January 1918; December 1918.
  4. Formatting:

    • The entries are listed in a structured, chronological format, with each item separated by a line break.
    • The page number at the bottom is -10-, indicating this is part of a larger document.

Overall Impression:

The page serves as a detailed record of loans and acquisitions made by the Fogg Art Museum, showcasing a diverse range of artworks from various artists and periods. It reflects the museum's engagement with art collections and its efforts to document and catalog its holdings systematically. The document is typed, suggesting it was created for archival or administrative purposes.

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The image presents a scanned page from the "Index to Fogg Art Museum Scrap Book," specifically Volume I, covering the period from 1900 to October 1, 1920. The page is divided into two main sections: the title and the list of loans.

Title Section:

  • The title, "INDEX TO FOGG ART MUSEUM SCRAP BOOK," is prominently displayed at the top of the page in bold, black text.
  • Below the title, the volume number "VOLUME I" is written in smaller text.
  • The date range "1900 -- OCTOBER 1, 1920" is also included in smaller text.

List of Loans:

  • The list of loans is presented in a clear and organized format, with each entry consisting of:
    • Artist's name
    • Title of the artwork
    • Date of loan
    • Description of the artwork (if applicable)
  • The list includes a total of 34 entries, covering various artists and artworks from different periods.
  • The entries are arranged in chronological order by date of loan, with the earliest loan dated March 1911 and the latest loan dated December 1918.

Additional Information:

  • The page number "-10-" is visible at the bottom of the page, indicating that this is the tenth page of the index.
  • The background of the page is a light beige color, which provides a clean and neutral contrast to the black text.
  • The overall design of the page is simple and easy to read, making it clear that the index is intended for reference and research purposes.

In summary, the image presents a scanned page from the "Index to Fogg Art Museum Scrap Book," Volume I, covering the period from 1900 to October 1, 1920. The page includes a list of loans, organized by date, with each entry providing information about the artwork, artist, and date of loan. The page is designed for easy reference and research, with a clear and simple layout.

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The image depicts a page from the Index to Fogg Art Museum Scrapbook, Volume I, dated 1900-October 1, 1920. The page is titled "LOANS (CONTINUED)" and features a list of artworks loaned to the museum during that period.

Page Details:

  • Title: INDEX TO FOGG ART MUSEUM SCRAP BOOK
  • Volume: I
  • Date Range: 1900 - OCTOBER 1, 1920
  • Page Title: LOANS (CONTINUED)

List of Artworks:

The list includes various artworks, including paintings, drawings, and sculptures, along with their respective artists, dates, and loan periods. Some examples include:

  • Koffermans, Marcellus: Flemish Triptych, October, 1916
  • Leandro Bassano: Venetian Painting, April, 1910
  • Loeb, J.: Collection of Classical Antiquities, December, 1919
  • Lorenzetti: St. Agnes pinnacle, October, 1911
  • Lorenzetti, Pietro: Crucifixion, February, 1920
  • Lorenzo Monaco: Madonna and Child, March, 1915
  • Lorenzo di San Severino: Umbrian Madonna, February, 1915; March, 1915
  • MacKnight: Water colors, November, 1916
  • Mees, Nicholas: The Lace Maker, May, 1916
  • Mees, Nicholas: Portrait of a captain in armor, April, 1916
  • Manship, Paul: Centaur and Nymph (bronze), March, 1917; Dancer and Gazelles (Bronze), March, 1917
  • Martin Drawings: September, 1917
  • Masolino (?): Madonna and Child, March, 1915
  • Matteo di Giovanni: Virgin and Child, March, 1917
  • Michaelangelo: Holy Family (copy), October, 1911; March, 1915
  • Moretto da Brescia: The Magdalen, March, 1916
  • Morgan Manuscripts: January, 1914; February, 1914; February, 1918; April, 1918; April, 1919; April, 1920; March, 1921
  • Moro, Antonio: Portrait, September, 1917; May, 1919
  • Nattier, Jean: Mme. Mersollier and Daughter, April, 1919
  • Neroccio di Landi: Madonna and Child, March, 1920; April, 1920
  • Pentoja de la Cruz: King Philip II of Spain, February, 1914, March, 1914
  • Pennell Lithographs, February, 1914
  • Persian Miniatures, January, 1919
  • Ferugino: Holy Family, February, 1915; March, 1915
  • Piero della Francesca: Crucifixion, January, 1916; December, 1916
  • Piero di Cosimo: Madonna adoring the Child, March, 1917
  • Pinturicchio: Madonna, February, 1915; March, 1915
  • Polidoro da Lanzano: Santa Conversazione, March, 1915
  • Pollaiuolo, Antonio: Battle of Naked Men (Drawing), March, 1919
  • Porcelain, Sevres: December, 1910, January, 1911
  • Raeburn: Portrait, September, 1917
  • Raeburn, Sir Henry: Portrait of Mrs. Veitch, May, 1915
  • Rembrandt Drawings: Morgan Collection, March, 1917
  • Rembrandt: Saint Bartholomew, April, 1916
  • Rossetti, D. G.: Before the Battle, June, 1912
  • Rubens: Meleager and Atlanta, May, 1926
  • Sano di Pietro: Madonna and Child, June, 1912
  • Schiafone, Gregorio: Madonna and Child (pupil of Paduan Squarcione), December, 1917; January, 1918; December, 1918

This page provides valuable information about the artworks loaned to the Fogg Art Museum during the early 20th century, offering insights into the museum's collection and exhibition history.

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The image shows a scanned page from an old document titled "Index to Fogg Art Museum Scrap Book Volume I" with a date range of 1900 to October 1, 1920.

Document Details

  • The page is yellowed and worn, indicating age.
  • It is typed on a typewriter, with a list of artworks loaned to the museum.
  • The list is organized alphabetically by artist's last name.

List of Artworks

The list includes various artworks, such as paintings and sculptures, created by renowned artists including:

  • Koffermans
  • Leandro Bassano
  • Loeb
  • Lorenzetti
  • Pietro Lorenzetti
  • Lorenzo Monaco
  • Lorenzo di San Severino
  • MacKnight
  • Maes
  • Manship
  • Martin
  • Masolino
  • Giovanni
  • Michelangelo
  • Breascia
  • Morgan
  • Moro
  • Nattier
  • Neroccio di Landi
  • Pantoja de la Cruz
  • Pennell
  • Persian Miniatures
  • Perugino
  • Pier della Francesca
  • Piero di Cosimo
  • Pinturicchio
  • Polidoro da Lenzano
  • Pollaiuolo
  • Porcelain
  • Raeburn
  • Rembrandt
  • Rossetti
  • Rubens
  • Sano di Pietro
  • Sienese
  • Schiavone

Page Numbering

The page number is visible at the bottom center of the page, indicating that it is page 10. The top right corner shows the number "11", likely indicating the page number in a different sequence.

Overall

The image provides a glimpse into the Fogg Art Museum's collection and loan history during the early 20th century.

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The image presents a scanned page from an index to the Fogg Art Museum scrapbook, specifically Volume I, spanning the period from 1900 to October 1, 1920. The page is titled "INDEX TO FOGG ART MUSEUM SCRAP BOOK VOLUME I 1900 - OCTOBER 1, 1920" and features a list of loans continued.

Key Features:

  • Title and Date Range: The title indicates that this is Volume I of the index, covering the years 1900 to October 1, 1920.
  • List of Loans: The page contains a list of loans, organized alphabetically by artist's last name, with each entry including:
    • Artist's name
    • Title of the work
    • Month and year of acquisition
  • Page Numbering: The page number "-10-" is centered at the bottom, suggesting that this is the tenth page of the index.
  • Binding and Holes: The left side of the page has holes punched along the edge, indicating that it was once bound in a ring binder or similar binding system.
  • Background: The background of the image is a light gray color, providing a neutral backdrop for the scanned page.

Overall Impression:

The image appears to be a scanned page from a historical document, likely created in the early 20th century. The content suggests that it is an index of artworks loaned to the Fogg Art Museum during this period. The page's layout and formatting are consistent with typewritten documents from the era, and the inclusion of specific dates and artist names adds to the document's historical significance.