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Fogg Art Museum Scrapbook, January 1900-September 1920

ARCH.2003.21, Rendition: 789837

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The image shows a page from an index to the Fogg Art Museum Scrap Book, specifically Volume I, covering the period from 1900 to October 1, 1920. The page is titled "LOANS (CONTINUED)" and lists various artworks that were loaned out during this period. Each entry includes the artist's name, the title of the artwork, and the dates when the artwork was loaned out. Here is a detailed summary of the entries:

  1. Edlinckt: The Battle of the Standard, May, 1915
  2. Etruscan ware, Prehistoric: September, 1917
  3. Fifteenth Century Italian (desco a parte): April, 1913; May, 1913
  4. Filippo Lippi:
    • Pre: Madonna and Child, February, 1916; March, 1916
    • Mystic Marriage of St. Catherine, March, 1917; October, 1917
  5. Florentine de Ligne: Madonna and Child, February, 1919
  6. Flemish School:
    • Assumption of the Virgin, February, 1914; March, 1914
    • Crucifixion, March, 1916
  7. Florentine School: Holy Family, September, 1917
  8. Francesco di Giorgio: Madonna and Child, October, 1914; December, 1914
  9. French School: Annunciation (also called Flemish Primitive School of Melchior Broederlam), April, 1910
  10. Gaddi, Taddeo: Scenes from the Life of Christ, March, 1913
  11. Gentile de Fabriano: Madonna and Child, October, 1916
  12. Ghirlandaio, D.: Virgin of the Annunciation, April, 1914; October, 1914
  13. Giambono, Michele: Dead Christ, March, 1914
  14. Girolamo da Santa Croce: Portrait of a Young Man, April, 1916
  15. Giovanni di Paolo: St. John the Baptist, October, 1914; December, 1914
  16. Goya: Portrait (Toreador Romero), February, 1920
  17. Guardis:
  • Venice Scene, June, 1915
  • Guardian of St. Michael, December, 1917; January, 1918; December, 1918
  1. Hals, Frans: Portrait of a Dutchman, April, 1916
  2. Hals, Frans: Young Cavalier, February, 1915
  3. Hindu Painting: July, 1916
  4. Holbein: Portrait of a Man, March, 1917; September, 1917
  5. Homer, Winslow: Water color, October, 1916
  6. Houdon: Diane the Huntress (Bronze), March, 1919
  7. Indian Drawings: January, 1913
  8. Italian School: St. John the Baptist, October, 1912
  9. Jacobo di Cione: March, 1918
  10. Japanese: Buddhist Painting, April, 1913
  11. Japanese: Kakemono (Two Tigers), April, 1913
  12. Japanese Painting (Kamakura period): September, 1917
  13. Japanese Paintings (Tosa School about 1450): January, 1918; December, 1918
  14. Japanese Screen about 1600 (probably work of School of Kano Yeitoku): January, 1919
  15. Juan de Burgos: Annunciation, November, 1916

The page is numbered "-9-" at the bottom right corner.

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The image shows a page from an index of the Fogg Art Museum scrapbook, Volume I, covering the period from 1900 to October 1, 1920. The page lists various art loans, continuing from a previous section. Each entry includes the artist's name, the title of the artwork, the date it was created (if available), and the duration of the loan. Some notable entries include:

  • Edelinck: "The Battle of the Standard, May, 1915" and "Etruscan ware, Prehistoric," loaned in September 1917.
  • Works by Filippo Lippi, including "Madonna and Child" and "Mystic Marriage of St. Catherine," loaned at various times between 1911 and 1916.
  • Several works by the Flemish School, such as "Annunciation" and "Assumption of the Virgin," loaned between 1912 and 1919.
  • Goya's "Portrait (Toreador Romero)," loaned in February 1920.
  • Japanese paintings and screens, including "Buddhist Painting" and "Kakemono (Two Tigers)," loaned between 1912 and 1919.

The page is numbered '9' at the bottom, indicating its position in the document.

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The image displays an index page from a scrapbook belonging to the Fogg Art Museum, covering the period from 1900 to October 1, 1920. Specifically, it lists various artworks on loan, detailing their artists, titles, and the dates when they were mentioned or exhibited.

Here is a detailed summary of the entries:

LOANS (CONTINUED):

  • Edelinck: The Battle of the Standard, May 1915
  • Etruscan ware, Prehistoric: September 1917
  • Fifteenth Century Italian (desco da parte):
    • April 1913; May 1913
  • Filippo Lippi, Fra:
    • Madonna and Child: February 1916; March 1916
    • Filippo Lippi (?): Mystic Marriage of St. Catherine: March 1916
  • Florentine School:
    • March 1911; October 1911
  • Fiorenzo de Lorenzo: January 1919; February 1919
  • Flemish Annunciation: March 1916
  • Flemish School:
    • Assumption of the Virgin: February 1914; March 1914
    • Crucifixion: March 1916
  • Francesco di Giorgio: Madonna and Child, October 1914; December 1914
  • French School:
    • Annunciation (also called Flemish Primitives)
    • School of Melchior Broederlam: April 1910
    • Gaddi, Agnolo: Scenes from the Life of Christ, March 1913
  • Gentile da Fabriano: Madonna and Child, October 1916
  • Ghirlandaio, D.: Virgin of the Annunciation, April 1914; October 1914
  • Giambono, Michele: Dead Christ, March 1914
  • Giorolamo da Santa Croce: Portrait of a Young Man, April 1916
  • Giovanni di Paolo: St. John the Baptist, October 1914; December 1914
  • Goya: Portrait (Torero Romero), February 1920
  • Guardi: Venetian Scene, June 1912
  • Guercino: St. Michael, December 1917; January 1918; December 1918
  • Hals, Frans:
    • Portrait of a Dutchman, April 1916
    • Young Cavalier, February 1915
  • Hindu Painting: July 1916
  • Holbein: Portrait of a Man, March 1917; September 1917
  • Homer, Winslow: Water color, October 1916
  • Houdon: Diana the Huntress (Bronze), March 1919
  • Irish Drawing: January 1919
  • Isenbrandt: St. John the Baptist, October 1912
  • Jacopo di Cione: March 1918
  • Japanese:
    • Buddhist Painting, April 1913
    • Kakemono (Two Tigers), April 1912
    • Painting (Kamakura period), September 1917
    • Tosa School about 1480, January 1918; December 1918
    • Screen about 1600 (probably work of School of Kano Yei-toku), January 1919
  • Juan de Burgos: Annunciation, November 1916

This index provides a comprehensive list of artworks categorized by their respective schools and artists, along with the dates they were referenced or displayed.

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The image shows a page from an index titled "Index to Fogg Art Museum Scrap Book, Volume I," covering the period from 1900 to October 1, 1920. This page specifically lists loaned artworks along with their respective artists, titles, and dates of loan.

Here are the details listed on the page:

  • Edelinck: The Battle of the Standard, May, 1915
  • Etruscan ware: Prehistoric, September, 1917
  • Fifteenth Century Italian (desco a parte): April, 1913; May, 1913
  • Filippo Lippi, Fra: Madonna and Child, February, 1916; March, 1916
  • Filippo Lippi (?): Mystic Marriage of St. Catherine, March, 1911; October, 1911
  • Fiorenzo de Lorenzo: January, 1919; February, 1919
  • Flemish Annunciation: March, 1916
  • Flemish School: Assumption of the Virgin, February, 1914; March, 1914
  • Flemish Crucifixion: March, 1916
  • Florentine School: Holy Family, September, 1917
  • Francesco di Giorgio: Madonna and Child, October, 1914; December, 1914
  • French School: Annunciation (also called Flemish Primitive School of Melchior Broederlam), April, 1910
  • Gaddi, Agnolo: Scenes from the Life of Christ, March, 1913
  • Gentile da Fabriano: Madonna and Child, October, 1916
  • Ghirlandaio, D.: Virgin of the Annunciation, April, 1914; October, 1914
  • Giombono, Michele: Dead Christ, March, 1914
  • Girolamo da Santa Croce: Portrait of a Young Man, April, 1916
  • Giovanni di Paolo: St. John the Baptist, October, 1914; December, 1914
  • Goya: Portrait (Toreador Romero), February, 1920
  • Guard: Venetian Scene, June, 1912
  • Guercino of Padua: St. Michael, December, 1917; January, 1918; December, 1918
  • Hala, Franz: Portrait of a Dutchman, April, 1916
  • Hala, Franz: Young Cavalier, February, 1918
  • Hindu Painting: July, 1916
  • Holbein: Portrait of a Man, March, 1917; September, 1917
  • Homer, Winslow: Watercolor, October, 1916
  • Houdon: Diana the Huntress (Bronze), March, 1919
  • Indian Drawings: January, 1919
  • Isenbrandt: St. John the Baptist, October, 1912
  • Jacobo di Gione: March, 1918
  • Japanese: Buddhist Painting, April, 1913
  • Japanese: Kakemono (Two Tigers), April, 1913
  • Japanese Painting (Kamakura period): September, 1917
  • Japanese Paintings (?): Tosa School about 1480, January, 1918; December, 1918
  • Japanese Screen about 1600 (probably work of School of Kano Yei-toku): January, 1919
  • Juan de Burgos: Annunciation, November, 1916

The page is numbered "10" at the top right corner and "9-" at the bottom right corner, indicating it is part of a larger document.

Mistral, mistral.ministral-3-8b-instruct

The image displays a page from the "Index to Fogg Art Museum Scrap Book, Volume I," covering the period from 1900 to October 1, 1920. This specific page is a continuation of a section titled "LOANS," detailing various artworks that were loaned out over the years.

Here is a detailed summary of the listed loans:

  1. Edelinck: The Battle of the Standard, May 1915.
  2. Etruscan Ware: Prehistoric, September 1917.
  3. Fifteenth Century Italian (desco e parte): April 1913; May 1913.
  4. Filippino Lippi, Fra:
    • Madonna and Child: February 1916; March 1916.
    • Mystic Marriage of St. Catherine: March 1911; October 1911.
  5. Fiorenzo de Lorenzo: January 1919.
  6. Flemish Annunciation: March 1916.
  7. Flemish School:
    • Assumption of the Virgin: February 1914; March 1914.
    • Crucifixion: March 1916.
  8. Florentine School:
    • Holy Family: September 1917.
  9. Francesco di Giorgio:
    • Madonna and Child: October 1914; December 1914.
  10. French School:
    • Annunciation (also called Flemish Primitive School of Melchior Broederlam): April 1910.
  11. Gaddi, Agnolo: Scenes from the Life of Christ, March 1913.
  12. Gentile da Fabriano: Madonna and Child, October 1916.
  13. Ghirlandaio, D.: Virgin of the Annunciation, April 1914; October 1914.
  14. Giombono, Michele: Dead Christ, March 1914.
  15. Girolamo da Santa Croce: Portrait of a Young Man, April 1916.
  16. Giovanni di Paolo: St. John the Baptist, October 1914; December 1914.
  17. Goya: Portrait (Toreador Romero), February 1920.
  18. Guarddi: Venetian Scene, June 1912.
  19. Guercino of Padua: St. Michael, December 1917; January 1918; December 1918.
  20. Hala, Franz:
  • Portrait of a Dutchman, April 1916.
  • Young Cavalier, February 1918.
  1. Hindu Painting: July 1916.
  2. Holbein: Portrait of a Man, March 1917; September 1917.
  3. Homer, Winslow: Water color, October 1916.
  4. Houdon: Diana the Huntress (Bronze), March 1919.
  5. Indian Drawings: January 1919.
  6. Isenbrandt: St. John the Baptist, October 1912.
  7. Jacopo di Cione: March 1918.
  8. Japanese:
    • Buddhist Painting: April 1913.
    • Kakemono (Two Tigers): April 1913.
    • Painting (Kamakwa period): September 1917.
    • Paintings (Tosa School about 1480): January 1918; December 1918.
    • Screen about 1600 (probably work of School of Kano Yei-toku): January 1919.
  9. Juan de Burgos: Annunciation, November 1916.

This page provides a chronological and categorized list of various artworks loaned out from the Fogg Art Museum between 1900 and 1920.

Mistral, mistral.ministral-3-3b-instruct

The image shows a page from an index titled "INDEX TO FOGG ART MUSEUM SCRAP BOOK," specifically Volume I, covering the years 1900 to October 1, 1920. This index details various art loans made by the museum during this period. Here are some specific entries from the list:

  1. Edelinck: The Battle of the Standard, loaned in May, 1915.
  2. Etruscan ware: Loaned in September, 1917.
  3. Fifteenth Century Italian (desco a parte): Loaned in April, 1913, and May, 1913.
  4. Filippo Lippi, Fra: Madonna and Child loans in February, 1916, and March, 1916.
    • Mystic Marriage of St. Catherine by Filippo Lippi (7 entries) loans in March, 1911, and October, 1911.
  5. Flemish Annunciation: Loaned in March, 1916.
  6. Flemish School: Assumption of the Virgin in February, 1914 and March, 1914.
  7. Flemish Crucifixion: Loaned in March, 1916.
  8. Florentine School: Holy Family in September, 1917.
  9. Francesco di Giorgio: Madonna and Child in October, 1914, and December, 1914.
  10. French School: Annunciation (also called Flemish Primitive School of Melchior Broedelem) loaned in April, 1910.
  11. Gaddi, Agnolo: Scenes from the Life of Christ in March, 1913.
  12. Gentile da Fabriano: Madonna and Child in October, 1916.
  13. Ghirlandaio, D.: Virgin of the Annunciation loaned in April, 1914 and October, 1914.
  14. Giombono, Michele: Dead Christ in March, 1914.
  15. Girolamo da Santa Croce: Portrait of a Young Man in April, 1916.
  16. Giovanni di Paolo: St. John the Baptist loaned in October, 1914 and December, 1914.
  17. Goya: Portrait (Toreador Romero) loaned in February, 1920.
  18. Guardí: Venetian Scene in June, 1912.
  19. Guercino of Padua: St. Michael in December, 1917, and January, 1918.
  20. Hala, Franz: Portrait of a Dutchman in April, 1916 and Young Cavalier in February, 1915.
  21. Hindu Painting: Loaned in July, 1916.
  22. Holbein: Portrait of a Man in March, 1917 and September, 1917.
  23. Homer, Winslow: Water color loaned in October, 1916.
  24. Houdon: Diana the Huntress (Bronze) loaned in March, 1919.
  25. Indian Drawings: Loaned in January, 1919.
  26. Isebrandti: St. John the Baptist loaned in October, 1912.
  27. Jacobo di Gione: Loaned in March, 1918.
  28. Japanese: Buddhist Painting loaned in April, 1913.
  • Kakemono (Two Tigers) loaned in April, 1913.
  • Japanese Painting (Kamakura period) loaned in September, 1917.
  • Japanese Paintings (Tosa School about 1480) loaned in January, 1918, December, 1918.
  • Japanese Screen about 1600 (possibly work of School of Kano Yei-toku) loaned in January, 1919.
  1. Juan de Burgos: Annunciation loaned in November, 1916.

The entries list the artworks, their artists, and the months in which they were loaned to the museum.

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The image shows a typed index page titled "INDEX TO FOGG ART MUSEUM SCRAP BOOK VOLUME I 1900 --- OCTOBER 1, 1920." The page is numbered "10" in the top right corner and contains a list under the heading "LOANS (CONTINUED)."

The list includes names of artists or art schools, titles or descriptions of artworks, and dates related to the loans. Some of the entries include:

  • Edelinck: The Battle of the Standard, May, 1915
  • Etruscan ware, Prehistoric: September, 1917
  • Fifteenth Century Italian (desco a parte): April, 1913; May, 1913
  • Filippo Lippi, Fra: Madonna and Child: February, 1916; March, 1916
  • Flemish Annunciation: March, 1916
  • Flemish School: Assumption of the Virgin, February, 1914; March, 1914
  • Flemish Crucifixion: March, 1916
  • Florentine School: Holy Family, September, 1917
  • French School: Annunciation (also called Flemish Primitive School of Melchior Broedeilam), April, 1910
  • Giovanni di Paolo: St. John the Baptist, October, 1914; December, 1914
  • Goya: Portrait (Toreador Romero), February, 1920
  • Halls, Franz: Portrait of a Dutchman, April, 1916
  • Holbein: Portrait of a Man, March, 1917; September, 1917
  • Japanese Paintings (7): Tosa School about 1480, January, 1918; December, 1918
  • Juan de Burgos: Annunciation, November, 1916

The page is clean and orderly, with text aligned to the left and a small page number "-9-" centered at the bottom. The page has visible holes punched on the left edge, indicating it was part of a bound volume or binder.

Azure OpenAI Service, gpt-4o-2024-05-13

The image depicts a page from a historical index specific to the Fogg Art Museum Scrap Book, Volume I, encompassing the period from 1900 to October 1, 1920. The page is numbered "9" at the bottom and marked "10" in pencil at the top right corner. It contains a list of art loans, including paintings, drawings, and other artworks, mentioning the artists or origins alongside the dates the artworks were loaned to the museum.

The list includes works from various artists and periods such as:

  • Edelinck: The Battle of the Standard (May 1915)
  • Etruscan ware, Prehistoric (September 1917)
  • Fifteenth Century Italian (April 1913; May 1913)

There are multiple entries for various artists describing specific pieces and their dates of loan (e.g., Filippo Lippi, Filippo Lippi (?), Fiorenzo di Lorenzo, Flemish School, etc.). Several entries pertain to artworks from different cultural backgrounds, including Japanese and Hindu art. Specific pieces like portraits, scenes from religious texts, and depictions of historical figures are precisely dated, indicating a systematic record of loans.

The descriptions provide a broad overview of diverse art forms and include entries such as:

  • Giovanni di Paolo: St. John the Baptist (October 1914; December 1914)
  • Goya: Portrait (Toreador Romero) (February 1920)
  • Hals, Franz: Portrait of a Dutchman (April 1916)
  • Houdon: Diana the Huntress (Bronze) (March 1919)

Moreover, the list includes specific cultural art pieces from different geographical regions like:

  • Japanese: Buddhist Painting (April 1913)
  • Japanese: Kakemono (Two Tigers) (April 1912)
  • Indian Drawings (January 1919)

This page provides valuable documentation on art loan records, reflecting historical context, artist details, and specific artworks, contributing to the museum's archival data on its collection.

Azure OpenAI Service, gpt-4

This is an image of a typed document. It appears to be a page from an index or catalog, specifically "INDEX TO FOGG ART MUSEUM SCRAP BOOK VOLUME I 1900 – OCTOBER 1, 1920." The page number at the bottom right corner is marked as "-9-."

The content on the page continues a list of items under the heading "LOANS (CONTINUED)" and details various artworks and artifacts, along with the dates they were featured or loaned. The items include a diverse array of works, such as "Filippo Lippi (?): Mystic Marriage of St. Catherine," "Flemish Crucifixion: March, 1916," and "Japanese Painting (Kakemono Two Tigers), April, 1913." It serves as a historical record of the pieces that have been associated with the Fogg Art Museum during the early 20th century. The font is a standard typewriter font, common for the time, and the paper is slightly yellowed with age.

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The image shows a page from an index titled "INDEX TO FOGG ART MUSEUM SCRAP BOOK, VOLUME I", dated October 1, 1920. The page is numbered 10 at the top right corner and is labeled -9- at the bottom, indicating it is part of a larger document or scrapbook. The content of the page is a list of loans (indicated by the heading "LOANS (CONTINUED)") from the Fogg Art Museum.

Key Details:

  1. Structure:

    • The list is organized alphabetically by the names of artists, schools, or works.
    • Each entry includes the name of the artwork, artist, or school, followed by the date (month and year) when the loan was recorded.
  2. Content:

    • The entries cover a wide range of artworks and artists, spanning various periods, styles, and regions. Examples include:
      • Edelinck: "The Battle of the Standard," May 1915.
      • Etruscan ware, Prehistoric: September 1917.
      • Fifteenth Century Italian (desco e parte): April 1916; March 1913.
      • Filippo Lippi, Fra: "Madonna and Child," February 1916; March 1916.
      • Fiorenzo de Lorenzo: January 1919; February 1919.
      • Fleming School: "Assumption of the Virgin," February 1914; March 1914.
      • French School: "Annunciation (also called Flemish Primitive School of Melchior Broedelam)," April 1910.
      • Japanese Paintings: Various entries, including works from the Kemri period (September 1917) and the Tosa School (January 1918).
      • Juan de Burgos: "Annunciation," November 1916.
  3. Timeframe:

    • The loans span from 1910 to 1920, with most entries concentrated between 1913 and 1919.
  4. Purpose:

    • The index serves as a record of artworks loaned to or from the Fogg Art Museum during the specified period. It provides a structured catalog of the museum's lending activities, likely for archival or administrative purposes.

Visual Characteristics:

  • Typography: The text is typed in a monospaced font, typical of early 20th-century typewriters or printed documents.
  • Layout: The entries are neatly aligned in columns, with consistent spacing and punctuation.
  • Condition: The page appears to be aged, with a slightly faded or yellowed tone, suggesting it is a historical document.

This index offers valuable insight into the museum's collection management and the circulation of artworks during the early 20th century.