Archives Scrapbooks

The image shows an open book with a beige page on the left and a page of text on the right. The text page contains a section titled "FOGG MUSEUM ACQUISITIONS," which discusses the acquisition of four original works of art from Mr. F. W. Forbes '95 and their exhibition in the print room of the Fogg Museum. The text mentions paintings and engravings from various artists and schools, such as Benvenuto da Siena, Pinturicchio, and works by the Flemish School. The page appears to be aged, with some wear and discoloration on the edges, suggesting it is from an older publication.

The image shows a page from a book or scrapbook, likely from the year 1900. The page is beige or light brown, and the text appears to be cut out from a newspaper or magazine and pasted onto the page. The text is titled "FOGG MUSEUM ACQUISITIONS" and discusses the addition of four original works of art contributed by E.W. Forbes '95 to the collection of the Fogg Museum.

The text describes three paintings now on display on the wall of the upper gallery: a tempera painting by Benvenuto da Siena representing the Madonna enthroned with saints, a tempera painting attributed to Pinturicchio of the Madonna and Child on a gold ground, and an oil painting of the Venetian School representing the Madonna and Child with the Infant St. John. The first of these is described as a work of great importance as an example of Italian religious art at the close of the 15th century.

Additionally, the text mentions a series of prints from the Flemish School in the time of Rubens, which are now exposed in the print room. These prints illustrate the transition from the primitive to the modern methods of engraving under the influence of the great Flemish master. The engravers represented include Suavius, Coet, Galle, Goltzius, Swanenburg, Stock, Matham, Muller, Soutman, Vorsterman, Pontius, and Goudt.

The page shows signs of age, with some discoloration and wear. The binding of the book is visible on the right side, and the page is bound with a dark-colored fabric or material.

This image displays an open, vintage book or scrapbook with aged, yellowed pages and a black cloth binding. The left-hand page is almost entirely blank, showing only the uniform, light-brown color of old paper. The right-hand page features a single, rectangular, typewritten newspaper clipping affixed to its upper right corner. The clipping, titled in bold capital letters “FOGG MUSEUM ACQUISITIONS,” announces new art donations to the Fogg Museum made by E. W. Forbes ’95.

The article describes several specific artworks, including:

• A tempera painting on gold ground by Benvenuto da Siena.
• A tempera attributed to Pinturicchio.
• An oil painting from the Venetian School, depicting the Madonna and Child with the Infant St. John, noted as a work of “great importance” from the late 15th century, approximately 7x8 feet in size.
• A series of prints from the Flemish School, illustrating the evolution of engraving techniques under the influence of Peter Paul Rubens, with works by artists including Susvius, Coe, Galle, Goltzius, Swanenburg, Stock, M. Hooch, Muller, Sustermans, Vorsterman, Pontius, and Goudt.

The clipping is taped or pasted directly onto the page. The right edge of the book is partially visible, showing exposed, frayed stitching and the spine’s structure — a clear sign of the item’s age and handling. The overall impression is that of a personal or institutional archive page documenting art history events from the early 20th century. There is a small brown stain on the right-hand page, just below the clipping. At the very top center of the clipping, the year “1906” is faintly visible, likely indicating when this acquisition was published.

The image shows an open book with a beige page. The page has a black border on the sides. The top of the page has the title "Fogg Museum Acquisitions 1900" in the center. Below the title, there is a paragraph that reads, "Through the liberality of Mr. F. W. Forbes '95, four original works of art have just been added to the collection of the Fogg Museum, three of which are now to be seen on the wall of the upper gallery." The paragraph continues with details about the artworks.

The image shows a page from a book or a report, likely related to art or museum acquisitions. The page is mostly blank, with a large portion of the page being unfilled. The page is covered with a beige-colored paper, possibly a protective cover or a placeholder. On the right side of the page, there is a small piece of paper with black text. The text appears to be a description or an annotation related to the page or the subject matter of the book. The text is written in a formal and descriptive style, providing information about the artworks or acquisitions mentioned in the book.

The image shows a page from a catalog or publication titled "Fogg Museum Acquisitions", specifically focusing on "Four Original Works of Art Contributed by E. W. Forbes '95." The page is part of a bound document, as indicated by the visible spine and the structured layout typical of archival or museum publications.

Key Details from the Page:

1. Title and Context:

   • The heading clearly states that the page discusses four original works of art donated by E. W. Forbes in 1895.
   • The text describes the addition of these works to the collection of the Fogg Museum.

2. Description of the Works:

   • First Work: A painting by Benvenuto da Sienna, depicting the Madonna enthroned with saints on a gold ground. It is attributed to the Madonna in tempera style.
   • Second Work: A painting attributed to Pinturicchio, also depicting the Madonna enthroned with saints on a gold ground.
   • Third Work: An oil painting on a gilded ground, showing the Madonna and Child, attributed to the Venetian School and representing the Madonna and Child with the Infant John the Baptist.
   • Fourth Work: A printroom exhibit featuring a series of prints from the Flemish School in the time of Rubens, illustrating the transition from primitive to modern methods of engraving under the influence of the Flemish master.

3. Details About the First Work:

   • The first painting is noted as a work of great importance, exemplifying Italian religious art from the close of the 15th century.
   • It is described as a panel about 7 x 8 feet in size, noted for its beauty in color and elaborate craftsmanship.

4. Printroom Exhibit:

   • The printroom display includes works by notable engravers such as Susius, Coe, Goltzius, Swanenburg, Stock, Mellian, Muters, Vorsterman, Ponsiu, and Goudt.

5. Physical Characteristics:

   • The page itself has a light brown or beige tone, typical of aged paper.
   • The text is typed or printed in a formal, serif font, consistent with early 20th-century printing styles.
   • The page is bound with visible stitching or binding along the spine, indicating it is part of a larger volume.

Overall Impression:

The image depicts a formal catalog entry from a museum or academic institution, detailing significant acquisitions of art pieces. The text provides detailed descriptions of the artworks, their artists, and their historical and artistic significance, reflecting the scholarly and curatorial nature of the publication. The physical appearance of the page, with its aged paper and structured layout, suggests it is part of an archival or historical document.

An open book showing a blank tan/orange left page and a small newspaper clipping mounted in the upper right corner of the right page. The clipping has a header that reads “FOGG MUSEUM ACQUISITIONS” and contains a block of typed text about original works of art donated by E. W. Forbes ’95. The clipping is torn and neatly pasted, with the book’s binding visible along the far right edge and the page overall looking aged.

This image shows a beige-toned page with a noticeable aged appearance, likely from a book or an album. The page has a narrow black border along the edges, framing the content. On the upper-right corner, a newspaper clipping has been affixed. The headline at the top of the clipping reads "1900 Fogg Museum Acquisitions," and it describes four original works of art contributed by an individual named F.W. Forbes. The text provides details about the contributed art pieces, their provenance, and artistic characteristics. The overall design suggests this page is archival in nature, possibly cataloging historical records or a collection. The exposed spine of the book is visible on the right side, suggesting wear and use.

This image depicts a page from a publication or a catalog. The top of the page reads "1900 FOGG MUSEUM ACQUISITIONS" and below it refers to "Four Original Works of Art Contributed by E.W. Forbes '95."

The text goes on to thank Mr. F.W. Forbes for contributing four more original works of art to the Fogg Museum and describes the pieces. The description mentions that the works include a painting by Giovanni da Siena representing the Madonna enthroned with saints, a painting on a wood tablet showing the Madonna and Child, a gold ground, and an oil painting of the Madonna and Child with the Infant St. John by Verrocchio. Additionally, it references a fine example of Italian Renaissance art.

On the right margin of the page are the remnants of what appears to be a torn or cut edge, suggesting that this page might come from a book or a bound document. The page itself is aged, with some discoloration and a textured surface indicating some wear over time. The left side of the page is aligned with the spine of the book or binding, indicated by threads or strings visible in a consistent pattern which are part of the bookbinding process. There are no images or figures on this page, just the descriptive text.

The image shows an open older book or album. On the left page, there is a blank sheet of aged paper that appears to be light brown or beige. On the right page, there is a small newspaper clipping with information about acquisitions by the Fogg Museum in 1906. The clipping mentions four original works of art contributed by Mr. E. W. Forbes '95. It details the types of art pieces added to the collection, including paintings and engravings, and names artists such as Perugino, Pinturicchio, and Van Dyck. The page on the book's right side shows signs of wear and age, including frayed edges and discoloration.