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The image shows a page from the "Harvard University Art Museums Observer," also known as HUAMO. The specific issue is Volume 1, Issue 16, dated December 15, 1989, and it was edited by Vivienne Esrig.
The page contains an article titled "The Busch-Reisinger Museum," which aims to clarify the structure and organization of the Harvard University Art Museums. Key points from the article include:
History and Location:
Collection and Access:
Building Details:
Additional Information:
The article provides a detailed explanation of the museum's history, current setup, and future plans, aiming to clarify any confusion about the organization of the Harvard University Art Museums.
The image shows a page from the Harvard University Art Museums Observer, titled "HUAMO," which stands for Harvard University Art Museums Observer. The issue is Volume 1, Issue 16, dated December 15, 1989, and edited by Vivienne Esrig.
The article discusses the Busch-Reisinger Museum. It explains that the museum moved from its old location at 29 Kirkland Street to 32 Quincy Street in the summer of 1987, bringing its collection and name with it. The renovated center for European Studies now houses the museum. The museum's exhibits, which include medieval art from various regions, are accessible to the public on the second Sunday of each month from 1-5 p.m., with the garden open from 11:00 a.m. to 3:00 p.m. during the warmer months.
Additionally, the article mentions the construction behind the Fogg Art Museum. The first floor of this new building, named Werner Otto Hall, will be used by the Fine Arts Library, while the second and third floors will accommodate the Busch-Reisinger Museum's galleries, offices, and storage-study space. The building is named after Werner Otto.
The article concludes by noting that the bottom line involves two buildings: Adolphus Busch Hall, where CES (Center for European Studies) and HUAM (Harvard University Art Museums) are currently located, and Werner Otto Hall, where the Fine Arts Library and the Busch-Reisinger Museum will be situated in late 1991. Contact information for further inquiries is provided as EMMA NORRIS, x2317.
HARVARD UNIVERSITY ART MUSEUMS OBSERVER
aka
HUAMO
Volume 1, Issue 16, December 15, 1989 Edited by Vivienne Esrig
The Busch-Reisinger Museum
In an attempt to put at rest the moniker mix-up surrounding one of the Harvard University Art Museums, here is an explanation of the nomenclature as it stands:
The Busch-Reisinger Museum moved out of it's old home at 29 Kirkland Street, Adolphus Busch Hall, in the summer of 1987. The Museum brought it's name and collection into 32 Quincy Street. Most of ABH has been renovated and now houses the Center for European Studies. The sequence of rooms by the Kirkland St. entrance, Romanesque Hall, the Transept and the Apse, is controlled by the Fogg and will eventually contain medieval art from all over Europe. In the meantime, the Fogg and the Busch-Reisinger Museum are open to the public the second Sunday of every month from 1-5 p.m. (the next one is February 11) and the garden is open during the warmer months from 11:00 a.m. - 3:00 p.m.
The construction behind the Fogg is for Werner Otto Hall, named after its primary donor. This first floor will be used by the Fine Arts Library and the second and third floors will accommodate the Busch-Reisinger Museum galleries, offices and storage-study space. (Werner Otto Hall is the name of the building).
The bottom line...two buildings - 1) Adolphus Busch Hall where one finds CES and HUAM's up and coming medieval installation; and 2) Werner Otto Hall where, in late 1991, the Fine Arts Library and the Busch-Reisinger Museum will be located. Questions? Call EMMY NORRIS, x2317.
The image displays a page from a publication titled "HARVARD UNIVERSITY ART MUSEUMS OBSERVER," also referred to as "HUAMO." This particular issue is Volume 1, Issue 16, dated December 15, 1989, and was edited by Vivienne Esrig.
The main article focuses on clarifying the nomenclature related to the Busch-Reisinger Museum at Harvard University. Here are the key points:
Relocation and Renaming:
Exhibition Spaces and Access:
Construction Behind the Fogg Museum:
Building Information:
For any questions, the document suggests calling "EMMY" at the number provided (extension 2317).
The image is a page from the Harvard University Art Museums Observer, also known as HUAMO, Volume 1, Issue 16, dated December 15, 1989. The editor of this issue is Vivienne Esrig. The page contains an article titled "The Busch-Reisinger Museum."
The article explains the history and current status of the Busch-Reisinger Museum, which is part of the Harvard University Art Museums. Here are the key points from the article:
History and Relocation:
Building Details:
Public Access and Events:
Construction and Renovation:
Additional Information:
The article aims to clarify the nomenclature and provide updates on the status and future plans for the Busch-Reisinger Museum.
The image is a page from the Harvard University Art Museums Observer, also known as HUAMO, Volume 1, Issue 16, dated December 15, 1989. The editor of this issue is Vivienne Esrig.
The article discusses the Busch-Reisinger Museum and its relocation. Here's a detailed summary:
Relocation of the Busch-Reisinger Museum:
Building Details:
Construction of Werner Otto Hall:
Clarification on Nomenclature:
Contact Information:
This article aims to clarify the ongoing and upcoming changes and relocations within the Harvard University Art Museums.
The image shows a typed newsletter page titled "HARVARD UNIVERSITY ART MUSEUMS OBSERVER a.k.a. HUAMO." It is Volume 1, Issue 16, dated December 15, 1989, and edited by Vivienne Esrig. The main article is titled "The Busch-Reisinger Museum."
The article explains the name and location changes related to one of the Harvard University Art Museums. It states that the Busch-Reisinger Museum moved from 29 Kirkland Street, Adolphus Busch Hall, to 32 Quincy Street in the summer of 1987. The renovated Adolphus Busch Hall now houses the Center for European Studies. The article describes the sequence of rooms from the Kirkland Street entrance and notes that HUAM controls the hall and will eventually contain medieval art from Europe. It mentions public access to the rooms and the garden during specific times.
The article also discusses the construction behind the Fogg Museum for Werner Otto Hall, named after its primary donor. The hall's first floor will be used by the Fine Arts Library, while the other floors will accommodate the Busch-Reisinger galleries, offices, and storage-study space. There is a note clarifying that Werner Otto Hall is the name of the building.
At the end, the article summarizes the two buildings: Adolphus Busch Hall for CES and HUAM's medieval installation and Werner Otto Hall, which, by late 1991, will house the Fine Arts Library and Busch-Reisinger Museum. It provides a contact name, Emmy Norris, and an extension number (x2317) for questions.
This is an image of a page from a publication titled "HARVARD UNIVERSITY ART MUSEUMS OBSERVER aka HUAMO," specifically Volume 1, Issue 16, dated December 15, 1989, edited by Vivienne Esrig. The page contains an article about "The Busch-Reisinger Museum."
The article discusses efforts to put to rest some confusion about one of the Harvard University Art Museums by explaining the nomenclature and detailing the new locations and transformations of museum spaces, particularly addressing the move of the Busch-Reisinger Museum to a new address and its expanded facilities.
Important points include the fact that the Busch-Reisinger Museum moved in 1987 and the introduction of new collections. It mentions the Werner Otto Hall, which was intended to accommodate the architecture and design collections, and it provides specific details such as the times and dates when the museum is open to the public. The article concludes by mentioning two buildings relevant to the museums and offers a contact for questions, with the name "EMMY NORRIS" followed by an extension number.
The page is presented in a simple, straightforward text format without images or complex graphics, and the paper appears slightly worn or aged, typical for a physical document from that time period.
The image depicts an open book, specifically a page from Harvard University Art Museums Observer, also known as HUAMO. The page is from Volume 1, Issue 16, dated December 15, 1989, and is edited by Vivienne Esrig. The content of the page is a detailed explanation regarding the Busch-Reisinger Museum, which is part of the Harvard University Art Museums.
Museum Relocation and Renovation:
Building Layout and Usage:
Werner Otto Hall:
Adolphus Busch Hall:
This page serves as an informational piece, clarifying the renaming, relocation, and functional changes of the Busch-Reisinger Museum and related buildings at Harvard University.
The image shows a page from the Harvard University Art Museums Observer, Volume 1, Issue 16, dated December 15, 1989. The issue is edited by Vivienne Erigg and features an article titled "The Busch-Reisinger Museum." The article explains the museum's relocation from its old home at 29 Kirkland Street to a new location at 32 Quincy Street. The museum's new home includes renovated row houses that now house the Center for European Studies, the Transpet, and the Kirkland St. Entrance. The museum's "our" rooms and medieval art are open to the public on the second Sunday of every month from 1-5 pm, and the garden is open during the warmer months from 11:00 am to 3:00 pm. The construction behind the Fogg is for Werner Otto Hall, named after its primary donor, which will house the Fine Arts Library and the Busch-Reisinger galleries, offices, and storage-study space. The bottom line of the article mentions two buildings, Adolphus Busch Hall and Werner Otto Hall, where the Fine Arts Library and the Busch-Reisinger Museum will be located in late 1991. The article also provides a contact number for any questions.