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Busch-Reisinger Museum Scrapbook, 1986-1990

ARCH.2013.5.20, Rendition: 801360

Mistral, us.mistral.pixtral-large-2502-v1:0

The image is a program brochure for an exhibition and colloquium focused on the work of El Lissitzky (1890-1941). The event is organized by the Busch-Reisinger Museum in collaboration with the Sprengel Museum Hanover, the Federal Republic of Germany, and the Staatliche Galerie Moritzburg Halle, German Democratic Republic.

The Exhibition

The exhibition is described as the first monographic survey of Lissitzky's career in an American museum. It covers many aspects of his diverse and influential work, including:

  • Abstract paintings, prints, and drawings.
  • Illustrations and covers for Jewish publications from 1916-1919.
  • Masterpieces of Modern Typography from the 1920s.
  • Photographs and selected examples of layout designs from the 1930s.

The Colloquium

The colloquium features lectures and a film addressing central issues in Lissitzky's work, particularly the nature and role of his abstract art. Scholars will discuss his relationships with other members of the artistic and architectural avant-garde, as well as his connections to intellectual and political currents of his time. The colloquium is made possible by a bequest from Betty B. McAndrew to the Busch-Reisinger Museum.

The Program

The program for the day is as follows:

  • 9:30 a.m.: Opening Remarks

    • Edgar P. Bowron, Harvard University Art Museums
    • Peter Nisbet, Busch-Reisinger Museum
  • 9:45 a.m.: The Kinetic Vision of El Lissitzky: The Scope of Suprematist Elementarism

    • Kenneth Frampton, Columbia University
  • 10:30 a.m.: From -∞ to 0 to +∞: Axonometry, or Lissitzky’s Mathematical Paradigm

    • Yve-Alain Bois, The Johns Hopkins University
  • 11:15 a.m.: Coffee

  • 11:45 a.m.: Lissitzky and the Aesthetics of the Ephemeral

    • Peter Nisbet, Busch-Reisinger Museum
  • 12:30 p.m.: Lunch

  • 2:00 p.m.: Film: Victory over the Sun. A Reconstruction of the 1913 Futurist Performance

    • Directed by Robert Benedetti
  • 3:00 p.m.: From the Heavens Down to Earth: Development and Interpretation of ‘Victory over the Sun’ from Malevich to Lissitzky

    • Gail Harrison Roman, Columbia University
  • 3:45 p.m.: Coffee

  • 4:15 p.m.: Discussion

    • Moderated by Peter Nisbet

Registration

  • $8 for students and Friends of the Harvard Art Museums
  • $10 for others

Mistral, mistral.ministral-3-3b-instruct

The image displays a program sheet for an exhibition and colloquium event focused on El Lissitzky, a prominent 20th-century artist.

The Exhibition:

  • Organized by the Busch-Reisinger Museum in collaboration with the Sprengel Museum in Hanover, Germany, and the Staatliche Galerie Moritzburg Halle, Germany.
  • The exhibition, titled El Lissitzky (1890-1941), is the first monographic survey of Lissitzky's career in an American museum.
  • It covers Lissitzky's diverse and influential career, presenting various works such as abstract paintings, prints, drawings, illustrations from Jewish publications, masterpieces of Modern Typography from the 1920s, and selected examples of the layout designs of the 1930s.

The Program:

  • 9:30 a.m.: Opening Remarks by Edgar P. Bowron, Harvard University Art Museums, and Peter Nisbet, Busch-Reisinger Museum.
  • 9:45 a.m.: Lecture on The Kinetic Vision of El Lissitzky: The Scope of Suprematist Elementarism by Kenneth Frampton, Columbia University.
  • 10:30 a.m.: Talk on From -∞ to 0 to +∞: Axonometry, or Lissitzky’s Mathematical Paradigm by Yves-Alain Bois, The Johns Hopkins University.
  • 11:15 a.m.: Coffee break.
  • 11:45 a.m.: Lecture on Lissitzky and the Aesthetics of the Ephemeral by Peter Nisbet, Busch-Reisinger Museum.
  • 12:30 p.m.: Lunch.
  • 2:00 p.m.: Screening of the film Victory over the Sun. A Reconstruction of the 1913 Futurist Performance directed by Robert Benedetti.
  • 3:00 p.m.: Discussion on From the Heavens Down to Earth: Development and Interpretation of "Victory over the Sun" from Malevich to Lissitzky by Gail Harrison Roman, Columbia University.
  • 3:45 p.m.: Coffee break.
  • 4:15 p.m.: Discussion moderated by Peter Nisbet.

Registration Fees:

  • $8 for students and friends of the Harvard Art Museums.
  • $10 for others.

The colloquium addresses central issues in Lissitzky's work, focusing on his abstract art, relationships with other avant-garde members, and his connections to intellectual and political currents of his time.

Mistral, mistral.magistral-small-2509

The image shows a two-page spread with information about an exhibition and a colloquium dedicated to the artist El Lissitzky (1890-1941), organized by the Busch-Reisinger Museum in collaboration with other institutions. The left page provides details about the exhibition and the colloquium, while the right page outlines the program schedule.

Left Page: The Exhibition and The Colloquium

  • The Exhibition:

    • Organized by the Busch-Reisinger Museum in collaboration with the Sprengel Museum in Hanover, Germany, and the Staatliche Galerie Moritzburg Halle in the German Democratic Republic.
    • This is the first monographic survey of Lissitzky's career in an American museum, covering many aspects of his diverse and influential career.
    • The exhibition includes abstract paintings, prints, drawings, illustrations for Jewish publications from 1916-1919, typography from the 1920s, photographs, and layout designs from the 1930s.
  • The Colloquium:

    • A day of lectures and a film addressing central issues in Lissitzky’s work, focusing on the nature and role of his abstract art.
    • Leading scholars will examine Lissitzky’s relationships with the artistic and architectural avant-garde and his connections to intellectual and political currents of his time.
    • Made possible by a bequest from Betty B. McAndrew to the Busch-Reisinger Museum.
  • Registration:

    • $8 for students and Friends of the Harvard Art Museums, $10 for others.

Right Page: The Program

  • 9:30 a.m. Opening Remarks

    • Edgar P. Bowron, Harvard University Art Museums
    • Peter Nisbet, Busch-Reisinger Museum
  • 9:45 a.m. The Kinetic Vision of El Lissitzky: The Scope of Suprematist Elementarism

    • Kenneth Frampton, Columbia University
  • 10:30 a.m. From - ∞ to 0 to + ∞: Axonometry, or Lissitzky’s Mathematical Paradigm

    • Yve-Alain Bois, The Johns Hopkins University
  • 11:15 a.m. Coffee Break

  • 11:45 a.m. Lissitzky and the Aesthetics of the Ephemeral

    • Peter Nisbet, Busch-Reisinger Museum
  • 12:30 p.m. Lunch

  • 2:00 p.m. Film: Victory Over the Sun. A Reconstruction of the 1913 Futurist Performance

    • Directed by Robert Benedetti
  • 3:00 p.m. From the Heavens Down to Earth: Development and Interpretation of “Victory Over the Sun” from Malevich to Lissitzky

    • Gail Harrison Roman, Columbia University
  • 3:45 p.m. Coffee Break

  • 4:15 p.m. Discussion

    • Moderated by Peter Nisbet

Mistral, mistral.mistral-large-3-675b-instruct

The image is a detailed program for an exhibition and a related colloquium focusing on the work of El Lissitzky, an influential artist.

The Exhibition

  • Organizers: The Busch-Reisinger Museum, in collaboration with the Sprengel Museum Hannover (Federal Republic of Germany) and the Staatliche Galerie Moritzburg Halle (German Democratic Republic).
  • Content: This is the first monographic survey of El Lissitzky’s (1890-1941) career in an American museum. The exhibition covers various aspects of his diverse and influential career, including:
    • The Proun abstract paintings, prints, and drawings.
    • Illustrations and covers for Jewish publications from 1916-1919.
    • Masterpieces of Modern Typography from the 1920s.
    • Photographs and selected examples of layout designs from the 1930s.

The Colloquium

  • Purpose: This day of lectures and a film addresses central issues in Lissitzky’s work, particularly focusing on the nature and role of his abstract art.
  • Participants: Leading scholars in the field will examine Lissitzky’s relationship to other avant-garde artists and architects, and his connections to the intellectual and political currents of his time.
  • Support: The colloquium is made possible by a bequest from Betty B. McAndrew to the Busch-Reisinger Museum.

Registration Fees

  • $8 for students and Friends of the Harvard Art Museums.
  • $10 for others.

The Program Schedule

  • 9:30 a.m.: Opening Remarks by Edgar P. Bowron (Harvard University Art Museums) and Peter Nisbet (Busch-Reisinger Museum).
  • 9:45 a.m.: "The Kinetic Vision of El Lissitzky: The Scope of Suprematist Elementarism" by Kenneth Frampton (Columbia University).
  • 10:30 a.m.: "From –∞ to 0 to +∞: Axonometry, or Lissitzky's Mathematical Paradigm" by Yve-Alain Bois (The Johns Hopkins University).
  • 11:15 a.m.: Coffee break.
  • 11:45 a.m.: "Lissitzky and the Aesthetics of the Ephemeral" by Peter Nisbet (Busch-Reisinger Museum).
  • 12:30 p.m.: Lunch.
  • 2:00 p.m.: Film: "Victory over the Sun. A Reconstruction of the 1913 Futurist Performance" directed by Robert Benedetti.
  • 3:00 p.m.: "From the Heavens Down to Earth: Development and Interpretation of 'Victory over the Sun' from Malevich to Lissitzky" by Gail Harrison Roman (Columbia University).
  • 3:45 p.m.: Coffee break.
  • 4:15 p.m.: Discussion moderated by Peter Nisbet.

Mistral, mistral.ministral-3-14b-instruct

The image displays a detailed program for an exhibition and colloquium centered around the work of El Lissitzky (1890-1941). Here is a detailed summary:

The Exhibition

  • Organizers: Busch-Reisinger Museum in collaboration with the Sprengel Museum Hannover (Germany), Federal Republic of Germany, and the Staatliche Galerie Moritzburg Halle, German Democratic Republic.
  • Focus: The exhibition is the first monographic survey of Lissitzky's career in an American museum. It covers various aspects of Lissitzky's diverse and influential career, including:
    • Proun abstract paintings, prints, and drawings.
    • Illustrations for Jewish publications from 1916-1919.
    • Masterpieces of Modern Typography from the 1920s.
    • Photographs and selected layout designs from the 1930s.

The Colloquium

  • Purpose: A series of lectures and a film that address central issues in Lissitzky's work, focusing on the nature and role of his abstract art.
  • Topics:
    • Lissitzky's relationship with other members of the artistic and architectural avant-garde.
    • Connections to intellectual and political currents of his time.
  • Funding: Made possible by a bequest of Betty B. McAndrew to the Busch-Reisinger Museum.

Registration

  • Fees:
    • $8 for students and Friends of the Harvard Art Museums.
    • $10 for others.

The Program Schedule

  • 9:30 a.m.: Opening Remarks by Edgar P. Bowron (Harvard University Art Museums) and Peter Nisbet (Busch-Reisinger Museum).
  • 9:45 a.m.: Lecture titled "The Kinetic Vision of El Lissitzky: The Scope of Suprematist Elementarism" by Kenneth Frampton (Columbia University).
  • 10:30 a.m.: Lecture titled "From -∞ to 0 to +∞: Axonometry, or Lissitzky’s Mathematical Paradigm" by Yve-Alain Bois (The Johns Hopkins University).
  • 11:15 a.m.: Coffee break.
  • 11:45 a.m.: Lecture titled "Lissitzky and the Aesthetics of the Ephemeral" by Peter Nisbet (Busch-Reisinger Museum).
  • 12:30 p.m.: Lunch.
  • 2:00 p.m.: Screening of the film "Victory over the Sun. A Reconstruction of the 1913 Futurist Performance," directed by Robert Benedetti.
  • 3:00 p.m.: Lecture titled "From the Heavens Down to Earth: Development and Interpretation of 'Victory over the Sun' from Malevich to Lissitzky" by Gail Harrison Roman (Columbia University).
  • 3:45 p.m.: Coffee break.
  • 4:15 p.m.: Discussion moderated by Peter Nisbet.

This program provides a comprehensive look into Lissitzky's artistic contributions and his broader impact on the art world.

Mistral, mistral.ministral-3-8b-instruct

The image contains information about an exhibition and a colloquium related to the artist El Lissitzky (1890-1941). Here is a detailed summary:

The Exhibition

  • Organizers: The Busch-Reisinger Museum in collaboration with the Sprengel Museum, Hanover (Federal Republic of Germany), and the Staatliche Galerie Moritzburg Halle (German Democratic Republic).
  • Details: This is the first monographic survey of Lissitzky’s career in an American museum.
  • Coverage: The exhibition covers various aspects of Lissitzky's diverse and influential career. It includes:
    • Proun abstract paintings
    • Prints and drawings
    • Illustrations for Jewish publications from 1916-1919
    • Masterpieces of Modern Typography from the 1920s
    • Photographs and selected layout designs from the 1930s

The Colloquium

  • Purpose: A day of lectures and a film focusing on key issues in Lissitzky's work, particularly the nature and role of his abstract art.
  • Content: Leading scholars will discuss Lissitzky’s relationships with other artistic and architectural avant-garde members, as well as his intellectual and political connections of his time.
  • Funding: The colloquium is made possible by a bequest of Betty B. McAndrew to the Busch-Reisinger Museum.

Registration Fees

  • For Students and Friends of the Harvard Art Museums: $8
  • For Others: $10

The Program

The colloquium program is structured as follows:

  • 9:30 a.m.:

    • Opening Remarks by Edgar P. Bowron (Harvard University Art Museums) and Peter Nisbet (Busch-Reisinger Museum)
  • 9:45 a.m.:

    • Lecture: "The Kinetic Vision of El Lissitzky: The Scope of Suprematist Elementarism" by Kenneth Frampton (Columbia University)
  • 10:30 a.m.:

    • Lecture: "From -∞ to 0 to +∞: Axonometry, or Lissitzky's Mathematical Paradigm" by Yves-Alain Bois (The Johns Hopkins University)
  • 11:15 a.m.:

    • Coffee Break
  • 11:45 a.m.:

    • Lecture: "Lissitzky and the Aesthetics of the Ephemeral" by Peter Nisbet (Busch-Reisinger Museum)
  • 12:30 p.m.:

    • Lunch
  • 2:00 p.m.:

    • Film Screening: "Victory over the Sun: A Reconstruction of the 1913 Futurist Performance" directed by Robert Benedetti
  • 3:00 p.m.:

    • Lecture: "From the Heavens Down to Earth: Development and Interpretation of 'Victory over the Sun' from Malevich to Lissitzky" by Gail Harrison Roman (Columbia University)
  • 3:45 p.m.:

    • Coffee Break
  • 4:15 p.m.:

    • Discussion moderated by Peter Nisbet

Azure OpenAI Service, gpt-4.1-mini-2025-04-14

This image shows a blue paper brochure or program with text printed on both the left and right sides.

On the left side, the text is divided into three sections:

  1. The Exhibition:

    • Organized by the Busch-Reisinger Museum in collaboration with the Sprengel Museum Hanover (Germany) and the Staatliche Galerie Moritzburg Halle (German Democratic Republic).
    • It discusses the exhibition titled "El Lissitzky (1890-1941)," which is the first monographic survey of Lissitzky's career in an American museum.
    • The exhibition covers Lissitzky’s diverse and influential career, presenting a range of Proun abstract paintings, prints, drawings, illustrations, Jewish publications from 1916-1919, masterpieces of Modern Typography from the 1920s, photographs, and selected layout designs from the 1930s.
  2. The Colloquium:

    • A day of lectures and a film focused on central issues in Lissitzky’s work, especially the nature and role of his abstract art.
    • Leading scholars will examine Lissitzky’s relationships with other members of artistic and architectural avant-garde and his intellectual and political connections.
    • The colloquium is supported by a bequest from Betty B. McAndrew to the Busch-Reisinger Museum.
  3. Registration:

    • The cost is $8 for students and Friends of the Harvard Art Museums, and $10 for others.

On the right side is The Program, listing the schedule for the day:

  • 9:30 a.m.: Opening Remarks by Edgar P. Bowron (Harvard University Art Museums) and Peter Nisbet (Busch-Reisinger Museum).
  • 9:45 a.m.: Lecture titled "The Kinetic Vision of El Lissitzky: The Scope of Suprematist Elementarism" by Kenneth Frampton (Columbia University).
  • 10:30 a.m.: Lecture titled "From -∞ to 0 to +∞: Axonometry, or Lissitzky’s Mathematical Paradigm" by Yve-Alain Bois (The Johns Hopkins University).
  • 11:15 a.m.: Coffee break.
  • 11:45 a.m.: Lecture titled "Lissitzky and the Aesthetics of the Ephemeral" by Peter Nisbet.
  • 12:30 p.m.: Lunch.
  • 2:00 p.m.: Film screening, "Victory over the Sun. A Reconstruction of the 1913 Futurist Performance," directed by Robert Benedetti.
  • 3:00 p.m.: Lecture titled "From the Heavens Down to Earth: Development and Interpretation of 'Victory over the Sun' from Malevich to Lissitzky" by Gail Harrison Roman (Columbia University).
  • 3:45 p.m.: Coffee break.
  • 4:15 p.m.: Discussion moderated by Peter Nisbet.

The text is neatly formatted with section headings in bold or underlined. The overall look is formal and academic.

Azure OpenAI Service, gpt-4

The image shows a printed brochure or program guide with information on two sides, set against a plain background. The left side of the image, with a blue background, provides details about an exhibition, while the right side, which is also blue but a lighter shade, lists a schedule of events for a program.

On the left, under the heading "The Exhibition," there is a description of an exhibition organized by the Busch-Reisinger Museum in collaboration with the Sprengel Museum Hannover and the Staatliche Galerie Moritzburg Halle. It is about an exhibition on El Lissitzky, a Russian artist and designer, covering his career in American museums and includes a survey of his diverse and full range of works, such as abstract paintings, prints, and more.

Below the exhibition description, under the heading "The Colloquium," the brochure explains that there will be a day of lectures and a film which will address certain issues related to El Lissitzky's work and influence. The colloquium is noted to be possible thanks to a bequest from someone named Betty B. McAndrew to the Busch-Reisinger Museum.

At the bottom left corner, under "Registration," the brochure states that the cost is $8 for students and Friends of the Harvard Art Museums, and $10 for others.

On the right-hand side, under the heading "The Program," a timetable lists the schedule for the day, starting with opening remarks at 9:30 a.m. and concluding with a discussion moderated by Peter Nisbet at 4:15 p.m. There are a variety of topics throughout the day, including lectures on El Lissitzky's work, a film screening, and several coffee breaks. The talks and presentations are related to Lissitzky and topics such as his vision, mathematical paradigm, and interpretations of specific works.

Amazon, us.amazon.nova-2-lite-v1:0

Description of the Image

The image shows a two-page spread from a program or brochure, likely for an exhibition and colloquium dedicated to the artist El Lissitzky (1890–1941). The pages are light blue with black text and are part of a larger document, possibly a catalog or event guide. The layout is clean and organized, with clear headings and structured content.


Left Page: The Exhibition and The Colloquium

The Exhibition

  • Organizers: The exhibition is organized by the Busch-Reisinger Museum in collaboration with the Sprengel Museum Hannover, the Federal Republic of Germany, and the Staatliche Galerie Moritzburg Halle, German Democratic Republic.
  • Purpose: It is described as the first monographic survey of Lissitzky's career in an American museum.
  • Scope: The exhibition covers a wide range of Lissitzky's work, including:
    • Proun abstract paintings
    • Prints and drawings
    • Illustrations and covers for Jewish publications (1916–1919)
    • Masterpieces of Modern Typography (1920s)
    • Photographs
    • Selected examples of layout designs from the 1930s

The Colloquium

  • Focus: A day of lectures and a film addressing central issues in Lissitzky's work, with a particular emphasis on the nature and role of his abstract art.
  • Participants: Leading scholars will examine Lissitzky's relationships with other members of the artistic and architectural avant-garde, as well as his connections to intellectual and political currents of his time.
  • Funding: The colloquium is made possible by a bequest from Betty B. McAndrew to the Busch-Reisinger Museum.

Registration

  • Fees:
    • $8 for students and Friends of the Harvard Art Museums
    • $10 for others

Right Page: The Program

The right page outlines a detailed schedule of events for the day, including lectures, discussions, and a film screening. The program is structured as follows:

Morning Sessions

  1. 9:30 a.m.Opening Remarks

    • Speakers: Edgar P. Bowron (Harvard University Art Museums) and Peter Nisbet (Busch-Reisinger Museum)
  2. 9:45 a.m.The Kinetic Vision of El Lissitzky: The Scope of Suprematist Elementarism

    • Speaker: Kenneth Frampton (Columbia University)
  3. 10:30 a.m.From – ∞ to 0 to + ∞: Axonometry, or Lissitzky’s Mathematical Paradigm

    • Speaker: Yves-Alain Bois (The Johns Hopkins University)
  4. 11:15 a.m.Coffee Break

  5. 11:45 a.m.Lissitzky and the Aesthetics of the Ephemeral

    • Speaker: Peter Nisbet (Busch-Reisinger Museum)

Lunch Break

  • 12:30 p.m.Lunch

Afternoon Sessions

  1. 2:00 p.m.Film: Victory over the Sun: A Reconstruction of the 1913 Futurist Performance

    • Director: Robert Benedetti
  2. 3:00 p.m.From the Heavens Down to Earth: Development and Interpretation of “Victory over the Sun” from Malevich to Lissitzky

    • Speaker: Gail Harrison Roman (Columbia University)
  3. 3:45 p.m.Coffee Break

  4. 4:15 p.m.Discussion

    • Moderator: Peter Nisbet

Overall Context

The document appears to be part of an academic or cultural event celebrating the life and work of El Lissitzky, a pioneering figure in abstract art, typography, and avant-garde design. The program combines an exhibition showcasing his diverse body of work with a scholarly colloquium featuring leading experts. The inclusion of a film screening of Victory over the Sun highlights the interdisciplinary nature of Lissitzky’s contributions, bridging art, performance, and theory. The structured schedule reflects a comprehensive exploration of Lissitzky’s legacy, making it a significant event for art historians, scholars, and enthusiasts.

Amazon, amazon.nova-pro-v1:0

The image depicts a page from a brochure or program for an exhibition and colloquium titled "El Lissitzky (1890-1941)." The page is divided into two main sections: "The Exhibition" and "The Program."

The Exhibition

  • Organized by: The Busch-Reisinger Museum in collaboration with the Sprengel Museum Hanover, Federal Republic of Germany, the Staatliche Galerie Moritzburg Halle, and the German Democratic Republic.
  • Content: The exhibition is the first monographic survey of Lissitzky's career in an American museum. It covers many aspects of his extremely diverse and influential career, including:
    • Proun abstract paintings
    • Prints and drawings
    • Illustrations and covers for Jewish publications in 1916-1919
    • Masterpieces of Modern Typography in the 1920s
    • Photographs and selected examples of the layout designs of the 1930s

The Colloquium

  • Description: A day of lectures and a film that will address some of the central issues in Lissitzky's work, concentrating especially on the nature and role of his abstract art.
  • Speakers: Leading scholars in the field will examine Lissitzky's relationship to other members of the artistic and architectural avant-garde, as well as his connections to intellectual and political currents of his time.
  • Organized by: A bequest of Betty B. McAndrew to the Busch-Reisinger Museum.

The Program

  • 9:30 a.m.: Opening Remarks by Edgar P. Bowron, Harvard University Art Museums, and Peter Nisbet, Busch-Reisinger Museum.
  • 9:45 a.m.: "The Kinetic Vision of El Lissitzky: The Scope of Suprematist Elementalism" by Kenneth Frampton, Columbia University.
  • 10:30 a.m. to 0 + ∞: "Axonometry, or From ∞ to ∞: Lissitzky's Mathematical Paradigm" by Yve-Alain Bois, The Johns Hopkins University.
  • 11:15 a.m.: Coffee break.
  • 11:45 a.m.: "Lissitzky and the Aesthetics of the Ephemeral" by Peter Nisbet, Busch-Reisinger Museum.
  • 12:30 p.m.: Lunch.
  • 2:00 p.m.: Film: "Victory over the Sun. A Reconstruction of the 1913 Futurist Performance" directed by Robert Benedetti.
  • 3:00 p.m.: "From the Heavens Down to Earth: Development and Interpretation of 'Victory over the Sun' from Malevich to Lissitzky" by Gail Harrison Roman, Columbia University.
  • 3:45 p.m.: Coffee break.
  • 4:15 p.m.: Discussion moderated by Peter Nisbet.

Registration

  • Cost: $8 for students and Friends of the Harvard Art Museums, $10 for others.

Additional Notes

  • The page is neatly formatted with clear headings and subheadings.
  • The text is concise and informative, providing essential details about the exhibition and colloquium.
  • The program includes a mix of academic lectures, a film screening, and a discussion session, indicating a comprehensive approach to exploring Lissitzky's work and influence.