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ARCH.2013.5.20, Rendition: 801360
The image is a program brochure for an exhibition and colloquium focused on the work of El Lissitzky (1890-1941). The event is organized by the Busch-Reisinger Museum in collaboration with the Sprengel Museum Hanover, the Federal Republic of Germany, and the Staatliche Galerie Moritzburg Halle, German Democratic Republic.
The exhibition is described as the first monographic survey of Lissitzky's career in an American museum. It covers many aspects of his diverse and influential work, including:
The colloquium features lectures and a film addressing central issues in Lissitzky's work, particularly the nature and role of his abstract art. Scholars will discuss his relationships with other members of the artistic and architectural avant-garde, as well as his connections to intellectual and political currents of his time. The colloquium is made possible by a bequest from Betty B. McAndrew to the Busch-Reisinger Museum.
The program for the day is as follows:
9:30 a.m.: Opening Remarks
9:45 a.m.: The Kinetic Vision of El Lissitzky: The Scope of Suprematist Elementarism
10:30 a.m.: From -∞ to 0 to +∞: Axonometry, or Lissitzky’s Mathematical Paradigm
11:15 a.m.: Coffee
11:45 a.m.: Lissitzky and the Aesthetics of the Ephemeral
12:30 p.m.: Lunch
2:00 p.m.: Film: Victory over the Sun. A Reconstruction of the 1913 Futurist Performance
3:00 p.m.: From the Heavens Down to Earth: Development and Interpretation of ‘Victory over the Sun’ from Malevich to Lissitzky
3:45 p.m.: Coffee
4:15 p.m.: Discussion
The image displays a program sheet for an exhibition and colloquium event focused on El Lissitzky, a prominent 20th-century artist.
The Exhibition:
The Program:
Registration Fees:
The colloquium addresses central issues in Lissitzky's work, focusing on his abstract art, relationships with other avant-garde members, and his connections to intellectual and political currents of his time.
The image shows a two-page spread with information about an exhibition and a colloquium dedicated to the artist El Lissitzky (1890-1941), organized by the Busch-Reisinger Museum in collaboration with other institutions. The left page provides details about the exhibition and the colloquium, while the right page outlines the program schedule.
Left Page: The Exhibition and The Colloquium
The Exhibition:
The Colloquium:
Registration:
Right Page: The Program
9:30 a.m. Opening Remarks
9:45 a.m. The Kinetic Vision of El Lissitzky: The Scope of Suprematist Elementarism
10:30 a.m. From - ∞ to 0 to + ∞: Axonometry, or Lissitzky’s Mathematical Paradigm
11:15 a.m. Coffee Break
11:45 a.m. Lissitzky and the Aesthetics of the Ephemeral
12:30 p.m. Lunch
2:00 p.m. Film: Victory Over the Sun. A Reconstruction of the 1913 Futurist Performance
3:00 p.m. From the Heavens Down to Earth: Development and Interpretation of “Victory Over the Sun” from Malevich to Lissitzky
3:45 p.m. Coffee Break
4:15 p.m. Discussion
The image is a detailed program for an exhibition and a related colloquium focusing on the work of El Lissitzky, an influential artist.
The image displays a detailed program for an exhibition and colloquium centered around the work of El Lissitzky (1890-1941). Here is a detailed summary:
This program provides a comprehensive look into Lissitzky's artistic contributions and his broader impact on the art world.
The image contains information about an exhibition and a colloquium related to the artist El Lissitzky (1890-1941). Here is a detailed summary:
The colloquium program is structured as follows:
9:30 a.m.:
9:45 a.m.:
10:30 a.m.:
11:15 a.m.:
11:45 a.m.:
12:30 p.m.:
2:00 p.m.:
3:00 p.m.:
3:45 p.m.:
4:15 p.m.:
This image shows a blue paper brochure or program with text printed on both the left and right sides.
On the left side, the text is divided into three sections:
The Exhibition:
The Colloquium:
Registration:
On the right side is The Program, listing the schedule for the day:
The text is neatly formatted with section headings in bold or underlined. The overall look is formal and academic.
The image shows a printed brochure or program guide with information on two sides, set against a plain background. The left side of the image, with a blue background, provides details about an exhibition, while the right side, which is also blue but a lighter shade, lists a schedule of events for a program.
On the left, under the heading "The Exhibition," there is a description of an exhibition organized by the Busch-Reisinger Museum in collaboration with the Sprengel Museum Hannover and the Staatliche Galerie Moritzburg Halle. It is about an exhibition on El Lissitzky, a Russian artist and designer, covering his career in American museums and includes a survey of his diverse and full range of works, such as abstract paintings, prints, and more.
Below the exhibition description, under the heading "The Colloquium," the brochure explains that there will be a day of lectures and a film which will address certain issues related to El Lissitzky's work and influence. The colloquium is noted to be possible thanks to a bequest from someone named Betty B. McAndrew to the Busch-Reisinger Museum.
At the bottom left corner, under "Registration," the brochure states that the cost is $8 for students and Friends of the Harvard Art Museums, and $10 for others.
On the right-hand side, under the heading "The Program," a timetable lists the schedule for the day, starting with opening remarks at 9:30 a.m. and concluding with a discussion moderated by Peter Nisbet at 4:15 p.m. There are a variety of topics throughout the day, including lectures on El Lissitzky's work, a film screening, and several coffee breaks. The talks and presentations are related to Lissitzky and topics such as his vision, mathematical paradigm, and interpretations of specific works.
The image shows a two-page spread from a program or brochure, likely for an exhibition and colloquium dedicated to the artist El Lissitzky (1890–1941). The pages are light blue with black text and are part of a larger document, possibly a catalog or event guide. The layout is clean and organized, with clear headings and structured content.
The right page outlines a detailed schedule of events for the day, including lectures, discussions, and a film screening. The program is structured as follows:
9:30 a.m. – Opening Remarks
9:45 a.m. – The Kinetic Vision of El Lissitzky: The Scope of Suprematist Elementarism
10:30 a.m. – From – ∞ to 0 to + ∞: Axonometry, or Lissitzky’s Mathematical Paradigm
11:15 a.m. – Coffee Break
11:45 a.m. – Lissitzky and the Aesthetics of the Ephemeral
2:00 p.m. – Film: Victory over the Sun: A Reconstruction of the 1913 Futurist Performance
3:00 p.m. – From the Heavens Down to Earth: Development and Interpretation of “Victory over the Sun” from Malevich to Lissitzky
3:45 p.m. – Coffee Break
4:15 p.m. – Discussion
The document appears to be part of an academic or cultural event celebrating the life and work of El Lissitzky, a pioneering figure in abstract art, typography, and avant-garde design. The program combines an exhibition showcasing his diverse body of work with a scholarly colloquium featuring leading experts. The inclusion of a film screening of Victory over the Sun highlights the interdisciplinary nature of Lissitzky’s contributions, bridging art, performance, and theory. The structured schedule reflects a comprehensive exploration of Lissitzky’s legacy, making it a significant event for art historians, scholars, and enthusiasts.
The image depicts a page from a brochure or program for an exhibition and colloquium titled "El Lissitzky (1890-1941)." The page is divided into two main sections: "The Exhibition" and "The Program."