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The image shows a document placed inside a binder or a book. The document appears to be a press release or announcement from the Yale University Art Gallery, dated November 4, 1981. The content of the document discusses an upcoming exhibition titled "Printmaking Today: From Manet to Matisse" which will be on view at the Yale University Art Gallery from November 6, 1981, through January 3, 1982.

The exhibition showcases the work of major French and European printmakers active in France from 1860 to 1960. It features approximately 60 engravings and etchings by notable artists such as Edgar Degas, Claude Monet, Robert Nanteuil, and Camille Yon. The prints are drawn from the Gallery's permanent collection and are also on loan from various institutions including the Museum of Fine Arts, Boston; the Fogg Art Museum, Harvard; the Wadsworth Atheneum; and the Davison Art Center, Wesleyan University.

Additionally, the document mentions a lecture titled "Art à la Carte" to be delivered by George T.M. Shackelford, assistant curator of decorative arts at the Metropolitan Museum of Art, on November 12 at 4:30 p.m. This lecture is part of a series on connoisseurship, including Bland's Allegory on Sculpture.

The Yale University Art Gallery, located at 1111 Chapel Street in New Haven, is open to the public free of charge from Tuesday to Saturday, 10 a.m. to 5 p.m., Thursday until 8 p.m., and Sunday from 2 to 5 p.m.

The image is a newspaper clipping from "VOICES SOUTHBURY, CT," dated November 4, 1982. The headline of the article is "Printmaking 'Fogg' New Haven – The show 'From Mannerism to Classicism: Printmaking in France: 1600-1660' will be exhibited at the Yale University Art Gallery from November 6 through January 9."

The article provides details about the exhibition:

• The show surveys the work of major French printmakers active in France during the first half of the 17th century.
• It features approximately 60 engravings and etchings by artists such as Jacques Callot, Claude Mellan, Robert Nanteuil, and Claude Vignon.
• The exhibit draws from the Gallery's permanent collection and loans from the Museum of Fine Arts, Boston; the Fogg Art Museum, Harvard University; and the Davidson University, West Chester.

Additionally, the article mentions:

• Thomas Michie, assistant curator of decorative arts at the Rhode Island School of Design Museum of Art, will deliver a lecture titled "Art a la Carte" on one of the works in the exhibit, Pierre Biard's "Allegory on Sculpture," on November 18 at 12:20 p.m.
• The Yale University Art Gallery is located at 111 Chapel Street in New Haven and is open to the public from Tuesday through Saturday, 10 a.m. to 5 p.m., Thursday until 8 p.m. (September through May), and Sunday, 2 to 5 p.m.

The image shows a newspaper clipping from the "Voices" section of the Southbury, CT newspaper dated November 4, 1982. The clipping discusses an art exhibition titled "From Mannerism to Classicism: Printmaking in France: 1600-1660" at the Fogg Art Gallery.

Here are the key details from the clipping:

1. Exhibition Title and Period: The exhibition is titled "From Mannerism to Classicism: Printmaking in France: 1600-1660," showcasing prints from the period between 1600 and 1660.

2. Dates and Venue: The show is scheduled to run from November 6 through January 9.

3. Artists and Works: The exhibit features approximately 60 engravings and etchings by notable artists such as Pierre Mignard, Claude Mellan, Robert Nanteuil, and Claude Vignon.

4. Lending Institutions: The exhibit draws from collections of the Yale University Art Gallery, the Museum of Fine Arts, Boston, the Fogg Art Museum at Harvard University, the Davison Art Gallery at Wesleyan University, and the Rhode Island School of Design.

5. Lecture: Thomas Michie, assistant curator of decorative arts at the Rhode Island School of Design, will deliver a lecture on Pierre Mignard’s Allegory on Sculpture at the Yale University Art Gallery on November 18 at 12:20 p.m.

6. Opening Hours: The gallery is open to the public from Tuesday through Saturday from 10 a.m. to 5 p.m., and from Thursday until 8 p.m. (September through May), and on Sundays from 2 to 6 p.m.

The image shows a newspaper clipping from November 4, 1982, titled 'Printmaking'. The article discusses an art exhibition titled 'From Mannerism to Classicism: Printmaking in France: 1600-1660,' which was on view at the Yale University Art Gallery from November 4 through January 9. The exhibition featured approximately 60 engravings and etchings by French artists, including Jacques Callot, Claude Mellan, Robert Nanteuil, and Claude Vignon. The works were drawn from several institutions, such as the Yale University Art Gallery, the Museum of Fine Arts in Boston, the Fogg Art Museum at Harvard University, and the Davison Art Center at Wesleyan University. The article also mentions that Thomas Michie, assistant curator of decorative arts at the Rhode Island School of Design, will deliver a lecture on Pierre Biard's Allegory on Sculpture on November 18 at 12:30 p.m. The article concludes with the gallery's hours of operation. The clipping appears to be stored in a folder or envelope, as indicated by the brown paper visible on the right side of the image.

The image is of a newspaper clipping from the "Voices" section of the Southbury, CT publication dated November 4, 1982. The article is titled "Printmaking: From Mannerism to Classicism."

Here are the key points detailed in the article:

1. Exhibition Overview:

   • The article announces an exhibition titled "From Mannerism to Classicism: Printmaking in France: 1600-1680" at the Yale University Art Gallery, running from November 6 through January 9.

2. Content of the Exhibition:

   • The exhibition surveys the work of major French and European printmakers active in France during the first half of the 17th century.
   • It features approximately 60 engravings and etchings by artists such as Jacques Bellange, Jacques Callot, Claude Mellan, Robert Nanteuil, and Claude Vignon.

3. Source of Artworks:

   • The works are drawn from the Yale University Art Gallery’s permanent collection and supplemented by loans from the Museum of Fine Arts in Boston, the Fogg Art Museum at Harvard University, and the Davison Art Center at Wesleyan University.

4. Lecture Information:

   • Thomas Michie, an assistant curator of decorative arts at the Museum of Art at the Rhode Island School of Design, will give an Art à la Carte lecture on one of the works in the exhibit. This lecture, titled "Pierre Biard’s Allegory on Sculpture," will take place on November 18 at 12:20 p.m.

5. Gallery Information:

   • The Yale University Art Gallery is located at 1111 Chapel Street in New Haven.
   • The gallery is open to the public from Tuesday through Saturday, 10 a.m. to 5 p.m., on Thursdays until 8 p.m. (September through May), and on Sundays from 2 p.m. to 5 p.m.

The image shows a newspaper clipping from "Voices Southbury, CT" dated November 4, 1982. The article is titled "Printmaking Foggs."

Here is a detailed summary of the article:

Headline:
"From Mannerism to Classicism: Printmaking in France, 1600-1660"

Location:
The exhibit is at the Yale University Art Gallery in New Haven.

Duration:
The exhibit runs from November 6 through January 9.

Description:
The show is a survey of major French and European printmakers who were active in France during the first half of the 17th century. It features approximately 60 engravings and etchings by artists such as Jacques Callot, Claude Mellan, Robert Nanteuil, and Claude Vignon. The exhibit draws from the Gallery's permanent collection and loans from the Museum of Fine Arts, Boston; the Fogg Art Museum, Harvard University; and the Davison Art Center, Wesleyan University.

Event:
Thomas Michie, assistant curator of decorative arts at the Rhode Island School of Design Museum of Art, will deliver a la Carte lecture on one of the works in the exhibit, Pierre Biard's Allegory on Sculpture, on November 18 at 12:20 p.m.

Gallery Information:
The Yale University Art Gallery is located at 111 Chapel Street in New Haven. The gallery is open Tuesday through Saturday, 10 a.m. to 5 p.m., Thursday until 8 p.m. (September through May), and Sunday, 2 to 5 p.m.

This image shows a single page of a newspaper or press release with text discussing an art event. The page is titled "VOICES" with the location mentioned as "SOUTHBURY, CT" and the date "NOV 04 1987". The document is partially overlaid by another piece of translucent paper with text on it, obscuring some parts of the primary document.

The article's headline reads "Printmaking Focus" and announces an art show at Yale University Art Gallery titled "Classicism: Printmaking in France: 1600 - 1660," which is set to be on view from November 6 through January. It describes that the show surveys the work of major French and European printmakers of the 17th century, featuring approximately 60 etchings and includes works by artists such as Jacques Callot, Claude Mellan, and Robert Nanteuil. The article also mentions that the exhibit draws from Yale University Art Gallery's permanent collection as well as from other prestigious sources.

Additional details include an upcoming talk on November 18 at 12:30 p.m. at the Yale University Art Gallery, with further specifics about location and public accessibility to the gallery.

The article is set on a cream to orange gradient background, likely a desk or table, and suggests a working or archival environment for historical documents or art-related materials.

The image shows an open book or folder with a printed document inserted inside. The document appears to be a news clipping or announcement from November 4, 1987, dated at the top. The heading at the top reads "VOICES SOUTHBURY, CT W.17,000," indicating it is from a publication or newsletter titled "Voices" from Southbury, Connecticut, with a circulation of 17,000.

The main content of the document is a notice about an art exhibition titled "Printmaking: From Mannerism to Classicism, 1680–1780", which will be on display at the Yale University Art Gallery from November 6 through January 8. The exhibition surveys the work of major French and European printmakers active in the 17th century, featuring approximately 60 engravings and etchings by artists such as Jacques Callot, Claude Mellan, Robert Nanteuil, and Claude Vignon.

The notice also mentions that the exhibit includes works from the permanent collections of several institutions, including the Museum of Fine Arts, Boston; the Fogg Art Museum, Harvard University; and the Davison Art Center, Wesleyan University. Additionally, a lecture on the works in the exhibit will be delivered by Pierre Blondel, an art lecturer at the Rhode Island School of Design, at the Museum of Art, The Yale University Art Gallery, located at 1111 Chapel Street, New Haven. The lecture is scheduled for November 18 at 12:20 p.m. The gallery is open to the public free of charge from Tuesday through Saturday, 10 a.m. to 5 p.m., and Sunday, 2 p.m. to 8 p.m. The exhibition will continue through May 2.

The document is neatly placed within a brown folder or binder with red edges, suggesting it is part of an organized archive or collection. The folder itself has a simple design, with visible creases and a slightly worn appearance, indicating frequent use or storage. The overall presentation suggests this is part of a curated or archival collection, possibly related to art history or museum records.

A page of a newspaper is placed on top of a book. The newspaper is open, and the text is printed on it. The text is written in black ink, and the page is white. The newspaper is placed on top of the book, and the book is open. The book is brown, and the page is white. The newspaper is from the Voices of Southbury, CT, and the date is November 4, 1982.

The image shows a page from a newspaper or magazine with a headline that reads "Printmaking Froggy." The article discusses an exhibition at the Yale University Art Gallery, which features printmaking from the 17th century to the present day. The exhibition is described as a survey of the work of major French and European printmakers, with approximately 60 engravings and etchings on display. The article also mentions that the exhibition will be open until November 9 and that a lecture on the show will be delivered by Thomas Michie, an assistant curator of decorative arts at the Rhode Island School of Design.