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ARCH.2013.5.20, Rendition: 801293
The image shows a two-page spread from a brochure or invitation related to an exhibition titled "German Realist Drawings of the 1920s" held at the Busch-Reisinger Museum.
Left Page:
The text acknowledges the financial support and grants that made the exhibition possible. These include contributions from:
It mentions that a fully illustrated catalog of the exhibition, edited by Peter Nisbet, with essays by Hanne Bergius, Uli Bohnen, Matthias Eberle, Gustav Hartlaub, Günter Metken, and Carol O. Selle, is available from the Harvard University Art Museums.
Right Page:
The design of the brochure is simple and clean, with the text printed in a classic typeface, and the exhibition title highlighted in blue.
The image depicts an invitation from the Friends of the Harvard Art Museums for a garden party to celebrate the exhibition "German Realist Drawings of the 1920s." The event is scheduled for Friday, July 25, 1986, from 2:00 to 4:00 p.m. at the Busch-Reisinger Museum. At 2:30 p.m., there will be a tour of the exhibition led by Peter Nisbet, the assistant curator of the Busch-Reisinger Museum and co-organizer of the exhibition. The exhibition will run until September 28, 1986.
The left side of the invitation provides information about the support for the exhibition, mentioning grants from the Government of the Federal Republic of Germany, Lufthansa German Airlines, the Lauder Foundation, Philip and Lynn Straus, and the German Friends of the Busch-Reisinger Museum. Additional support was received from the National Endowment for the Arts, the Cosmopolitan Arts Foundation, and several other sponsors, including Daimler-Benz and Deutsche Bank AG.
A fully illustrated catalog of the exhibition, edited by Peter Nisbet with essays by several contributors, is available from the Harvard University Art Museums.
The image depicts a page from a catalog or informational brochure related to an exhibition titled "German Realist Drawings of the 1920s."
On the left side of the page, there is a list of sponsors and supporters for the exhibition. These include:
Below this list, it mentions that a fully illustrated catalogue of the exhibition, edited by Peter Nisbet with essays by several notable individuals including Hanne Bergius, Uli Bohnen, Matthias Eberle, Gustav Hartlaub, Günter Metken, and Carol O. Selle, is available from the Harvard University Art Museums.
On the right side, there is an invitation for a garden party to celebrate the exhibition. The event details are:
There is a note specifying:
Finally, it mentions that the exhibition continues until September 28, 1986.
The image is of an open booklet or invitation card with details regarding an exhibition and related events.
On the left page:
On the right page:
The image shows an invitation and informational card for an art exhibition titled "German Realist Drawings of the 1920s."
Left Side:
Right Side:
The image is of an open booklet or invitation that provides details about an art exhibition and an associated event. The left page contains information about the exhibition's funding and related publications, while the right page is an invitation to a garden party celebrating the exhibition.
Funding and Support:
Publication Information:
The overall tone of the document is formal and informative, providing necessary details for attendees and acknowledging the contributors to the exhibition.
This image shows an open invitation card or brochure for an exhibition event.
The right page contains the main invitation text:
The left page provides additional information:
This image appears to show an open invitation or informational booklet regarding an art exhibition. The left page contains acknowledgments, stating that the exhibition was made possible through grants from several sources including the Government of the Federal Republic of Germany, Lufthansa German Airlines, the Lauder Foundation, and others. It mentions additional support and expresses gratitude to companies such as Daimler-Benz of North America and Deutsche Bank AG. Additionally, it refers to a fully illustrated catalogue of the exhibition with essays by various authors, which is available from the Harvard University Art Museums.
The right page is a formal invitation from The Friends of the Harvard Art Museums inviting the recipient to a garden party celebrating the exhibition titled "German Realist Drawings of the 1920s" at the Busch-Reisinger Museum on Friday, July 25, 1986, from 2:00 to 4:00 p.m. There is a special mention of a tour of the exhibition with Peter Nisbet at 2:30 p.m., who is noted as the assistant curator of the Busch-Reisinger Museum and co-organizer of the exhibition. The text at the bottom indicates that the exhibition continues until September 28, 1986.
The image shows an open book or booklet with two pages visible. The left page contains text detailing the sponsors and supporters of an exhibition titled "German Realist Drawings of the 1920s." It acknowledges grants and support from various entities, including the Government of the Federal Republic of Germany, Lufthansa German Airlines, the Lauder Foundation, Philip and Lynn Straus, and the German Friends of the Busch-Reisinger Museum. Additional support is noted from the National Endowment for the Arts, the Cosmopolitan Arts Foundation, Daimler-Benz of North America Holding Co., Inc., Mercedes-Benz of North America, Inc., Mercedes-Benz Credit Corporation, and Deutsche Bank AG. The page also mentions the availability of a fully illustrated catalogue edited by Peter Nisbet, with essays by several contributors.
The right page is an invitation from The Friends of the Harvard Art Museums for a garden party to celebrate the exhibition. The event is scheduled for Friday, July 25, 1986, from 2:00 to 4:00 p.m. at the Busch-Reisinger Museum. It includes a tour of the exhibition at 2:30 p.m., led by Peter Nisbet, the assistant curator of the Busch-Reisinger Museum and co-organizer of the exhibition. The invitation also notes that the exhibition continues until September 28, 1986.
The layout is clean and formal, with text centered and organized in paragraphs. The left page includes a faint image or design in the background, while the right page is mostly white with text in black. The overall design suggests a formal invitation or informational booklet related to an art exhibition.
The image shows a page from a booklet or program for an exhibition. The page is divided into two columns. The left column contains text about the exhibition, including information about the sponsors and supporters. The right column contains information about the exhibition, including the date, time, and location of the exhibition, as well as details about a garden party and a tour of the exhibition. The text is written in a formal and informative tone, and the page is designed to provide visitors with important information about the exhibition.