Archives Scrapbooks

The image shows an open book or scrapbook with two distinct sections.

On the left page, there is an illustration, likely a sketch or drawing, depicting a man and three women. The man, positioned at the back, appears to be an older figure, while the three women, positioned in the front, seem to be of different ages. The illustration is framed by a blue border.

On the right page, there is a clipping from "The Harvard Crimson," the daily newspaper of Harvard University, dated 1987. The headline of the article reads "Out of Busch, Into Fogg." The article discusses the transfer of the German art collection from the Busch-Reisinger Museum to the Fogg Art Museum. It mentions that this move is intended to create space for the Center for European Studies in the Busch-Reisinger Museum. The article also raises concerns about the financial, environmental, and academic implications of this move. It questions whether the Fogg Museum, with its focus on different forms of art, is the appropriate location for this collection. Additionally, it notes that the Busch-Reisinger Museum's unique architectural features, designed for large plaster casts, will be lost.

The two pages together juxtapose visual art (the illustration on the left) with a critical discussion of art and museum management (the newspaper clipping on the right).

The image depicts a page from a newspaper or magazine, specifically from "The Harvard Crimson," a daily newspaper of Harvard University.

The headline of the article is "Out of Busch, Into Fogg." The article discusses the decision to move the collection of German art from the Busch-Reisinger Museum to the Fogg Art Museum.

The article delves into several points:

1. Artistic and Administrative Concerns: The decision was made for artistic reasons, hoping to integrate the collection with the broader European studies program at Harvard. However, it raises concerns about financial, environmental, and logistical implications.
2. Financial Concerns: The relocation involves significant expenditures, including $10 million for a new wing, which could be better used for other purposes like funding professors or benefiting the institution.
3. Environmental Concerns: Relocating the collection might impact the existing environment of the Busch-Reisinger Museum, potentially reducing its aesthetic value and visitor experience.
4. Academic and Logistical Issues: The article questions whether the move would maintain the coherence of the collection and whether the relocation plan would not result in the collection being overlooked or neglected in the Fogg’s basement.
5. Visitor Impact: It mentions that the Busch-Reisinger Museum has seen fewer visitors in recent years, suggesting that moving the collection could further diminish its popularity and relevance.

The article appears to be a critique of the decision, presenting a balanced view with both the advantages and disadvantages of the proposed move. There's also a small illustration on the left side of the page that seems to depict a family or a couple with children, possibly symbolizing the transition or relocation theme.

The image shows a page from The Harvard Crimson, the daily student newspaper of Harvard University. The page contains a newspaper clipping titled "Out of Busch, Into Fogg."

The article discusses the transfer of a collection of German art housed in the Busch-Reisinger Museum to the Fogg Art Museum. The decision to move the collection is driven by the idea that the Busch-Reisinger Museum should be repurposed for the Center for European Studies, which would benefit the Harvard community. The article raises several concerns:

1. Financial Concerns: The article mentions the financial implications, including the cost of moving and housing the collection at the Fogg Museum and the potential for better use of funds elsewhere, such as expanding academic programs.

2. Space and Environmental Concerns: It highlights that the Busch-Reisinger Museum currently has ample space and the move could potentially worsen environmental conditions for the art.

3. Visitor Concerns: The article points out that the Busch-Reisinger Museum has been experiencing a decline in visitors and questions whether the relocation will lead to further neglect.

4. Artistic and Academic Value: It notes that the Busch-Reisinger Museum provides a cohesive setting for the collection of German art, which might be lost upon relocation.

The article concludes with the hope that the relocation plan will not result in the collection being forgotten or neglected in the Fogg Museum's basement.

The clipping also includes an illustration of a family in a stylized drawing, which appears unrelated to the article's content. The newspaper header and contact information are also visible, including the names of the president and other key personnel, along with the phone numbers for business and news.

The image shows two pages from what appears to be a scrapbook or a collection of clippings.

On the left page, there is a black-and-white illustration of a family of four, likely a man, woman, and two children. The man and woman are standing, while the children are seated on a bench or ledge. The man is dressed in a suit, and the woman is wearing a dress from the early to mid-20th century. The illustration has a classic, somewhat vintage style.

On the right page, there is a clipping from "The Harvard Crimson," the student newspaper of Harvard University. The headline reads "Out of Busch, Into Fogg." The article discusses the decision by Harvard administrators to move the Busch-Reisinger Museum’s collection of German art to the Fogg Art Museum. The article highlights several concerns, including the financial aspects, environmental issues, and the potential impact on the integrity of the art collection. The article mentions that the Busch-Reisinger Museum will be transformed into the Center for European Studies, and it raises questions about the academic and financial justifications for this move.

The clipping includes the names and titles of the newspaper staff, such as Joseph F. Kahn (President), Brent J. Martin (Business Manager), and Deborah Weinman (Business Manager). The phone numbers for business and news are also provided. The overall tone of the article seems critical, questioning the motives and implications of relocating the art collection.

The image is a page from The Harvard Crimson, Harvard University's daily newspaper. The headline reads "Out of Busch, Into Fogg," referring to the transfer of the Busch-Reisinger Museum's collection of German art.

The article discusses the decision by Harvard administrators to move the collection from its current location in the Busch-Reisinger Museum to the Fogg Art Museum. This move aims to address several concerns:

1. Academic Concerns: The relocation is intended to better integrate the collection into the academic and research environment of the University.
2. Environmental Concerns: The Busch-Reisinger building may not adequately protect the art due to potential environmental issues.
3. Financial Concerns: The University plans to spend $10 million on a new building for Central European Studies, which some argue could be better used for other purposes, such as creating much-needed office space.

The article notes that while the Busch-Reisinger was not designed to house large plaster casts, moving the collection to the Fogg Museum could help maintain its integrity. Critics argue that the current location has led to the collection being neglected and that the new location might better preserve it.

Additionally, there are mentions of the newspaper's staff for the year 1987, including the President (Joseph F. Kahn), Managing Editor (Brent J. Martin), Business Manager (Dahlia Wetstein), and contact information for the newspaper's office and newsroom.

The page also features a sketched illustration depicting a scene with an older man and three younger individuals, likely symbolizing the academic and cultural heritage being discussed in the article.

The image shows a page from a newspaper, specifically "The Harvard Crimson," which is the daily student newspaper of Harvard University. The page includes a news article titled "Out of Busch, Into Fogg." The article discusses the transfer of the collection from the Busch-Reisinger Museum to the Fogg Art Museum at Harvard. The article mentions the benefits and potential drawbacks of this relocation, including financial, environmental, and academic concerns.

Key points from the article include:

• The transfer of the Busch-Reisinger collection to the Fogg Art Museum might benefit the artists themselves.
• The decision to turn the Busch-Reisinger into a new building for the Graduate School of Design has potential benefits for the Harvard community.
• The university cites financial, environmental, and academic concerns as justifications for the decision to relocate the collection.
• The article argues that these concerns are not only valid but must be considered when carrying out the relocation.
• Spending $10 million on a new wing to house the collection makes financial sense but raises environmental concerns.
• The relocation plan is seen as a tricky issue of visibility and aesthetics, with concerns about the collection becoming a gathering of dust in the basement of the Fogg.

The article also includes a sketch of three people, possibly related to the content of the article. The names of the newspaper's staff, including the president, business manager, and phone numbers for business and news, are listed at the top of the page. The newspaper has been in circulation since 1873.

The image is of a newspaper clipping from "The Harvard Crimson" placed on a beige surface, with the header clearly visible along with some of the article text. To the left of the article is a black and white sketch of three individuals closely posed together, resembling a family portrait. The style of the sketch is free-hand and somewhat rough, capturing the essence of the figures without detailed features.

The article's headline reads "Out of Busch, Into Fogg" and discusses the transfer of an art collection within Harvard University from the Busch-Reisinger Museum to the Fogg Art Museum. It implies that there are various opinions and factors to consider with this transfer, including financial, environmental, and academic aspects. Additionally, there are notes about the importance of maintaining the integrity of the collection, as well as concerns related to the relocation of art pieces.

Also displayed is some contact information for "The Harvard Crimson," including a phone number for business inquiries and news tips. The newspaper is defined as "The University Daily, Established 1873," indicating its long-standing history and association with Harvard University.

The image depicts a two-page spread from a publication, likely a newspaper or magazine, featuring a combination of an illustration and an article.

Left Page:

• Illustration: The left page contains a black-and-white illustration of four individuals.
  • Foreground: A man is prominently positioned on the left, wearing a suit and tie, with a serious expression. He appears to be the central figure.
  • Background: Three women are standing behind him, dressed in period-appropriate attire (likely from the early to mid-20th century). They are positioned slightly to the right, with one woman in the foreground and two others slightly behind her. The women appear to be engaged in conversation or interaction, with one holding a small object, possibly a book or a piece of paper.
  • Style: The illustration has a classic, somewhat formal style, suggesting it could be from an earlier era, possibly the 1930s or 1940s.

Right Page:

• Header: The top of the right page features the header of The Harvard Crimson, indicating that this is an article from the Harvard University student newspaper. The header includes the names of the editors for the year 1987: Joseph F. Kahn '87 (President), Brent J. Martin '87 (Business Manager), and Dahlia Weinman '87 (Business Manager). Contact information is also provided, including a phone number and a newsline.

• Article Title: The main headline reads, "Out of Busch, Into Fogg," suggesting a discussion about the relocation of an art collection from the Busch-Reisinger Museum to the Fogg Art Museum at Harvard University.

• Content: The article discusses the decision by Harvard administrators to move the collection of German art from the Busch-Reisinger Museum to the Fogg Art Museum. Key points include:

  • The move is motivated by financial, environmental, and academic concerns.
  • The Busch-Reisinger collection is described as "the cream of the crop" for European Studies, and its relocation could benefit the Harvard community.
  • The article mentions the financial implications, noting that spending $10 million on a new building for the Busch-Reisinger collection might be impractical, especially given the potential for financial pitfalls.
  • The article also addresses concerns about visitor access and the aesthetic value of the collection, emphasizing the importance of maintaining the integrity of the collection under one roof.
  • Critics of the relocation plan are mentioned, with concerns about visitor traffic and the potential for the Busch-Reisinger to become a "gathering of dust in a basement of the Fogg."

Overall Context:

The image combines a visual representation of individuals (possibly faculty, students, or notable figures) with an article discussing a significant institutional decision at Harvard University regarding the relocation of an art collection. The illustration likely serves as a visual complement to the article, possibly depicting individuals involved in or commenting on the issue. The publication's header and article content suggest a focus on campus news and academic matters.

An open book with a newspaper clipping attached to the page. The clipping is from "The Harvard Crimson" and is titled "Out of Busch, Into Fogg." It features a cartoon of a family and an article discussing the relocation of the Busch-Reisinger Museum's collection to the Fogg Art Museum. The article highlights the benefits of the move, including financial and academic considerations, while addressing concerns about the collection's integrity and the need for a new building.

The image appears to be a page from a newspaper or magazine. The page is divided into two sections. On the left side, there is a black and white drawing of a family, consisting of a man, a woman, and a child. The drawing is in a simple, stylized style. On the right side, there is a text article titled "Out of Busch, Into Fogg." The article discusses the relocation of the Busch-Reisinger Museum collection from its current location to the Fogg Art Museum. The article argues that the relocation will provide financial and environmental benefits, as well as address concerns about the collection's accessibility and visibility. The article also mentions the potential for the new building to become a gathering place for artists and scholars.