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Busch-Reisinger Museum Scrapbook, 1980-1985

ARCH.2013.5.19, Rendition: 801144

Mistral, us.mistral.pixtral-large-2502-v1:0

The image is of a printed program for a special concert held at the Busch-Reisinger Museum, which is part of Harvard University. The concert took place on Thursday, April 29th, at 12:00 p.m. The museum is located at 29 Kirkland Street, Cambridge, Massachusetts 02138.

The concert was performed by The Cambridge Madrigal Society, directed by Laura Lake. The program listed several pieces of music, including:

  1. Ave Regina - Pierre de la Rue (c. 1460-1518)
  2. Alma redemptoris Mater - Johannes Ockeghem (c. 1420-1497)
  3. Nissa de Bonta Virgine - Josquin des Prez (c. 1440-1521)
  4. Sing Me and Chant It - Thomas Morley (1557-1603)
  5. Silver Swan - Orlando Gibbons (1583-1625)
  6. Bonecy venit du Prentesage - Claude le Jeune (c. 1525-1600)
  7. Chambriere, Chambriere - Anonymous (c. 1550-1612)
  8. Those Sweet Delightful Lilies - Thomas Weelkes (c. 1575-1623)
  9. O the Plains, Fairy Trains - Weelkes
  10. Le Chant des Oyseaux - Clement Janequin (c. 1485-1560)

Additionally, there is a brief description of The Cambridge Madrigal Society, stating that it is a group of 12 Boston area singers who began singing together last November. They specialize in a cappella compositions from the Renaissance. The group was scheduled to perform at the Church of the Advent on Saturday, May 1, and at the Fogg Art Museum on Sunday, May 2. For tickets or more information, people were instructed to contact Jenny Michaels at 617-495-3251.

The bottom part of the image includes information about a film event at the Carpenter Center on Thursday, October 1 at 8:00 p.m., featuring four films: two silent and two with German narration. The films listed are:

  1. Black, White and Grey by Moholy-Nagy (1929-1930)
  2. The Magic Flute (Flöten und Kanäflein) on Schlemmer's Bauhaus Theatre (1968)
  3. The Bauhaus (1968)
  4. Ghosts Before Breakfast by Richter (1927)

Admission was $2.00, and it was free for Busch-Reisinger and Carpenter Center members.

There is also a mention of a special exhibition at the Busch-Reisinger Museum running until November 7, 2010, featuring contemporary works on paper from the Fogg Art Museum collection. A gallery talk was scheduled for Saturday, October 17 at 2:30 p.m. by Dr. Anneliese Harding. The Saturday afternoon organ concerts were set to resume on October 3, and people were instructed to call 617-495-3338 for more information.

Mistral, mistral.mistral-large-3-675b-instruct

The image is of a program for a special concert held at the Busch-Reisinger Museum at Harvard University. Here are the details:

Event:

  • Special Concert

Date and Time:

  • Thursday, April 29th at 12:00 p.m.

Location:

  • Busch-Reisinger Museum, Harvard University
  • Address: 29 Kirkland Street, Cambridge, Massachusetts 02138

Performers:

  • The Cambridge Madrigal Society
  • Directed by Laura Lane

Program:
The concert features a series of Renaissance and early Baroque musical pieces, primarily French in origin:

  1. Ave Regina (Anonymous)
  2. Alma redemptoris Mater (Johannes Ockeghem, c. 1420-1495)
  3. Missa de Beata Virgine (Josquin des Prez, c. 1440-1521)
    • Sing We and Chant It
  4. Thomas Morley (1557-1603)
  5. Silver Swan (Orlando Gibbons, 1583-1625)
  6. Revecy venir du Printemps (Claude Le Jeune, c. 1525-1600)
  7. Chambrière, Chambrière (Anonymous)
  8. Those Sweet Delightful Lilies (Thomas Weelkes, c. 1575-1623)
  9. On the Plains, Fairy Trains (Thomas Weelkes)
  10. Le Count des Oyseaux (Clément Janequin, c. 1485-1560)

About the Cambridge Madrigal Society:

  • The Cambridge Madrigal Society is a group of 12 singers from the Boston area.
  • They started singing together last November.
  • They specialize in music primarily from the Renaissance, particularly by French composers.
  • On May 1st, they will perform at the Church of the New Jerusalem located across from the Busch-Reisinger Museum.
  • For more information, one can contact Jenny Michaels at 495-4555.

Additional Information:

  • The program also includes notes about other events at Harvard:
    • Film screenings at the Carpenter Center:
      • Two silent films with German narration documenting Bauhaus and German artistic experimentation.
      • "Black White and Grey" by Noby-Nagy (1929-1930)
      • "Mon and Man" (Mensch und Einflußfigur) on Schlemmer's Bauhaus Theatre (1968)
      • "The Bauhaus in Weimar, Dessau and Berlin" by Süddeutsche Rundfunk (1970)
      • Showing times and dates are mentioned.
    • Special exhibition at the Busch-Reisinger Museum:
      • Until November 7: 20th Century Works on Paper from the Permanent Collection.
      • Gallery talk on the exhibition on Saturday, October 17 at 2:30 PM by Dr. Anneliese Harding.
      • Saturday afternoon organ concerts at 4:30 PM resuming in October. For programs, call 495-2318.

Mistral, mistral.ministral-3-14b-instruct

The image shows a page from a brochure or program booklet for a special concert at the Busch-Reisinger Museum at Harvard University. The event took place on Thursday, April 29th, at 12:00 p.m. in Cambridge, Massachusetts.

The concert was performed by the Cambridge Madrigal Society, directed by Laura Lane. The program listed various pieces to be performed, including:

  • "Ave Regina" by Pierre de la Rue (c. 1460-1518)
  • "Alma redemptoris Mater" by Johannes Ockeghem (c. 1420-1495)
  • "Missa de Beata Virgine" by Josquin des Prez (c. 1440-1521)
  • "Sing We and Chant It" by Thomas Morley (1557-1603)
  • "Silver Swan" by Orlando Gibbons (1583-1625)
  • "Revecy venir du Printemps" by Claude Le Jeune (c. 1525-1600)
  • "Chambriere, Chambriere" by Jant Planson (c. 1558-1612)
  • "Those Sweet Delightful Lilies" by Thomas Weelkes (c. 1575-1623)
  • "On the Plains, Fairy Trains" by Weelkes
  • "Le Chant des Oyseaux" by Clement Janequin (c. 1485-1560)

The Cambridge Madrigal Society is described as a group of 12 Boston area singers who began singing together in the late 1970s. They primarily perform Renaissance music and were scheduled to perform at the Church of the New Jerusalem across the street from the Busch-Reisinger Museum on Saturday, May 1.

The bottom part of the page contains additional information about other events:

  • Four films documenting the Bauhaus and German artistic experimentation in the 1920s, including "Black, White and Grey by Nobilvagay" (1929-1930), "Man and Mask" (1968), "The Bauhaus in Weimar, Dessau and Berlin" (1970), and "Ghosts Before Breakfast" (1927).
  • A talk on Thursday, October 1 at the Carpenter Center, Cambridge, with admission $2.00.
  • An exhibition titled "20th Century Works on Paper from the Permanent Collection" at the Busch-Reisinger Museum, open until November 7, with a gallery talk by Dr. Ameliese Harding on Saturday, October 17.
  • Saturday afternoon organ concerts resuming on October 3.

The address of the Busch-Reisinger Museum is 29 Kirkland Street, Cambridge, Massachusetts 02138.

Mistral, mistral.ministral-3-8b-instruct

The image shows a page from a program or catalog for the Busch-Reisinger Museum at Harvard University, located at 29 Kirkland Street, Cambridge, Massachusetts. The date on the page is April 29, 1982.

The main event listed is a special concert by the Cambridge Madrigal Society, directed by Laura Lane, scheduled for 12:00 p.m. The concert program includes several pieces:

  • Ave Regina
  • Alma redemptoris Mater
  • Missa de Beata Virgine
  • Sing We and Chant It
  • Silver Swan
  • Revecy venir du Prentemps
  • Chambriere, Chambriere
  • Those Sweet Delightful Lilies
  • On the Plains, Fairy Trains
  • Le Chant des Oyseaux

Each piece is attributed to different composers, such as Pierre de la Rue, Johannes Ockeghem, Josquin des Prez, Thomas Morley, Orlando Gibbons, Claude le Jeune, Jant Planson, and Thomas Weelkes.

Below the concert program, there is an introduction to the Cambridge Madrigal Society, which consists of 12 singers from the Boston area who perform Renaissance music primarily by French composers. Their next performance is mentioned to take place on Saturday, May 1, at the Church of the New Jerusalem.

Additionally, there is information about a film series documenting the Bauhaus and German artistic experimentation in the 1920s, which includes:

  • Black, White and Grey by Nobuyoshi Araki (1929-1930)
  • Man and Mask (Mensch und Figur) on Schlemmer's Bauhaus Theatre (1968)
  • The Bauhaus in Weimar, Dessau and Berlin (documentary by Süddeutsche Rundfunk, 1970)
  • Ghosts Before Breakfast by Richter (1927)

The film series is scheduled for Thursday, October 1 at 8:00 pm at the Carpenter Center, 24 Quincy Street, Cambridge, with an admission fee of $2.00 for Busch-Reisinger and Carpenter Center members, and $1 for general admission.

Lastly, there is information about a special exhibition at the Busch-Reisinger Museum until November 7, featuring 20th Century Works on Paper from the Permanent Collection. A gallery talk is scheduled for Saturday, October 17 at 2:30 pm by Dr. Ameliese Harding, and Saturday afternoon organ concerts are scheduled to resume on October 3 at 4:30 pm. Contact number for program information is 495-2338.

Mistral, mistral.ministral-3-3b-instruct

The image depicts a page from a brochure or program from the Busch-Reisinger Museum at Harvard University, focusing on a special concert. The concert is scheduled for Thursday, April 29th, at 12:00 p.m. in Cambridge, Massachusetts. The event is presented by the Cambridge Madrigal Society, directed by Laura Lane.

The program includes the following pieces:

  • Ave Regina
  • Alma Redemptoris Mater
  • Missa de Beata Virgine
  • Sing We and Chant It
  • Silver Swan
  • Revecy venir du Prentemps
  • Chambriere, Chambriere
  • Those Sweet Delightful Lilies
  • On the Plains, Fairy Trains
  • Le Chant des Oiseaux

Each piece is attributed to a composer:

  • Ave Regina: Anonymous
  • Alma Redemptoris Mater: Anonymous
  • Missa de Beata Virgine: Anonymous
  • Sing We and Chant It: Thomas Morley (1557-1603)
  • Silver Swan: Orlando Gibbons (1583-1623)
  • Revecy venir du Prentemps: Claude Le Jeune (c. 1525-1600)
  • Chambriere, Chambriere: Jant Planson (c. 1558-1612)
  • Those Sweet Delightful Lilies: Thomas Weelkes (c. 1575-1623)
  • On the Plains, Fairy Trains: Weelkes
  • Le Chant des Oiseaux: Clément Janequin (c. 1485-1560)
  • Pierre de la Rue (c. 1460-1518)
  • Johannes Ockeghem (c. 1420-1495)
  • Josquin des Près (c. 1440-1521)

Below the concert details, there is a description of the Cambridge Madrigal Society, which consists of 12 singers from the Boston area, and they perform music primarily written by Renaissance French composers. They will perform at the Church of the New Jerusalem on May 1, and interested parties can contact Jenny Michaels for more information at 495-4555.

Additionally, there are other details about upcoming events and exhibitions:

  • Films about Bauhaus and German artistic experimentation in the 1920s, with specific titles and dates.
  • A special exhibition at the Busch-Reisinger Museum showing 20th Century Works on Paper from the Permanent Collection.
  • A gallery talk scheduled on October 17th.
  • Organ concerts scheduled for Saturday afternoons starting October 3rd.

The page also mentions admission prices for events at the Carpenter Center and the Busch-Reisinger Museum.

Mistral, mistral.magistral-small-2509

The image shows a page from a program or brochure for an event at the Busch-Reisinger Museum, which is part of Harvard University and located at 29 Kirkland Street, Cambridge, Massachusetts. The event is a special concert scheduled for Thursday, April 29th at 12:00 p.m. The concert is performed by The Cambridge Madrigal Society, directed by Laura Lane.

The program for the concert includes the following pieces:

  1. Ave Regina - Pierre de la Rue (c. 1460-1518)
  2. Alma redemptoris Mater - Johannes Ockeghem (c. 1420-1495)
  3. Missa de Beata Virgine - Josquin des Pres (c. 1440-1521)
  4. Sing We and Chant It - Thomas Morley (1557-1603)
  5. Silver Swan - Orlando Gibbons (1583-1625)
  6. Revecy venir du Printemps - Claude Le Jeune (c. 1525-1600)
  7. Chambriere, Chambriere - Jan Pieterszoon Sweelinck (1562-1621)
  8. Those Sweet Delightful Liliies - Thomas Weelkes (1575-1623)
  9. On the Plains, Fairy Trains - Weelkes
  10. Le Chant des Oyseaux - Clement Janequin (c. 1485-1560)

The program also includes a brief description of The Cambridge Madrigal Society, noting that it is a group of 12 Boston area singers who began singing together the previous November. They primarily perform music written by French composers from the Renaissance. An upcoming performance at the Church of the New Jerusalem is mentioned for Saturday, May 1st, and contact information for Jenny Michaels is provided for more details.

Additionally, the page includes information about film screenings that document the Bauhaus and German artistic experimentation in the 1920s and 1930s, to be shown on Thursday, October 1st at 8:00 p.m. at the Carpenter Center, with an admission charge of $2.00, but free for Busch-Reisinger and Carpenter Center members.

The page also mentions a special exhibition at the Busch-Reisinger Museum, featuring 20th Century Works on Paper from the Permanent Collection, with a gallery talk by Dr. Annaliese Harding scheduled for Saturday, October 17th at 2:30 p.m. Organ concerts are also mentioned to resume on Saturday, October 3, with a contact number for more information.

Azure OpenAI Service, gpt-4

The image displays a page from what appears to be a concert program or brochure. The heading reads "BUSCH-REISINGER MUSEUM Central and Northern European Art Harvard University". It also details the address as 29 Kirkland Street, Cambridge, Massachusetts 02138. The program announces a "Special Concert" to occur on Thursday, April 29th, at 12:00 p.m.

The content below the heading reveals that the concert is by THE CAMBRIDGE MADRIGAL SOCIETY with Laura Lane as the director. The program lists a selection of music pieces to be performed:

  1. Ave Regina by Pierre de la Rue (c. 1460-1518)
  2. Alma redemptoris Mater by Johannes Ockeghem (c. 1420-1497)
  3. Missa de Beata Virgine by Guillaume Dufay (c. 1400-1474)
  4. Sing and Chant It by Thomas Morley (1557-1602)
  5. Silver Swan by Orlando Gibbons (1583-1625)
  6. Revecy venir du Printemps by Claude Le Jeune (c. 1528-1600)
  7. Chambrière, Chambrière by Jan Pieterszoon Sweelinck (c.1558-1621)
  8. Those Sweet Delightful Lilies by Thomas Weelkes (c. 1575-1623)
  9. On the Plains, Fairy Trains by Weelkes
  10. Le Chant des Oyseaux by Clément Janequin (c. 1485-1560)

There is a note at the bottom explaining the Cambridge Madrigal Society is a group of 12 Boston area singers who began singing together last November. They primarily perform music written by French composers from the Renaissance. The text then provides some information about an associated event and contact details for Jenny Michaels.

Additional announcements include screenings of films with German narration documenting the Bauhaus and German artistic experimentation in the 1920s, including a mention of the film "Das Staatliche Bauhaus in Weimar", and details about a gallery talk and exhibition on works on paper from the permanent collection, and the continuation of organ concerts.

The page itself is in a file or folder, and it has markings on the top left corner indicating "82" and "E ARC" — likely organizational codes for archival or research purposes. The paper's edges show signs of wear and slight discoloration, suggesting some age to the document.

Azure OpenAI Service, gpt-4.1-mini-2025-04-14

The image shows a page from a scrapbook or notebook containing a typed flyer or program from the Busch-Reisinger Museum at Harvard University, dated 1982. The flyer announces a special concert by The Cambridge Madrigal Society, directed by Laura Lane, scheduled for Thursday, April 29th at 12:00 p.m.

The program lists several pieces to be performed, along with their composers and approximate dates:

  • Ave Regina by Pierre de la Rue (c. 1460-1518)
  • Alma redemptoris Mater by Johannes Ockeghem (c. 1420-1495)
  • Missa de Beata Virgine by Josquin des Pres (c. 1440-1521)
  • Sing We and Chant It by Thomas Morley (1557-1603)
  • Silver Swan by Orlando Gibbons (1583-1625)
  • Revecy venir du Prentemps by Claude le Jeune (c. 1525-1600)
  • Chambríere, Chambríere by Jant Planson (c. 1558-1612)
  • Those Sweet Delightful Lillies by Thomas Weekles (c. 1575-1623)
  • On the Plains, Fairy Trains by Weekles
  • Le Chant des Oyseaux by Clement Janequin (c. 1485-1560)

Below the program, there is a description of The Cambridge Madrigal Society, noting it is a group of 12 Boston area singers performing primarily music written by French composers from the Renaissance.

Additionally, there are notes about film screenings related to the Bauhaus and German artistic experimentation in the 1920s and 1960s, mentioning titles such as "Black, White and Grey" by Moholy-Nagy (1929-1930), "Man and Mask" (1968), "The Bauhaus in Weimar, Dessau and Berlin" (1970), and "Ghosts Before Breakfast" by Richter (1927), with a screening date of Thursday, October 1 at 8:00 p.m. at the Carpenter Center in Cambridge.

Finally, there is information about a special exhibition at the Busch-Reisinger Museum titled "20th Century Works on Paper" running until November 7, with a gallery talk by Dr. Anneliese Harding on Saturday, October 17 at 2:30 p.m., and Saturday afternoon organ concerts resuming October 3, with a phone number for the program.

Amazon, amazon.nova-lite-v1:0

The image shows a book opened to a page with text and a program. The title of the book is "BUSH-REISING MUSEUM," and it is located at Harvard University. The text on the page reads "SPECIAL CONCERT," with a date of "THURSDAY, APRIL 29th 12:00 p.m." The program includes a list of songs and composers, such as "Ave Regina" by Pierre de la Rue, "Alma redemptoris Mater" by Johannes Ockeghem, and "Missa de Beata Virgine" by Josquin des Pres. The page also includes information about the Cambridge Madrigal Society and the location of the concert at the Church of the New Jerusalem.

Amazon, us.amazon.nova-2-lite-v1:0

The image shows a page from a program or brochure for the Busch-Reisinger Museum, located at Harvard University in Cambridge, Massachusetts. The document appears to be from the early 1980s, as indicated by the date "1982" at the top left corner.

Key Details from the Image:

Header Information:

  • Title: "BUSCH-REISINGER MUSEUM"
  • Subtitle: "Central and Northern European Art"
  • Location: Harvard University, 29 Kirkland Street, Cambridge, Massachusetts 02138
  • Event: "SPECIAL CONCERT" scheduled for Thursday, April 29th at 12:00 p.m.

Program Details:

  • Performer: The Cambridge Madrigal Society, directed by Laura Lane.
  • Program Listing: A list of madrigals and choral pieces, including:
    • Ave Regina by Pierre de la Rue (c. 1460–1518)
    • Alma redemptoris Mater by Johannes Ockeghem (c. 1420–1495)
    • Missa de Beata Virgine by Josquin des Prez (c. 1440–1521)
    • Sing We and Chant It by Thomas Morley (1557–1603)
    • Silver Swan by Orlando Gibbons (1583–1625)
    • Revecy venir du Prentemps by Claude le Jeune (c. 1532–1600)
    • Chambriete, Chambriere by Jan Panson (c. 1558–1612)
    • Those Sweet Delightful Lilies by Thomas Weelkes (c. 1575–1623)
    • On the Plains, Fairy Trains by Weelkes
    • Le Chant des Oysaux by Clement Janequin (c. 1485–1560)

About the Cambridge Madrigal Society:

  • A group of 12 Boston-area singers who began singing together in November.
  • They perform primarily music written by French composers from the Renaissance.
  • Their first performance after the Renaissance will be on Saturday, May 1, at the Church of the New Jerusalem across the street from the Busch-Reisinger Museum.
  • Contact information: Jenny Michaels at 495-4553 for tickets or more information.

Additional Events and Information:

  • Films: A note mentions four films documenting the Bauhaus and German artistic experimentation in the 1920s:
    • Black, White and Gray by Moholy-Nagy (1929–1930)
    • Man and Mask (Mensch und Kostümfigur) on Schlemmer’s Bauhaus Theatre (1968)
    • The Bauhaus in Weimar, Dessau and Berlin, a documentary by Süddeutsche Rundfunk (1970)
    • Ghosts Before Breakfast by Richter (1931)
  • Exhibition and Talk: A special exhibition titled "20th Century Works on Paper from the Permanent Collection" is on display until November 7. A gallery talk on the exhibition by Dr. Anneliese Harding will be held on Saturday afternoon, October 17 at 2:00 p.m. at the Carpenter Center, 24 Quincy Street, Cambridge.
  • Organ Concerts: Saturday afternoon organ concerts at 4:30 p.m. will resume on October 3. For the program, contact 495-2138.

Design and Layout:

  • The page has a clean, formal layout typical of museum or concert programs.
  • Decorative borders and ornate text at the bottom add an artistic touch.
  • The text is typed, suggesting it is part of a printed program or brochure.

Overall Context:

The image depicts a historical program or brochure for a concert and related events at the Busch-Reisinger Museum, highlighting its focus on Central and Northern European art and its engagement with historical music and art exhibitions. The inclusion of madrigals, films, and exhibitions reflects the museum's commitment to cultural and artistic programming.