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The image shows a newspaper article from The Milwaukee Journal, dated September 6, 1981. The headline of the article is "Accent on Germany," and it is written by James Auer, the Journal Art Critic. The article discusses the notable German art at the Milwaukee Art Museum, with a focus on the museum's collection of German paintings from the 19th and 20th centuries.

The article features a photograph of Charles Werner Haxthausen, the art historian and director of the Harvard University Art Museums, who is credited with bringing a fresh perspective to the museum's German collection. The article also mentions specific artworks and artists, including Fritz Winter's "Black Action" and Lovis Corinth's "Portrait of Dr. Schwartz."

The article highlights the importance of the museum's German collection, which includes works from significant periods and movements in German art history. Haxthausen is quoted, emphasizing the need to view German art within its historical and cultural context. The article also touches on the challenges and opportunities presented by the collection, as well as Haxthausen's plans for its future development.

The layout of the newspaper is traditional, with the article text accompanied by black-and-white photographs, including images of artwork and a portrait of Haxthausen. The overall tone of the article is informative and appreciative, underscoring the significance of the museum's German art holdings and the expertise brought by Haxthausen to enhance their presentation and interpretation.

The image is a newspaper clipping from The Philadelphia Journal dated September 6, 1981, titled "Accent on Germany." The article primarily discusses the Milwaukee Art Museum's collection of German art.

Key Points:

1. Introduction and Historical Context:

   • The Milwaukee Art Museum's collection of German paintings from the 19th century is highlighted. It includes works by artists like Fritz Winter, Lovis Corinth, and others.
   • Charles Werner Haxthausen, the museum's art historian and director, is mentioned as a significant figure in this collection.

2. Charles Werner Haxthausen:

   • Haxthausen is described as a self-admitted missionary for German art in the United States.
   • His collection is noted for its extensive and comprehensive approach to German art, including works from the early 20th century and beyond.
   • Haxthausen's background includes a deep interest in German art and culture, which is reflected in his extensive travels and the acquisition of significant art pieces.

3. Artistic Movements and Influence:

   • The article touches on the influence of German art movements such as "New Objectivity" and the broader implications of German art on the cultural landscape of the United States.
   • It mentions how the museum's collection helps in understanding the cultural and artistic evolution of Germany, particularly during and after World War II.

4. Opposition and Criticism:

   • There are mentions of opposition from certain critics who believe that the museum's collection might be too narrow or lacks diversity in its representation of German art.

5. Specific Artworks and Exhibitions:

   • Notable works mentioned include "Street Scene" by Fritz Winter and Lovis Corinth's "Portrait of Dr. Schwarz."
   • The article describes the significance of these artworks in terms of their historical context and artistic value.

6. Interviews and Opinions:

   • There is an interview segment with the director of the museum, providing insights into the importance of the German art collection.
   • The article includes a quote from the director, emphasizing the museum's role in highlighting German art and its contributions to the broader American art scene.

7. Visuals:

   • The clipping includes photographs of some of the artworks and individuals related to the museum, such as a portrait of Lovis Corinth.

Overall, the article provides a detailed look at the Milwaukee Art Museum's significant contributions to the understanding of German art in the United States, highlighting Charles Werner Haxthausen's role in this endeavor.

The image is a newspaper clipping from The Milwaukee Journal, dated September 6, 1981. The article is titled "Accent on Germany" and written by James Auer, a Journal art critic. The focus of the article is on the Milwaukee Art Museum’s collection of German art and its director, Charles Warner Hathausen.

The article discusses the museum's significant holdings of German art, particularly from the 19th century. Hathausen, who is described as a "self-admitted missionary for German art," emphasizes the importance of this collection in showcasing German contributions to art and culture. He highlights the museum's efforts to balance the representation of German art with other European art forms.

The article mentions notable works in the collection, such as Fritz Winter's "Street Scene," Lovis Corinth's "Portrait of Dr. Schwartz," and the influence of German Expressionism. It also discusses the historical context of German art, including its impact on the world and the opposition the museum faced for focusing on German art.

Hathausen's view is that German art, despite its controversial past, has much to offer in terms of cultural and artistic significance. The article includes images of some of the artworks and mentions the museum's efforts to make the collection more accessible to the public.

Additionally, the article touches on the museum's history, including its opening in 1913, and its expansion and renovations over the years. It also includes a quote from a visitor, Carl Spitzweg's "The Morning Reader," highlighting the museum's appeal to diverse audiences.

The image is a newspaper clipping from the September 6, 1981 edition of The Philadelphia Journal. The headline reads "Accent on Germany," and the article focuses on the Milwaukee Art Museum's collection of German art.

The article, written by James Auer, discusses the museum's emphasis on German art, highlighting its significance and the contributions of Charles W. Haxthausen, the museum's director. Haxthausen is noted for his efforts in expanding the museum's collection to include notable German artworks, despite some opposition.

Key points include:

• The Milwaukee Art Museum's strength lies in its collection of German paintings from the 19th century.
• Haxthausen's vision and work are praised for broadening the museum’s focus on German art.
• The article mentions specific pieces such as Fritz Winter's "Street Scene," Lovis Corinth's "Black Action," and Max Liebermann's "Portrait of Dr. Schwartz."
• The museum’s collection is described as having a "self-admitted" focus on German art, with Haxthausen's efforts aiming to balance this with other cultural contributions.
• There is opposition from some who argue that the museum should focus more on American art.
• The article includes quotes from critics and art historians, including a professor from Harvard, who praise the museum’s collection and Haxthausen's vision.
• The clipping also features several black-and-white images of artworks and people, including a portrait of a man and a group of artists, as well as a picture of Carl Spitzweg's "The Morning Reader" from the Milwaukee Art Museum's collection.

The article concludes with a note on the museum's expansion and the director's acknowledgment of the task ahead, emphasizing the importance of maintaining a balanced and inclusive collection.

The image is a page from The Milwaukee Journal, dated September 6, 1981. The feature article is titled "Accent on Germany" and focuses on German art, particularly the work of Charles Werner Haxthausen, a noted art historian.

Main Sections:

Article by James Auer:

Title: For all its reputation as showcase for modern art, Germany's real strength lies in its collections of Germanic paintings of the 19th century

• The article discusses the significant contributions of German art, highlighting that while modern art is prominent, the 19th-century Germanic paintings hold substantial value.
• It mentions key figures such as Charles Werner Haxthausen, a self-admitted "missionary" for Germanic art.
• The piece covers the history and impact of German art, which was interrupted by the World Wars, leading to a diminished presence on the international art stage.

It Opened in 1983:

• This section outlines Haxthausen's vision for a museum in 1983 that would focus on the development of Germanic culture from the first contact of Roman Empire to the present day.
• The museum would include works from notable artists like Albrecht Dürer, Matthias Grünewald, and Hans Baldung Grien, aiming to correct the underrepresentation of German art.

Opposition, Too:

• The idea of the museum faced opposition, with critics arguing that the first focus should be on the Bauhaus-Renaissance.
• Haxthausen responded to critiques, emphasizing the importance of a broad and inclusive representation of German art.

Many Great Pictures:

• The article praises the Milwaukee Art Museum's current collection, particularly the Carl Spitzweg painting "The Morning Reader."
• It highlights the depth and quality of the collection, which includes works from the 19th and early 20th centuries.

Good Examples:

• The author, James Auer, emphasizes the quality of the painting collection at the Milwaukee Art Museum, noting the variety and skill of the artists represented.

Notable Germanic Art at the Milwaukee Art Museum:

• The page lists several notable pieces of Germanic art housed in the Milwaukee Art Museum, including:
  • "Street Scene" by Ernst Ludwig Kirchner
  • "Black Action" and "Louis Corinth’s Portrait of Dr. Schwartz" by Fritz Winter

Images:

• Left Image: A group photograph, likely depicting art historians or curators, including Charles Werner Haxthausen.
• Center Image: A portrait photograph of Charles Werner Haxthausen.
• Right Image: A painting showing a scene of a person reading, titled "The Morning Reader" by Carl Spitzweg.

Overall, the article is a detailed exploration of the importance and richness of 19th-century Germanic art and the efforts to bring greater recognition to it.

The image shows a newspaper article from The Milwaukee Journal, dated September 6, 1981. The article is titled "Accent on Germany" and is written by James Auer, the Journal Art Critic. The article discusses an exhibition of German art at the Milwaukee Art Museum, specifically focusing on the Buch-Reihe (Book Series) and the works of Charles Werner Haxthausen, a self-admitted Nazi sympathizer.

Key points from the article include:

1. Exhibition Overview: The exhibition features contemporary German art, including works from the 19th century and modern times. It is noted for its representation of Germanic culture and its avoidance of French art influence.

2. Charles Werner Haxthausen: The article highlights Haxthausen's role in promoting German art and his controversial past as a Nazi sympathizer. His Buch-Reihe series is described as a showcase for Germanic paintings.

3. Artworks and Artists: The exhibition includes works by artists such as Lovis Corinth, Ernst Ludwig Kirchner, and Carl Spitzweg. Notable pieces mentioned are Kirchner's "Black Action" and Corinth's "Portrait of Dr. Schwartz."

4. Criticism and Controversy: The article acknowledges the controversy surrounding Haxthausen's Nazi sympathies and the ethical implications of displaying his work. It also mentions the opposition to the exhibition from some quarters.

5. Artistic Significance: Despite the controversy, the article praises the artistic merit of the works on display, noting their historical and cultural significance.

6. Public Reception: The exhibition is described as a significant event for American viewers, offering a rare glimpse into German art that is not typically seen in the United States.

The article is accompanied by several images, including photographs of the artworks and a portrait of Haxthausen. The overall tone of the article is analytical, balancing the artistic value of the exhibition with the ethical considerations of its historical context.

The image shows an open newspaper resting on a surface with a more yellowish tone that could possibly be a table or another paper material. The specific page open is an article from "The Milwaukee Journal" dated September 6, 1970, titled "Accent on Germany." The article features several black-and-white images, none of which are of people. These include photographs of artwork, such as paintings, and images of what appear to be sculptural pieces or segments of an exhibition. There is a substantial amount of text arranged in columns, which likely elaborates on German-related art topics, possibly in connection with a particular event, exhibition, or historical context relevant to the date of the publication. The newspaper itself appears to be somewhat aged with a consistent yellowing of the paper, typical of older print materials that have been exposed to light and air. There is a visible fold line down the center of the pages, suggesting it has been folded in half as newspapers often are. To the right edge of the photo, we can see that the paper is part of a bound stack or book, indicating this newspaper might be archived or preserved in a collection.

The image shows an open magazine with an article titled "Accent on Germany" in the Milwaukee Journal. The article discusses the Milwaukee Art Museum's exhibition of notable German art from the 19th and early 20th centuries, including works by Ernst Ludwig Kirchner and Fritz Winter. The article highlights the museum's collection of German art and its role in showcasing the country's artistic heritage. The article also mentions Charles Werner Haxthausen, the museum's director, who has been instrumental in building the collection.

The image is a spread from a magazine or newspaper featuring an article about German art, titled "Accent on Germany." The spread includes several photographs and text.

The left page of the spread contains a large photograph of a group of people, possibly artists or art enthusiasts, with the headline "Accent on Germany" prominently displayed at the top. Below the photograph, there is a paragraph of text discussing the influence of German art on the world.

The right page features a smaller photograph of a man, presumably an artist or art critic, along with a paragraph of text discussing his views on German art. There is also a sidebar with a photograph of a painting and a brief description of the artwork.

The article highlights the significance of German art, particularly its impact on the development of modern art. It mentions the Milwaukee Art Museum's collection of German art and the contributions of German artists to the art world. The article also touches on the political and cultural context of German art, including the influence of World War I and the rise of the Nazi regime.

Overall, the spread provides a comprehensive overview of German art and its importance in the art world, with a focus on the Milwaukee Art Museum's collection and the perspectives of art critics and historians.

The image shows a newspaper clipping from "The Milwaukee Journal" dated September 6, 1981, titled "Accent on Germany." The clipping features three photographs and several paragraphs of text discussing German art at the Milwaukee Art Museum.

• Title and Date
  • The title "Accent on Germany" is prominently displayed at the top of the clipping.
  • The date "September 6, 1981" is handwritten in the top-right corner.
• Photographs
  • The first photograph shows a group of people walking down a street.
  • The second photograph depicts a man sitting in a chair.
  • The third photograph appears to be a painting or artwork.
• Text
  • The text discusses the importance of German art and its significance in the museum's collection.
  • It highlights the contributions of German artists to the museum's collection.
  • The text also mentions the museum's efforts to promote German art and culture.
• Background
  • The clipping is placed on top of an open book or magazine.
  • The background of the image is a plain gray color.

Overall, the image provides a glimpse into the Milwaukee Art Museum's collection of German art and its significance in the museum's overall collection.