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The image shows a newspaper spread with the headline "JAZZING UP THE NIGHT." The main article, titled "Local jazz musicians take to the pulpit for 12-hour concert," discusses the 12th annual Jazz All-Night Concert, which features local jazz musicians performing at the Church of the Covenant. The event, taking place on Friday, starts at 8 pm and ends at 8 am the next day, with a variety of jazz styles being played. The article mentions that the concert, organized by Rev. Erlo Santamaria, aims to offer an alternative to the usual nightlife and attract both traditional jazz fans and a broader audience. It also notes that the event has faced challenges, such as complaints from neighbors in past years.

The layout includes a black-and-white photograph of a hand holding a double bass. Another smaller article, "For a couple of years the all-nighters have been held at the Church of the Covenant," provides additional context about the history of the event, mentioning that it moved from St. Peter's Lutheran Church due to neighborhood complaints. The article also highlights that the concert is a unique opportunity to appreciate jazz music in a church setting, with performers like Ricky Ford, Fred Anderson, and Cecil McBee participating.

The page also includes an ad at the bottom, promoting a music store called "The Fringe," which sells guitars, drums, and other musical equipment, indicating that the newspaper might have a section dedicated to the arts and entertainment.

The image shows a newspaper page from the 1970s, featuring an article titled "Jazzing Up the Night" and "Local jazz musicians take to the pulpit for 12-hour concert." The article is primarily about the 12th annual Jazz All Night Concert, which took place at the Covenant Church in Boston.

Key points from the article include:

1. The concert was an all-night event, starting from Friday evening to Saturday morning, offering a unique experience for jazz fans.
2. The event allowed for a non-stop listening experience, with a variety of musicians and performances throughout the night.
3. The concert aimed to showcase the talents of local jazz musicians, including both established and emerging artists.
4. The series was inspired by the success of a similar event in the Old West End in the 1970s, where the idea of an extended concert series was popularized.
5. Rev. Mark Harvey, a Methodist minister, played a significant role in the series by transferring the event to the church and working to promote it.
6. The event featured a diverse lineup of musicians, including:
   • Jeff Turton and the Jazz Voices, who performed jazz classics.
   • The Duke Ellington Orchestra and Duke Ellington Band.
   • Several solo artists such as Chris Albert, Ed Blakewell-Dewey Redman Trio, Ran Blake, Tiger Okoshi, The Fringe, and others.
   • Groups like Medium Rare Big Band, Medusa, and others.

The article also mentions the intent to explore the spiritual aspects of jazz, aligning it with the church's mission of promoting community and artistic expression. The concert was seen as a significant cultural event in Boston.

The image is a clipping from a newspaper article titled "Jazzing Up the Night." The article is about the 12th annual Jazz All-Night Concert, which took place at the Emmanuel Church in Boston, Massachusetts.

Key points from the article include:

1. Event Overview:

   • The concert runs from 8 p.m. Friday to 8 a.m. Saturday.
   • It is a non-stop event, allowing attendees to nap and even sleep through the night.
   • The concert features eight bands, each playing for three hours.

2. Historical Context:

   • The concert began in 1970, initially organized by Rev. John Cleary at St. Peter's Lutheran Church in Manhattan.
   • It moved to Boston's Emmanuel Church in 1973, organized by Rev. Mark Harvey, a trumpet-playing Methodist clergyman.
   • The concert has evolved from a small, local event to a major annual jazz event.

3. Purpose and Spirit:

   • The concert aims to showcase the spiritual aspects of jazz, emphasizing its connection to human emotions and experiences.
   • It is described as a secular spiritual experience, offering a break from the daily grind and a chance to explore the emotional depths of jazz.

4. Participants and Performances:

   • The article lists several musicians and bands participating in the concert, including Ed Blackwell-Dewey Redman Trio, The Fringe, Pat Halfpenny's Rare Big Band, and others.
   • Performances include a variety of jazz styles and are aimed at providing a diverse musical experience.

5. Community and Impact:

   • The concert has been praised for its ability to bring together different musical talents and expose a wide range of jazz to the audience.
   • It is noted for its inclusive nature, welcoming both jazz enthusiasts and newcomers.

6. Logistics:

   • The event is free and donations are accepted.
   • The concert is part of a series of jazz events organized by the Jazz Arts Ministry.

The article is written by Ernie Santosuosso, who is noted as The Globe's jazz critic. The concert is highlighted for its unique ability to blend music, spirituality, and community in a night-long celebration of jazz.

The image is a vintage newspaper clipping featuring an article about the 12th Annual Jazz All Night Concert. Here's a detailed summary:

Headline:
"JAZZING UP THE NIGHT"

Subheading:
"Local jazz musicians take to the pulpit for 12-hour concert"

Article Details:

• Author: Ernie Santuccio
• Date: The article seems to be from the late 1970s, judging by the style and content.

Content:
The article discusses the 12th Annual Jazz All Night Concert, which took place at the Church of the Covenant in Boston. The concert was a unique event that ran from Friday evening to Saturday morning, providing an opportunity for jazz enthusiasts to enjoy a continuous jazz experience.

Key Points:

1. Event Overview:

   • The concert was an all-night event that attracted jazz fans and provided a platform for jazz musicians to play continuously.
   • The event was held in a church, which added a unique atmosphere to the concert.

2. History and Tradition:

   • The concert was in its 12th year and had a history of moving from the Stone Soup Society to the Church of the Covenant.
   • The concert's format was a departure from the traditional Sunday-to-Friday schedule because of the public transit shutdown on Sundays.

3. Musicians and Performances:

   • The concert featured a variety of musicians, including local jazz talents and guest performers.
   • The article mentions several musicians and groups, such as Tiger Okoshi, The Pringe, Ed Blackwell-Dewey Redman Trio, and others.
   • The musicians performed a mix of jazz standards and original pieces.

4. Spiritual and Cultural Aspect:

   • Rev. Mark Harvey, a Methodist minister, was involved in the concert, emphasizing the spiritual and cultural significance of jazz.
   • He described jazz as a form of spiritual expression that addresses the human condition, including themes of death, sorrow, and joy.

5. Concert Schedule and Logistics:

   • The concert began on Friday evening at 8 p.m. and continued through to the next morning.
   • It was a fundraising event with a suggested donation of $5, and attendees were encouraged to bring food and drinks to share.

6. Notable Performers:

   • The article lists several performers, including Tiger Okoshi, The Pringe, Ran Blake, Ed Blackwell-Dewey Redman Trio, and others.
   • Some performers were described with their instruments and styles, such as Tiger Okoshi on trumpet and the Ed Blackwell-Dewey Redman Trio with Mark Helias on bass.

7. Event Significance:

   • The concert was part of a larger series of jazz events in the Boston area, including the Jazz Concerts in the Old West Church series.
   • The event aimed to celebrate jazz as both an art form and a spiritual experience, reflecting the rich history and cultural impact of jazz music.

The overall tone of the article is positive and celebratory, highlighting the community and cultural significance of the Jazz All Night Concert.

The image is a newspaper article titled "Jazzing Up the Night," written by Ernie Santiso. The article discusses the 12th annual All Night Concert, an event that features jazz music performed in a church setting throughout the night.

Here are the key points detailed in the article:

1. Event Overview:

   • The concert is held annually and organized by jazz enthusiasts.
   • It starts at 8 PM on a Friday and ends with a breakfast the following Saturday morning.
   • This year, the event is scheduled for Friday in the Church of the Epiphany.

2. History and Purpose:

   • The first concert took place in 1960 at St. Peter's Church in Manhattan.
   • The idea was conceived by Rev. John Gensel, a jazz-loving Lutheran minister, and a trumpeter named Jimmy McIntosh.
   • The event was inspired by a 24-hour jazz festival in Toronto and was designed to promote jazz in a church setting, making it accessible to a broader audience.

3. Concert Details:

   • The concert is a nonstop 12-hour marathon featuring various jazz musicians.
   • Over the years, the event has grown in popularity and now attracts hundreds of jazz fans.
   • The event is free, but donations are welcomed to cover expenses.

4. Musicians and Performances:

   • The article highlights several local jazz musicians who will be performing:
     • Jeff Tain Watts: Drummer who will perform with a co-chairpersons group.
     • Merce Ellington Orchestra: Led by the son of the famous Duke Ellington.
     • Ran Blake: A pianist known for his distinct style.
     • Blackwell-Redman Trio: Featuring Ed Blackwell on drums and Joshua Redman.
     • Mark Helias: Bassist.
     • Tiger Okoshi: Trumpeter.
   • The Fringe, a high-energy jazz group, will close the concert.

5. Community and Cultural Impact:

   • The concert has become a significant cultural event, celebrating jazz and community spirit.
   • It brings together jazz aficionados and provides a unique platform for musicians to perform in a supportive and enthusiastic environment.

Overall, the article captures the essence and significance of this annual jazz concert, illustrating its history, purpose, and the community it has built over the years.

The image is a newspaper clipping from the 1970s, featuring an article titled "Jazzing Up the Night." The article discusses a 12-hour jazz concert held at the Church of the Covenant in Boston, organized by the Massachusetts Institute of Technology Arts (MITA) Council.

Key points from the article include:

1. Event Description: The concert is described as an annual event, which has been running since 1971. It features local jazz musicians and is known for its nonstop format, running from 8 p.m. to 8 a.m.

2. History and Background: The concert was initially launched by Rev. Mark Harvey, a trumpet player and Methodist minister. It began at the Jazz Coalition's All Night Jazz Festival and was later moved to the Church of the Covenant.

3. Purpose and Participants: The event aims to showcase the vibrant jazz scene in Boston and bring together various jazz groups and solo artists. Notable participants mentioned include the Duke Ellington Orchestra, Jeff Turku, Chris Albert, and Ricky Ford.

4. Audience and Atmosphere: The concert attracts a diverse audience, including jazz enthusiasts and those who enjoy the all-night experience. The atmosphere is described as lively and cooperative, with musicians often joining each other on stage.

5. Logistics and Support: The event is supported by local organizations and individuals, with some musicians performing for free. The church provides a unique setting, and the concert is known for its inclusive and community-oriented spirit.

The article also includes a large photograph of a jazz musician playing a saxophone, adding a visual element to the story. The text is detailed and provides a comprehensive overview of the event's history, significance, and community impact.

The image shows a portion of a newspaper page with the headline "JAZZING UP THE NIGHT" in bold, large font. Below the headline, there is a black and white photograph of a person playing a violin, with the individual's face turned upwards and eyes closed as if deeply immersed in the music. The text includes a sub-heading that reads "Local jazz musicians take to the pulpit for 12-hour concert," indicating that the article probably discusses a local jazz event lasting for an extended period._extracted below the image and adjacent to it includes several columns of text, likely providing details about the concert, the musicians involved, and possibly the history or significance of the event. The physical state of the newspaper suggests some aging, as the pages appear yellowed and the top edge is curled over, indicating it might be an older publication or has been stored for some time. The rest of the page is not fully visible, and the content beyond the visible text cannot be determined from the image provided.

The image shows a page from a newspaper with a headline reading "Jazzing Up the Night" and an illustration of a person playing a musical instrument. The article discusses the 12th annual Jazz All Night Concert, which provides an endurance test for Boston's most intrepid jazz fans. The article mentions that the concert will be held on Friday evening at 8 a.m. at the Church of the Covenant, and that the final notes will be sounded at 8 a.m. on Saturday, after which survivors will be treated to a free pancake breakfast donated by the Stone Soup Society.

The image depicts a scanned page from a newspaper or magazine, featuring an article titled "JAZZING UP THE NIGHT" by Ernie Santosusso. The article discusses the 12th annual Jazz All Night Concert, an event organized by the Stone Soup Society at the Church of the Covenant in Boston. The concert, held on Friday evening, August 8, is described as a significant event for jazz enthusiasts, with survivors of the concert attending the next morning to hear the final notes played at 8 a.m. on Saturday.

Key Details from the Article:

Event Overview:

• Date and Time: The concert takes place on Friday evening, August 8, with survivors attending the 8 a.m. Saturday morning session.
• Location: The Church of the Covenant in Boston, known for its unique setting and history with jazz performances.
• Purpose: The event aims to celebrate jazz and provide an unconventional experience for attendees, with music continuing into the early morning hours.

Historical Context:

• The concert has been held annually for 12 years, with the first one occurring in 1973.
• The event was initially met with controversy due to its unconventional timing (late-night and early-morning performances), which clashed with traditional church services and community norms.
• Over the years, the concert has evolved into a beloved tradition, with participants often staying through the night to hear the music.

Musical Highlights:

• The article mentions several local jazz musicians who participated in the event, including:
  • Jeff Tuz, who co-chairs the concert with Duke Ellington.
  • Merce Ellington, Duke Ellington's daughter, who performed with her father.
  • Rickie Washington, a saxophonist known for his energetic performances.
  • Ed Blackwell-Dewy Redman Trio, featuring Mark Helias and John Scofield.
  • Tiger Okoshi, a trumpeter known for his unique style.
  • The Fringe, a high-energy group led by Pat Tallis.
  • Medium Rare Big Band, led by Don and Vera Filano.
  • Grower Money, a duo featuring Wilkie and Adus.

Cultural and Spiritual Significance:

• The concert is described as a spiritual and communal experience, with participants viewing jazz as a form of worship or expression of the divine.
• The article quotes Rev. Mark Harvey, the pastor of the Church of the Covenant, who compares jazz to a “sacred piece of life” and emphasizes its connection to human emotions such as joy, sorrow, and spirit.
• The event is seen as a way to honor the African-American origins of jazz, with the church providing a space for this cultural expression.

Visual Element:

• To the right of the article, there is an illustration or photograph of a jazz musician playing a saxophone. The image captures the essence of the event, showcasing the artistry and passion associated with jazz performance.

Overall Tone:

The article conveys a sense of excitement, tradition, and cultural significance, highlighting the unique blend of music, spirituality, and community that defines the Jazz All Night Concert. It emphasizes the event's evolution from a controversial idea to a cherished annual tradition, celebrating the enduring legacy of jazz in Boston.

The image is a newspaper clipping featuring an article about the 12th annual Jazz All Night Concert, which is a significant event for jazz enthusiasts in Boston. The article is titled "Jazzing Up the Night" and is written by Ernie Santosuosso.

The article discusses the concert's history, its impact on the community, and the musicians involved. It highlights the concert's unique format, which allows attendees to come and go as they please, creating a relaxed and inclusive atmosphere. The event is described as a marathon of jazz music, with musicians playing through the night, often until the early hours of the morning.

The article mentions several local jazz musicians who have been part of the concert over the years, including Rev. Mark Harvey, Rev. Wesley Grant, and Rev. Peter J. Skilton. It also notes the involvement of the Jazz Coalition, an organization that supports jazz musicians and promotes the genre.

The concert is held at the Church of the Covenant, and the article describes the venue's atmosphere and the community's response to the event. The article concludes with quotes from some of the musicians, expressing their joy and satisfaction in performing at the concert and their appreciation for the audience's support.

The clipping includes a black-and-white photograph of a musician playing a saxophone, which adds a visual element to the article and emphasizes the central role of jazz music in the event. The image of the musician is positioned above the article's title, drawing the reader's attention to the main subject of the piece.