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The image is of a page from a program or schedule for an academic or art-related conference. The program is divided into two main sessions: a morning session and an afternoon session, followed by a panel discussion and a reception.

Morning Session (9:30 a.m. - 12:00 p.m.):

1. The Prussian Academy's Category B: Outstanding Women Artists
   • Presenter: Diane Radycki, Metropolitan Museum of Art
2. Münter and Modersohn-Becker: A Comparison
   • Presenter: Ellen C. Opple, Associate Professor of Art History, Syracuse University
3. Münter and Werefkin: A Contrast
   • Presenter: Anne Mochon, Assistant Professor of Art History, University of Massachusetts at Amherst

Afternoon Session (1:30 - 3:45 p.m.):

1. Münter in Sweden: Interlude and Separation
   • Presenter: Sara Greag, Hilla Rebay Fellow, Solomon R. Guggenheim Museum
2. Influence vs. Individuality: The Münter-Kandinsky Conundrum Re-Examined
   • Presenter: Alessandra Comini, Professor of Art History, Southern Methodist University
3. What Münter and Kandinsky Meant to Each Other
   • Presenter: Kenneth C. Lindsay, Professor of Art History, State University of New York at Binghamton

Panel Discussion (4-5 p.m.):

• Moderator: Charles W. Haxthausen, Associate Professor of Fine Arts, Associate Curator of the Busch-Reisinger Museum

Reception and Exhibition Viewing:

• There will be a reception and viewing of the exhibition "Gabriele Münter: Between Munich and Murnau" at the Busch-Reisinger Museum, 29 Kirkland St., from 5 until 7 p.m.

The right side of the image includes a partial view of an artwork, likely related to the exhibition or the artists discussed in the program. The bottom right corner features the initials "B+R," which likely stands for Busch-Reisinger Museum.

The image shows a program schedule for an academic event focusing on the artist Gabriele Münter. The program is divided into two main sessions: a morning session and an afternoon session, followed by a panel discussion and a reception.

Morning Session (9:30 a.m. - 12:00 p.m.):

1. The Prussian Academy’s Category B: Outstanding Women Artists

   • Speaker: Diane Radycki, Metropolitan Museum of Art

2. Münter and Modersohn-Becker: A Comparison

   • Speaker: Ellen C. Oppler, Associate Professor of Art History, Syracuse University

3. Münter and Werefkin: A Contrast

   • Speaker: Anne Mochon, Assistant Professor of Art History, University of Massachusetts at Amherst

Afternoon Session (1:30 p.m. - 3:45 p.m.):

1. Münter in Sweden: Interlude and Separation

   • Speaker: Sara Gregg, Hilla Rebay Fellow, Solomon R. Guggenheim Museum

2. Influence vs. Individuality: The Münter-Kandinsky Conundrum Re-Examined

   • Speaker: Alessandra Comini, Professor of Art History, Southern Methodist University

3. What Münter and Kandinsky Meant to Each Other

   • Speaker: Kenneth C. Lindsay, Professor of Art History, State University of New York at Binghamton

Panel Discussion (4:00 - 5:00 p.m.):

• Moderator: Charles W. Haxthausen, Associate Professor of Fine Arts and Associate Curator of the Busch-Reisinger Museum

Reception:
There will be a reception and viewing of the exhibition "Gabriele Münter: Between Munich and Murnau" at the Busch-Reisinger Museum, 29 Kirkland St., from 5 until 7 p.m.

The program is likely part of an academic conference or symposium centered around the analysis and discussion of Gabriele Münter's contributions to art and her relationships with other significant artists of her time.

The image appears to be a program schedule for an academic conference or exhibition event focused on the artist Gabriele Münter. Here is a detailed summary:

Morning Session (9:30 a.m. - 12:00 p.m.):

1. "The Prussian Academy's Category B: Outstanding Women Artists"

   • Speaker: Diane Radycki, Metropolitan Museum of Art

2. "Münter and Modersohn-Becker: A Comparison"

   • Speaker: Ellen C. Oppler, Associate Professor of Art History, Syracuse University

3. "Münter and Werefkin: A Contrast"

   • Speaker: Anne Mochon, Assistant Professor of Art History, University of Massachusetts at Amherst

Afternoon Session (1:30 p.m. - 3:45 p.m.):

1. "Münter in Sweden: Interlude and Separation"

   • Speaker: Sara Gregg, Hilla Rebay Fellow, Solomon R. Guggenheim Museum

2. "Influence vs. Individuality: The Münter-Kandinsky Conundrum Re-Examined"

   • Speaker: Alessandra Comini, Professor of Art History, Southern Methodist University

3. "What Münter and Kandinsky Meant to Each Other"

   • Speaker: Kenneth C. Lindsay, Professor of Art History, State University of New York at Binghamton

Panel Discussion (4:00 p.m. - 5:00 p.m.):

• Moderator: Charles W. Haxthausen, Associate Professor of Fine Arts and Associate Curator of the Busch-Reisinger Museum

Reception:

• There will be a reception and viewing of the exhibition "Gabriele Münter: Between Munich and Murnau" at the Busch-Reisinger Museum, 29 Kirkland St., from 5 p.m. until 7 p.m.

The program is laid out clearly with times and speakers' affiliations, suggesting a structured and well-organized event centered on the life and work of Gabriele Münter, with a focus on her relationships and comparisons with other artists.

The image depicts the program schedule for an academic event related to art history, specifically focusing on the artist Gabriele Münter.

1. Morning Session (9:30 a.m. - 12:00 p.m.):

   • The Prussian Academy's Category B: Outstanding Women Artists

     • Presented by Diane Radycki from the Metropolitan Museum of Art.

   • Münter and Modersohn-Becker: A Comparison

     • Presented by Ellen C. Oppler, an Associate Professor of Art History at Syracuse University.

   • Münter and Werefkin: A Contrast

     • Presented by Anne Mochon, an Assistant Professor of Art History at the University of Massachusetts at Amherst.

2. Afternoon Session (1:30 p.m. - 3:45 p.m.):

   • Münter in Sweden: Interlude and Separation

     • Presented by Sara Gregg, Hilla Rebay Fellow at the Solomon R. Guggenheim Museum.

   • Influence vs. Individuality: The Münter-Kandinsky Conundrum Re-examined

     • Presented by Alessandra Comini, a Professor of Art History at Southern Methodist University.

   • What Münter and Kandinsky Meant to Each Other

     • Presented by Kenneth C. Lindsay, a Professor of Art History at the State University of New York at Binghamton.

3. Panel Discussion (4:00 p.m.):

   • Moderated by Charles W. Haxthausen, Associate Professor of Fine Arts and Associate Curator of the Busch-Reisinger Museum.

Additionally, there will be a reception and viewing of the exhibition "Gabriele Münter: Between Munich and Murnau" at the Busch-Reisinger Museum, 29 Kirkland St., from 5 p.m. until 7 p.m.

The image includes a glimpse of a black-and-white artwork, likely related to the exhibition or the artist Gabriele Münter, which is part of the event.

The image displays a program for an academic event, likely a symposium or conference, focused on art history. The program is divided into two main sessions: the morning session (9:30 a.m. - 12:00 p.m.) and the afternoon session (1:30 - 3:45 p.m.), followed by a panel discussion (4:00 - 5:00 p.m.).

Morning Session:

1. The Prussian Academy’s Category B: Outstanding Women Artists - Presented by Diane Radycki from the Metropolitan Museum of Art.
2. Münter and Modersohn-Becker: A Comparison - Presented by Ellen C. Oppler, Associate Professor of Art History at Syracuse University.
3. Münter and Werefkin: A Contrast - Presented by Anne Mochon, Assistant Professor of Art History at the University of Massachusetts at Amherst.

Afternoon Session:

1. Münter in Sweden: Interlude and Separation - Presented by Sara Gregg, Hilla Rebay Fellow at Solomon R. Guggenheim Museum.
2. Influence vs. Individuality: The Münter-Kandinsky Conundrum Re-Examined - Presented by Alessandra Comini, Professor of Art History at Southern Methodist University.
3. What Münter and Kandinsky Meant to Each Other - Presented by Kenneth C. Lindsay, Professor of Art History at State University of New York at Binghamton.

Panel Discussion (4:00 - 5:00 p.m.):

• Moderated by Charles W. Haxthausen, Associate Professor of Fine Arts and Associate Curator of the Busch-Reisinger Museum.

The program concludes with a reception and viewing of the exhibition "Gabriele Münter: Between Munich and Murnau" at the Busch-Reisinger Museum, 29 Kirkland St., from 5:00 to 7:00 p.m.

The image also includes a partial view of an abstract black and white artwork on the right side.

The image displays a program schedule for an academic event focusing on art history, specifically related to women artists and key figures such as Gabriele Münter. Here's a detailed summary:

Program Schedule

Morning Session: 9:30 a.m. - 12:00 p.m.

Title: The Prussian Academy's Category B: Outstanding Women Artists

1. Münter and Modersohn-Becker: A Comparison

   • Speaker: Ellen C. Oppler
   • Title: Associate Professor of Art History, Syracuse University

2. Münter and Werefkin: A Contrast

   • Speaker: Anne Mochon
   • Title: Assistant Professor of Art History, University of Massachusetts at Amherst

Afternoon Session: 1:30 - 3:45 p.m.

1. Münter in Sweden: Interlude and Separation

   • Speaker: Sara Gregg
   • Title: Hilla Rebay Fellow, Solomon R. Guggenheim Museum

2. Influence vs. Individuality: The Münter-Kandinsky Conundrum Re-Examined

   • Speaker: Alessandra Comini
   • Title: Professor of Art History, Southern Methodist University

3. What Münter and Kandinsky Meant to Each Other

   • Speaker: Kenneth C. Lindsay
   • Title: Professor of Art History, State University of New York at Binghamton

Panel Discussion: 4-5 p.m.

• Moderator: Charles W. Haxthausen
  • Title: Associate Professor of Fine Arts, Associate Curator of the Busch-Reisinger Museum

Reception and Exhibition Viewing

There will be a reception and viewing of the exhibition titled "Gabriele Münter: Between Munich and Murnau" at the Busch-Reisinger Museum, located at 29 Kirkland Street, from 5 until 7 p.m.

The image also includes a partial view of a logo with the letters "BR" in the bottom right corner. The program appears to be printed on aged paper, giving it a slightly vintage look.

The image shows a printed page from a document or booklet with a program schedule for a series of sessions related to art history. The document is slightly skewed towards the right, with the left-hand side of the page flush against the spine of the booklet, and the right-hand side showing a torn edge where it may have been removed from its original binding.

The text begins with the header "PROGRAM", followed by the timeline for morning and afternoon sessions. The morning session starts at 9:30 a.m. and ends at 12:00 p.m., featuring topics about women artists, specifically related to the Prussian Academy and comparisons between artists Münter and Modersohn-Becker, as well as Münter and Werefkin.

The afternoon session is scheduled from 1:30 to 3:45 p.m. with discussions on Münter in Sweden, her influences and relationships, particularly concerning the Münter-Kandinsky connection.

A panel discussion is slated to occur from 4 to 5 p.m., moderated by Charles W. Haxthausen, who is an associate professor of Fine Arts and associate curator of the Busch-Reisinger Museum.

Lastly, there's a mention of a reception and viewing of an exhibition titled "GABRIELE MüNTER: BETWEEN MUNICH AND MURNAU" at the Busch-Reisinger Museum, with the address provided and timing from 5 until 7 p.m.

To the right of the text and off to the edge of the page in a separate insert is a partial view of a black and white image or artwork that appears somewhat abstract, with only a small section visible that does not provide sufficient context to identify the content.

Below this insert is a logo or emblem composed of a stylized letter "B" with an overlapping letter "M" to the left in a decorative font that could be associated with the institution or the exhibition mentioned in the text.

The image shows a printed program schedule for an event, likely a conference or symposium, focused on art history topics related to the artist Gabriele Münter and associated subjects. The program is divided into three parts:

1. Morning Session: 9:30 a.m. - 12:00 p.m.

   • THE PRUSSIAN ACADEMY’S CATEGORY B: OUTSTANDING WOMEN ARTISTS
     • Diane Radycki, Metropolitan Museum of Art
   • MÜNTER AND MODERSOHN-BECKER: A COMPARISON
     • Ellen C. Oppler, Associate Professor of Art History, Syracuse University
   • MÜNTER AND WEREFKIN: A CONTRAST
     • Anne Mochon, Assistant Professor of Art History, University of Massachusetts at Amherst

2. Afternoon Session: 1:30 - 3:45 p.m.

   • MÜNTER IN SWEDEN: INTERLUDE AND SEPARATION
     • Sara Gregg, Hilla Rebay Fellow, Solomon R. Guggenheim Museum
   • INFLUENCE VS. INDIVIDUALITY: THE MÜNTER-KANDINSKY CONUNDRUM RE-EXAMINED
     • Alessandra Comini, Professor of Art History, Southern Methodist University
   • WHAT MÜNTER AND KANDINSKY MEANT TO EACH OTHER
     • Kenneth C. Lindsay, Professor of Art History, State University of New York at Binghamton

3. Panel Discussion: 4:00 - 5:00 p.m.

   • Moderator: Charles W. Haxthausen, Associate Professor of Fine Arts, Associate Curator of the Busch-Reisinger Museum

At the bottom, there is a note stating that there will be a reception and viewing of the exhibition "GABRIELE MÜNTER: BETWEEN MUNICH AND MURNAU" at the Busch-Reisinger Museum, 29 Kirkland St., from 5 until 7 p.m.

The overall layout is simple with a clear typeface and brown ink on cream-colored paper. To the right edge of the page, part of a black and white image or photograph is visible but not identifiable in the cropped view. Below the program, the initials "B R" in a stylized blue font are partially visible.

The image shows a printed page from a book or a conference program. The page has a structured layout with text organized into sections, likely detailing an event or academic program. The title "PROGRAM:" is prominently displayed at the top, followed by a detailed schedule for a morning session. The morning session includes topics such as "The Prussian Academy's Category B: Outstanding Women Artists" and "Münter and Modersohn-Becker: A Comparison." The afternoon session is also listed, featuring discussions on "Münter in Sweden: Interlude and Separation" and "Influence vs. Individuality: The Münter-Kandinsky Conundrum Re-examined." The page includes names of speakers and their affiliations, indicating an academic or art history context. On the right side of the page, there is a black-and-white image of a person, possibly an artist or a subject related to the conference. The text and layout suggest a formal event, likely a conference or symposium.

The image shows an open book or catalog page detailing a program for an art-related event or symposium. The page is titled "PROGRAM" and outlines a structured schedule for a day-long session focused on topics related to the artist Gabriele Münter and her connections to other artists, particularly Kandinsky.

Key Details from the Image:

Morning Session (9:30 a.m. - 12:00 p.m.)

• Topic: "The Prussian Academy's Category B: Outstanding Women Artists"
  • Presenter: Diane Radycki, Metropolitan Museum of Art
• Topic: "Münter and Modersohn-Becker: A Comparison"
  • Presenter: Ellen C. Oppler, Associate Professor of Art History, Syracuse University
• Topic: "Münter and Werefin: A Contrast"
  • Presenter: Anne Mochon, Assistant Professor of Art History, University of Massachusetts at Amherst

Afternoon Session (1:30 p.m. - 3:45 p.m.)

• Topic: "Münter in Sweden: Interlude and Separation"
  • Presenter: Sara Gregg, Hilla Rebay Fellow, Solomon R. Guggenheim Museum
• Topic: "Influence vs. Individuality: The Münter-Kandinsky Conundrum Re-examined"
  • Presenter: Alessandra Comini, Professor of Art History, Southern Methodist University
• Topic: "What Münter and Kandinsky Meant to Each Other"
  • Presenter: Kenneth C. Lindsay, Professor of Art History, State University of New York at Binghamton

Panel Discussion (4:5 p.m.)

• Moderator: Charles W. Haxthausen, Associate Professor of Fine Arts, Associate Curator of the Busch-Reisinger Museum

Additional Information:

• A reception and viewing of the exhibition "Gabriele Münter: Between Munich and Munich" will take place at the Busch-Reisinger Museum, located at 29 Kirkland St., from 5 p.m. until 7 p.m.

Visual Elements:

• On the right side of the page, there is a small black-and-white illustration or photograph of a figure, possibly an artwork or portrait related to the event's theme. The figure appears to be depicted in a stylized, abstract manner, consistent with early 20th-century avant-garde art.
• The bottom of the page features a logo or design element with the letters "BS/9R" in a stylized font, likely representing the institution or organizer of the event.

Overall Context:

The page appears to be part of a catalog or program for an academic or museum-sponsored event, likely a symposium or lecture series focusing on the artistic contributions of Gabriele Münter and her relationships with other key figures in early 20th-century art, particularly her connections to Kandinsky and other contemporary artists. The structured schedule, presenter credentials, and mention of a related exhibition suggest a scholarly and curated event aimed at art historians, students, and enthusiasts.