Archives Scrapbooks

The image shows a page from a newspaper or magazine, specifically from the publication "Die Welt," dated November 29, 1980. The page is attached to a larger piece of paper, possibly from a scrapbook or an album, and has been preserved with tape.

The article on the page is titled "Am Anfang Bier, am Ende Barlach," which translates to "At the Beginning Beer, at the End Barlach." The article discusses the Busch-Reisinger Museum and a center for German art in the USA. It seems to cover a range of topics related to German art and culture, including references to various artists and their works.

Below the text, there are two black-and-white images. The first image is a woodcut titled "Die Samensaat" (The Sowing) by Ernst Barlach, created in 1918. The second image is a drawing titled "Der betrunkene Tod" (The Drunken Death) by Alfred Kubin, created in 1907.

The page appears to be well-preserved, though there are signs of aging, such as yellowing and some tape residue. The handwritten note at the top indicates the source and date of the article.

The image shows a newspaper clipping pasted on an open book or a piece of cardboard. The headline of the article is "Am Anfang Bier, am Ende Barlach," and it is from the newspaper "Die Welt," dated November 29, 1980. The article discusses how the Busch-Reisinger Museum in the USA has become a center for German art. The text is in German and is quite dense, filling the majority of the space. Below the text, there are two black-and-white illustrations. The illustrations appear to be sketches, possibly by Ernst Barlach, as indicated by the caption. The overall setup suggests that this clipping is part of a collection or an archive.

The image shows a page from a newspaper, specifically "Die Welt" dated November 29, 1980. The main article on this page is titled "Am Anfang Bier, am Ende Barlach" (At the Beginning Beer, at the End Barlach).

Here is a summary of the content:

The article discusses the establishment of the Buchheim Museum as a center for German art in the USA. Ernst Barlach, a noted German sculptor, printmaker, and writer, is mentioned prominently towards the end.

Key points include:

• The initial part of the article talks about the origins involving beer, referencing the Kroller-Müller Museum's history, which started with Helene Kröller-Müller's collection. It mentions the art collector Theodor Buchheim and his efforts.
• The article details the process of building and developing a museum, starting from the early 20th century with Helene Kröller-Müller’s collection, which began with a few artworks and grew significantly over time.
• There is a mention of the difficulties and negotiations involved in establishing the museum, including financial challenges and the need to secure a building.
• The latter part of the article shifts focus to Ernst Barlach, discussing his works and their significance. It notes that Barlach's art was initially controversial but eventually found appreciation and a place in notable museums.
• The article also references the importance of the Buchheim Collection, which includes Barlach’s works and has found a home in Bernried on Lake Starnberg.

The image at the bottom left corner of the article depicts a woodcut illustration by Ernst Barlach titled "Die Wandelnden" (The Wanderers). The illustration is a characteristic example of Barlach’s expressive style.

The image shows a newspaper clipping from "Die Welt" dated November 29, 1980. The article is titled "Bisch-Reiniger-Museum wird zum Zentrum deutscher Kunst in den USA" ("Bisch-Reiniger Museum becomes the center of German art in the USA") and subtitled "Am Anfang Bier, am Ende Barlach" ("At the beginning beer, at the end Barlach").

The article discusses the establishment of the Bisch-Reiniger Museum in New York as a significant center for German art in the United States. It mentions the museum's collection, which includes pieces from various German artists, spanning from traditional to modern art.

The text highlights the museum's diverse collection, including works by Ernst Barlach, a prominent German expressionist sculptor and graphic artist. The article also references the history and significance of the museum, noting its role in preserving and showcasing German artistic heritage abroad.

Two black-and-white illustrations are included in the article:

1. A detailed woodcut by Barlach, titled "Die Sündflut" ("The Flood").
2. Another woodcut by Barlach, titled "Der gute Hirte" ("The Good Shepherd").

The clipping appears to be preserved in an album or a book, as it is framed within the pages. The newspaper text is in German.

The image shows a newspaper clipping from "Die Welt" dated September 29, 1980. The article is titled "Am Anfang Bier, am Ende Barlach," which translates to "At the beginning, beer, at the end, Barlach."

The article discusses the transformation of the Busch-Reisinger Museum in the United States into a center for German art. The text begins by mentioning that the museum, which had previously focused on American art, will now house a significant collection of German art, including works by the artist Georg Baselitz.

The article highlights the museum's history, noting that it was founded by the German art historian Ernst Busch and the American art historian Ernst Reisinger. The Busch-Reisinger Museum was originally intended to be a center for modern German art but was later used for American art due to political circumstances during the Cold War.

The text also mentions the establishment of the Busch-Reisinger Museum in Cambridge, Massachusetts, and its significance in the context of German cultural history, particularly during the Nazi period. It emphasizes the importance of the museum's new focus on German art and the contributions of various artists, including Barlach, a notable German sculptor.

Below the article text, there are two black-and-white images. The left image appears to be a detailed architectural or urban design sketch, and the right image seems to be a photograph of a building or an architectural model. The caption at the bottom of these images is partially visible, indicating that they are related to the Busch-Reisinger Museum's architecture and design.

The image is of a newspaper page from "Die Welt," dated November 29, 1980. The headline of the article, written in German, is "Am Anfang Bier, am Ende Barlach," which translates roughly to "Starting with Beer, Ending with Barlach."

The article discusses the transformation of the Busch-Reisinger Museum into a central hub for German art in the United States. It highlights the museum's history and the significance of the works by German artist August Rodin and others housed there. The main focus appears to be on the extensive collection of German art that the museum has amassed, emphasizing its role in preserving and showcasing German cultural heritage.

Below the headline, there's a black-and-white photograph of two maps or possibly architectural drawings, likely related to German art exhibitions or museum layouts, showing detailed and intricate designs.

The text in the article seems to provide insights into the museum's collections, its historical context, and its significance in the broader cultural landscape of the United States. The newspaper page has been folded, and the bottom part of the page is slightly cut off, showing the edge of the paper.

The image shows a printed page that appears to be from a book or a magazine, affixed to a brownish paper support, which is part of a larger bound volume or collection. The page includes a section of text in German with the headline "Die Welt v. 29. 7. 80", which suggests the date July 29, 1980. Below that, the text is headed with "Busch-Reisinger-Museum wird zum Zentrum deutscher Kunst in den USA" which translates to "Busch-Reisinger Museum becomes a center for German art in the USA."

The content of the article seems to discuss the relationship between the Busch-Reisinger Museum and German art and may mention specific artworks or artists. Beneath the text, there is a black and white reproduction of an artwork captioned with "Ernst Barlach Triptychon 'Die Gesandten' (Ausschnitt) - Gipsarbeit aus der Gedächtnisausstellung des Brücke-Museums." This translates to "Ernst Barlach triptych 'The Emissaries' (excerpt) - plaster work from the commemorative exhibition of the Brücke Museum." The image of the triptych segment shows a dramatic, expressive scene with figures that appear to be carved or modeled, indicative of the artistic style of Ernst Barlach.

The page is set against a plain background, which highlights the contrast between the textured paper of the page and the smooth surface beneath it.

The image depicts a newspaper clipping that is pasted onto a blank page within a larger book or album. The clipping is in German and contains an article with the headline: "Am Anfang Bier, am Ende Barlach." At the top of the page, above the clipping, a handwritten note reads "Die Welt v. 29.11.80," indicating the source and date of the article (the German newspaper "Die Welt," dated November 29, 1980).

The article discusses the Busch-Reisinger Museum and its focus on German art in the USA. At the bottom of the clipping, there are two black-and-white reproductions of artwork by Erich Heckel, specifically illustrations from the triptych "Die Genossene" (The Comrade), which are part of the museum's collection.

The overall layout is clean, with the clipping centered on the page, and there are some minor stains and discoloration marks on the white page and beige backing.

The image appears to be a page from a book or magazine. The page has a beige-colored border and a white background. The text on the page is in German and reads "Die Welt v. 29. 11. 80" at the top, which likely refers to a date of November 29, 1980. Below the date, there is a headline that reads "Buch-Reisinger-Museum wird zum Zentrum deutscher Kunst in den USA Am Anfang Bier, am Ende Barlach." This suggests that the article is about the Buch-Reisinger Museum becoming a center for German art in the United States, with a focus on artists such as Bier and Barlach. The page also includes an image of a man and a woman, possibly related to the article's subject matter.

The image depicts an open book or magazine page with a historical or archival context. Here is a detailed description:

General Layout

• Page Condition: The page appears aged, with a slightly worn and yellowish tone, suggesting it is from an older publication or archive.
• Text: The page contains text in German, with a prominent title at the top:
  "Am Anfang Bier, am Ende Barlach" (translated: "At the Beginning Beer, at the End Barlach").
  The text is formatted in a dense, columned style typical of newspapers or magazines from the early to mid-20th century.

Header Information

• At the very top of the page, there is a handwritten or typed note:
  "Die Welt v. 29. 11. 80", which translates to "Die Welt, November 29, 1980." This indicates the date of the publication or issue.

Main Text Content

• The text discusses a topic related to Bier (beer) and Barlach, likely referring to the German sculptor and writer Ernst Barlach.
• The content seems to explore a connection between beer and Barlach, possibly referencing a cultural or artistic event, exhibition, or commentary.
• The text includes references to locations, names, and events, suggesting a journalistic or analytical piece. Specific phrases like "Büch-Reisinger-Museum" and "USA" hint at a discussion involving a museum or cultural institution in the United States.

Illustrative Image

• Below the main text, there is a black-and-white illustration or photograph.
  • The image appears to depict a sculpture or artistic installation, possibly related to Barlach.
  • The sculpture has a dramatic, abstract form with visible textures and layers, suggesting it is a modern or expressionist piece.
  • The sculpture is mounted on a base or platform, and there are visible markings or inscriptions on it, which might be part of the artwork or a label.

Caption or Credit

• At the bottom of the page, there is a small caption or credit line in smaller text:
  "Schaubild: Typisch Barlach. Die 'Gesellschaft' (Ausstellung) Glasierte aus der Gesamtausstellung des Buch-Reisinger-Museums"
  This translates to:
  "Diagram: Typical Barlach. 'The Society' (Exhibition) Glazed from the Total Exhibition of the Buch-Reisinger-Museum."
  This indicates that the image is part of an exhibition or showcase of Barlach’s work, specifically highlighting a piece titled "Die Gesellschaft" (The Society), which is described as "glazed" or "enamelled."

Overall Context

• The page appears to be from a German publication, likely a newspaper or cultural magazine, dated November 29, 1980.
• The content and illustration suggest a focus on Ernst Barlach, a significant German artist known for his sculptures and writings. The mention of a museum ("Büch-Reisinger-Museum") and an exhibition indicates that the article is discussing an art show or retrospective of Barlach’s work.

Visual and Material Details

• The page has a slightly worn appearance, with some discoloration and minor stains, consistent with aged paper.
• The layout is structured, with clear headings, columns of text, and a central illustration, typical of mid-20th-century print media.

In summary, the image shows a page from a German publication dated November 29, 1980, discussing Ernst Barlach’s artwork, specifically referencing an exhibition at the Buch-Reisinger-Museum. The page includes a detailed illustration of one of Barlach’s sculptures, titled "Die Gesellschaft".