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The image shows a press release from the Busch-Reisinger Museum, located at Harvard University in Cambridge, Massachusetts. The release is dated August 28, 1981, and announces an exhibition of prints and drawings by the artist Ernst Barlach (1870-1938). The exhibition, which runs through September 6, features 65 lithographs, woodcuts, and drawings from the museum's extensive collection of Barlach's work. Included in the exhibition are illustrations for Barlach's own dramas and prints he contributed to the periodicals "Der Bildermann" and "Kriegszeit" during World War I.

The press release provides background information on Ernst Barlach, noting his prominence in the visual arts, poetry, and drama before the rise of National Socialism. Barlach was known for his sculptures and graphic works, many of which illustrated his dramas. His art reflected a deep compassion for the human condition, and he aimed to express in his works what could not be conveyed in words.

The release also mentions that Barlach's critical stance on society led the Nazis to label him a "degenerate artist" and remove his works from public display. The contact information for further details about the exhibition is provided as Janis Piersall, with the phone number 495-2317.

The image shows a press release document from the Busch-Reisinger Museum at Harvard University, dated presumably in 1981 (as indicated by the date at the bottom of the page). The museum is located in Cambridge, Massachusetts, with a postal code of 02138.

The press release announces an exhibition titled "Barlach Prints and Drawings on View at Busch-Reisinger." The exhibition features works by Ernst Barlach (1870-1938), specifically prints and drawings from the museum's extensive collection of the artist's work. The exhibition runs from September 6 onwards, showcasing 65 lithographs, woodcuts, and drawings.

The press release highlights that the exhibition includes selected illustrations to Barlach's own dramas and prints he contributed to the periodicals Der Bildermann and Kriegszeit during World War I.

The document also provides background on Ernst Barlach, noting that he was a prominent figure in the visual arts and literature in northern Germany before the advent of National Socialism. Barlach was celebrated as a sculptor, poet, and dramatist. He was known for his compassionate and underprivileged-focused works and gained fame for his public monuments in various northern German cities.

The text mentions that Barlach's reputation as a graphic artist is based on his illustrations for his own dramas. It also notes his critical stance towards the society of his time, which led to his being labeled a "degenerate artist" by the Nazis and the removal of his works.

The press release concludes with contact information for Janis Pierson, who can be reached at 495-2317 for more information.

The image shows a page from a document from the Busch-Reisinger Museum at Harvard University, located in Cambridge, Massachusetts. The document is for an immediate release and details an exhibition of prints and drawings by the artist Ernst Barlach (1870-1938).

Key points from the document include:

• The exhibition is titled "Barlach Prints and Drawings" and will be on view from September 6 through an unspecified end date.
• The exhibition features 65 lithographs, woodcuts, and drawings, including illustrations from Barlach's own dramas and prints from periodicals such as "Der Bildermann" and "Kriegszeit" during World War I.
• Barlach was a prominent German artist from northern Germany, renowned for his work in visual arts, poetry, and drama. He was known for his sculptures, receiving commissions for public monuments in several German cities.
• Barlach's art often reflected compassion for the underprivileged, and he was critical of the societal issues of his time.
• Barlach faced persecution during the Nazi era, being labeled a "degenerate artist" and having his works removed.
• The contact person for information about the exhibition is Janis Piersall, with a provided phone number: 495-2317.

The document is dated 1971, and the bottom of the page hints at the title of a piece or work related to "The Transformations of God" by an artist.

The image shows a document from the Busch-Reisinger Museum at Harvard University, Cambridge, Massachusetts. The document is a press release dated September 1978, titled 'BARLACH PRINTS AND DRAWINGS ON VIEW AT BUSCH-REISINGER.' It announces an exhibition of prints and drawings by Ernst Barlach (1870-1938), featuring 65 lithographs, woodcuts, and drawings from the museum's collection, including illustrations for Barlach's dramas and prints for periodicals 'Der Bildermann' and 'Kriegszeit' from World War I.

The text provides background on Barlach, highlighting his prominence as a sculptor, poet, and dramatist in northern Germany before the rise of National Socialism. It mentions his commissions for public monuments and his reputation as a graphic artist. The document also describes Barlach's compassion for the human condition and his critical view of society, which led the Nazis to label him a 'degenerate artist' and remove his works from public display. The press release includes contact information for Janis Piersall at the museum for further details.

The image is a press release from the Busch-Reisinger Museum at Harvard University in Cambridge, Massachusetts. Here are the details:

Headline:
BARLACH PRINTS AND DRAWINGS ON VIEW AT BUSCH-REISINGER

Subheading and Main Content:
The press release announces an exhibition of prints and drawings by Ernst Barlach (1870-1938). These works are part of the museum's substantial collection and will be on display starting September 6.

The exhibition includes:

• 65 lithographs
• Woodcuts
• Drawings

Some of the works on display are illustrations for Barlach’s own dramas and contributions to periodicals such as "Der Bildermann" and "Kriegszeit" during World War I.

About Ernst Barlach:

• Barlach was a prominent artist from northern Germany who gained fame before the rise of National Socialism.
• He was not only a leading figure in the visual arts but also a respected poet and dramatist.
• His reputation was largely built on his sculptures, many of which are public monuments in various northern German towns.
• Barlach was also known for his graphic works, which often illustrated his own dramas.
• His works exhibit compassion for the underprivileged and reflect the human condition.
• In 1932, Barlach expressed his desire to be seen purely as an artist, stating that art should express what cannot be communicated in words.

Historical Context:

• Barlach, like many German artists of his time, was critical of the society he lived in.
• This criticism led to the displeasure of the Nazis, who labeled him a "degenerate artist" and removed his works from public view.

Contact Information:
For more information, the press release provides a contact:

• Janis Piersall, with the phone number 495-2317.

The document is dated September 1991.

The image shows a document from the Busch-Reisinger Museum at Harvard University in Cambridge, Massachusetts. The document is a press release dated 1981, detailing an exhibition of prints and drawings by Ernst Barlach (1870-1938).

Key points of the press release include:

1. Exhibition Details:

   • The exhibition features prints and drawings by Ernst Barlach.
   • The works are drawn from the Busch-Reisinger Museum’s substantial collection of Barlach's work.
   • The exhibition is on view through September 6 (the exact year is not specified but inferred to be 1981).
   • The exhibition includes 65 lithographs, woodcuts, and drawings, including illustrations for Barlach’s own dramas and prints contributed to the periodicals "Der Bildermann" and "Kriegszeit" during World War I.

2. About Ernst Barlach:

   • Barlach was a prominent figure in the arts before the rise of National Socialism.
   • He was renowned as a sculptor and poet/dramatist.
   • Barlach gained fame for his sculptures and received many commissions for public monuments in Hamburg, Güstrow, Lübeck, and other towns in northern Germany.
   • His graphic works, including illustrations for his dramas, were also well-regarded.

3. Philosophy and Criticism:

   • Barlach was a champion of the underprivileged and showed great compassion for humanity.
   • He expressed his artistic philosophy, stating that he wanted to be an "artist pure and simple" and believed that art which cannot be expressed in words can be understood through form and soul.
   • Barlach was critical of his society, which led to displeasure from the Nazis, who labeled him a "degenerate artist" and removed his works.

For further information, the press release directs readers to contact Janis Piersall at 495-2317.

The image is of a printed document that appears to be a press release from the Busch-Reisinger Museum of Harvard University in Cambridge, Massachusetts. The header on the document states the name of the museum and provides contact information, including a name, Janis Piersall, and a phone number.

The document announces an exhibition titled "BARLACH PRINTS AND DRAWINGS ON VIEW AT BUSCH-REISINGER," featuring the work of Ernst Barlach (1870-1938). The exhibition includes 65 lithographs, woodcuts, and drawings and it was on view through September 6, although the year is not specified. The text mentions that these works by Barlach also include selected illustrations to the artist's own dramas and prints contributed to periodicals Der Bildermann and Kriegszeit during World War I.

Ernst Barlach, described as a native of northern Germany, is noted for his rise to prominence in the years before the advent of National Socialism, being a leading figure in visual arts, and also admired as a poet and dramatist. The document describes his fame as a sculptor and details commissions for public monuments in Hamburg, Güstrow, Lübeck, and other towns of northern Germany. The press release highlights Barlach's compassion for the underprivileged, citing a quote from 1932.

Lastly, the document touches upon Barlach's critical view of his society and mentions that it was this critical aspect that led to his disfavor with the Nazis, who labeled him a "degenerate artist" and removed his works. The bottom of the document mentions "Above: The Transformations of God; The Woodcuts, 1922".

The document shows signs of age, and it is not currently pinned to or attached to any surface. It's placed upon an orange-brown backdrop, likely another sheet of paper or a desk.

The image is of a page from a museum brochure or exhibition catalog. It features a white paper insert placed on top of a beige or light brown background, which appears to be a book or folder cover. The text on the insert reads "BUSCH-REISINGE MUSEUM HARVARD UNIVERSITY CAMBRIDGE, MASSACHUSETTS 02138." Below that, there is a contact information section with the name "Janis Pierall" and a phone number "495-2317." The main body of text discusses an exhibition of prints and drawings by Ernst Barlach, a German artist, on view at the Busch-Reisinger Museum from September 6th. It provides a brief biography of Barlach, highlighting his prominence as a sculptor, poet, and dramatist before the rise of National Socialism. The text also mentions Barlach's compassion for the underprivileged and his critical perspective on the society of his time, which led to his work being labeled "degenerate art" by the Nazis.

The image depicts a page from a press release or informational document issued by the Busch-Reisinger Museum at Harvard University in Cambridge, Massachusetts. The document announces an exhibition of prints and drawings by the artist Ernst Barlach (1870–1938), which is on view at the museum through September 6. The text provides details about the exhibition, including that it features 65 lithographs, woodcuts, and drawings, some of which illustrate Barlach’s own dramas and contributions to periodicals such as Der Bildermann and Kriegszeit during World War I.

The document also offers a brief overview of Barlach’s life and artistic career. It highlights that Barlach, a native of northern Germany, gained prominence before the rise of National Socialism. He was renowned not only as a visual artist but also as a poet and dramatist. Barlach is noted for his public monuments in cities such as Hamburg, Güstrow, and Lüneburg, as well as his reputation for illustrating his own dramatic works. The text emphasizes his compassion for the underprivileged and quotes a statement from 1932 in which he expressed his belief in art as a means of communicating profound human experiences.

Additionally, the document mentions Barlach’s critical stance toward the society of his time, which contributed to his labeling as a "degenerate artist" by the Nazis. The press release includes contact information for Janis Piersall, who can provide further details about the exhibition. The page appears to be part of a larger publication or catalog, as indicated by the visible spine and other pages in the background. The overall tone is formal and informational, aimed at promoting the exhibition and providing context about the artist.

The image depicts an open book with a page that has text printed on it. The book is opened to a page with a white piece of paper inserted into it. The paper has black text printed on it, which reads "BUSCH-REISSNGER MUSEUM" at the top, followed by "HARVARD UNIVERSITY CAMBRIDGE, MASSACHUSETTS 02138". Below that, there is a contact number and an email address.

The text on the paper continues with information about an exhibition of prints and drawings by Ernst Barlach, which will be on view from September 6. The text describes the artist's work and his reputation as a champion of the underprivileged. It also mentions that Barlach was critical of the society in which he lived, which incurred the displeasure of the Nazis, who labeled him a "degenerate artist" and removed his works from public view.

The book is open to a page with a title that reads "Above The Transformations of God: The". The page number is not visible in the image. The book appears to be a hardcover book with a beige cover. The image is taken from a top-down perspective, with the book resting on a flat surface.