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ARCH.2013.5.18, Rendition: 799304
The image shows a newspaper clipping from "The Washington Star," dated Friday, June 13, 1980. The article is titled "Visions in a Northern European Show." The text discusses an exhibition of Northern European art, highlighting works from the Nazi era, including pieces by Emil Nolde, Max Beckmann, and Ernst Ludwig Kirchner. The exhibition is described as a comprehensive survey of modern works from Germany, featuring both pre-war and post-war art.
The article mentions that the show is divided into three galleries, with the first two focusing on works on paper and the third on paintings and sculptures. It notes the influence of German Expressionism and the impact of World War I on the artists' work. The exhibition includes pieces from various periods, showcasing the evolution of modern art in Germany.
The article also discusses the emotional intensity and technical skill evident in the works, particularly those by Beckmann and Heckel. It highlights the contrast between the pre-war and post-war art, noting the shift in themes and styles. The exhibition is praised for its comprehensive overview of German modern art, despite some criticisms of its organization.
The article concludes by mentioning that the exhibition will be on display at the Wadsworth Atheneum in Hartford, Connecticut, and that a catalog is available for purchase.
The image is a newspaper clipping from "The Washington Star," dated Friday, June 13, 1980. The article discusses an exhibition titled "Visions in a Northern European Show," which appears to be a review of a modern art exhibition featuring works primarily from Germany and other northern European countries.
The review highlights several aspects of the show:
The review also provides a brief historical and contextual background, suggesting that the exhibition offers a comprehensive view of the art produced in Northern Europe during this transformative period. The article is written by a critic who seems to appreciate the depth and breadth of the artistic contributions and the historical significance of the pieces on display.
The image displays a newspaper clipping from the Washington Star dated Friday, June 13, 1980. The article is titled "Visions in a Northern European Show."
The main content of the article discusses an exhibition featuring works by modern artists from Northern Europe. The exhibition is divided into three sections, each focusing on different periods and styles:
First Gallery: This section is dedicated to works from the 20th century, emphasizing the continuity of Northern art traditions. It includes artists like Emil Nolde, Lovis Corinth, and Wassily Kandinsky.
Second Gallery: This gallery seems to focus on the early 20th century, particularly the period of the Renaissance and the avant-garde movements. It showcases works by artists like Paul Klee and Felix Vallotton.
Third Gallery: This gallery highlights the work of artists like Max Beckmann and Eric Heckel, who are noted for their emotional and expressive styles.
The article delves into the artistic evolution and the influences these artists drew from each other, emphasizing themes of continuity and innovation. It also touches on the broader cultural and historical context of Northern European art, particularly during World War II.
The exhibition is noted for its historical significance, showcasing a diverse range of styles and periods, and it aims to provide viewers with a comprehensive understanding of Northern European art's rich heritage. The piece ends with a mention of the show's specific dates and location, suggesting it is ongoing or soon to be available in the mentioned venue.
THE WASHINGTON STAR Friday, June 13, 1980
Art in a Northern European Show
From CI
A BRIEF look at modern works on paper from Poland, Czechoslovakia, East Germany, Hungary and the Soviet Union, as the artists of these countries have been able to produce since the end of World War II, is on view at the Corcoran Gallery of Art.
The show, "Art in a Northern European Show," is the first of three galleries devoted primarily to works on paper. In addition to an outstanding example of the 19th-century French painter, the collection is the 20th-century German expressionist, Emil Nolde, whose work is represented by a few of his famous watercolors. The show also includes a few examples of the work of the Russian avant-garde of the 1920s and 1930s, including works by Alexander Rodchenko and Varvara Stepanova.
The show is divided into three sections. The first, "The Avant-Garde in the 1920s and 1930s," is devoted to works on paper by artists who were active in the early 20th century. The second section, "The Post-War Period," includes works from the 1950s and 1960s. The third and final section, "The 1970s and 1980s," features works from the last two decades.
The show is a remarkable example of the vitality of the art of these countries, which, despite political and economic difficulties, have continued to produce works of high quality. It is also a reminder of the importance of the role that paper has played in the development of modern art.
The show will be on view at the Corcoran Gallery of Art until July 13, and will then travel to the Brooklyn Museum in New York, where it will be on view from August 20 to September 22.
The Corcoran Gallery of Art is located at 17th Street and New York Avenue, N.W. Hours are 10 a.m. to 5 p.m. daily, and admission is free. For more information, call (202) 639-1700.
The image is a page from the newspaper "The Washington Star," dated Friday, June 13, 1980. The primary article on the page is titled "Irons in a Northern European Show."
Here's a detailed summary of the article:
Title:
"Irons in a Northern European Show"
Subtitle:
"From C1"
Content:
The article discusses an art exhibition featuring Northern European works from the first half of the 20th century, specifically focusing on the contributions of German artists. The show, held at the Phillips Collection, includes around 120 pieces and aims to present a broad and comprehensive view of the era.
The exhibition starts with works by Max Beckmann, who is described as a "degenerate" by the Nazis, highlighting the remarkable number of modern works the Nazis attempted to destroy. The collection includes a variety of media, such as paintings, prints, drawings, and sculptures.
The article mentions that the exhibition is organized into three main galleries. The first gallery features works on paper, showcasing the breadth of the Northern European art scene, including pieces by Emil Nolde and Edvard Munch.
The second gallery displays works from the Bauhaus and Russian constructivist movements, reflecting the interwar period's diverse artistic developments. It also includes works by Wassily Kandinsky, who is noted for his intellectual and innovative contributions.
The third gallery is dedicated to the "New Objectivity" (Neue Sachlichkeit) movement, featuring artists like Max Beckmann, George Grosz, and Otto Dix. This section explores the sharp, critical perspectives these artists held, often depicting the socio-political climate of their time.
The article concludes by emphasizing the exhibition's importance in demonstrating the radical and varied artistic responses of Northern European artists during the early 20th century. It also notes the historical context of the works, including the Nazi campaign against modern art, which led to the destruction or hiding of many pieces.
The exhibition is on view at the Phillips Collection from June 14 to August 17, 1980, and is organized in cooperation with the Solomon R. Guggenheim Museum in New York. It coincides with the publication of a catalog for the show.
The image shows a page from The Washington Star, dated Friday, June 13, 1980. The article is titled "Sons in a Northern European Show." The article discusses an art exhibition featuring modern works by artists from Poland, Hungary, and Czechoslovakia, who were labeled as "degenerate" by the Nazis.
Key points from the article include:
Exhibition Overview: The show, titled "Sons," features works by artists such as Emil Filla, Jindřich Štyrský, and others, many of whom were exiled or persecuted due to their association with modern art.
Artists and Styles: The article highlights the diverse styles and techniques of these artists, including the use of collage, abstract expressionism, and other avant-garde methods. It mentions specific works by artists like Emil Filla and Jindřich Štyrský, and touches on their contributions to modern art.
Historical Context: The article discusses the historical context of the artists' lives, including their persecution by the Nazis and their subsequent influence on modern art movements. It notes that these artists were part of a broader movement that sought to challenge traditional artistic norms.
Exhibition Structure: The exhibition is divided into three galleries, each focusing on different aspects of the artists' work, such as their use of paper, their abstract styles, and their connections to German modernism.
Comparative Analysis: The article compares the works of these artists with those of other contemporary artists like Wassily Kandinsky and Max Beckmann, pointing out the distinctive characteristics and influences in their art.
Cultural Impact: The article emphasizes the cultural significance of the show, noting that it provides a unique opportunity to view the works of these artists, whose contributions were suppressed for many years.
The article concludes with a brief mention of the exhibition's schedule and location, encouraging readers to visit and experience the show firsthand.
The image shows an old scrapbook or album page with a newspaper clipping pasted on it. The clipping is from "The Washington Star," dated Friday, June 13, 1980. The article is titled "ons in a Northern European Show," though the full title is partially cut off. The text is a review or discussion about an art exhibition featuring Northern European artists, focusing on modern works, expressionism, and key figures like Max Beckmann, Edvard Munch, and others. The article mentions themes such as political and social realities, German Expressionism, abstract-organic watercolor landscapes, and the impact of various artists' styles and influences. The clipping appears to be carefully trimmed and glued on the page, leaving a large blank space around it.
The image shows an open book or magazine article with the title "THE WASHINGTON STAR, Friday, June 13, 1980" at the top of the left page. The article's headline reads "Reflections in a Northern European Show" and the text appears to discuss a display or collection of modern works. The first column on the left is partially visible, while the two full columns to the right discuss various aspects of the exhibit, including the impact of World War I on artists, the works' expressiveness, and scrutiny of thematic content such as the human condition. The fourth column is cut off, and there's an empty space where an image or text seems to have been removed. In the lower right corner, there is a reference to a book entitled "The Avant-Garde in Exhibition: New Art in the 20th Century" by Bruce Altshuler, including publication details. The right page of the open spread is mostly blank, with a slight shadow, possibly suggesting that this page might have contained an image or additional content. The pages are aged and have a yellowish tint, indicating some wear or age of the paper. The book lays flat, and you can see the green cover or back of the book in the right edge of the image.
The image shows an open book with two visible pages. The book appears to be a historical publication, dated Friday, June 13, 1930, as indicated at the top of the left page. The heading on the left page reads "ons in a Northern European Show", suggesting that the content discusses an art exhibition or review of modern art from Northern Europe.
The image depicts a historical article or review from The Washington Star, offering insights into a Northern European art exhibition from 1930. The content is analytical, discussing the artistic movements, styles, and significance of the works on display, providing a glimpse into the art world of the early 20th century.
The image shows an open book with a page displaying a newspaper article. The article is titled "The Washington Star Friday, June 13, 1980" and it features a review of an exhibition titled "Visions in a Northern European Show." The article discusses the exhibition's focus on modern works of art from Northern Europe, highlighting the diversity of styles and the influence of historical events on the artists' creations. The article also mentions specific artists and artworks featured in the exhibition, providing insights into their artistic approaches and the themes explored in their works.