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The image is a newspaper clipping from "The Washington Star," dated Friday, June 13, 1980. The section is labeled "CALENDAR" and contains an article titled "A Show Full of Lessons" by Benjamin Forgey. The article discusses an exhibition of 20th-century German art at the National Gallery of Art in Washington, D.C.

The exhibition features works from the Busch-Reisinger Museum, including sculptures and paintings from Harvard University. The article highlights the educational value of the exhibition, which is described as a "pure teaching museum." The exhibition is noted for its comprehensive survey of German art from the 1900s to the 1930s, including works by artists such as Ernst Ludwig Kirchner and Karl Schmidt-Rottluff.

The article mentions that the exhibition includes 115 works, many of which have never been shown in the United States before. The exhibition is praised for its educational value and the opportunity it provides for visitors to learn about German art history.

The article is accompanied by images of three artworks:

1. A portrait of a man by Ernst Ludwig Kirchner.
2. A portrait of a woman by Karl Schmidt-Rottluff.
3. A sculpture by an unnamed artist.

The exhibition is noted to open on Sunday in the East Building of the National Gallery of Art and will run through September 1, 1980.

The image is a page from a newspaper, specifically from the "Washington Star," dated Friday, June 13, 1980. This page features the Calendar section, which is labeled "Section C."

The main article in this section is titled "A Show Full of Lessons," written by Benjamin Forgye. The article discusses an exhibition of 20th-century art from northern Europe, held at the National Gallery of Art in Washington D.C.

The central illustration features a prominent work of art: a large portrait of a woman, which appears to be by the artist Ernst Ludwig Kirchner, titled "The Maladie" (The Malady). This piece is part of the exhibition, which also includes works by other notable artists like Franz Marc and others.

The article describes the exhibition's intention to explore the relationship between the visual arts and the social and cultural context of the time. It highlights three specific works from the Busch-Reisinger Museum's 20th-Century Collection:

• Kirchner’s "Portrait of Alfred Dobbill"
• Franz Marc’s "Trip to the Sea"
• Erich Heckel’s "Woman with a Red Headscarf"

The exhibit is noted for its focus on the National Gallery's extensive collection of modern art, celebrating the idea that all art, from paintings to drawings, can teach and inspire viewers. The article also mentions the historical context of the museum and its founder, Paul Busch-Reisinger, and the generosity of benefactors in building this collection.

The image displays a newspaper page from "The Washington Star" dated Friday, June 13, 1980. The page is from Section C and is titled "CALENDAR." The main article, titled "A Show Full of Lessons" and authored by Benjamin Forgery, discusses an exhibition of 20th-century art from northern Europe at the National Gallery of Art in Washington, D.C. The exhibition features works by artists such as Ernst Ludwig Kirchner, Otto Dix, and Karl Schmidt-Rottluff, among others. The article describes the art pieces and provides context about the artists and their contributions. The page also includes a large, prominent black-and-white image, likely one of the artworks featured in the exhibition, along with several smaller images of other art pieces. The text is dense and provides a detailed overview of the exhibition, highlighting its significance and the diverse range of art on display.

The image shows a newspaper page from "The Washington Star," dated Friday, June 13, 1980. The section is titled "Calendar," which appears to focus on cultural and artistic events.

The headline article is "A Show Full of Lessons" by Benjamin Forgey. The article discusses an exhibition of 20th-century art from Northern Europe at the National Gallery of Art, specifically highlighting works from Germany that date from the early part of the century. The exhibit includes three creative terrains in the visual arts: Expressionism, fantasy, and a style Forgey calls "metaphysical-realism."

The exhibition features works from the Busch-Reisinger Museum, which is noted for its extensive collection of Germanic art. The article mentions three specific works:

1. Ernst Ludwig Kirchner's "Portrait of a Woman (Frau Professor Goldstein)" (1912/22).
2. Erich Heckel's "Portrait of a Man (Dr. Ludolf von Krehl)" (1910).
3. Käthe Kollwitz's "To the Convalescent Woman" (1912-13).

The accompanying images include:

• A drawing from the exhibition, depicting a woman.
• A self-portrait by Ernst Ludwig Kirchner.
• A piece of art by Käthe Kollwitz.

The article delves into the significance and themes of the exhibition, emphasizing the historical and cultural context of these works. It also mentions Kaiser Wilhelm II's donation of many pieces in the collection and how the museum's focus has shifted over time.

The image is a page from The Washington Star newspaper, dated Friday, June 13, 1980. It is the Calendar section (Section C).

The headline at the top of the page reads "Calendar" in large bold letters. Below the headline, there is an article titled "A Show Full of Lessons."

The article is accompanied by three black-and-white images of artworks:

1. A portrait of a man on the left side.
2. A portrait of a seated woman in the center.
3. A smaller image of a man’s face at the bottom left.

The article, written by Benjamin Forgey, discusses an exhibition titled "The Busch-Reisinger Museum: The 20th-Century Collection," opening at the National Gallery in the East Building. The exhibition features works from the Busch-Reisinger Museum, founded in 1903 at Harvard University to honor the creative contributions of German culture. The article highlights the significance of the collection and the museum's historical focus on German art.

The text mentions three specific artworks from the exhibition:

• Ernest Ludwig Kirchner's "Portrait of Alfred Flechtheim" (1913).
• Ernst Barlach's "The Malano" (1915).
• A triptych by Erich Heckel titled "The Crucifixion" (1912-13).

The article explains that the Busch-Reisinger Museum was initially founded with a focus on German art but has since expanded to include a broader range of modern art. The exhibition is meant to showcase the diversity and evolution of 20th-century art.

The image is a newspaper clipping from "The Washington Star," dated Friday, June 13, 1980. It is a section of the calendar page (Section C) titled "A Show Full of Lessons." The article is written by Benjamin Forgey.

The article discusses an exhibition of 20th-century art from Northern Europe, specifically focusing on the collection of the Busch-Reisinger Museum at Harvard University. The exhibition, which opened in the East Building of the National Gallery, includes works by artists such as Ernst Ludwig Kirchner, Otto Dix, and Max Beckmann.

The clipping includes three works from the Busch-Reisinger Museum:

1. Ernst Ludwig Kirchner’s "Portrait of Alfred Doblin" (1919).
2. Max Beckmann’s "The Malade" (1915).
3. A center panel of Erich Heckel’s "Tripych: The Cowherd Woman" (1912-13).

The text highlights that the exhibition is intended to showcase the creative expansion of modern art and the various influences on the artists, emphasizing the importance of the visual arts in relation to the broader cultural context. It also mentions the significance of the Busch-Reisinger Museum as a repository of modern German art. The museum was established in 1903 and its collection was significantly enhanced by the generosity of its benefactor, Louise R. Busch. The article mentions the museum's historical and cultural importance, particularly its focus on German art and its role in preserving and promoting modernist works.

This image shows a newspaper page from The Washington Star, dated Friday, June 13, 1980. The section is labeled "CALENDAR" and marked as Section C.

The headline reads "A Show Full of Lessons" with an article by Benjamin Forgey. The text of the article is visible but partially cut off at the bottom and right side of the page. The article appears to discuss an exhibition of 20th-century art from northern Europe that opens at the National Gallery, touching on themes related to the visual arts and historical context.

There are three black and white images on the page. Two smaller ones on the left, showing portraits of individuals, and one large image on the right, depicting a seated figure, possibly a drawing or painting. The individuals' faces in the images have been blurred for privacy or anonymity.

The layout is typical of a newspaper arts or culture section, with bold headlines, a red-colored banner for the newspaper name, and images accompanying the article about an art exhibition. The text below the images provides captions identifying the artworks as pieces from "The Busch-Reisinger Museum" collection.

This image shows an open newspaper or magazine spread on a surface which appears to be a book given the visible binding on the right side. The top of the page reads "THE WASHINGTON STAR" with the date "Friday, June 13, 1980" and a section labeled "CALENDAR SECTION C". There is a large headline that reads "A Show Full of Lessons" below which is an article with accompanying illustrations. These illustrations depict classical or historical artworks. One can also notice a secondary headline that reads, "The National Gallery's 'European Vision'" and the byline "By Benjamin Forgey" indicating the author of the article. There is printed text, but it's not clearly readable in this image. The layout suggests that this is from an art or exhibition review section.

The image depicts a page from a newspaper titled The Washington Star, dated Friday, June 13, 1930. The page is from Section C, labeled as the CALENDAR section. The headline at the top reads, "A Show Full of Lessons", and is attributed to Benjamin Forgey.

Visual Elements:

1. Headline and Subheading:

   • The main headline, "A Show Full of Lessons", is prominently displayed in bold, large text.
   • The subheading, "By Benjamin Forgey", identifies the author of the article.

2. Illustrations:

   • The page features three illustrations:
     • Top Left: A black-and-white drawing of a man with a mustache, wearing a suit and tie. The drawing appears to be a portrait.
     • Bottom Left: Another black-and-white drawing of a person with a stylized face, possibly a mask or abstract representation.
     • Center Right: A larger, detailed illustration of a woman seated in a chair. She is wearing a hat and appears to be in a contemplative pose. The illustration has an artistic, possibly surreal or modernist style, with exaggerated features and a dramatic composition.

3. Caption and Text:

   • Below the illustrations, there is a caption that reads:
     "Three works from 'The Busch-Reisinger Museum: The 20th-Century Collection' opening Sunday in the East Building of the National Gallery: top left, Ernst Ludwig Kirchner's 'Portrait of Alfred Kubin' (1920); bottom left, Emil Nolde's 'The Malator' (1915); right panel of Erich Heckel's 'The Convalescent Woman' (1912-13)."
   • The accompanying article discusses an exhibition of 20th-century art from northern Europe at the National Gallery, highlighting works by artists such as Ernst Ludwig Kirchner, Emil Nolde, and Erich Heckel. The article emphasizes the artistic and historical significance of these pieces, noting their theoretical and symbolic qualities.

4. Design and Layout:

   • The layout is typical of a newspaper calendar or arts section, with a mix of text and visual art.
   • The illustrations are integrated into the article, serving both as visual examples and as part of the narrative.

Contextual Details:

• The article references the Busch-Reisinger Museum, which is known for its collection of 20th-century art, particularly German Expressionism.
• The mention of specific artworks and artists (Kirchner, Nolde, Heckel) situates the article within the context of early 20th-century modernist art movements.
• The date (June 13, 1930) places the article in a period when modernist art was gaining recognition and being exhibited in major institutions.

Overall, the image captures a historical moment in art criticism, showcasing the intersection of visual art and written commentary in a newspaper format.

An open newspaper with a headline that reads "Calendar" is displayed on a white background. The newspaper is titled "The Washington Star" and was published on Friday, June 13, 1980. The article is about a show called "A Show Full of Lessons" and features a drawing of a woman. The drawing is accompanied by a caption that reads, "Three works from 'The Busch-Reisinger Museum: Twentieth-Century Collection' opening Sunday in the East Building of the National Gallery of Art."