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Busch-Reisinger Museum Scrapbook, 1976-1980

ARCH.2013.5.18, Rendition: 799267

Mistral, us.mistral.pixtral-large-2502-v1:0

The image shows a page from a printed schedule of the Thursday Noon Recital Series at the Busch-Reisinger Museum, which is part of Harvard University. The museum is located at 29 Kirkland Street, Cambridge, Massachusetts 02138. The schedule covers the Fall Semester of 1979-1980 and lists various performances and performers along with their respective dates.

Here is a detailed breakdown of the schedule:

September:

  • 20: Peter A. Stadtmüller (organ)
  • 27: Susan Miron (harp) and Burton Fine (viola) - Works of Couperin, Roussel, Debussy, and Saint-Saëns

October:

  • 4: Nancy Granert (organ)
  • 11: James Johnson (organ) - Works of Bach
  • 18: Burke Raper (organ)
  • 25: Herbert Burtis (organ)

November:

  • 1: Collegium Joaquinum, Arthur Loeb (director)
  • 8: Brian Jones (organ)
  • 15: Harvard-Radcliffe Collegium, Jameson Marvin (conductor)
  • 22: (Thanksgiving Recess, no concert)
  • 29: Catherine Bull (baroque flute), Peter Sykes (harpsichord), Kathleen Pittman (viola da gamba) - Works of Rameau, Uccellini, Hoteterre, Dornel

December:

  • 6: James Johnson (organ) - Works of Bach, Couperin, Mendelssohn
  • 13: James Johnson (organ) - Works of Bach and Mozart

January:

  • 3: James Ross (horn) and Elissa Futukian (organ)
  • 10: Victoria Wagner (organ) - Works of Buxtehude, Bruhns, Bach
  • 17: Musica Sacra, Mary Beekman (conductor)
  • 24: Deborah Nathan (flute)

Additionally, there is a section at the bottom of the page for reserving places for seminars on 20th Century German Art. It includes a form to fill out with the number of places, a check amount (members $40, others $60), name, telephone number, and address. The form also notes that checks should be made payable to the Busch-Reisinger Museum and that contributions are tax-deductible within legal limits.

Mistral, mistral.ministral-3-3b-instruct

The image is a page from a program or brochure for the Busch-Reisinger Museum at Harvard University, specifically for the Thursday Noon Recital Series during the Fall Semester of 1979-1980. The museum is located at 29 Kirkland Street, Cambridge, Massachusetts.

Here's a detailed summary of the recitals listed:

September:

  • 20: Peter A. Stadtmüller on the organ.

October:

  • 4: Nancy Granert on the organ.
  • 11: James Johnson on the organ, works of Bach.
  • 18: Burke Raper on the organ.
  • 25: Herbert Burtis on the organ.

November:

  • 1: Collegium Iosquinum, directed by Arthur Loeb.
  • 8: Brian Jones on the organ.
  • 15: Harvard-Radcliffe Collegium, conducted by Jameson Marvin.
  • 22: Thanksgiving Recess (no concert).

December:

  • 29: Catherine Bull on the baroque flute, Peter Sykes on the harpsichord, and Kathleen Pittman on the viola da gamba, works of Rameau, Leclair, Hotteterre, and Dornel.

December (continued):

  • 6: James Johnson on the organ, works of Bach, Couperin, and Mendelssohn.

January:

  • 3: James Ross on the horn and Elissa Putukian on the organ.
  • 10: Victoria Wagner on the organ, works of Buxtehude, Bruhns, and Bach.
  • 17: Musica Sacra, conducted by Mary Beekman.
  • 24: Deborah Nathan on the flute.

At the bottom of the page, there is a section for seminars on 20th Century German Art, with a space for reserving places, enclosing a check for specified amounts ($40 for members, $60 for others), and details for the name, address, telephone number, and zip code of the attendee. It also mentions that checks should be made payable to the Busch-Reisinger Museum and contributions are tax-deductible within legal limits.

Mistral, mistral.magistral-small-2509

The image shows a document from the Busch-Reisinger Museum at Harvard University, which is dedicated to Central and Northern European Art. The document is an announcement for the "Thursday Noon Recital Series" for the Fall Semester of 1979-1980. The museum is located at 29 Kirkland Street, Cambridge, Massachusetts, 02138.

The schedule for the recital series is as follows:

September:

  • 20: Peter A. Stadtmüller, organ
  • 27: Susan Miron, harp, and Burton Fine, viola with works of Couperin, Roussel, Debussy, and Saint Saëns

October:

  • 4: Nancy Granert, organ
  • 11: James Johnson, organ, works of Bach
  • 18: Burke Raper, organ
  • 25: Herbert Burtis, organ

November:

  • 1: Collegium Iosquinum, Arthur Loeb, director
  • 8: Brian Jones, organ
  • 15: Harvard-Radcliffe Collegium, Jameson Marvin, conductor
  • 22: (Thanksgiving Recess, no concert)
  • 29: Catherine Bull, baroque flute; Peter Sykes, harpsichord; Kathleen Pittman, viola da gamba with works of Rameau, Leclair, Hotteterre, and Dornel

December:

  • 6: James Johnson, organ, works of Bach, Couperin, Mendelssohn
  • 13: James Johnson, organ, works of Bach and Mozart

January:

  • 3: James Ross, horn, and Elissa Putukian, organ
  • 10: Victoria Wagner, organ, works of Buxtehude, Bruhns, Bach
  • 17: Musica Sacra, Mary Beekman, conductor
  • 24: Deborah Nathan, flute

At the bottom of the document, there is information about seminars on 20th-century German art. It includes a request to reserve places and to enclose a check for $40 (members) or $60 (others). The payment should be made payable to the Busch-Reisinger Museum, with contributions being tax-deductible within legal limits. The form asks for the name, address, and telephone number of the respondent.

Mistral, mistral.mistral-large-3-675b-instruct

The image is a program or brochure from the Busch-Reisinger Museum at Harvard University, detailing the Thursday Noon Recital Series for the Fall Semester of 1979-1980. The events are scheduled as follows:

  • September 20: Peter A. Stadtmüller, organ
  • September 27: Susan Miron, harp and Burton Fine, viola; works of Couperin, Roussel, Debussy, and Saint-Saëns
  • October 4: Nancy Granert, organ
  • October 11: James Johnson, organ; works of Bach
  • October 18: Burke Raper, organ
  • October 25: Herbert Burtis, organ
  • November 1: Collegium Iosquinum, Arthur Loeb director
  • November 8: Brian Jones, organ
  • November 15: Harvard-Radcliffe Collegium, Jameson Marvin conductor
  • November 22: Thanksgiving Recess, no concert
  • November 29: Catherine Bull, baroque flute; Peter Sykes, harpsichord; Kathleen Pittman, viola da gamba; works of Rameau, Leclair, Hotteterre, Dornel
  • December 6: James Johnson, organ; works of Bach, Couperin, Mendelssohn
  • January 3: James Johnson, organ; works of Bach and Mozart
  • January 10: Victoria Wagner, organ; works of Buxtehude, Bruhns, Bach
  • January 17: Musica Sacra, Mary Beekman conductor
  • January 24: Deborah Nathan, flute

Additionally, there is information about seminars on 20th Century German Art, with a reservation form at the bottom of the document. The form asks to reserve a certain number of places and includes fields for payment details, name, address, telephone number, and zip code. It also mentions that contributions are tax-deductible within legal limits and instructs to make checks payable to the Busch-Reisinger Museum.

Mistral, mistral.ministral-3-14b-instruct

The image shows a program or schedule from the Busch-Reisinger Museum at Harvard University for the Fall Semester of 1979-1980. The museum is dedicated to Central and Northern European Art and is located at 29 Kirkland Street, Cambridge, Massachusetts, 02138.

The document lists the Thursday Noon Recital Series, which features various musical performances throughout the semester:

September:

  • 20: Peter A. Stadtmüller on organ
  • 27: Susan Miron on harp and Burton Fine on viola, featuring works by Couperin, Roussel, Debussy, and Saint-Saëns

October:

  • 4: Nancy Granert on organ
  • 11: James Johnson on organ, featuring works by Bach
  • 18: Burke Raper on organ
  • 25: Herbert Burtis on organ

November:

  • 1: Collegium Iosquinum, directed by Arthur Loeb
  • 8: Brian Jones on organ
  • 15: Harvard-Radcliffe Collegium, conducted by Jameson Marvin
  • 22: Thanksgiving Recess, no concert
  • 29: Catherine Bull on baroque flute, Peter Sykes on harpsichord, Kathleen Pittman on viola da gamba, featuring works by Rameau, Leclair, Hotteterre, and Dornel

December:

  • 6: James Johnson on organ, featuring works by Bach, Couperin, and Mendelssohn
  • 13: James Johnson on organ, featuring works by Bach and Mozart

January:

  • 3: James Ross on horn and Elissa Putukian on organ
  • 10: Victoria Wagner on organ, featuring works by Buxtehude, Bruhns, and Bach
  • 17: Musica Sacra, conducted by Mary Beekman
  • 24: Deborah Nathan on flute

At the bottom of the document, there is a form for reserving places for seminars on 20th Century German Art. The form includes spaces for the number of places to reserve, payment details (with different rates for members and non-members), name, address, telephone number, and zip code. The document also mentions that checks should be made payable to the Busch-Reisinger Museum, with a note that contributions are tax-deductible within legal limits.

Mistral, mistral.ministral-3-8b-instruct

The image shows a page from a program or schedule from the Busch-Reisinger Museum at Harvard University for the Fall Semester of 1979-1980. The museum focuses on Central and Northern European Art and is located at 29 Kirkland Street, Cambridge, Massachusetts 02138.

The page details the Thursday Noon Recital Series, listing various concerts scheduled throughout the semester:

  • September 20: Peter A. Stadtmüller on organ.

  • September 27: Susan Miron on harp and Burton Fine on viola, performing works by Couperin, Roussell, Debussy, and Saint Saens.

  • October 4: Nancy Granert on organ.

  • October 11: James Johnson on organ, performing works of Bach.

  • October 18: Burke Raper on organ.

  • October 25: Herbert Burtis on organ.

  • November 1: Collegium Iosquinum, with Arthur Loeb as director.

  • November 8: Brian Jones on organ.

  • November 15: Harvard-Radcliffe Collegium, with Jameson Marvin as conductor.

  • November 22: No concert due to Thanksgiving Recess.

  • November 29: Catherine Bull on baroque flute, Peter Sykes on harpsichord, and Kathleen Pittman on viola da gamba, performing works of Rameau, Leclair, Hotteterre, and Dornel.

  • December 6: James Johnson on organ, performing works of Bach, Couperin, and Mendelssohn.

  • December 13: James Johnson on organ, performing works of Bach and Mozart.

  • January 3: James Ross on horn and Elissa Putukian on organ.

  • January 10: Victoria Wagner on organ, performing works of Buxtehude, Bruhns, and Bach.

  • January 17: Musica Sacra, with Mary Beekman as conductor.

  • January 24: Deborah Nathan on flute.

At the bottom of the page, there is an enrollment form for seminars on 20th Century German Art. It asks attendees to reserve places and provides fields for entering the number of places, the amount of the check, name, address, telephone number, and zip code. It also notes that checks should be made payable to the Busch-Reisinger Museum and that contributions are tax-deductible within legal limits.

Azure OpenAI Service, gpt-4.1-mini-2025-04-14

The image shows a page in a book or binder with a schedule of the "Thursday Noon Recital Series" for the Fall Semester of 1979-1980 at the Busch-Reisinger Museum, which is part of Harvard University, located at 29 Kirkland Street, Cambridge, Massachusetts.

The schedule lists dates, performers, and instruments or themes for each recital from September through January. Here is the detailed content:

September:

  • 20: Peter A. Stadtmuller (organ)
  • 27: Susan Miron (harp) and Burton Fine (viola) performing works of Couperin, Roussell, Debussy, and Saint Saens

October:

  • 4: Nancy Granert (organ)
  • 11: James Johnson (organ), works of Bach
  • 18: Burke Raper (organ)
  • 25: Herbert Burtis (organ)

November:

  • 1: Collegium Tosquinum, Arthur Loeb (director)
  • 8: Brian Jones (organ)
  • 15: Harvard-Radcliffe Collegium, Jameson Marvin (conductor)
  • 22: (Thanksgiving Recess, no concert)
  • 29: Catherine Bull (baroque flute), Peter Sykes (harpsichord), Kathleen Pittman (viola da gamba) performing works of Rameau, Leclair, Hotteterre, Dornel

December:

  • 6: James Johnson (organ), works of Bach, Couperin, Mendelssohn
  • 13: James Johnson (organ), works of Bach and Mozart

January:

  • 3: James Ross (horn) and Elissa Putukian (organ)
  • 10: Victoria Wagner (organ), works of Buxtehude, Bruhns, Bach
  • 17: Musica Sacra, Mary Beekman (conductor)
  • 24: Deborah Nathan (flute)

At the bottom of the page, there is a detachable form for reserving places in seminars on 20th Century German Art, with a note about making checks payable to the Busch-Reisinger Museum and that contributions are tax-deductible within legal limits. The form requests name, address, telephone, and payment details.

Azure OpenAI Service, gpt-4

The image shown is a scanned page from a program or booklet, specifically for the Busch-Reisinger Museum at Harvard University. The museum specializes in Central and Northern European art. The address given is 29 Kirkland Street, Cambridge, Massachusetts 02138.

This page details a "Thursday Noon Recital Series" for the Fall Semester 1979-1980. The list includes dates from September 20 through January 24, with the names of performers, the instrument they play, or the ensemble they conduct, alongside the types of music or composers whose works will be presented. For instance, the first entry is for September 20, with Peter A. StadtMiller on organ, and the last entry listed is for January 24 with Deborah Nathan on flute.

There is mention of a "Thanksgiving Recess" on November 22 with no concert scheduled. Notably, works by famous composers such as Bach, Debussy, and Saint Saens are highlighted.

Below the recital series details, there is a separate section titled "SEMINARS ON 20TH CENTURY GERMAN ART," with fields provided for people to reserve places and indicate payment (indicating different pricing for members and non-members), along with a request for their name, address, and telephone number.

Instructions are provided for making checks payable to the Busch-Reisinger Museum and a note that contributions are tax-deductible within legal limits. The page is tilted slightly, and we can see the book's spiral binding along with exposed page edges reflective of its age and usage.

Amazon, us.amazon.nova-2-lite-v1:0

The image shows an open book or program booklet from the Busch-Reisinger Museum, which is part of Harvard University and focuses on Central and Northern European Art. The booklet is dated Fall Semester 1979–1980 and contains a schedule for the Thursday Noon Recital Series.

Key Details:

Header Information:

  • Title: "BUSCH-REISINGER MUSEUM"
  • Subtitle: "Central and Northern European Art"
  • Location: Harvard University, 29 Kirkland Street, Cambridge, Massachusetts 02138

Recital Schedule:

The schedule lists performances organized by date, performer(s), instrument(s), and repertoire. Here is a summary of the listed events:

  • September:

    • September 20: Peter A. Stadtmüller, organ
    • September 27: Susan Miron (harp) and Burton Fine (viola), works of Couperin, Roussel, Debussy, and Saint-Saëns
  • October:

    • October 4: Nancy Granert, organ
    • October 11: James Johnson, organ, works of Bach
    • October 18: Burke Raper, organ
    • October 25: Herbert Burtis, organ
  • November:

    • November 1: Collegium Iosquinum, Arthur Loeb (director)
    • November 8: Brian Jones, organ
    • November 15: Harvard-Radcliffe Collegium, Jameson Marvin (conductor)
    • November 22: (Thanksgiving Recess, no concert)
    • November 29: Catherine Bull (baroque flute), Peter Sykes (harpsichord), Kathleen Pittman (viola da gamba), works of Rameau, Leclair, Hotteterre, and Dornel
  • December:

    • December 6: James Johnson, organ, works of Bach, Couperin, and Mendelssohn
    • December 13: James Johnson, organ, works of Bach and Mozart
  • January:

    • January 3: James Ross (horn) and Elissa Putukian (organ)
    • January 10: Victoria Wagner, organ, works of Buxtehude, Brahms, and Bach
    • January 17: Musica Sacra, Mary Beekman (conductor)
    • January 24: Deborah Nathan, flute

Seminar Information:

Below the recital schedule, there is a section titled "SEMINARS ON 20th CENTURY GERMAN ART." This section includes a reservation form for attendees, with fields to fill in:

  • Place(s) to reserve
  • Enclosed check amount (with pricing: members $40, others $60)
  • Name
  • Telephone number
  • Address
  • Zip code

The form also notes that checks should be made payable to the Busch-Reisinger Museum and that contributions are tax-deductible within legal limits.

Overall Context:

The booklet serves as a program for a series of musical performances and seminars hosted by the Busch-Reisinger Museum during the Fall Semester of 1979–1980. It provides a structured schedule of concerts featuring various instrumentalists and ensembles, along with details for seminar reservations and contributions. The museum's focus on Central and Northern European Art is reflected in the repertoire and performers listed.

Amazon, amazon.nova-lite-v1:0

The image shows a page from a booklet titled "Busch-Reisinger Museum" from Harvard University. The page contains a schedule for the "Thursday Noon Recital Series" for the Fall Semester of 1979-1980. The recitals feature various musicians performing on different instruments, including the organ, harp, flute, and violin. The schedule lists the dates, performers, and pieces to be played for each recital. The bottom of the page contains information about seminars on 20th-century German art and a form for reserving a place and making a payment.