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The image is a newspaper clipping from the Boston Herald American, dated Saturday, December 16, 1978. The article, titled "Timeless art looks on as Busch hits 75," is written by Robert Garett, the Art Critic.

The article discusses the Busch-Reisinger Museum, which is celebrating its 75th birthday with a series of exhibits. The museum, located in Cambridge, is described as a small institution that has managed to preserve and showcase venerable traditions, offering a timeless atmosphere. The museum is known for its classical music and a courtyard with door sculptures.

The article highlights the museum's collection, which includes late 19th and early 20th-century German art, as well as one of the finest collections of 20th-century German art in the country. The museum began as the Germanic Museum in 1903, initially housed in a college gymnasium, and later moved to its current location, which was once a palatial residence.

The design of the building is noted for its resemblance to the past, with a mention of Karl Schinkel, the curator of the Berlin in 1830, who had a sharp eye for art. The museum's transformation is credited to figures like Wassily Kandinsky and George Grosz, who contributed to its collection.

The article also mentions the Bauhaus, a German art school operational from 1919 to 1933, known for its approach to design, architecture, and applied arts. The Bauhaus had a profound impact on art and design, and its spirit is said to live on in the museum.

The museum is currently hosting three fine small shows, including paintings by Kandinsky and works by the Constructivists, who flourished in the aftermath of the Russian Revolution. The exhibits reflect the museum's vision of society reshaped by the power of aesthetics.

The image includes a sketch of the Busch-Reisinger Museum, providing a visual representation of the building.

Boston Herald American

Saturday, December 16, 1978

Timeless art looks on as Busch hits 75

BY ROBERT GARRETT
Art Critic

For 75 years, the Busch-Reisinger has quietly gotten the job done. It is a small museum on the Harvard campus embedded in venerable traditions, a universe away from the glamor of King Tut and the whirl of blockbuster exhibits.

There is a Romanesque hall where classical music buffs bring bag lunches and listen to organ recitals every Thursday at noon. There are galleries which seem to encourage talk, and a library which tempts visitors to wonder whether the outdoor sculptures have fallen asleep.

The Busch is not a splashy showplace. But it is a great place to see art.

The contemplative atmosphere seems built into the stones themselves, even if the interior lighting tests the ingenuity of curators and sometimes the eyesight of visitors. Most important is the art itself: the fine medieval and Renaissance paintings and sculpture from northern Europe, and one of the finest collections of 20th-century German art in this country.

The Busch-Reisinger began life as the Germanic Museum, a collection of plaster art reproductions parked in a college gymnasium. Later, the museum was renamed for its two important benefactors. In 1914, ground was broken for the stately, dignified palace which stands today on Kirkland Street. The architecture evokes a past long gone even at the time the cornerstone was laid.

If the design of the building looked to the past, Charles Kuhn, who became Curator of the Busch in 1930, was an art historian with a sharp eye for his own times. He bought works by Paul Klee, Wassily Kandinsky, George Grosz and other luminaries of the explosively creative German art scene. And when the Nazis began purging "degenerate" art, Kuhn transformed the Busch-Reisinger into a haven for unwanted masterpieces.

The hothouse psychology of German Expressionism flourishes today in the Renaissance Hall of the Busch, including the famous self-portrait of Max Beckmann in which a black tuxedo serves as armor against a hostile world.

To celebrate its 75th birthday, the Busch-Reisinger has mounted three fine small shows. In one room, there is a show of prints by Kandinsky, the father of abstract painting. In adjacent galleries, the Constructivists and the Bauhaus offer their own versions of society reshaped by the power of esthetics.

The Constructivists flourished in the dizzy mood of promise heralded by the Russian Revolution. The Bauhaus, the avant-garde design institute established in Germany in 1919, attempted to harness the industrial revolution for the good of mankind.

The idealism of these groups was staggering, especially considering the diminished role of art in the 20th century. Medieval art, inspired by God, had produced psalms in stone. In Russia, and later at the Bauhaus, avant-gardists acting in the name of rationality hatched ambitious schemes to encompass man, his architecture and his design for a streamlined, rational world.

The Bauhaus had a profound impact on art and life, though the institute itself was short-lived. Its dream to remake society at large was dashed by the rise of the Nazis, and the Bauhaus was forced to close. But the spirit of the Bauhaus lives on in the many artists who studied there, and in the many students who have been inspired by its ideas.

The Busch show offers a fascinating sample of the early work of the Bauhaus. There are geometric forms, a sort of visual poetry, which seem to be a blueprint for an ordered, rational world. The forms are sometimes startling, sometimes soothing, but always intriguing.

The Busch-Reisinger Museum in Cambridge has mounted a series of 75th Anniversary exhibits on view through Jan. 17.

The image is a newspaper article from the Boston Herald American, dated Saturday, December 16, 1978. The article, titled "Timeless art looks on as Busch hits 75," is written by Robert Garrett.

Summary:

Headline and Introduction:

• The article discusses the 75th anniversary of the Busch-Reisinger Museum, which is part of Harvard University. The museum is noted for its focus on Central and Northern European art.

Main Content:

• For 75 years, the Busch-Reisinger has been a quiet yet significant presence on Harvard’s campus, embodying venerable traditions and the spirit of enlightenment from various European influences.
• Unlike traditional museums, the Busch-Reisinger does not showcase blockbuster exhibits but instead offers a contemplative atmosphere, focusing on the continuity of art from medieval times to the modern era, including works influenced by the Nazi era.

Collections and Exhibits:

• The museum's collection includes plaster reproductions of famous sculptures, Renaissance paintings, and modern works by artists like Paul Klee and Lyonel Feininger.
• The article highlights the unique and diverse exhibits, including German Expressionist pieces and Bauhaus designs, which are known for their innovative and radical approach to art and design.

Historical Context:

• Initially, the museum was known as the Germanic Museum. It was renamed in 1921 to honor patrons and refocus its mission.
• Charles Kuhn, who became the curator in 1930, played a significant role in transforming the museum into a sanctuary for unappreciated masterpieces, especially during the Nazi era when many artworks were deemed "degenerate."

Exhibitions for the 75th Anniversary:

• The museum is celebrating its 75th birthday with three exhibitions:
  1. A display of prints by Kandinsky.
  2. A room of late 19th-century and early 20th-century German art.
  3. Adjunct galleries featuring Bauhaus artifacts, including everyday items that reflect the Bauhaus philosophy of integrating art into daily life.

Philosophy and Influence:

• The Bauhaus movement, with its profound impact on art and design, is a significant part of the museum’s identity.
• The museum's collection offers a fascinating view of simple, geometric designs and the influence of the Bauhaus, which aimed to revolutionize industrial design and architecture.

Conclusion:

• The article emphasizes the Busch-Reisinger Museum's role as a contemporary art gallery with a rich historical foundation, showcasing an impressive range of art and design that spans centuries.

The exhibits for the 75th anniversary are on view through January 17.

The image is a clipping from the Boston Herald American, dated Saturday, December 16, 1978. The article, titled "Timeless art looks on as Busch hits 75," is written by Robert Garrett, an art critic.

The article discusses the Busch-Reisinger Museum at Harvard University, which is celebrating its 75th anniversary. The museum is noted for its collection of German art and its unique architecture, which includes a Romanesque hall and a Renaissance hall with classical music buffs. The museum houses a variety of artworks, from paintings to sculptures, including notable pieces from the 19th and 20th centuries.

The museum's history is briefly outlined, mentioning its transformation from a private collection of plaster reproductions to a prominent art museum. It highlights the contributions of Charles Kuhn, who became its curator in 1930 and played a significant role in its development.

The article also mentions the various art movements and schools represented in the museum, such as Expressionism, Constructivism, and Bauhaus, which had a profound impact on art and life. The Bauhaus movement is described as having a lasting influence on modern design and architecture.

The Busch-Reisinger Museum is praised for its extensive collection of fine art, including works by renowned artists such as Max Beckmann, Wassily Kandinsky, and others. The article concludes by mentioning that the museum has mounted anniversary exhibits through January 17, 1979.

The image shows a newspaper clipping from the Boston Herald American, dated Saturday, December 16, 1978. The article is titled "Timeless art looks on as Busch hits 75" and is written by Robert Garrett, who is identified as an Art Critic.

The article discusses the Busch-Reisinger Museum on the Harvard campus, which is celebrating its 75th anniversary. The museum, known for its extensive collection of European art, particularly German art from the 19th and 20th centuries, has a contemplative atmosphere that encourages quiet reflection. The museum's collection includes classical music performances, art from the Renaissance, and modern art, among other exhibits.

Key points mentioned in the article include:

• The museum's history, starting as the Germanic Museum and later renamed for its benefactors.
• The museum's architecture, which evokes a past era.
• The contributions of Charles Kuhn, who became the curator in 1930 and transformed the Busch-Reisinger into a haven for unwanted masterpieces during the Nazi era.
• The current exhibitions, which include works by Max Beckmann and others, and the celebration of the museum’s 75th anniversary with a series of special exhibits.

The article also mentions the Bauhaus, an influential school of art and architecture, and its impact on modern art and design, which is reflected in the museum's offerings. The museum's exhibits are described as a fascinating mix of historical and contemporary art, including geometric shapes and abstract paintings. The clipping also includes an image of the Busch-Reisinger Museum and mentions that the anniversary exhibits will be on view through January 17.

The image shows a newspaper clipping from the Boston Herald American dated Saturday, December 16, 1978. The article, titled "Timeless art looks on as Busch hits 75," is written by Robert Garrett and is an art critique.

The article discusses the Busch-Reisinger Museum in Cambridge, Massachusetts, which is celebrating its 75th anniversary. The museum, noted for its classical music events and exhibitions, features a variety of artworks including paintings, sculptures, and prints.

Key points from the article include:

• The Busch-Reisinger Museum has a rich history and is a haven for art lovers, with a collection that includes works from the Renaissance to modern European art.
• The museum's architecture, designed by Charles Kuhn, reflects its historical significance.
• The 75th anniversary exhibition highlights various art movements and includes pieces by notable artists such as Max Beckmann and works by Bauhaus designers.
• The museum's collection of German art, especially from the 20th century, is highlighted, emphasizing its significance and the efforts to preserve and exhibit these masterpieces.
• The article mentions the museum's role in encouraging German traditions and providing a platform for the appreciation of art, music, and literature.

The article also includes a photograph of the Busch-Reisinger Museum's entrance and displays of some of the exhibits on view during the anniversary celebration.

The image is a newspaper clipping from the Boston Herald American dated Saturday, December 16, 1978. The headline reads, "Timeless art looks on as Busch hits 75," with the article written by Robert Garrett, an art critic.

The article discusses the 75th anniversary of the Busch-Reisinger Museum, located on the Harvard campus. It highlights the museum's quiet yet significant presence, its focus on Germanic and Northern European art, and its role in preserving and showcasing late medieval to 20th-century art. The article praises the museum's architectural design, the collection it holds, and its historical development, mentioning key individuals like Charles Kuhn and referencing the museum's escape from Nazi purging of "degenerate" art.

There is also reference to the museum's exhibitions celebrating this milestone, along with some background on the influence of German Expressionism, Constructivism, and the Bauhaus.

The clipping includes a grainy photo of the museum building with a caption stating that the Busch-Reisinger Museum in Cambridge has mounted a series of 75th Anniversary exhibits on view through January 17.

The image shows a newspaper article with the headline "Timeless art looks on as Busch hits 75". It is from the "Baton Herald American" dated Saturday, December 16, 1978. The article, written by Robert Garrett, who is labeled as an Art Critic, discusses the 75th anniversary of the Busch-Reisinger Museum.

The article starts at the top left column, where it mentions the history and purpose of the Busch-Reisinger, noting it's a small museum on the Harvard campus dedicated to Germanic art, differing from more well-known exhibitions such as those of King Tut. It also mentions weekly events such as rosebud-bring bag lunches on Thursdays at noon.

Continuing to the right-hand side column, it highlights some of the museum's art styles, ranging from expressionist flourishes to modern abstract works. The writer pays particular attention to Max Beckmann's work and refers to an exhibition to celebrate the 75th birthday of the museum.

Further down, the article describes the museum's origins as the Germanic Museum, its focus on plaster art reproductions, and its eventual rebranding in honor of prominent benefactors. The architecture of the museum is also briefly mentioned, along with historical challenges it faced during the era of the Nazis.

The bottom half of the article is obscured by what appears to be the fold of the newspaper, and part of the text is cut off. However, one can see that the article goes on to discuss further details about the museum's history, the design of the building, its art collection, and specific artists such as Lionel Feininger, Wassily Kandinsky, and George Grosz.

The last visible part of the article briefly touches upon an exhibition at the Busch-Reisinger Museum in Cambridge and mentions that it is on view through January 17, likely referencing the 75th-anniversary exhibition.

On the right side of the image, a faded architectural drawing is faintly visible, probably depicting a part of the museum's building or an exhibit layout.

The image is a scanned page from the Boston Herald American, dated December 16, 1978. The article is titled "Timeless art looks on as Busch hits 75" and is written by Robert Garrett, an art critic. The article discusses the 75th anniversary of the Busch-Reisinger Museum, located in the Harvard campus. The museum, which is housed in a Romanesque hall, showcases a collection of plaster art reproductions, medieval sculptures, and 20th-century German art. The article highlights the museum's history, its curators, and its significance in preserving and exhibiting art. The image also includes a diagram of the museum's layout, showing the different galleries and rooms.

The image is a photograph of a newspaper article from the Boston Herald American, dated Saturday, December 16, 1978. The headline reads "Timeless art looks on as Busch hits 75" by Robert Garrett. The article is about the Busch-Reisinger Museum, which celebrates its 75th anniversary.

The article describes the museum as a small yet significant collection embedded within the Harvard campus, featuring a blend of classical and modern art. It mentions various art styles and movements represented in the museum, such as Romanesque, Gothic, and Constructivist art.

The museum's collection includes works by notable artists like Paul Klee, Lyonel Feininger, Wassily Kandinsky, and others. The article highlights the museum's role in preserving and showcasing German art and its influence on the art world.

The museum's architecture, designed by Charles Kuhn, is also discussed, emphasizing its unique blend of traditional and modern elements. The article concludes by mentioning the museum's ongoing exhibitions and its commitment to preserving and promoting the arts.