Archives Scrapbooks

The image shows an open page from a book or a publication, which appears to be related to the history and acknowledgments of the Busch-Reisinger Museum. The page is numbered 7.

The text on the page discusses the history of the museum's collection, starting with the efforts of Kuno Francke, who began collecting in 1902. The collection includes various art forms such as painting, sculpture, graphic arts, and industrial design, with a particular focus on German and Austrian works. The museum's collection was significantly influenced and supported by Walter Gropius, the founder of the Bauhaus, who was a professor at Harvard from 1937 to 1952.

In 1949, Mrs. Edmee Busch Greenough made a large donation to the museum's endowment, leading to the renaming of the museum to the Busch-Reisinger in recognition of the support from the Busch and Reisinger families.

The text also mentions a Flentrop organ, commissioned by E. Power Biggs and built by the Flentrop Company in Holland. This organ was first installed anonymously and later used for various events, including Sunday services, Noon Concerts, and other musical events.

The museum's collection expanded under the leadership of Charles Kuhn, who became the curator in 1968. Kuhn focused on German Renaissance and baroque sculpture, 16th-century painting, and 18th-century porcelain. He also acquired archival materials related to Walter Gropius and Lyonel Feininger.

The current curator, Dr. Charles Haxthausen, is conducting research on Paul Klee and has been instrumental in organizing exhibitions and expanding the collection with works by artists such as Käthe Kollwitz, Adolf Wölfli, and German expressionists.

The page also includes acknowledgments to patrons and supporting members who have contributed to the museum since May 1979. Additionally, it expresses gratitude to various volunteers for their contributions to the museum's activities and events.

An image of the museum's interior is included, showing a spacious, well-lit area with arched doorways and glass display cases.

Overall, the page provides a comprehensive overview of the museum's history, its collection, and the contributions of various individuals and organizations.

The image shows a page from a publication detailing the history and acknowledgments of the Busch-Reisinger Museum.

Summary:

History of the Busch-Reisinger Museum:

1. Origins and Collection Growth:

   • The museum began collecting items thanks to gifts from former associates of the Bauhaus, a famous art school.
   • It houses artifacts, photographs, examples of craft and industrial design, paintings, and sculpture, many of which were added through encouragement by figures like Walter Gropius, founder of the Bauhaus.
   • In 1949, Mrs. Edmée Busch Greenough made a significant donation to the museum’s endowment, which enabled the museum to change its name to honor her husband and father, both named Busch-Reisinger.

2. Post-War Developments:

   • In 1958, a new building was commissioned by E. Power Biggs and built by The Flectrop Company in Holland. This building was the first loaned and subsequently donated to the Museum by Mr. Biggs.
   • The museum expanded its collection beyond Germanic art to include 15th to 18th-century porcelain and 20th-century painting and sculpture.

3. Institutional Expansion:

   • Under the leadership of Charles Kuhn, the museum's collection grew significantly.
   • In 1962, the museum began registering normal cultural customs, employing staff including curators, secretaries, and handymen.
   • Kuhn retired in 1968, leaving the museum with a substantial collection of original works of art.

4. Recent Developments:

   • Charles L. Kuhn’s successor, Peter Nisbet, and the current curator, Dr. Charles Haxthausen, continued to expand the museum with enthusiasm and originality.
   • The museum has received significant contributions from patrons and friends, enhancing its collection and broadening its scope.

Patrons and Members:
The document lists various categories of patrons who have supported the museum since May 1978, including:

• Founder ($25,000 or more): Alexander K. Solomon.
• Sustainer ($10,000 to $24,999): Mr. and Mrs. Frederick R. Koch.
• Sponsor ($5,000 to $9,999): Several individuals including Mr. and Mrs. Charles F. rescinded.
• Supporter ($2,500 to $4,999): Includes multiple patrons such as Mr. Michael D. Brewer and Mr. Henry S. Morgan.
• Contributor ($1,000 to $2,499): Names like Mr. John P. Spiegel and Mr. and Mrs. William N. Young.
• Friend ($500 to $999): Includes patrons like Mr. and Mrs. Milton Zaslow.
• Member ($250 to $499): Lists several members, including Mr. and Mrs. Gerhardt M. Ressel.

Volunteers:
The museum also acknowledges the contributions of its volunteers, including those who worked in the garden and other areas:

• Lucy Beebe and Mrs. Eli Teiner (Garden Co-Chairmen).
• Other volunteers such as Mrs. Philip Mosher, Mrs. John P. Weatherill, and others who contributed to various activities and events.

Overall, the page reflects the museum’s rich history, significant contributions from patrons, and the continued support from volunteers and staff.

The image shows an open book page, likely from a museum catalog or a publication related to the Busch-Reisinger Museum. The page contains text and a photograph.

Text Summary:

1. History of the Busch-Reisinger Museum:

   • The museum's collection began with gifts from donors, especially former associates of the Bauhaus.
   • Notable donations include those from Mrs. Edmee Busch Greenough, who contributed significantly in 1949, and the Fentrop Company, which provided an organ in 1958.
   • Mr. Power Biggs was instrumental in building the museum's collection, particularly in the areas of late medieval, Renaissance, and Baroque art, as well as 19th and 20th-century painting and sculpture.
   • Mr. Biggs also contributed to the museum's operations and was involved in its daily activities, such as the Thursday Non-Concerts.

2. Current Curator:

   • Dr. Charles Haxthausen is the current curator and has been instrumental in expanding the collection and exhibits, particularly focusing on works by Paul Klee.

3. Membership:

   • The museum acknowledges its patrons and supporting members, listing several individuals and families who have contributed to the museum's operations and collections.

4. Volunteers:

   • The museum thanks volunteers for their contributions, specifically mentioning individuals who helped with events and exhibitions, including those who organized a Garden Party and a reception for contemporary Austrian artists.

5. Anniversary:

   • The text mentions that the Busch-Reisinger Museum is celebrating its 75th anniversary.

Photograph:

• The photograph shows a building, likely the museum, with a sign indicating "How Museum office" and dated 1930. The structure appears to be a glassed-in area, possibly part of the museum's original design or an addition.

Additional Notes:

• The page also includes a list of patrons and supporting members, acknowledging their contributions to the museum's ongoing operations and collections.

Overall, the page provides historical context, recognition of contributions, and a glimpse into the museum's ongoing efforts and achievements.

The image is a page from a document or a booklet about the history and patrons of the Busch-Reisinger Museum. Here is a detailed summary:

Left Side of the Page:

• History and Development:
  • The text discusses the origins and growth of the Busch-Reisinger Museum. It started with gifts from many donors, particularly former associates of the Bauhaus, which included artifacts, photographs, and examples of crafts and industrial design.
  • The museum was initially supported by the Bauhaus, and the name was changed to the Busch-Reisinger Museum in 1937, with significant contributions from the Busch and Reisinger families.
  • In 1949, Mrs. Edmee Busch Greenough made a large donation, leading to the construction of a new organ in 1958, commissioned by E. Power Biggs and built by the Flentrop Company in Holland.
  • The museum's collection includes a variety of items, from medieval and Renaissance art to 20th-century painting and sculpture, as well as materials from Walter Gropius and Lyonel Feininger.
  • The text mentions that the museum's curator, Dr. Ernst H. Gombrich, retired in 1968, leaving a significant collection of original works of art.
  • The current curator, Dr. Carol C. Christ, is noted for her research on Paul Klee.

Right Side of the Page:

• Museum Image:

  • A black and white image of the museum's clover office in the 1930s, before it was glazed in.

• Patrons and Supporting Members:

  • The museum acknowledges its patrons and supporting members since May 1978.
  • Patrons:
    • Dr. and Mrs. Gordon Cox
    • Mr. and Mrs. Charles Downer
    • Consul General and Countess Finck von Finckenstein
    • Dr. and Mrs. Alain Rossier
    • Mr. and Mrs. Alan Rosenthal
  • Supporting Members:
    • Mr. Michael F. Brewer
    • Mr. and Mrs. Gladys D. Ganley
    • Mr. Jerome Hunsaker, Jr.
    • Mr. Marek Laas
    • Dr. Peter MacCormack
    • Mr. and Mrs. William Nodine
    • Mr. Henry G. Payson
    • Mrs. Henry Schwarz
    • Dr. John P. Spiegel
    • Mr. and Mrs. Terrence A. Tobias
    • Dr. and Mrs. Richard W. Young
    • Mr. and Mrs. Miko Zagoroff

• Volunteers and Acknowledgments:

  • The document expresses gratitude to several volunteers, including Mrs. Lucie Beebe and Mrs. Elfi Tanner, who organized a Garden Party.
  • It also acknowledges contributions from Dr. Martha Brunner-Orne, Mrs. Martha Stassa, and Mrs. Gertrude Gregor, among others.
  • Special thanks are given to Miss Emily Atwood, a Boston University art student, for her assistance in preparing an exhibition of contemporary Austrian paintings and prints.

• Anniversary:

  • The museum celebrates its 75th anniversary and acknowledges the enormous contributions of the Busch and Reisinger families.

The image provides a snapshot of the museum's history, its patrons, and its ongoing efforts to expand and enrich its collection and exhibitions.

The image displays a page from a book about the Busch-Reisinger Museum. The page includes several sections and photographs.

1. Text Content:

   • Left Side: The text describes the history and collections of the Busch-Reisinger Museum. It highlights the museum's efforts to collect and preserve various artworks, particularly those associated with the Bauhaus movement. It mentions significant donations from notable figures such as Mrs. Edmee Busch Greenough and the ongoing contributions from the Busch and Reisinger families.

   • The text also notes the establishment of a new organ in 1958 and the establishment of a comprehensive collection of medieval, Renaissance, and Baroque art. The museum's dedication to both curatorial and musical events is underscored.

   • Right Side: It lists the Patron members and Supporting Members of the museum, which includes names such as Charles Cox, Dr. and Mrs. Alan Rossier, and others. There is also a brief acknowledgment of volunteers who have contributed to the museum’s garden and various events.

2. Photographs:

   • Top Right: A photograph of the interior of the Busch-Reisinger Museum's older office, before it was glassed in.
   • Bottom Left: An image of the John Coit Cabell, a sculpture by John Coit, located in the museum's courtyard.

3. Additional Notes:

   • The page mentions the museum’s 75th anniversary and thanks to individuals and institutions for their contributions, including the Goethe Institute, the Swiss Consulate, and the Austro-American Association.

The overall context emphasizes the museum's rich heritage, diverse collections, and the dedication of its patrons and volunteers in maintaining and expanding its cultural offerings.

The image shows an open book or document with text and an image. The text appears to be a page from a publication, possibly a museum brochure or catalog, detailing the history and developments of an institution, likely the Busch-Reisinger Museum. Key points include the museum's collection expansion, donations from supporters, and the installation of a new organ in 1958. The text also mentions various patrons and supporting members. Additionally, there is a black-and-white photograph of a building, identified as 'The cloister (now Museum offices) in the 1930s, before it was glassed in,' which has been marked with a red circle and an arrow pointing to a specific section. The page number at the bottom right corner is 7, indicating it is part of a larger document.

The image shows an open book or a pamphlet featuring a page filled with text. The page contains detailed information about a museum's collection and history, specifically related to the Busch-Reisinger Museum.

There is a black-and-white photograph at the top right of the page, labeled "The cloister (now Museum offices) in the 1930's, before it was glassed in." The text recounts the museum's development, including donations from associates of the Bauhaus, changes in administration, and important figures related to the museum's history.

It also lists patrons and supporting members who joined since May 1978 and acknowledges volunteers and contributors to the museum's garden and exhibitions. The layout is formal and informational, typical for museum publications or annual reports.

This image showcases an open book displaying a text page on the left and a photograph on the right. The photograph on the right page depicts an interior view of a large, vaulted gallery space with arches, which is stated to be the Cloister (now Museum offices) in the 1980s, before it was glassed in. The space is grand with architectural details that suggest it could be part of a historical building or museum.

The left page is filled with text that appears to be an excerpt from a publication, likely related to an art museum or a historical overview of an institution with a connection to the Bauhaus, as the text makes reference to Bauhaus artifacts. Specific names and details mention individuals such as Mr. Emmons Bush Greenough, who is noted to have played a role in expanding a collection, and Kuhn, who contributed artistically to the museum and has since retired.

Furthermore, the text includes acknowledgments and thanks to various persons and groups, among them museum volunteers, members, and patrons along with those who have contributed to the museum's functions and activities.

The bottom of the page attributes the writing to "Joseph Cunningham, Curator of the Busch-Reisinger Museum" which indicates the possible context and origin of this publication.

The book itself has an old aesthetic, with a somewhat yellowed and textured page, implying it could be a vintage or archival document. The pages are bordered in green, and the upper right corner of the right page has the number '7', likely indicating it is page seven of the publication.

The image depicts an open book, showing a page with text and a photograph. The page is part of a publication, likely a catalog or informational document, given its structured layout and formal tone. Here is a detailed description:

Text Content:

1. Left Column:

   • The text discusses the history and development of a museum or collection, referencing figures such as Walter Gropius, Paul Klee, and others.
   • It mentions the donation of a large endowment by Mrs. Edmee Busch Greenough in 1949, which was used to support the museum.
   • The text also highlights the installation of a new organ in 1958 by E. Power Biggs, commissioned by Holland, and its continued use for musical events.
   • It describes the museum's collection, noting its focus on late medieval, Renaissance, and Baroque sculpture, as well as 18th-century painting and archival materials.
   • The text mentions the retirement of a curator in 1988 and the current curator, Dr. Charles Haxthausen, who has directed the museum with enthusiasm and originality.
   • The museum's popularity and educational role are emphasized, particularly its German Expressionist collection, which has increased under Haxthausen's leadership.

2. Right Column:

   • The text lists the members of the Busch-Reisinger Museum who joined as Patrons and Supporting Patrons since May 1978.
   • It also includes a section titled "OUR THANKS TO THE FOLLOWING VOLUNTEERS," acknowledging contributions from individuals such as Mrs. Rosemarie Francis, Mrs. Lucie Beede Party, and others.
   • The volunteers are recognized for their roles in organizing events, providing reception services, and assisting with membership drives.

Photograph:

• The photograph is located in the upper right corner of the page.
• It shows an interior view of a museum or gallery space, featuring high, arched ceilings and large windows that allow natural light to illuminate the area.
• The architecture appears to be historic, with classical design elements such as columns and ornate detailing.
• The space is relatively empty, suggesting it might be before an exhibition or during a quiet period.

Page Layout:

• The page is numbered "7" at the top right corner.
• The text is formatted in a clean, professional style, typical of academic or museum publications.
• The left margin includes some faint text or markings, possibly from previous pages or annotations, but they are not fully legible.

Overall Context:

The image appears to be from a publication related to the Busch-Reisinger Museum, likely a catalog, annual report, or informational brochure. The content focuses on the museum's history, collections, curatorial leadership, and acknowledgments of patrons and volunteers. The photograph provides a visual representation of the museum's interior, enhancing the reader's understanding of the space.

The image shows an open book, likely a report or an article, with a white background and black text. The book appears to be a publication related to the Busch-Reisinger Museum, as indicated by the title and content. The text is divided into sections, including a brief history of the museum, acknowledgments, and a list of supporting members and volunteers. The image also includes a photograph of a building, possibly the museum itself, with a green border on the right side.