Archives Scrapbooks

The image shows an open page from the June 1976 issue of Harvard Magazine. The page features an illustration of two pilgrim figures. One is a wooden sculpture standing on a pedestal, and the other is a modern-day person dressed in pilgrim attire, kneeling and looking up at the sculpture.

The accompanying text reads:

"Like most museums, the Busch-Reisinger Museum of Central and Northern European art has its share of anachronistic acquisitions—items that serve for transporting oneself from the present to the past. Below, two pilgrims. The one on the left was carved of linden wood by Erasmus Grasser, or a pupil of his, about 1500. Originally he was part of a set of sixteen such figures and served as a small, portable part of an altarpiece. The twentieth-century pilgrim visited the Busch one day this spring, but of him nothing further is known."

The illustration and text highlight the juxtaposition of historical and contemporary elements within the museum, emphasizing the timeless appeal of art and history.

The image shows an open magazine, specifically "Harvard Magazine" from June 1976. The page features an illustration of two figures. On the left, there is a statue of a figure dressed in red, standing on a pedestal. This statue is identified as being from the Busch-Reisinger Museum of Central and Northern European art, created by Erasmus Grasser around 1500. The text explains that the statue was originally polychrome and likely part of an altarpiece.

Next to the statue stands another figure, a modern person, dressed in a purple coat, who appears to be observing the statue. The accompanying text describes the museum as a time machine that transports visitors from the present to the past, with the modern visitor being one of the "twentieth-century pilgrims" who visited the museum. The text concludes by noting that while many details about the statue are known, little is known about the modern visitor.

The page also includes a small illustration of another figure in the margin on the right side. The magazine’s details, including the date and the specific page number (34), are also visible.

The image is a page from the June 1976 issue of "Harvard Magazine." It features an illustration and an accompanying article.

The illustration depicts two figures:

1. A tall, carved wooden figure resembling a pilgrim from the 15th century. This figure is dressed in colorful, traditional medieval attire, including a hat and carrying a staff.
2. A smaller, modern-day woman standing next to the wooden figure, looking up at it. She is illustrated in a more contemporary style, wearing a long dress.

The text discusses the Busch-Reisinger Museum, which focuses on Central and Northern European art. The museum is described as a "time machine" that allows visitors to transport themselves from the present to the past. Specifically, it mentions two pilgrim figures carved from linden wood by Erasmus Grasser or his workshop around 1500. These figures were originally polychrome and part of an altarpiece. One of these figures is now in the Busch-Reisinger Museum. The article notes that a 20th-century pilgrim (presumably the illustrated woman) visited the museum one day in the spring, though no further information about her visit is provided.

The image depicts an open page from the June 1976 issue of Harvard Magazine. The page features an illustration of two wooden statues, known as pilgrims, standing on pedestals. The text accompanying the illustration provides information about these statues:

• The statues are described as part of the Busch-Reisinger Museum of Central and Northern European art, which serves as a "time machine" for transporting visitors to the past.
• The statue on the left was carved from linden wood by Erasmus Grasser or a pupil of his around 1500. It was originally painted polychrome and likely stood against a wall as part of an altarpiece.
• The pilgrim on the right is also a wooden statue, but there is no specific information given about its artist or origin in the visible text.
• The text notes that a twentieth-century pilgrim visited the Busch-Reisinger Museum one day that spring, but beyond this, no further details about the pilgrim are known.

The illustration itself is colorful and depicts the statues in a stylized manner, with the pilgrim on the right dressed in a long robe with a hood, and the statue on the left in a tall, ornate hat and traditional pilgrim attire. The page number "34" is noted at the bottom of the illustration, indicating its position in the magazine.

The image shows an open page from the June 1976 issue of Harvard Magazine. The page features an illustration paired with a short descriptive text.

The illustration depicts two medieval wooden statues, often referred to as pilgrims. The statue on the left is of a robed figure, likely a saint or religious figure, painted in a reddish-orange hue with a pointed hat. The figure on the right is a more detailed and human-like depiction of a pilgrim, dressed in a purple robe and carrying a staff.

The accompanying text reads:
"Like most museums, the Busch-Reisinger Museum of Central and Northern European art is an escape mechanism, a time machine for transporting oneself from the present to the past. Below, two pilgrims. The one on the left was carved of linden wood by Erasmus Grasser, or a pupil of his, about 1500. Originally he was painted polychrome and probably stood against a wall, perhaps as part of an altarpiece. The twentieth-century pilgrim visited the Busch one day this spring, but of him nothing further is known."

The page number "34" is visible at the bottom of the illustration, and the magazine title "Harvard Magazine" along with the month and year "June 1976" is handwritten in the bottom right corner of the page. The edges of the page show some wear, indicating that the magazine is well-used.

The image shows an open page from a book or magazine, specifically from "Harvard Magazine" dated June 1976. The page features an illustration of two statues and accompanying descriptive text.

The illustration depicts two carvings of human figures. The figure on the left is a tall statue of a man in what appears to be historical attire, possibly medieval or Renaissance clothing, with a red cap and detailed clothing. The figure on the right is a smaller, detailed carving of a woman in a long, flowing robe with purple and red hues.

The accompanying text explains that the Busch-Reisinger Museum of Central and Northern European art functions as an escape mechanism, transporting visitors from the present into the past. It mentions two specific sculptures known as "pilgrims." The left sculpture is described as carved by Erasmus Grasser, a pupil of Albrecht Dürer, around the year 1500, originally painted in polychrome and likely part of an altarpiece. The text notes that a modern-day visitor might encounter these sculptures in the museum but that nothing further is known about the twentieth-century pilgrim's experience.

The page number visible at the bottom left corner of the image is 34. The handwritten note at the bottom reads "Harvard Magazine June 1976."

The image displays an opened magazine or book laid flat, exhibiting intricate binding on the left side, indicating it's possibly a hardcover. The right side of the spread features an illustrated page from the "Harvard Magazine" dated June 1976. The illustration in question shows two figures, one standing on a pedestal, rendering them sculptural or statue-like in appearance, and the other figure observing it from the ground. The observer is portrayed from the back, gazing up at the statue. Below the illustration, there is descriptive text providing context that might relate to the image. The artwork is characterized by vibrant colors and a distinct style, with patterns and shading to suggest depth and texture. The rest of the page is white, with clear, legible text.

The image shows an open book or scrapbook with a clipped magazine page attached to one of the pages. The magazine page is from "Harvard Magazine" dated June 1976.

The magazine page features an illustration of two figures in a museum setting. On the left, there is a wooden sculpture of a man in historical attire, standing on a pedestal. The figure is dressed in a long robe, hat, and boots, with his hands clasped in front. On the right, a person dressed in a long coat and elaborate hat with a plume stands facing the sculpture.

A block of text is printed on the top right of the page. It discusses the Busch-Reisinger Museum of Central and Northern European art, describing art as an escape mechanism and a time machine for transporting oneself from present to past. It mentions the wooden figure carved by Erasmus Grasser around 1500, possibly part of an altarpiece, and a twentieth-century visitor to the Busch museum who saw the figure but left no further record.

The scrapbook page itself has "Harvard Magazine June 1976" handwritten at the bottom.

The image shows an open book, specifically a page from Harvard Magazine dated June 1976. The page features a colorful illustration and accompanying text.

Illustration Description:

• Foreground:

  • A tall, orange-robed figure stands on a white pedestal, wearing a red hat and holding a staff or walking stick. This figure appears to be a statue or a carved representation of a historical or religious figure.
  • To the right of the statue, a smaller, younger figure dressed in a purple robe and a hood is depicted. This figure is looking up at the statue with a sense of reverence or curiosity, suggesting a pilgrim or visitor admiring the artwork.

• Background:

  • The setting appears to be an interior space, possibly a museum or gallery, with a tiled floor in red and white. The tiles have a floral pattern, adding to the historical or artistic ambiance.
  • On the far right, part of another illustration is visible, showing a blue, stylized wing or feather, hinting at additional artwork or a continuation of the theme.

Text Description:

• The text on the right side of the page is a descriptive paragraph discussing the Busch-Reisinger Museum of Central and Northern European art. It explains that museums serve as "escape mechanisms" or "time machines," allowing visitors to transport themselves from the present to the past.
• The text specifically references two pilgrims:
  • One on the left (the statue), carved from linden wood by Erasmus Grasser around 1500. Originally, the statue was polychrome (painted) and likely stood against a wall, possibly as part of an altarpiece.
  • The other pilgrim (the smaller figure in the illustration), visited the Busch-Reisinger Museum in the twentieth century, but nothing further is known about them.

Overall Context:

The image combines visual art with historical and cultural commentary, illustrating the concept of museums as portals to the past. The illustration captures a moment of interaction between a modern visitor and a historical artifact, emphasizing the timeless connection between art and human experience. The page number "34" and the Harvard Magazine branding indicate this is part of a larger publication.

The image shows an open book with a page featuring a drawing of a man and a woman. The man is depicted in a standing position, wearing a hat and holding a book. The woman is kneeling in front of him, looking up at him. The page also includes text that reads, "Like most museums, the Busch-Reisinger Museum of Central and Northern European art is an escape mechanism, a time machine for transporting oneself from the present to the past." The book appears to be a magazine, with the title "Harvard Magazine" and the date "June 1976" visible at the bottom of the page.