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The image displays a two-page spread from a publication, likely a museum newsletter or report. The left page features an article titled 'Around the Busch,' which focuses on Joe MacDonald, the Superintendent of the Busch Museum. The article describes his roles and responsibilities, including overseeing physical operations, maintenance, security, and assisting with exhibitions. It highlights his extensive experience and knowledge of the building, as well as his interactions with various visitors. A photograph of Joe MacDonald is included, showing him at the front desk. The article also mentions his personal interests, such as his love for modern painting, particularly works by Albers and Beckmann, and his enjoyment of jazz music. It concludes with a note from Emmy Dana, acknowledging his dedicated service.

The right page features an article titled 'Trübner on Extended Loan,' discussing a portrait by Wilhelm Trübner, an artist born in Heidelberg in 1851. The portrait, titled 'Fraülein Maria Wüsthoff,' painted in 1901, is on extended loan from the New York Metropolitan Museum. The article explains that this loan strengthens the Harvard art museums' representation of 19th-century German art, an area of growing interest. It also provides some background on Trübner's life and career, noting his early success and his work as a Professor of Painting at the Städel Institute in Frankfurt.

The image is a page from a museum publication or a magazine featuring two articles.

First Article: "Around the Busch"

• This section introduces Joe MacDonald, the Superintendant of the Busch Museum. MacDonald oversees the physical operations and security of the museum, including maintenance, handling shipments, unpacking and hanging exhibitions, and dealing with issues such as security and crowd management.
• Joe has extensive experience, having worked at the museum since 1969, initially as a secretary and later as a curator for Charles Kohn. He has been the Superintendant since 1990.
• MacDonald is known for his dedication and involvement in the museum's daily operations, including events like the "Concepts of the Bauhaus" exhibition and welcoming notable figures like Willy Brandt and Henry Kissinger.
• The article describes MacDonald’s personal life, noting he is married with six children and many grandchildren, and he enjoys photography, historic homes, and modern art, particularly the works of artists like Albers, Beckman, and the Impressionists.

Second Article: "Trübner on Extended Loan"

• This article discusses the Busch-Reisinger Museum receiving an extended loan of works by Wilhelm Trübner from the New York Public Library. The loan includes significant pieces like Dahl’s "View of Dresden by Moonlight," and drawings by Caspar David Friedrich and Julius Schnurr von Caro.
• The loan is part of an initiative to strengthen the Harvard art museums' collection in 19th-century German art, an area that is underrepresented in American museums and growing in interest.
• Trübner, born in Heidelberg in 1851, painted his earliest works in the late 1870s and early 1880s, including a notable portrait of Fräulein Maria Wüsthoff from 1901. He taught at the Städel Institute in Frankfurt.

The page also includes photographs: one of Joe MacDonald at his desk and another of Wilhelm Trübner, a portrait of Fräulein Maria Wüsthoff.

The image appears to be a page from a museum publication or newsletter. It is divided into two main sections, each focusing on different aspects of the museum.

Left Section: "Around the Busch"

This section features a portrait of Joe MacDonald, the Superintendent of the Busch-Reisinger Museum, and provides an overview of his role and responsibilities.

• Joe MacDonald's Role: Joe MacDonald, who is seated at the front desk, has a multifaceted role that includes overseeing the museum's day-to-day operations. His duties range from maintenance and receiving shipments to managing security and assisting with the setup and hanging of exhibitions.

• Security and Crowds: Joe is responsible for anticipating security issues, particularly when large crowds are expected, such as during special exhibitions like "Concepts of the Bauhaus," "Three Swiss Painters," and the Paul Klee and Käthe Kollwitz exhibitions.

• Background: Joe began his career at the Busch-Reisinger Museum in 1936 and has been Superintendent since 1969. He is known for his dedication and has been praised by colleagues for his hard work and humor.

• Personal Life: Joe is married and has children and grandchildren. In his free time, he enjoys photography, visiting historic homes, and attending concerts, particularly those by Artie Shaw and Benny Goodman.

• Art Preferences: Joe appreciates modern paintings, with favorites including works by Hans Hofmann, Emil Nolde, and Max Beckmann.

Right Section: "Trübner on Extended Loan"

This section describes a loan of a portrait by Wilhelm Trübner to the Busch-Reisinger Museum.

• Portrait Loan: The Busch-Reisinger Museum has received a portrait by Wilhelm Trübner, titled "Portrait of Fräulein Maria Wüsthoff," on an extended loan from the New York Public Library. This loan is part of a series of loans from the library, which includes works like "Dahl's View of Dresden by Moonlight" and drawings by Caspar David Friedrich.

• Trübner's Work: The loan of this portrait strengthens the Harvard Art Museums' collection of 19th-century German art, an area that is not well represented in American museums but has growing interest.

• Biographical Note: Wilhelm Trübner was born in Heidelberg in 1851 and painted his early works in the 1870s. He painted "Portrait of Fräulein Maria Wüsthoff" in 1901 when he was in Frankfurt, where he served as a Professor of Painting at the Städelsches Kunstinstitut. This portrait is a three-quarter length work and showcases Trübner's impressionistic style.

The page also includes a photograph of Joe MacDonald and a portrait of Fräulein Maria Wüsthoff by Wilhelm Trübner. The text is accompanied by an author note by Emmy Dana.

The image shows a page from a book or magazine with articles about the Busch Museum.

Article 1: Around the Busch

• Main Topic: The role of Joe MacDonald, Superintendent of the Busch Museum.
• Responsibilities: Joe oversees the daily operations of the Busch Museum, including maintenance, receiving shipments, unpacking and hanging exhibitions, and security.
• Experience: Joe has been with the Museum since 1969 and has seen many changes, including the installation of major exhibitions like "Concepts of the Bauhaus," "Three Swiss Painters," and "Paul Klee and Käthe Kollwitz."
• Personal Interests: Joe is passionate about history and enjoys visiting historical sites, particularly the Civil War battlefields. He also has a collection of Civil War and Patriot-related items.
• Favorite Artists: Joe appreciates modern art, particularly the works of Albers, Beckmann, and Emil Nolde. He enjoys engaging with visitors and finds it rewarding to share his knowledge and enthusiasm for the Museum.

Article 2: Trübner on Extended Loan

• Main Topic: The Busch-Reisinger Museum's extended loan of a portrait by Wilhelm Trübner.
• Loan Details: The loan includes several pieces from the New York University Art Collection, such as "Dahl's View of Dresden by Moonlight," "Portrait of Fräulein Maria Wüsthoff," and drawings by Caspar David Friedrich, Julius Schnorr von Carolsfeld, and others.
• Artist Background: Wilhelm Trübner was born in Heidelberg in 1851 and is known for his portrait of Fräulein Maria Wüsthoff, painted in 1901. This loan is significant as it enhances the representation of 19th-century German art at the Harvard Art Museums, an area less represented in American museums.
• Artistic Style: The portrait is an excellent example of Trübner’s impressionist style.

The page includes photographs: one of Joe MacDonald at the front desk and another of Wilhelm Trübner’s portrait of Fräulein Maria Wüsthoff.

The image shows a page from a museum publication featuring two main articles.

Article 1: Around the Bush

This article highlights Joe McDonald, the Superintendent of the Bush-Reisinger Museum, who is described as playing an indispensable and multifaceted role in the day-to-day functioning of the museum. His job encompasses a variety of tasks including overseeing security, maintenance, receiving shipments, assisting with unpacking and hanging exhibitions, and even helping to crank up the elevator.

Joe is noted for his extensive knowledge of the building and its artifacts, often anticipating problems before they occur. He began his career at the museum in 1949 and became the Superintendent in 1969.

Joe is well-loved by the museum's visitors, from old friends to dignitaries and school groups. He is especially known for his engaging stories about the art and the artists, including anecdotes about famous figures such as Fernand Hodler, Three Swiss Painters, Paul Klee, and Käthe Kollwitz.

Joe is married with six children and ten grandchildren. His hobbies include photography and visiting historic homes, particularly enjoying the homes of authors like Artie Shaw and Benny Goodman. He has an extensive record collection and appreciates modern painting, particularly the works of artists like Hans Hofmann, Beckmann, Feininger, and Emil Nolde.

The article also mentions that Joe's favorite part of working at the museum is interacting with people and that he is known for his good humor and dedication.

Article 2: Trübner on Extended Loan

The Bush-Reisinger Museum has received a portrait by Wilhelm Trübner on extended loan from the New York art dealer Otto Gerson. This loan includes several notable works such as "Dahl’s View at Dresden" by Johan Christian Dahl, and drawings by artists like Caspar David Friedrich and Rudolf Schick.

Wilhelm Trübner was born in Heidelberg in 1851 and painted his earliest important work in the early 1870s. He was a friend of the painter Franz von Lenbach and was influenced by Wilhelm Leibl. Trübner worked in Frankfurt from 1901 as a Professor of Painting at the Städel Institute and was known for his large three-quarter portraits, of which the current piece is an excellent example.

Additionally, there is an illustration of a painting by Wilhelm Trübner, titled "Portrait of Isabella Marie Wisshoff."

The image is a page from a book or magazine that features an article about Joe McDonald, the Superintendent at the Busch-Reisinger Museum, and an announcement about a painting by Wilhelm Trübner on loan to the museum.

Around the Busch

Joe McDonald:

• Joe McDonald is described as a central figure at the Busch-Reisinger Museum, overseeing the physical operations, maintenance, and security.
• He is responsible for receiving shipments, unpacking, and setting up exhibitions, including the crating and transport of the tower clock once a week.
• Joe is well-versed in the building's history and antiquities and is known for his friendliness and helpfulness.
• He started working at the Museum in 1956 and was promoted to Superintendent in 1969.
• Joe is popular with visitors and has seen many significant exhibitions, including those featuring works by Paul Klee and Käthe Kollwitz.
• He is also involved in organizing social events like the annual Christmas party and the lecture by Stockhausen.
• Joe is married with six children and ten grandchildren. In his free time, he enjoys photography, gardening, and collecting art, including works by Arno Stern and Benny Goodman.
• He likes modern painting, particularly works by Hans Hofmann, Willem de Kooning, and Emil Nolde.
• Joe is known for his ability to engage with people and his pride in the Museum's collections.

Trübner on Extended Loan

• The Busch-Reisinger Museum has received a portrait by Wilhelm Trübner on extended loan from the New York collector, Dr. Fritz Krauskopf.
• The painting, "Portrait of Fraulein Maria Weidhoff," is an important example of Trübner's Impressionist style.
• Trübner was born in Heidelberg in 1851 and was influenced by artists like Gustave Courbet and Édouard Manet.
• The portrait is a significant addition to the Museum's collection of 19th-century German art.

The page includes two photographs: one of Joe McDonald and another of the portrait by Wilhelm Trübner.

This image appears to be a photograph of an open book or magazine spread. There are two pages displayed, each with separate articles or sections and accompanying photographs. The left page is titled "Around the Busch," and it discusses someone's responsibilities and contributions to The Museum, which presumably is the Busch-Reisinger Museum, as mentioned in the text on the right page. The person is described as important to the museum's operations, handling security, overseeing shipments, assisting in the packing and hanging of exhibitions, and performing maintenance tasks. There are compliments about the individual's cordiality and dedication to their work.

The left page also includes a black and white photograph of a sculpture of a person's bust at the bottom.

The right page has a section titled "Trübner on Extended Loan," referring to a portrait by Wilhelm Trübner described as being on loan from the New York firm of Schrader and Deutsch. Specific artworks and loans are detailed such as a Caspar David Friedrich watercolor, names of other artists, and the mention of the Busch-Reisinger Museum's strength in 19th-century German art. The text also provides some biographical information about Wilhelm Trübner, indicating that the portrait mentioned is one of Trübner's impressionist-style works.

The right page also features a black and white photograph of an artwork, which is the portrait of Falcone Marie Vuagnier by Wilhelm Trübner, contrasting with the content of the articles by showing a different form of art other than the discussed sculpture on the left page.

This image shows a page from a museum publication. The page is divided into two main sections with text and two photographs.

The top section, titled "Around the Busch," features a photograph on the right side of a man sitting outside against a stone balustrade. The man is casually dressed in a sweater and has one arm resting on the balustrade. The text describes Joe MacDonald, the Superintendent of the Museum, outlining his many responsibilities, including overseeing Busch operations such as security, maintenance, and exhibitions. It mentions his long service starting in 1965, his popularity with visitors, his security concerns, and his love for modern painting and baseball. Joe likes artists like Albers and Hannes Beckmann, enjoys following several sports teams, and has a record collection.

The lower section, titled "Trübner on Extended Loan," has a portrait photograph on the left side of a woman seated with her hands folded in her lap. The caption identifies the image as Wilhelm Trübner's "Portrait of Fräulein Maria Wüsthoff." The text discusses the loan of this painting to the Busch-Reisinger Museum from the New York firm Seiden and DeCuevas, Inc., which has also loaned other artworks. It provides background on Wilhelm Trübner, his birth in Heidelberg in 1851, his connection to the Munich realist school, and that the portrait, painted in 1901, is a large three-quarter length work exemplifying Trübner’s impressionist style.

The page is numbered "3" at the top right corner.

The image shows a two-page spread from a book or magazine, titled "Around the Busch", which appears to be an article or feature about the Busch Art Gallery and its operations. The layout includes text on the left page and a photograph on the right page.

Left Page:

• Headline: "Around the Busch"
• Content: The text describes the role and responsibilities of Joe McDonald, the Superintendent of the Busch Art Gallery. It highlights his diverse duties, such as overseeing security, maintenance, handling exhibitions, and managing the physical side of Busch operations. The article also mentions his tenure at the gallery, starting as a guard in 1965 under Charles Kuhn, and his promotion to Superintendent in 1969.
• Details about Joe McDonald:
  • He is described as indispensable to the day-to-day functioning of the gallery.
  • He is popular with both old friends and new visitors, managing security and attending to special functions.
  • He enjoys working with the gallery's staff, taking pride in his role, and has a strong interest in music and photography.
  • The text includes a quote from Emmy Dana, praising Joe's dedication and flexibility.
• Photograph Caption: Below the text, there is a captioned photograph of Wilhelm Trübner, a portrait of Josef Maria Wald, with the credit to the Busch Art Gallery.

Right Page:

• Photograph: A black-and-white portrait of Joe McDonald, the Superintendent of the Busch Art Gallery. He is depicted standing in front of a classical architectural backdrop, wearing a light-colored sweater and sunglasses. The photograph conveys a professional and approachable demeanor.
• Caption: The caption below the photograph reads: "Superintendent Joe McDonald."
• Additional Text: Below the photograph, there is a section titled "Trübner on Extended Loan", which discusses an artwork by Wilhelm Trübner that is on loan to the Busch Art Gallery. The text mentions:
  • The painting is a portrait by Wilhelm Trübner, loaned from the New York firm of Sieden and DeCuk, Inc.
  • The painting is part of the Fogg Department of Drawings at Harvard University.
  • The article highlights the historical significance of Trübner's work and its relevance to 19th-century German art.

Overall Design:

• The layout is clean and organized, with a balanced mix of text and imagery.
• The left page is text-heavy, providing detailed information about Joe McDonald and the gallery's operations.
• The right page features a prominent photograph of Joe McDonald, accompanied by a brief discussion of an artwork on loan to the gallery.

This spread effectively combines biographical details about the gallery's superintendent with an art-related feature, creating a cohesive narrative about the Busch Art Gallery's operations and its cultural contributions.

The image is a double-page spread from a book or magazine. On the left side of the page, there is a photograph of a man with a smiling face, and the text "Around the Busch" is written above it. The text below the photograph reads, "People seeing Joe MacDonald at the front desk might not realize his many responsibilities. As Superintendent of the Museum, he plays an indispensable role in its day-to-day functioning, and his job is a complicated one." On the right side of the page, there is another photograph of a man, and the text reads, "Wilhelm Trübner, Portrait of Fedele Maria Wessthal." Below the photograph, there is a text that reads, "Trübner was born in Heidelberg in 1851 and painted his earliest important works in the early 1870s when he joined the circle of the Munich realists." The image appears to be a biographical sketch of Joe MacDonald and Wilhelm Trübner, with photographs and accompanying text.