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The image is a newspaper clipping from the Boston Globe, dated December 11, 1977. The article is titled "Beauty in the basement" and is written by Andrew Blake, with photos by Ted Dully. The article discusses the storage and display of artworks, particularly paintings, in museums.

Key points from the article include:

1. Storage of Artworks: Many museums, including the Fogg Museum at Harvard University and the Museum of Fine Arts (MFA) in Boston, store a significant portion of their collections in basements or storage areas rather than displaying them publicly. This is due to limited gallery space and the need for climate-controlled storage to preserve the artworks.

2. Reasons for Storage: The article mentions several reasons why artworks are kept in storage:

   • Lack of gallery space.
   • The need for climate control to preserve the artworks.
   • The delicate nature of some artworks, such as Japanese prints, which can be damaged by light.
   • The focus of museums on certain collections, such as the MFA's emphasis on Japanese and French Impressionist paintings.

3. Examples of Stored Artworks: The article highlights specific examples of artworks that are stored rather than displayed, including paintings by Monet and works from the Fogg Museum.

4. Challenges of Displaying Art: The article notes that some artworks have not been displayed in decades and may never be seen again in a public exhibition. This is partly due to the sheer volume of artworks in museum collections.

5. Photographs: The article includes photographs showing how paintings are stored on wire mesh racks in the Fogg Museum, allowing them to be easily viewed.

6. Quotes from Museum Staff: The article includes quotes from museum staff, such as Ms. Murphy from the MFA and Mr. Doeringer from the Fogg Museum, who discuss the challenges and reasons for storing artworks.

The article provides an insight into the behind-the-scenes operations of museums and the challenges they face in displaying their extensive collections.

The image is a newspaper article from the Boston Globe, dated December 11, 1977. The article is titled "Beauty in the basement" and is written by Andrew Blake with photos by Ted Dully.

Summary:

Main Theme:
The article discusses how some of Boston's most prestigious museums store valuable and historically significant artworks in their basements rather than displaying them publicly. This is due to a lack of exhibition space and other preservation considerations.

Museum of Fine Arts (MFA):

• The MFA has numerous artworks in its basement, including a Copley portrait and around 40 Impressionist paintings by Monet.
• The article notes that many of these works are rarely seen by the public and that even some staff members are unaware of the treasures stored there.
• The MFA's basement storage includes works by famous artists such as Gauguin, Van Gogh, and Toulouse-Lautrec.
• The article mentions that the museum's curatorial decisions often mean that only a fraction of their collection is on display at any given time.

Other Museums:

• Worcester Art Museum: Also keeps many works in basement storage, some of which are rarely exhibited.
• Fogg Museum at Harvard: Described as primarily a "teaching museum," it stores many of its paintings on wire mesh racks. Only a portion of its collection is displayed at any time.

Reasons for Basement Storage:

• Museums have a duty to preserve art, and sometimes this means keeping it in climate-controlled storage areas to protect it from environmental damage.
• There is a limited amount of gallery space, so not all pieces can be displayed.
• Some works are not in display-worthy condition, requiring restoration.

Perspectives from Museum Staff:

• The article includes quotes from museum staff, such as Ms. Murphy, a research assistant at the MFA, who notes that the basement contains many valuable works that the public rarely sees.
• Ms. Suzanne Boorsch from the Fogg Museum explains that their storage methods are designed to protect and preserve the art while allowing access for study.

Visual Elements:

• The article features images of various artworks stored in these basements, including pieces by Picasso, religious triptychs, and other classical works.

The article emphasizes the irony that while these museums hold vast collections of significant art, much of it remains hidden from public view due to space constraints and preservation needs.

The image is a page from the Boston Globe, dated December 11, 1977, titled "Beauty in the basement" by Andrew Blake, with photographs by Ted Dully. The article discusses the storage of artworks in museum basements, highlighting how many valuable pieces are kept out of public view for preservation.

Key points from the article include:

1. Storage vs. Display: Museums store numerous valuable artworks in basements to protect them from damage caused by light, humidity, and other environmental factors. This includes works by artists such as Picasso and Monet.

2. Examples of Stored Artworks: The Fogg Museum at Harvard University, for instance, stores many of its paintings in basements. Some works are so fragile that they can never be displayed publicly, like those that fade in daylight or are damaged by ultraviolet rays.

3. Preservation Concerns: Curators and museum staff prioritize the preservation of artworks over public display. The Fogg Museum's basement is described as a climate-controlled storage area, ensuring the longevity of the pieces.

4. Space Limitations: The limited display space in museums means that many artworks are stored away. The Fogg Museum has paintings that are kept behind thick walls, separated from the weather and controlled climate.

5. Teaching and Research: Some artworks are stored in basements not only for preservation but also because they are primarily used for teaching and research. These pieces may be too delicate for public viewing.

6. Special Cases: Some artworks are stored due to their fragility or because they are not considered valuable enough for display. The article mentions that some pieces might be stored because they are duplicates or less significant works by famous artists.

7. Accessibility: While many artworks are stored away, they are still accessible to researchers and curators, ensuring that their historical and artistic value is not lost.

The accompanying photographs illustrate various paintings stored in the basements of the Fogg Museum, emphasizing the contrasts in styles and the conditions under which these artworks are preserved.

The image is a newspaper clipping from the Boston Globe, dated December 11, 1977. The article, titled "Beauty in the basement," is written by Andrew Blake with photographs by Ted Dully.

The article discusses the hidden treasures stored in the basements of museums, specifically focusing on the Museum of Fine Arts (MFA) in Boston. The piece highlights the vast collections of art that are not on public display, such as paintings by Picasso, Monet, and Impressionist works. These pieces are kept in storage to preserve them from light and environmental damage.

Key points mentioned include:

• The MFA's basement houses many artworks, including pieces by famous artists.
• The storage areas are kept in controlled environments to prevent deterioration.
• The article mentions the challenges museums face in displaying all their collections due to limited space.
• The Fogg Museum at Harvard University also stores many of its artworks in basements, with a focus on preserving the pieces rather than showcasing them.
• The article notes that some artworks have deteriorated over time due to improper storage conditions.

The article emphasizes the importance of preserving artworks in basements and storage areas, and it provides a glimpse into the vastness and variety of the collections held by these institutions.

The image is a page from the Boston Globe dated December 11, 1977, titled "Beauty in the Basement." The article discusses the storage and preservation of artworks in museums.

The main content of the article highlights several key points:

1. Storage of Artworks: Museums often store their artworks in basements to protect them from light and environmental conditions. These artworks are typically not displayed publicly.

2. Diversity in Art Styles: The article mentions that the basements contain a wide variety of art styles, including paintings by famous artists like Picasso, Monet, and others, as well as works by less well-known artists.

3. Museums' Duties: It discusses the responsibility of museums to preserve and maintain these artworks. This includes ensuring that they are stored safely and that they are in good condition for future generations.

4. Curators and Research: The article includes insights from curators and researchers at institutions like the Museum of Fine Arts (MFA) and the Fogg Museum at Harvard University. They explain that while some artworks are displayed in galleries, many more are kept in storage due to preservation needs.

5. Environmental Concerns: The text points out that basements are often used because they offer climate control, protecting artworks from heat, humidity, and light damage.

6. Museums' Collections: Specific examples include the extensive Oriental collections at the MFA and the Japanese prints at Harvard’s Fogg Museum, which are kept in basements due to their sensitivity to light.

The article also features photos of paintings and artworks stored in basements, illustrating the contrast between displayed art and the stored treasures.

The layout of the article includes:

• A primary article with text.
• Side images showing different artworks stored in basements, emphasizing the variety and preservation efforts.

The article's intent is to raise awareness about the hidden treasures in museum basements and the careful management required to protect these artistic assets.

The image is a yellowed newspaper article titled "Beauty in the basement" by Andrew Blake with photos by Ted Dully, dated December 11, 1977. The article discusses art stored in the basements of several museums in Boston, including the Museum of Fine Arts, the Fogg Art Museum at Harvard, and the Worcester Art Museum. The text mentions that these basements hold numerous valuable and significant artworks, such as a Picasso, a Rembrandt, and works by Monet, often due to limited display space, light sensitivity, or the need for climate-controlled environments. The article also notes the challenges and responsibilities of storing and preserving these pieces for future generations. The photographs accompanying the article show some of the artworks stored in these basements.

The image shows an open newspaper or magazine article titled "Beauty in the basement." It appears to be from a publication dated December 1977, as visible in the top right corner where "Boston Globe Dec 1977" is handwritten. The article discusses the unseen beauty of art that is stored in museum basements, a situation that seems to apply to the contents of the Fogg Museum. Adjacent to the text are photographs depicting art pieces, some of which are carefully stored on mesh screens or in storage racks. The color tones of the images lean towards warm hues, featuring art in rich wooden frames and intricate details.

A caption on the lower right corner of the article suggests that the Fogg Museum, identified as a teaching museum, keeps many of its paintings out of public display on wire mesh racks, which can be rolled out for viewing. At the bottom of the page, there seems to be an image showing a contrast in styles between a flamboyant, colorful piece and a more subdued, darker painting from the Rembrandt school. The overall appearance of the article hints at the wealth of cultural assets often hidden away from public view in museum archives, highlighting the importance of preservation and the meticulous care that these artworks receive.

The image is a newspaper clipping from the Boston Globe dated December 11, 1977, featuring an article titled "Beauty in the basement" by Andrew Blake, with photos by Ted Dully. The article discusses the storage and preservation of valuable paintings in museum basements, focusing on institutions such as the Museum of Fine Arts in Boston and Harvard University's Fogg Museum.

The article emphasizes that many masterpieces, including works by Monet and Picasso, are stored and not displayed publicly, often due to space, preservation needs, or curatorial decisions. It highlights the efforts of museum curators like Alexandra Murphy and Mrs. Suzannah Doeringer to protect and preserve these artworks for future generations despite limited gallery space and challenging environmental conditions.

There are three photos accompanying the article:

1. A large image showing critically stored paintings at Harvard's Fogg Museum on wire mesh racks that can be rolled out for viewing.
2. A smaller image depicting a Picasso painting beside a work done by an artist from the Rembrandt school at the Museum of Fine Arts, illustrating the contrast in artistic styles in storage.
3. Another section of paintings stacked or hung in storage.

The overall theme of the article is the hidden beauty and challenges of art conservation in museums' storage spaces, revealing treasures unseen by the public.

The image shows a page from a magazine or newspaper titled "Beauty in the basement", authored by Andrew Blake with photographs by Ted Duly. The article is dated December 11, 1977, and is from the Boston Globe. The page features a combination of text and photographs, focusing on the storage and preservation of art in museum basements.

Text Content:

• The article discusses how museums often store valuable artworks in basements, where they are protected from light and environmental damage.
• It highlights the Museum of Fine Arts (MFA) in Boston, which houses treasures in its basement, including works by renowned artists like Monet, Renoir, and Rembrandt.
• The article emphasizes the importance of climate-controlled storage to preserve artworks, noting that many masterpieces are kept in basements due to limited gallery space.
• It also mentions the Fogg Museum at Harvard University, which stores many of its paintings in basements rather than on public display. The Fogg is described as a teaching museum, where works are often stored on wire mesh racks that can be rolled out for viewing.
• The article contrasts the aesthetic appeal of public displays with the practical necessity of basement storage, noting that some works may deteriorate in basements due to factors like fading inks or ultraviolet light.

Photographs:

• The right side of the page features several photographs showcasing artworks stored in basement conditions:
  1. Top Row (Left to Right):
     • A Rembrandt painting, described as being viewed quizzically by a gentleman on the left, alongside a Pissarro by an artist of the Rembrandt school.
     • A Monet painting, described as being viewed quizzically by a gentleman on the left.
     • A Rembrandt painting, with a caption noting the extreme contrasts in styles that can occur in storage.
  2. Bottom Row:
     • A Pissarro painting, described as being viewed quizzically by a gentleman on the left.
     • A Rembrandt painting, with a caption about the extreme contrasts in styles in storage.

Visual Elements:

• The photographs depict framed artworks stored in what appears to be a basement or storage area. The frames are mounted on wire mesh racks, suggesting a functional, space-saving storage solution.
• The captions beneath the photographs provide context, emphasizing the unusual juxtaposition of styles and the challenges of storing art in such environments.

Overall Theme:

The article combines narrative and visual storytelling to explore the hidden world of museum storage, highlighting the tension between preserving art and displaying it. It emphasizes the importance of basement storage for protecting artworks while also acknowledging the aesthetic and practical challenges of this approach. The photographs serve to illustrate the article’s points, showcasing the diverse and sometimes contrasting styles of art stored in these spaces.

This image is an article from the Boston Globe, dated December 11, 1977, titled "Beauty in the basement." The article discusses the challenges museums face in preserving and displaying their art collections, particularly those stored in basements due to limited gallery space and environmental factors.

The article features an image of a painting of a woman holding a baby, which is stored in a basement at the Fogg Museum in Cambridge, Massachusetts. The painting is surrounded by other artworks, and the museum's assistant director, Mrs. Doeringer, explains that the museum is primarily a teaching institution and stores many of its paintings in basements rather than in public display.

The article also mentions the challenges of preserving art in basements, such as the risk of damage from humidity, heat, and ultraviolet rays. It highlights the importance of proper storage and climate control to protect valuable artworks.

The article concludes by noting that some museums, like the Fogg Museum, have found creative solutions to display their collections, such as using wire mesh racks that can be rolled out for viewing. The article emphasizes the importance of preserving and displaying art collections for the public to appreciate and learn from.