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The image shows a newspaper clipping from the Boston Globe, dated December 11, 1977. The headline reads "Beauty in the basement" and the article is written by Andrew Blake, with photos credited to Tea Dully.

The article discusses the practice of storing valuable artworks in the basements of museums, specifically mentioning the Museum of Fine Arts (MFA) in Boston and the Fogg Museum at Harvard University. The text highlights that while the public may not often see these hidden treasures, they are frequently accessed by scholars and curators.

Key points from the article include:

1. Art Storage in Basements: The article notes that many museums store a significant portion of their collections in basements due to space constraints. These areas are not typically open to the public but are frequently visited by scholars and curators.

2. Public Access: The article mentions that the public would be surprised by the beauty and variety of artworks stored in these basements. The Fogg Museum and the MFA are cited as examples, with the MFA's basement being described as a "mad curator's dream."

3. Preservation and Access: The article discusses the reasons for storing art in basements, including preservation and limited gallery space. It mentions that while some works are not on display, they are still accessible to researchers and scholars.

4. Examples of Stored Art: The article provides examples of artworks stored in the MFA's basement, including a portrait by Picasso and paintings by Monet. It also mentions that the Fogg Museum owns paintings that are rarely displayed due to space limitations.

5. Future Plans: The article touches on future plans for better storage and display of these artworks, including the MFA's intention to build a new wing to house its extensive collection.

The accompanying photograph shows a storage area with several framed paintings, illustrating the type of environment described in the article.

The image shows a newspaper clipping from the Boston Globe dated December 11, 1977. The article is titled "Beauty in the basement" and is written by Andrew Blake, with photos by Ted Dully.

The article discusses the storage of artworks in the basements of museums, highlighting that many significant pieces are kept out of public view. It mentions several institutions, including the Museum of Fine Arts (MFA) in Boston, Harvard University's Fogg Museum, and the Worcester Art Museum. The article notes that these museums often have more artworks in storage than on public display.

The text explains that while these artworks are preserved and protected in storage, they are not forgotten or neglected. It also touches on the challenges museums face in deciding what to display and what to keep in storage, particularly due to limited gallery space. The article quotes museum officials discussing the conditions and logistics of storing art, including the need for controlled environments to protect the artworks from factors like temperature and humidity.

Additionally, the article highlights the disparity between the vast collections in storage and the limited public access to these pieces, emphasizing the hidden treasures within museum basements. The clipping includes a photograph of artworks in storage, showcasing their preservation behind protective barriers.

The image shows a newspaper clipping titled "Beauty in the basement" from the Boston Globe, dated December 11, 1977. The article is written by Andrew Blake and features photographs by Ted Dully.

The article discusses the extensive art collections that many museums, including the Museum of Fine Arts (MFA) in Boston, have stored in their basements. These collections are often not on public display due to limited gallery space. The text highlights the juxtaposition of artworks, such as a Picasso portrait and a Monet painting, which are typically not shown to the public.

The article mentions that many museums have more artworks in storage than are on view, with the MFA being one of them. It notes that the MFA has a vast collection, including over 200,000 works of art, but only a fraction of these are displayed at any given time.

The text also touches on the challenges museums face with storage, including the need for controlled environments to preserve the art and the limited space available for exhibitions. The clipping includes a quote from Alexandra de Renzi, who mentions the necessity of preserving these artworks for future generations.

Additionally, it references the Fogg Museum in Cambridge, which has similar issues with storage and preservation, and notes the importance of maintaining these collections in a controlled environment. The article concludes by emphasizing the vastness of these collections and the need for adequate space and conditions to preserve and display them.

The image shows a newspaper article from the Boston Globe dated December 11, 1977, titled "Beauty in the basement." The article, written by Andrew Blake with photographs by Ted Dully, discusses the preservation and display of artworks stored in basements of various institutions.

Key points from the article include:

• Museums often have artworks stored in basements due to space constraints.
• The article highlights the challenges of displaying artworks that have been in storage for many years.
• It notes that many large museums have more paintings in storage than on public display, indicating a significant backlog.
• The Fogg Museum and the Museum of Fine Arts (MFA) Boston are mentioned, with the Fogg having a notable collection of artworks that are not currently on display.
• The article touches on the need for better preservation and the preservation challenges of artworks stored in less-than-ideal conditions.
• There is a mention of the Fogg's assistant director, Mrs. Doering, and the necessity of managing the vast collection effectively.
• It also touches on the practical issues of gallery space limitations and the difficulty of deciding which artworks to display based on their significance and condition.

The photographs in the article illustrate some of the paintings stored in the basements, emphasizing the visual aspect of the issue discussed.

The image shows an open book or scrapbook with a newspaper article pasted on the right-hand page. The article is titled "Beauty in the basement" and is written by Andrew Blake with photos by Ted Dully. The date "Dec. 11, 1977" is handwritten at the top right corner of the page, and the source is noted as the "Boston Globe."

The article discusses art exhibitions in basements, specifically focusing on the display of art in less conventional spaces at institutions like the Museum of Fine Arts in Boston and the Fogg. It mentions that many significant works of art are stored in basements due to limited gallery space. The text also highlights the efforts of curators to ensure these stored artworks are well-documented and maintained, even if not on public display.

Next to the article, there is a black-and-white photograph showing several framed paintings stacked or stored in what appears to be a basement or storage area. The paintings include portraits and possibly some still life works, arranged on and around a metal mesh framework. The background includes more artworks and possibly some furniture, giving the impression of a cluttered storage space.

The image shows a newspaper clipping from the Boston Globe, dated December 11, 1977. The article is titled "Beauty in the basement" and is authored by Andrew Blake, with photos taken by Ted Dully.

The article discusses the extensive and valuable collections of artwork stored in the basements of several prominent museums, including the Museum of Fine Arts (MFA) in Boston, the Fogg Museum at Harvard University, and the Worcester Art Museum.

Key points from the article include:

1. Hidden Treasures: Many significant artworks are kept in basement storage areas, away from public view. These pieces include works by renowned artists like Picasso and Monet.

2. Reasons for Storage:

   • Lack of Display Space: Museums often have more artworks than they can display at any given time.
   • Condition and Conservation: Some works are stored due to their delicate condition, requiring special environments to preserve them for future generations.
   • Temporary Exhibitions: Artworks on loan from other institutions or part of temporary exhibits may also be kept in storage when not on display.

3. Museum Practices: The article highlights the practices of museums regarding their collections. For instance, the MFA in Boston has a substantial number of paintings stored in basements, with many never shown to the public.

4. Specific Examples: The Fogg Museum is noted for its abundance of recognized treasures in storage. The director, Agnes Mongan, and assistant director, Suzanne Boorsch, explain that space constraints and the need for climate-controlled environments necessitate keeping many works in storage.

Overall, the article sheds light on the often unseen but significant collections of art housed in museum basements and the reasons behind their storage.

The image shows a newspaper clipping titled "Beauty in the basement" by Andrew Blake, with photos credited to Ted Dully. The article appears to be attached to a brown folder or binder page, with green binding visible at the top edge. The article discusses topics related to art preservation and storage, as indicated by the visible snippets of text that mention a "dusty portfolio of works by a Copiously bearded artist in a Flourescent-lit [sic] basement" and "Fogg Museum's Renaissance treasure in the Worcester Museum's basement." The article includes multiple photographs of what seems to be artwork, particularly paintings with religious themes displayed in an ornate setting. There is a handwritten note on the folder in black ink that reads "Boston Globe Dec. 4, 1977," possibly indicating the source and date of the publication. The page shows signs of age with slightly yellowed paper and frayed edges.

The image shows a newspaper clipping titled "Beauty in the basement," written by Andrew Blake with photos by Ted Dully. The article discusses the hidden beauty of artworks stored in museum basements, mentioning famous artists like Picasso and Monet. It highlights how many valuable paintings are kept out of public view in storage to preserve them and that museums have a duty to protect these works for future generations. The article features a color photograph of a display of several paintings hung closely together on a wall, including portraits and religious-themed art. The clipping is taped or stapled to a larger piece of paper and has a handwritten note on the right side indicating it is from the "Boston Globe" dated "Dec. 11, 1977." The overall tone suggests an appreciation of the unseen art treasures housed in museum basements.

The image depicts a newspaper clipping or magazine page titled "Beauty in the basement", authored by Andrew Blake with photographs by Ted Dully. The article discusses the storage and display of art treasures in museum basements, particularly focusing on the Fogg Art Museum at Harvard University.

Key Elements of the Image:

Text Content:

1. Headline: "Beauty in the basement" is prominently displayed at the top of the page.
2. Byline: The article is attributed to Andrew Blake, with photographs by Ted Dully.
3. Main Theme: The article explores the idea that museums often store valuable artworks in their basements, which are typically overlooked or inaccessible to the public. It highlights the challenges museums face in preserving and displaying these treasures.
4. Details:
   • The article mentions the Fogg Art Museum and its storage practices, noting that many artworks are kept in basements due to limited gallery space.
   • It discusses the MFA (Museum of Fine Arts) in Boston and its approach to storing artworks, emphasizing the importance of proper preservation.
   • The article includes quotes from museum staff, such as Alexandra Murphy, a research assistant at the MFA, who explains the logistical and curatorial challenges of storing art.
   • It also touches on the historical context, noting that wealthy Bostonians often stored their art in the basements of their homes, such as in the Back Bay and Beacon Hill neighborhoods.

Visual Elements:

1. Photograph: To the right of the text, there is a black-and-white photograph depicting several framed artworks displayed on a wall. The frames appear to be ornate, suggesting classical or historical art pieces. The photograph provides a visual representation of the "beauty in the basement" concept, showing art that might otherwise be hidden away.
2. Handwritten Note: In the top-right corner of the image, there is a handwritten note that reads "Boston Globe Dec. 11, 1977", indicating the source and date of the article.

Layout and Design:

• The page has a clean, newspaper-style layout with a clear headline, byline, and body text.
• The photograph is placed to the right of the text, creating a balanced visual composition.
• The overall tone of the article appears informative and reflective, discussing the practical and aesthetic considerations of art storage in museums.

Summary:

The image shows a newspaper or magazine article titled "Beauty in the basement", which explores the storage and preservation of art in museum basements. The article is authored by Andrew Blake and features photographs by Ted Dully. It includes a photograph of framed artworks and a handwritten note indicating the source as the Boston Globe from December 11, 1977. The content highlights the challenges museums face in displaying and preserving their collections, using the Fogg Art Museum and the MFA as examples.

A newspaper clipping about the basements of the Fogg and MFA museums. The clipping has a picture of paintings in a cage.