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ARCH.2013.5.17, Rendition: 799434
The image shows a program for a Thursday Noon Recital Series held at the Busch-Reisinger Museum, Harvard University, on April 24, 1975. The recital features organist James Johnson.
The program is titled "Music from the French Baroque" and includes the following pieces:
The program notes explain that French organ literature of the 17th and 18th centuries was composed for specific registrations (groups of stops) as indicated in the titles of many movements. When no registrations are prescribed, the organist draws a closely related group of stops to imitate the desired tone-color as closely as possible.
James Johnson, the organist, is noted as the Director of the Thursday Noon Recital Series, Music Director of the First Church in Cambridge, Congregational, and Director of the Cambridge Concert Series in First Church. The Flentrop Organ used in the recital has 33 ranks and was built in 1958.
The next recital in the series is scheduled for May 1, 1975, at Quadrivium Collegium, Marleen, directed by Montgomery.
The image is a page from a program booklet for a Thursday Noon Recital Series at the Busch-Reisinger Museum, Harvard University, scheduled for April 24, 1975.
The recital was performed by James Johnson, who was the organist for the event. The program featured music from the French Baroque era, performed without interruption.
The compositions listed include:
Les Cloches by Nicolas Le Begue (1630-1702)
Several pieces by Antoine Guilain (d. 1722):
Petit Plein jeu by Louis Marchand (1669-1733)
Chromhorne sur la Taille and Offertoire sur les Grands jeux by François Couperin la Grand (1665-1733)
The page contains a note explaining that French organ music from the 17th and 18th centuries was composed for specific registrations, which refer to the groupings of stops (types of organ pipes) that mimic certain tone-colors. The Flentrop Organ, which was being used, lacks a specific Trompette and requires the organist to select a combination of stops to achieve the desired tone-color as closely as possible.
James Johnson is noted as the Director of the Thursday Noon Recital Series, Music Director of First Church in Cambridge, Congregational, and Director of the Cambridge Concert Series in First Church.
The next recital is scheduled for May 1, 1975, at Quadrivium Collegium, conducted by Marleen, with the Flentrop Organ ranking 33 out of 1958.
The image shows a program for a recital held at the Busch-Reisinger Museum, Harvard University, on April 24, 1975. The recital was part of the Thursday Noon Recital Series and featured James Johnson, who was the organist. The program was dedicated to "Music from the French Baroque" and was performed without interruption. The pieces performed included works by Nicholas le Begue (1630-1702) and Antoine Guilain (d. 1722), among others.
The program listed the following pieces:
There was also a note on registrations, explaining that French organ literature of the 17th and 18th centuries was composed for specific registrations (groups of stops) as indicated in the titles of many of its movements. Since the exact stops prescribed might be wanting on the Flentrop Organ, the organist was to draw a group of stops that would come as closely as possible to the desired tone-color.
Additionally, the program mentioned that James Johnson was the Director of the Thursday Noon Recital Series, Music Director of the First Church in Cambridge, Congregational, and Director of the Cambridge Concert Series in First Church. The Flentrop Organ, with 33 ranks, was used for the recital.
The program also mentioned the next recital, scheduled for May 1, 1975, featuring the Quadrivium Collegium with Marleen Montgomery as the director.
The image is of a program from an organ recital that took place at the Busch-Reisinger Museum at Harvard University. Here are the details:
Event:
Thursday Noon Recital Series
Date:
April 24, 1975
Performer:
James Johnson, organist
Program Title:
Music from the French Baroque (The program is performed without interruption)
Pieces and Composers:
"Les Cloches" - Anonymous
Suite du Second Ton - Nicolas le Bègue (1630-1702)
Petit Plein jeu - Louis Marchand (1669-1732)
Basse de Trompette - Louis Marchand
Chromhorne sur la Taille - François Couperin la Grand (1668-1733)
Offertoire sur les Grands Jeux - François Couperin la Grand
Additional Information:
About the Performer:
James Johnson, who is the Director of the Thursday Noon Recital Series, also serves as the Music Director of First Church in Cambridge, Congregational, and Director of the Cambridge Concert Series in First Church. The organ used for the recital is a Flentrop Organ with 33 ranks, installed in 1958.
Next Recital:
May 1, 1975, featuring Quadrivium Collegium, directed by Marleen Montgomery.
The image shows a program from a Thursday Noon Recital Series at the Busch-Reisinger Museum, Harvard University, dated April 24, 1975. The recital was performed by James Johnson, who was the organist.
The program is titled "Music from the French Baroque" and is performed without interruption. The pieces included on the program are:
The program includes a note on registrations, explaining that French organ literature from the 17th and 18th centuries was composed for specific registrations. When exact stops are not available, the organist uses a combination of stops to imitate the desired tone-color as closely as possible. The Flentrop Organ used in this recital has 33 ranks and was built in 1958.
James Johnson is noted as the Director of the Thursday Noon Recital Series, Music Director of First Church in Cambridge, Congregational, and Director of the Cambridge Concert Series in First Church.
The next recital is scheduled for May 1, 1975, with Quadrivium Collegium, directed by Marleen Montgomery.
The image is a page from a program booklet for the Thursday Noon Recital Series at the Busch-Reisinger Museum, Harvard University, dated April 24, 1975. The recital features James Johnson as the organist.
The program is titled "Music from the French Baroque" and is performed without interruption. The piece selections and their composers are listed as follows:
Les Cloches by Nicholas le Begue (1630-1702)
Suite du Second Ton by Antoine Guilain (d. 1722)
Chromhorne sur la Taille by Louis Marchand (1669-1732)
Offertoire sur les Grands jeux by Francois Couperin la Grand (1668-1733)
The program also includes a note on registrations, explaining that French organ literature from the 17th and 18th centuries was composed for specific registrations (combinations of stops) but that the exact stops prescribed are not always available on the Flentrop Organ used in the recital. Organists often improvise by choosing a group of stops that closely imitate the desired tone-color.
James Johnson's credentials are listed:
Additional information at the bottom of the page mentions the Flentrop Organ, which has 33 ranks and was built in 1958. The next recital is scheduled for May 1, 1975, at Quadrivium Collegium, with Marleen Montgomery as the director.
The image shows a typed program for a musical recital held at the Busch-Reisinger Museum, Harvard University, as part of the Thursday Noon Recital Series on April 24, 1975. The recital features James Johnson, organist, performing "Music from the French Baroque," and the performance is noted to be without interruption.
The program lists the pieces to be played, along with the composers and their dates:
There is a detailed note about registrations, explaining that French organ literature of the 17th and 18th centuries was composed for specific registrations (groups of stops). When exact stops are missing, the organist uses a group of stops that imitate the desired tone-color as closely as possible.
The note also states James Johnson's roles: Director of the Thursday Noon Recital Series, Music Director of First Church in Cambridge, Congregational, and Director of the Cambridge Concert Series in First Church.
Additional details include:
This image shows a page from a program for a music recital. The header reads "BUSCH-REISINGER MUSEUM, HARVARD UNIVERSITY" and notes a "Thursday Noon Recital Series" on "April 24, 1975." The artist featured is James Johnson, organist, who is performing "MUSIC FROM THE FRENCH BAROQUE." The program lists several pieces such as "Les Cloches" by Nicholas le Begue, "Suite du Second Ton" by Antoine Guilain, and works by Louis Marchand and François Couperin la Grand, among others.
The program includes a note on registrations explaining how French organ literature from the 17th and 18th centuries was designed to use specific groups of stops to imitate tones, given that the particular organ mentioned, the Flentrop Organ, does not include a 'Trompette' among its stops.
It is also mentioned that James Johnson is the Director of the Thursday Noon Recital Series and Music Director of First Church in Cambridge. There's mention of the Flentrop Organ's specifications and an upcoming recital on May 1, 1975, by the Quadrivium Collegium with Marleen Montgomery as Director.
Overall, it's a written program providing detailed information about an organ music concert, including the repertoire and notes relevant to the performance practice of the time period from which the music originates.
The image shows an open book, likely a program or booklet, with a white page against a light gray background. The text is black and appears to be written in a cursive font. The title reads "Thursday Noon Recital Series," with a date of "April 24, 1975," and the name "James Johnson, organist" is mentioned. The program is titled "Music from the French Baroque" and is performed without interruption. The page lists the composers and pieces to be performed, including "Les Cloches" by Nicholas le Bègue, "Suite du Second Ton" by Antoine Guillain, and "Dialogue" by Louis Marchand. The text also includes a note on registrations, explaining the specific registrations for the French organ literature of the 17th and 18th centuries. The image has a slightly blurry effect, possibly due to the camera or the quality of the original source.
The image is of an open book. The book is titled "Busch-Reisinger Museum, Harvard University Thursday Noon Recital Series." The date of the event is April 24, 1975. The program is for "Music from the French Baroque." The program is performed without interruption. The program includes a list of composers and their works, such as "Les Cloches" by Nicholas le Begue, "Suite du Second Ton" by Antoine Guilain, and "Duo" by Louis Marchand. The program also includes a note on registrations and a list of the next recital. The book is open to a page with the title "Music from the French Baroque" and a list of composers and their works. The page also includes a note on registrations and a list of the next recital.