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The image shows a program for a recital that took place at the Busch-Reisinger Museum, Harvard University, on April 3, 1975. The event was part of the Thursday Noon Recital Series. The organist for the recital was Brian Jones.

The program included the following pieces:

1. Fantasia & Fugue in C minor by Carl Philipp Emanuel Bach (1714-1788)
2. Selections from Klavierübung by Johann Ludwig Krebs (1713-1780):
   • Allien Gott in der Höh sei Ehr (two settings)
   • Jesu, Lob und Freude (two settings)
   • Sei Lob und Ehr dem Höchsten Gut
   • Was Gott tut, das ist wohlgetan (two settings)
   • Vom Gott will ich nicht lassen
3. Toccata & Fugue in F major, B.W.V. 540 by Johann Sebastian Bach (1685-1750)

Additional information provided in the program includes:

• Brian Jones was the Director of Music at Wellesley Congregational Church and at Noble and Greenough School in Dedham. He was also the Director of the Dedham Choral Society.
• The instrument used for the recital was a Flentrop Organ built in 1958 with 33 ranks.
• The next recital in the series was scheduled for April 10, 1975, featuring Alexander's Feast, a consort.

The program is printed on a single page within a bound booklet.

The image shows a page from the program booklet of the Thursday Noon Recital Series at the Busch-Reisinger Museum, Harvard University, dated April 3, 1975.

The recital was performed by Brian Jones, who was identified as the organist.

The program included the following works:

1. Fantasia & Fugue in C minor by Carl Philipp Emanuel Bach (1714-1788).
2. A selection from Klaviersonaten (Klavierübung) by Johann Ludwig Krebs (1713-1780), which includes:
   • Allien Gott in der Höll sei Ehr (two settings)
   • Jesu, Lob und Freude (two settings)
   • Sei Lob und Ehr dem Höchsten
   • Gut
   • Was Gott tut, das ist Wohlgetan (two settings)
   • Von Gott will ich nicht lassen

Additionally, the program featured:

3. Tocatta & Fugue in F major, B.W.V. 540 by Johann Sebastian Bach (1685-1750).

Following the list of works, there is a brief biography of Brian Jones, stating that he is the Director of Music at Wellesley Congregational Church and at Noble and Greenough School in Dedham, and also serves as Director of the Dedham Choral Society.

The recital was held on the Flentrop Organ, which was made in 1958 with 33 ranks.

The next recital is scheduled for April 10, 1975, titled Alexander’s Feast, with a consort.

The image shows a program for the Busch-Reisinger Museum at Harvard University, titled "Thursday Noon Recital Series," dated April 3, 1975. The recital features Brian Jones, who is listed as the organist. The program includes the following pieces:

1. "Fantasia & Fugue in C minor" by Carl Philipp Emanuel Bach (1714-1788).
2. Selections from "Klavierübung" by Johann Ludwig Krebs (1713-1780):
   • "Allien Gott in der Höh sei Ehr" (two settings)
   • "Jesu, Lob und Freude" (two settings)
   • "Sei Lob und Ehr dem Höchsten Gut"
   • "Was Gott tut, das ist Wohlgetan" (two settings)
   • "Von Gott will ich nicht lassen"
3. "Toccata & Fugue in F major, B.W.V. 540" by Johann Sebastian Bach (1685-1750).

Additional information provided includes:

• Brian Jones is the Director of Music at Wellesley Congregational Church and at Noble and Greenough School in Dedham. He is also the Director of the Dedham Choral Society.
• The organ used is a Flentrop Organ from 1958 with 33 ranks.
• The next recital is scheduled for April 10, 1975, featuring Alexander’s Feast, consort.

The image is of a concert program from a Thursday Noon Recital Series held at the Busch-Reisinger Museum at Harvard University on April 3, 1975. The organist for the recital was Brian Jones.

Here's a detailed breakdown of the program:

1. Fantasia & Fugue in C minor by Carl Philipp Emanuel Bach (1714-1788)
2. Selections from Klavierübung by Johann Ludwig Krebs (1713-1780):
   • Allein Gott in der Höh sei Ehr (two settings)
   • Jesu, Lob und Freude (two settings)
   • Sei Lob und Ehr dem Höchsten Gut
   • Was Gott tut, das ist Wohlgetan (two settings)
   • Von Gott will ich nicht lassen
3. Toccata & Fugue in F major, BWV 540 by Johann Sebastian Bach (1685-1750)

Additionally, there is a short biography of Brian Jones:

• He is the Director of Music at Wellesley Congregational Church and at Noble and Greenough School in Dedham.
• He is also the Director of the Dedham Choral Society.

The recital was performed on a Flentrop Organ installed in 1958, which has 33 ranks.

The next recital, scheduled for April 10, 1975, was to feature Alexander's Feast, a consort.

The image is a program for a Thursday Noon Recital at the Busch-Reisinger Museum, Harvard University, held on April 3, 1975. The recital featured Brian Jones, an organist.

Program Details:

1. Fantasia & Fugue in C minor

   • Composer: Carl Philipp Emanuel Bach (1714-1788)

2. Selections from Klavierübung by Johann Ludwig Krebs (1713-1780)

   • Allien Gott in der Höl sei Ehr (two settings)
   • Jesu, Lob und Freude (two settings)
   • Sei Lob und Ehr dem Höchsten
   • Gut
   • Was Gott tut, das ist Wohlgetan (two settings)
   • Von Gott will ich nicht lassen

3. Toccata & Fugue in F major, B.W.V. 540

   • Composer: Johann Sebastian Bach (1685-1750)

Additional Information:

• Brian Jones is noted as the Director of Music at Wellesley Congregational Church, Noble and Greenough School in Dedham, and also the Director of the Dedham Choral Society.
• The organ used for the recital was a Flentrop Organ, built in 1958, with 33 ranks.
• The next recital was scheduled for April 10, 1975, featuring Alexander’s Feast, a consort.

The image shows a page from a program booklet for the Thursday Noon Recital Series at the Busch-Reisinger Museum, Harvard University. The specific recital was held on April 3, 1975. The performer for the recital was Brian Jones, who was the organist.

The program included the following pieces:

1. Fantasia & Fugue in C minor by Carl Philipp Emanuel Bach (1714-1788).

2. Selections from Klavierübung by Johann Ludwig Krebs (1713-1780), including:

   • Allien Gott in der Höl sei Ehr (two settings)
   • Jesu, Lob und Freude (two settings)
   • Sei Lob und Ehr dem Höchsten Gut
   • Was Gott tut, das ist Wohlgetan (two settings)
   • Von Gott will ich nicht lassen

3. Toccata & Fugue in F major, BWV 540 by Johann Sebastian Bach (1685-1750).

Additional information provided:

• Brian Jones is noted as the Director of Music at Wellesley Congregational Church and at Noble and Greenough School in Dedham.
• He is also the Director of the Dedham Choral Society.
• The organ used was a Flentrop Organ from 1958 with 33 ranks.
• The next recital was scheduled for April 10, 1975, featuring Alexander’s Feast as a consort.

This is an image of an open program booklet featuring information about a musical recital event. The title at the top of the right-hand side page indicates that it is linked to the Busch-Reisinger Museum at Harvard University, specifically part of their Thursday Noon Recital Series. The recital took place on April 3, 1975, with Brian Jones listed as the organist.

The program consists of the following pieces:

• "Fantasia & Fugue in C minor" by Carl Philipp Emanuel Bach (1714–1788)
• Selections from Klavierübung by Johann Ludwig Krebs (1713–1780) including:
  • "Allein Gott in der Höh sei Ehr" (two settings)
  • "Jesu, meine Freude" (two settings)
  • "Sei Lob und Ehr dem Höchsten Gut"
  • "Was Gott tut, das ist Wohgetan" (two settings)
  • "Wer Gott will ich nicht lassen"
• "Toccata & Fugue in F major, BWV. 540" by Johann Sebastian Bach (1685–1750)

Additionally, there is a note stating that Brian Jones is the Director of Music at Wellesley Congregational Church and at Noble and Greenough School in Dedham. He is also the Director of the Dedham Choral Society. A mention of the Flentrop Organ with the year 1958 and 33 ranks is included, suggesting that it is the instrument used.

Lastly, the next recital is noted for April 10, 1975, featuring "Alexander's Feast, consort."

The left-hand side of the booklet is visible but the text there is not legible due to the angle of the photograph. The right-hand page appears to be slightly yellowed with age, and the booklet has a greenish fabric cover with visible stitching.

The image shows a typed program page from the Busch-Reisinger Museum at Harvard University for a Thursday Noon Recital Series event held on April 3, 1975. The recital features organist Brian Jones.

The program includes:

• Fantasia & Fugue in C minor by Carl Philipp Emanuel Bach (1714–1788)
• Selections from Klavierübung by Johann Ludwig Krebs (1713–1780), which contains:
  • Allien Gott in der Höl sei Ehr (two settings)
  • Jesu, Lob und Freude (two settings)
  • Sei Lob und Ehr dem Höchsten Gut
  • Was Gott tut, das ist Wohlgetan (two settings)
  • Von Gott will ich nicht lassen
• Toccata & Fugue in F major, B.W.V. 540 by Johann Sebastian Bach (1685–1750)

There is additional information about Brian Jones, stating that he is the Director of Music at Wellesley Congregational Church and at Noble and Greenough School in Dedham. He is also Director of the Dedham Choral Society.

The organ used is a Flentrop Organ from 1958 with 33 ranks.

The notice also mentions the next recital scheduled for April 10, 1975, titled "Alexander's Feast," featuring a consort.

The image shows an open book or program booklet from the Busch-Reisinger Museum at Harvard University. The page displayed is for a Thursday Noon Recital Series event held on April 3, 1975. The recital features Brian Jones as the organist, and the program includes the following pieces:

1. Fantasia & Fugue in C minor by Carl Philipp Emanuel Bach (1714–1788).
2. Selections from Klavierübung by Johann Ludwig Krebs (1713–1780), including:
   • Allien Gott in der Höl sei Ehr (two settings)
   • Jesu, Lob und Freude (two settings)
   • Sei Lob und Ehr dem Höchsten Gut
   • Was Gott tut, das ist Wohlgetan (two settings)
   • Vcn Gott will ich nicht lassen
3. Toccata & Fugue in F major, B.W.V. 540 by Johann Sebastian Bach (1685–1750).

Additional details on the page include:

• Brian Jones's affiliations: Director of Music at Wellesley Congregational Church and Noble and Greenwood School in Dedham, and Director of the Dedham Choral Society.
• The organ used for the recital is a Flentrop Organ from 1958 with 33 ranks.
• Information about the next recital, scheduled for April 10, 1975, featuring Alexander's Feast as a consort.

The page is formatted in a clean, typed style, typical of program booklets from the mid-20th century. The left margin shows the spine of the booklet, indicating it is part of a larger collection or archive.

The image shows a page from a program booklet for a musical event. The text on the page reads "Thursday Noon Recital Series April 3, 1975 Brian Jones, organist Program Fantasia & Fugue in C minor Carl Philipp Emanuel Bach (1714-1788) Selections from Klavierübung Johann Ludwig Krebs (1713-1780) Allien Gott in der H81 sei Ehr (two settings) Jesus, Lob und Freude (two settings) Sei Lob und Ehr dem H8chsten Gut Was Gott tut, das ist Wohlgetan (two settings) Von Gott will ich nicht lassen Toccata & Fugue in F major, B.W.V. 540 Johann Sebastian Bach (1685-1750) Brian Jones is Director of Music at Wellesley Congregational Church and at Noble and Greenough School in Dedham. He is also Director of the Dedham Choral Society. Flentrop Organ 1958 33 ranks Next Recital April 10, 1975 Alexander's Feast, consort."

The page appears to be from a booklet that was distributed to attendees of the event, providing information about the program and the organist, Brian Jones. The program includes works by Carl Philipp Emanuel Bach, Johann Ludwig Krebs, and Johann Sebastian Bach, and the event took place on April 3, 1975, at the Busch-Reisinger Museum, Harvard University. The Flentrop Organ, which was used for the performance, was built in 1958 and has 33 ranks. The next recital in the series was scheduled for April 10, 1975, and featured Alexander's Feast by Handel, performed by a consort.