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The image is a program for a musical recital held at the Busch-Reisinger Museum at Harvard University. The event is part of the Thursday Noon Recital Series and took place on April 17, 1975. The organist performing at this recital is Lenora McCroskey.

The program includes the following pieces:

1. Prelude and Fugue in G Major, Op. 37, No. 2 by Felix Mendelssohn
2. Christ lag in Todesbanden (3 variations) by Heinrich Scheidemann
3. Fantasia in G Major by J. S. Bach

Additional information about Lenora McCroskey is provided, stating that she is the Assistant Organist and Choirmaster in Memorial Church at Harvard University. The organ used for the recital is a Flentrop Organ with 33 ranks, built in 1958.

The program also mentions the next recital in the series, scheduled for April 24, 1975, with James Johnson as the organist.

The image shows a page from a program booklet for a Thursday Noon Recital Series at the Busch-Reisinger Museum of Harvard University, dated April 17, 1975.

The recital was performed by Lenora McCroskey, who was identified as the organist for the event. The program included the following musical pieces:

1. Prelude and Fugue in G Major, Op. 37, No. 2 by Felix Mendelssohn
2. Christ lag in Todesbanden (3 variations) by Heinrich Scheidemann
3. Fantasia in G Major by J.S. Bach

Below the list of pieces, there is a note indicating that Lenora McCroskey is the Assistant Organist and Choirmaster in Memorial Church, Harvard University.

The instrument used for the recital was the Flentrop Organ, which has 33 ranks and was built in 1958.

The following recital is scheduled for April 24, 1975, with James Johnson as the organist.

The image shows a program for the Busch-Reisinger Museum at Harvard University, titled "Thursday Noon Recital Series," dated April 17, 1975. The recital features Lenora McCroskey as the organist. The program includes the following pieces:

1. "Prelude and Fugue in G Major, Op.37, No.2" by Felix Mendelssohn
2. "Christ lag in Todesbanden (3 variations)" by Heinrich Scheidemann
3. "Fantasia in G Major" by J.S. Bach

The program also notes that Lenora McCroskey is the Assistant Organist and Choirmaster at Memorial Church, Harvard University. The recital is performed on the Flentrop Organ with 33 ranks, installed in 1958.

Additionally, the program mentions the next recital in the series, scheduled for April 24, 1975, with James Johnson as the organist.

The image shows a program from an organ recital held at the Busch-Reisinger Museum at Harvard University. The recital took place on Thursday, April 17, 1975, as part of the Thursday Noon Recital Series.

The organist for the recital was Lenora McCroskey. Here is the program listed for the recital:

1. Prelude and Fugue in G Major, Op. 37, No. 2 - Felix Mendelssohn
2. Christ lag in Todesbanden (3 variations) - Heinrich Scheidemann
3. Fantasia in G Major - J.S. Bach

Additional information provided includes:

• Lenora McCroskey's role as Assistant Organist and Choirmaster at Memorial Church, Harvard University.
• The organ used for the recital was a Flentrop Organ with 33 ranks, built in 1958.
• The next recital in the series was scheduled for April 24, 1975, featuring James Johnson as the organist.

The image shows a page from a program booklet for a Thursday Noon Recital Series at the Busch-Reisinger Museum, Harvard University, dated April 17, 1975. The recital featured Lenora McCroskey, an organist, who performed the following pieces:

1. "Prelude and Fugue in G Major, Op. 37, No. 2" by Felix Mendelssohn
2. "Christ lag in Todesbanden" (3 variations) by Heinrich Scheidemann
3. "Fantasia in G Major" by J. S. Bach

The program also notes that Lenora McCroskey is the Assistant Organist and Choirmaster at Memorial Church, Harvard University. The organ used for the recital was a Flentrop Organ with 33 ranks, built in 1958.

The next recital was scheduled for April 24, 1975, featuring James Johnson as the organist.

The image depicts a page from a program booklet for a recital series at the Busch-Reisinger Museum, Harvard University. The specific event is part of the Thursday Noon Recital Series, dated April 17, 1975.

The recital features Lenora McCroskey as the organist. The program lists the following pieces performed:

1. Prelude and Fugue in G Major, Op.37, No.2 by Felix Mendelssohn
2. Christ lag in Todesbanden (3 variations) by Heinrich Scheidemann
3. Fantasia in G Major by J.S. Bach

Additional information provided includes:

• Lenora McCroskey's professional role: Assistant Organist and Choirmaster at Memorial Church, Harvard University.
• The organ used for the recital: A Flentrop Organ with 33 ranks, built in 1958.

The next recital in the series is announced to be on April 24, 1975, with James Johnson as the featured organist. The document is a part of a larger collection, as indicated by the visible spine and additional pages on the left side of the image.

The image shows a typed program sheet for a Thursday Noon Recital Series at the Busch-Reisinger Museum, Harvard University, dated April 17, 1975. The recital features Lenora McCroskey as the organist. The program includes:

• Prelude and Fugue in G Major, Op.37, No.2 by Felix Mendelssohn
• Christ lag in Todesbanden (3 variations) by Heinrich Scheidemann
• Fantasia in G Major by J.S. Bach

Additional information on the sheet states that Lenora McCroskey is Assistant Organist and Choirmaster at Memorial Church, Harvard University. The organ used is a Flentrop Organ with 33 ranks, installed in 1958. The next recital is scheduled for April 24, 1975, with James Johnson as the organist.

The image shows an open printed program for a musical event that took place at Harvard University. The details are as follows:

• Title at the top: "BUSCH-REISINGER MUSEUM, HARVARD UNIVERSITY"

• Subtitle below the title: "Thursday Noon Recital Series"

• Date: April 17, 1975

• Featured artist: Lenora McCroskey, organist

• Program includes:

  • "Prelude and Fugue in G Major, Op.37, No.2" by Felix Mendelssohn
  • "Christ lag in Todesbanden (3 variations)" by Heinrich Scheidemann
  • "Fantasia in G Major" by J.S. Bach

• Additional information below the program:

  • Lenora McCroskey is noted as the Assistant Organist and Choirmaster in Memorial Church, Harvard University.
  • The organ played is a Flentrop Organ with 33 ranks dating from 1958.

• At the bottom, there is a mention of the next recital, which is scheduled for April 24, 1975, with James Johnson as the organist.

Overall, the image is of a clean, simple, typewritten program for a university music recital series.

The image shows the interior of a program booklet from a musical recital held at the Busch-Reisinger Museum, Harvard University. The program is dated Thursday, April 17, 1975, and is part of the Thursday Noon Recital Series. The recital features Lenora McCroskey as the organist.

The program lists the following pieces to be performed:

1. Fugue in G Major, Op. 37, No. 2 by Felix Mendelssohn
2. Christ lag in Todesbanden (3 variations) by Heinrich Scheidemann
3. Fantasia in G Major by J. S. Bach

Additional details provided include:

• Lenora McCroskey is identified as the Assistant Organist and Choirmaster at Memorial Church, Harvard University.
• The recital will be performed on a Flentrop Organ with 33 ranks, manufactured in 1958.
• The next recital in the series is scheduled for April 24, 1975, featuring James Johnson as the organist.

The booklet appears to be part of an archival collection, as indicated by the visible spine text referencing the Busch-Reisinger Museum, Harvard University, and the structured layout typical of formal event programs. The design is simple and formal, with clean typography and a neutral color scheme.

The image shows an open book with a white page displaying a program for a musical event. The event is titled "Busch-Reisinger Museum, Harvard University Thursday Noon Recital Series" and is dated April 17, 1975. The program lists the organist as Lenora McCroskey and includes details about the pieces to be performed, such as "Fantasie in G Major" by J. S. Bach and "Christ lag in Todesbanden" by Heinrich Scheidemann. The page also provides information about the next recital and the organist for that event. The book has a green cover and appears to be well-preserved, with no visible stains or tears.