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ARCH.2013.5.17, Rendition: 799427
The image shows a program for a musical recital held at the Busch-Reisinger Museum, Harvard University, on May 1, 1975. The recital was part of the Thursday Noon Recital Series and featured The Quadrivium Collegium, directed by Marleen Montgomery.
The program included two main sections of music:
Slavic Music from 1300 - 1550:
Music from France and Spain, 1250 - 1400:
Mass Movements from the 14th Century:
The Quadrivium Collegium members and their instruments are listed as follows:
The next recital was scheduled for May 8, 1975, with Marian Ruhl as the organist.
The image shows a program from a Thursday Noon Recital Series event held at the Busch-Reisinger Museum, Harvard University, on May 1, 1975. The event was organized by The Quadrivium Collegium, directed by Marleen Montgomery.
The program is divided into two main sections: Slavic Music from 1300-1550 and Music from France and Spain, 1250-1400.
Slavic Music from 1300-1550:
Music from France and Spain, 1250-1400:
Mass Movements from the 14th Century:
The program lists the members of The Quadrivium Collegium, detailing their instruments:
The next recital is scheduled for May 8, 1975, with Marian Rühl as the organist.
The image depicts a program for a Thursday Noon Recital Series event held at the Busch-Reisinger Museum, Harvard University, on May 1, 1975. The event is organized by The Quadrivium Collegium, directed by Marleen Montgomery.
The program features two main sections of music:
Slavic Music from 1300 - 1550:
Music from France and Spain, 1250 - 1400:
Mass Movements from the 14th Century:
The performers listed include:
The next recital is noted to be on May 8, 1975, with Marian Rühl as the organist.
The image shows a page from a program for a "Thursday Noon Recital Series" at the Busch-Reisinger Museum of Harvard University, dated May 1, 1975. The recital was conducted by The Quadrivium Collegium under the direction of Marleen Montgomery.
The program is titled "Slavic Music from 1300 - 1550," and includes several pieces of music from various Slavic countries, specifically from Czechoslovakia and Poland. The specific works listed are:
Following this section is a segment titled "Music from France and Spain, 1250 - 1400," featuring works by Adam de la Halle and the Libre Vermell, including:
Then there are Mass Movements from the 14th Century, including:
The instrumentalists and vocalists listed at the bottom include:
The next recital is scheduled for May 8, 1975, with Marian Rühl as the organist.
The image shows a program from the Busch-Reisinger Museum at Harvard University, dated May 1, 1975. The event is part of the Thursday Noon Recital Series, featuring The Quadrivium Collegium, directed by Marleen Montgomery. The program is titled "Slavic Music from 1300 - 1550" and includes several musical pieces:
The second part of the program is titled "Music from France and Spain, 1250 - 1400," featuring works by Adam de la Halle (ca. 1230-1288) and pieces from the Montserrat Manuscript (ca. 1300), Barcelona Codex, Madrid Manuscript (1361), Ivrea Manuscript, Toulouse Mass, and Cambrai Mass (1328). Specific works include:
The program also lists the members of The Quadrivium Collegium and their instruments:
The next recital is announced for May 8, 1975, with Marian Rühl as the organist.
The image is of a concert program from a recital held at the Thursday Noon Recital Series at the Busch-Reisinger Museum, Harvard University, on May 1, 1975.
The recital was performed by "The Quadratium Collegium," directed by Marleen Montgomery.
The program is divided into two sections:
The Quadratium Collegium ensemble consisted of various musicians playing a range of historical instruments and vocal parts:
The next recital mentioned at the bottom of the program is on May 8, 1975, featuring Marian Ruhl on the organ.
The image shows a page of a printed program for a music recital. The heading at the top of the page identifies it as originating from the Busch-Reisinger Museum at Harvard University, as part of the "Thursday Noon Recital Series" dated May 1, 1975.
The program is for a performance by "The Quadrivium Collegium" directed by Marleen Montgomery. The content of the performance is outlined in two sections:
SLAVIC MUSIC FROM 1300 – 1550 - This section includes several musical pieces from Slavic origins, specifying the country (either Czechoslovakia or Poland) and the approximate century or year of origin (ranging from circa 1300 to the 16th century). It includes works such as "Cantilena: Surrexit Christus hodie" and "De Spiritu Sancto."
MUSIC FROM FRANCE AND SPAIN, 1250 – 1400 - This section includes "Three Rondeles" by Adam de la Halle, and "Stella Splendens" from the Montserrat Manuscript, as well as "Mass Movements from the 14th Century" with pieces from various codices and manuscripts dating from the 14th century, including a "Kyrie-Christe-Kyrie" from the Barcelona Codex.
Finally, the document lists the members of The Quadrivium Collegium, providing the names of the artists and their respective instruments or vocal roles, such as recorders, dulcian, sackbut, and tenor voice.
The bottom of the program announces the "Next Recital" scheduled for May 8, 1975, featuring Marian Rühl, organist.
The image shows a page from a program booklet for a concert titled "Slavic Music from 1300 – 1550," held as part of the Thursday Noon Recital Series at the Busch-Reisinger Museum, Harvard University, on May 1, 1975. The program is associated with the Quadrivium Collegium, directed by Marleen Montgomery.
The program is divided into two main sections:
Slavic Music (1300 – 1550):
Music from France and Spain (1250 – 1400):
Mass Movements from the 14th Century:
The program lists the performers and the instruments they will use:
This program provides a detailed overview of the concert's musical selections, origins, and performers, highlighting a diverse range of medieval and early Renaissance music from Slavic, French, and Spanish traditions.
The image shows a program for a musical performance. The program is titled "Thursday Noon Recital Series" and is dated May 1, 1975. The performance is titled "The Quadrivium Collegium" and is directed by Marleen Montgomery. The program lists several pieces of music from various countries, including Czechoslovakia, Poland, Russia, and France, with dates ranging from the 13th to the 16th century. The program also includes a list of performers and their instruments. The program is printed on white paper and is bound in a green cover with a gold-colored border.
The image shows a page from a program for a concert or music event. The program is titled "Thursday Noon Recital Series" and is for an event on May 1, 1975, organized by the Quadrivium Collegium. The program lists the performers and the pieces they will be playing.
The performers include Buffy Berg, Hildur Colt, Sarah Cunningham, Hannah Davidson, John Fleagle, Janet Fuchs, Curt Hayashi, Robert Hill, Lisle Kulbach, David Levy, Marty McCall, and Robert Turner. The instruments they will be playing include recorders, dulciman, krummhorn, percussion, flute, viol, kamanja, vihuela d'arco, soprano, sach, shawm, baroque racket, rauschfeife, tenor voice, sackbut, tenor kamaja, harp, recorders, bass voice, bass voice, bells, rebec, melmling fiddle, recorders, percussion, tenor, counter-tenor voice, glokenspiel, tenor voice, cymbal, 12-string guitar, cornetto, and claves.
The pieces they will be playing include Slavic Music from 1300-1550, Music from France and Spain, 1250-1400, and Mass Movements from the 14th Century. The composers of these pieces include Adam de la Halle, Libre Vermell, Montserrat Manuscript, Barcelona Codex, Apt Manuscript, Madrid Manuscript, Ivrea Manuscript, Toulouse Mass Cambrai, and others.
The program also lists the next recital, which will be on May 8, 1975, and will feature Marian Ruhl on the organ.