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Busch-Reisinger Museum Scrapbook, 1974-1975

ARCH.2013.5.17, Rendition: 799414

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The image is a yellow tri-fold brochure detailing the winners of the Emily Baily Award from 1968 to 1975 and the program for the Twenty-fourth Season of the Candlewood Concerts in 1975.

Emily Baily Award Winners:

  • 1968:

    • David Cramer: oboe
    • David Cramer and John Miller: duo session
  • 1969:

    • David Callan: counter-tenor
    • John Mackison: harpsichord
  • 1970:

    • Jane Bryden: soprano
    • John Cohen: lute
    • John Bryden: piano
    • Roger Dean: organ
  • 1971:

    • James E. Rives: organ
    • Roger Heagney: trumpet
    • Lois Kahlsche: harpsichord
    • Roger Smith: cello
  • 1972:

    • Raymond Robinson: harpsichord
    • Barbara Conrad: soprano
    • Stuart Duckworth: oboe
    • J. Reilly Lewis: harpsichord
    • Susan Cunningham: recorder and Renaissance flute
  • 1973:

    • No award
  • 1974:

    • Scott Martin Kosofsky: recorder
    • Scott Reiss: baroque violin
  • 1975:

    • The Greenwood Consort: mixed ensemble
    • Kathleen O'Connor, Tynon: Renaissance flute, recorders
    • Ruth Solomon: viols
    • Ruth O'Connor: viols, recorder, harpsichord

Twenty-fourth Season of the Candlewood Concerts (1975):

  • Wednesday, October 8:

    • Albert Fuller: Artistic Director
    • Nina Svetlanova and instrumentalists will perform music by Rameau, Bach, and Scarlatti.
  • Wednesday, October 29:

    • Bruce Laurie: Harpsichord
    • Bruce Laurie will play the 15 Three-part Inventions and the 15 Two-part Inventions of Bach.
  • Wednesday, November 19:

    • A Mixed Choral Program
    • Conducted by Iva Dee Hiatt
    • The program includes music by Heinrich Schütz, madrigals from the court of Baroque Rome, and more.

Program:

  • The Greenwood Consort:

    • John Bryden: recorder and harpsichord
    • Kathleen O'Connor: recorders and recorders
    • David Fuller: harpsichord, viola da gamba, and recorder
    • Nancy Wilson: soprano and Renaissance flute
    • Ruth Solomon: viols
    • Program includes "La belle se siet" by Pierre Certon and "Dances from Livre de Danceries" by Claude Gervaise.
  • Elen Hebble: Harpsichord:

    • Partita in B minor, BWV 831 by Johann Sebastian Bach
    • Ouverture in the French Manner, BWV 831 by Johann Sebastian Bach
    • Suite in E minor, BWV 814 by Johann Sebastian Bach
  • The Greenwood Consort:

    • "In a Merry May Morning" by Richard Nicholson
    • "Witty Wanton" by Thomas Simpson
    • "Come Away, Come Sweet Love" by John Dowland
    • "Sola, sola, sola" by Anonymous
    • "La Frescata" by Anonymous
  • Elen Hebble: Harpsichord:

    • Suite in G major, HWV 441 by George Frideric Handel
    • Allemande by Louis Couperin
    • La Garnier by Louis Couperin
    • Toccata Settima by Girolamo Frescobaldi
    • Passacaille by Louis Couperin

The brochure also includes a note about reservations and the dates and times of the concerts.

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The image shows a page from a program booklet, likely from a music event or concert series. The page is divided into several sections:

Left Section: Erwin Beckley Award Winners

This section lists the recipients of the Erwin Beckley Award over various years:

  • 1968: Lisa Goodchild Crawford (harpsichord), John Baker (recorder), Ian Benson (bassoon)
  • 1969: Daniel Collins (counter-tenor), Julie Graham (harpsichord)
  • 1970: Jane Braden (soprano), Joel Cohen (lute)
  • 1971: William R. Porter (organ), Sarah Cunningham (gamba), Lisa Kalbach (harpsichord), Hapkerson Smith (lute)
  • 1972: Martin Pearlman (harpsichord), Stephen Cleobury (organ), David Daniels (recorder), Susan Zimmerman (recorder and Renaissance lute)
  • 1973: No award listed
  • 1974: Scott-Martyn Koushik (recorders), Jean-Luc Lemoine (bassoon)
  • 1975: Ellen Haskel (harpsichord), John Tyler (recorders), Ruth Rubin (viola da gamba), Nancy Wilson (violin), Ruth Rubin (vocal)

Center Section: Event Details

This section provides details for the Twenty-fourth Season Fall Concert Series, 1975:

  • Wednesday, October 8: Music by Anton Magsen, with Albert Fuller as Artistic Director. Performers include musicians from Renaissance Bach, Domenico Scarlatti, and others.
  • Wednesday, October 29: Music by Gustav Leonhardt, harpsichordist. This concert features the 15 Three-part Inventions and the Partita in D minor by Johann Sebastian Bach.
  • Monday, November 10: A Major Choral Program, conducted by John Dee Hunt, including polyphonic motets by Heinrich Schütz, madrigals from the courts of Renaissance Italy, and other music.

Right Section: Programs

The program section lists specific pieces and performers for different concerts:

I. The Greenwood Consort

  • John Tyler, records and instruments
  • Katherine Ellis, Renaissance flute and recorder
  • Kathleen Fairfax, Renaissance lute
  • Richard Jones, recorder
  • Robert White, harpsichord and harp

II. Guillaume Du Fay

  • Guillaume Du Fay (c. 1400-1474)
  • Clara Gevaert (c. 1550)

III. Ellen Haskel

  • Ellen Haskel, harpsichord
  • Overture and the "Four Marches" by J.S. Bach (1685-1750)
  • Colette and the "French Sarabande" by Couperin (1670-1709)

IV. The Greenwood Consort

  • Richard Nicholson (c. 1839)
  • Witty Watson
  • "Come Away, Come Sweet Love"
  • "Go, Crystal Tears"
  • "Go, Stile Exce"

V. Ellen Haskel

  • From the Second Order of the Rosary by Francesco Cavalli (1605-1676)
  • "Alleluia, Labyrinthos"
  • Seconds Couparine
  • Three Sonatas K. 141, 208, 113 by Domenico Scarlatti (1685-1757)

The concert program includes detailed information on the pieces to be performed, composers, and performers, reflecting a comprehensive schedule for the music season.

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The image shows a yellow brochure with text detailing the "Erwin Bodky Award Winners" from various years and a program for a series of concerts.

Erwin Bodky Award Winners:

  • 1968: Lisa Godek (cello), Crawford, harpsichord; David Hoysan, John McNeice, duo bassoon
  • 1969: Daniel Collins, counter-tenor; Julie Graham, harpsichord
  • 1970: Jane Bryden, soprano; Joel Cohen, lute; David Hoysan, bassoon; Robert Eshbach, organ
  • 1971: William R. Porter, organ; Sarah Cunningham, viola; Lisa Kalbach, harpsichord; Hillel Smith, lute
  • 1972: Martin Pearlman, harpsichord; Reineros Consort: Robert Davidson, soprano; Susan Zimmerman, recorder, and Renaissance flute
  • 1973: No award
  • 1974: Scott-Marian Kofsky, recorders; Jean Lemaire, baroque violin
  • 1975: Ellen Haskel, harpsichord; Judith L. Tuvlin, recorders, krummhorn; Kathleen Dineen, tympani; Ruth Davidson, recorders; Nancy Wilson, treble; Helen Moriga, harp

Program for Twenty-fourth Season Fall Concert Series, 1975:

Wednesday, October 8

  • Location: Jordan Hall
  • Time: 8:30 PM
  • Performers: Albert Fuller, Artistic Director; The Greenwood Consort, Albert Fuller, John Hsu, Bernard Krainis, Stanley Ritchie, and John Solomon
  • Music: Works by Antonio Mago, Heinrich Biber, Giovanni Battista Granata, Giovanni Paolo Cima, and others

Wednesday, October 22

  • Location: Jordan Hall
  • Time: 8:30 PM
  • Performer: Guster Leonhardt, Harpsichordist
  • Program: Includes works by Johann Sebastian Bach, Domenico Scarlatti, and Jean-Henri D'Anglebert

Monday, November 10

  • Location: Jordan Hall
  • Time: 8:30 PM
  • Conductor: John Scott
  • Program: Features works by Heinrich Schütz, Italian and English madrigals, and other Renaissance music

Performers and Works:

  • The Greenwood Consort: Performances of works by Guillaume Dufay, John Dowland, and Richard Nicholson
  • Ellen Haskel, Harpsichord: Works by Johann Sebastian Bach, Claude Gervais, and Domenico Scarlatti

The brochure provides detailed information about the award winners and the concert programs, including dates, times, locations, and the specific musical pieces to be performed.

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The image appears to be a detailed program or record of the recipients of the Erwin Bodky Award along with a schedule of performances for a specific musical event or series of events.

Erwin Bodky Award Winners

The Erwin Bodky Award has been given to the following individuals from 1968 to 1975:

  • 1968: Lisa Goode Crawford - Harpsichord, David Cogan - Viola da Gamba
  • 1969: Donald Collins - counter-tenor, John Gibbons - Harpsichord
  • 1970: Jane Bryden - soprano, Joel Cohen - lute, The Camerata Society for Early Music (Roger Evans, organ)
  • 1971: William R. Fowler - organ, Sarah Cunningham - gamba, and Lise Kindlebach - Harpsichord/Highland Singers
  • 1972: Martin Pearlman - harpsichord, Frances Blaker - recorder, Stanley Ritchie - violin, Daniel Stepner - violin, Susan Zimmerman - recorder, and Kassandra flute
  • 1973: No award listed
  • 1974: Scott Martin Kosofsky - recorders, Max Lifchitz - keyboard violin
  • 1975: Ellen Hargis - harpsichord, John Tyson - recorders, trumpets, Carol Lewis - viola da gamba, Rebecca Ketcham - Renaissance flute, recorders, Douglas Freundlich - lute, Ruth Butler - soprano, Frances Blaker - recorder

Program Details

The program details the events of the Twenty-Fourth Season, Fall Concert Series, 1975 organized by The Cambridge Society for Early Music.

Concerts:

  1. Wednesday, October 8

    • Venue: The Gardner Concert, Isabella Stewart Gardner Museum
    • Program: Music from Anton Magsaysay
    • Performers: Albert Fuller (Artistic Director), Daniel Pinkham, and others on Baroque instruments including violins, viola, cello, violone, harpsichord, and organ.
    • Pieces: Works by Corelli, Domenico Scarlatti, Cimarosa, Handel, and others.
  2. Wednesday, October 29

    • Venue: Guild Loewenberg Harpsichord
    • Program: In this exclusive Boston debut, Mr. Leonhardt will play a three-part program featuring works from the 15th through 18th centuries.
  3. Monday, November 10

    • Venue: Couldn’t be due to "The Hall"
    • Program: A major choral program with polyphonic motets by Heinrich Schütz and madrigals from the courts of Renaissance Italy.

Guest Performers and Ensembles

The image lists notable performers and their works:

  • Quatrième Dulcy (c. 1400-1474)
  • Claude Gervaise (c. 1550)
  • Ellen Hargis, Harpsichord
  • Johann Sebastian Bach (1685-1750)
  • François Couperin (1668-1733)
  • Domenico Scarlatti (1685-1757)

Overall, the image provides a historical record of the Erwin Bodky Award winners and the detailed program for the Fall Concert Series of 1975 by The Cambridge Society for Early Music.

Mistral, mistral.ministral-3-14b-instruct

The image shows a document listing the winners of the Erwin Bodky Award from 1968 to 1975 and a program for the Twenty-fourth Season of the Fall Concert Series in 1975.

Erwin Bodky Award Winners

1968

  • Lisa Gould Crawford, harpsichord
  • Daniel Catton, counter-tenor
  • John Nelson, harpsichord

1969

  • Daniel Collins, counter-tenor
  • John Nelson, harpsichord

1970

  • Jane Brender, soprano
  • Joel Cohen, lute
  • Robert Franks, organ

1971

  • William R. Porter, organ
  • Seth Ginsburg, gambist, and Lisa Kalbach, harpsichord
  • Hopkinson Smith, lute

1972

  • Martin Pearlman, harpsichord
  • Stephen Staryk, viola da gamba
  • Susan Davison, soprano
  • Susan Zimmerman, recorder and Renaissance flute

1973

  • No award

1974

  • Scott Martin Korfky, recorders
  • Jean Lawson, baroque viola

1975

  • Ellen Haskel, harpsichord

Program: Twenty-fourth Season Fall Concert Series, 1975

Wednesday, October 8

  • Albert Fuller, Artistic Director
    • Music from Austin Maggs
    • Works by various composers including: Rameau, Bach, Domenico Scarlatti, and others
    • Performers: Albert Fuller (artistic director), John Hsu, Bernard Kraines, Stanley Ritchie, and others

Wednesday, October 29

  • Guster Leonhardt, Harpsichord
    • Excerpts from the Three-part Inventions by J.S. Bach
    • Leonhardt will play the 15 Three-part Inventions and his harpsichord version of the Partita in D minor

Monday, November 10

  • A Major Choral Program
    • Conducted by John DeMain
    • Includes performances by the Greenway Consort, featuring works by Heinrich Schütz and other composers from the courts of Renaissance Italy and other periods

Program Details

  • I. The Greenway Consort

    • John Tyler, recorder and crumhorn
    • Katherine Ciesinski, recorder
    • John Hsu, viola da gamba
    • Ruth Rubinstein, viola da gamba
    • Jane Brender, soprano
    • Ellen Haskel, harpsichord
    • Guillaume Dufay (c. 1400-1474)
    • Claude Gervaise (c. 1550)
    • John Dowland (1563-1626)
  • II. Ellen Haskel, Harpsichord

    • Johann Sebastian Bach (1685-1750)
    • Overture in the French Style
    • Suite in D Minor, BWV 997
    • Sarabande
    • Couperin: Les Folies d'Espagne
  • III. The Greenway Consort

    • Richard Nicholson (c. 1639)
    • Witty Wants
    • Robert Johnson (1583-1633)
    • Come Away, Come Sweet Love
    • Go, Crystal Tears
    • Go, Sick Exuse
  • IV. Ellen Haskel, Harpsichord

    • François Couperin (1668-1733)
    • From the Second Ordre of the Concerts Royaux
    • Allemande
    • Allemande, La Barcarole
    • Domenico Scarlatti (1685-1757)
    • Sonata K. 141, 208, 113

Mistral, mistral.ministral-3-8b-instruct

The image shows a historical concert program from the 1975 Twenty-Fourth Season of the Cambridge Society for Early Music. Here's a detailed summary:

Left Panel: Erwin Bodky Award Winners

This section lists the winners of the Erwin Bodky Award from 1968 to 1973:

  • 1968:
    • Lisa Gerrard Crawford, harpsichord
    • David Caroll, tenor
    • John Weller, bassoon
  • 1969:
    • Daniel Collins, counter-tenor
    • Julia Crandall, harpsichord
  • 1970:
    • Jane Braden, soprano, and Joel Cohen, lute
    • Roger Dams, organ
  • 1971:
    • William R. Porter, organ
    • Sarah Cunningham, harpsichord
    • Lisa Kalbaugh, harpsichord
    • Hopper Smith, lute
  • 1972:
    • Martin Pearlman, harpsichord
    • Stephen Stubbs, recorder
    • Peter Holman, recorder
  • 1973: No award

Center Panel: Program Information

This section provides details about the concert:

  • Date: Tuesday, May 6, 1975, at 8:30 pm
  • Location: The Center for the Arts at the University of Massachusetts, Amherst
  • Event: Cambridge Society for Early Music concert

Right Panel: Program Schedule

The program consists of several pieces performed by various artists:

I. The Greenewald Consort

  • John Haines, recorder and harpsichord
  • Kathleen Kuhlmann, recorder
  • Ruth Tyson, Renaissance flute and recorders
  • Dorothy Harrison, viola da gamba
  • Julian Hodge, viola da gamba and harp
  • Linda Barrett, harp

II. Ellen Haskel, Harpsichord

  • Guillaume Dufay (c. 1400-1474)
    • "La belle se sent"
    • "Ce moys de may"
    • "Dances from Livre de Danseries"

III. The Greenewald Consort

  • John Haines, recorder and harpsichord
  • Kathleen Kuhlmann, recorder
  • Ruth Tyson, Renaissance flute and recorders
  • Dorothy Harrison, viola da gamba
  • Julian Hodge, viola da gamba and harp
  • Linda Barrett, harp
  • Claude Gervaise (c. 1550)
    • Overture

IV. Ellen Haskel, Harpsichord

  • John Sebastian Bach (1685-1750)
    • Overture from "Orchestral Suite No. 2 in B minor"
    • Sarabande

V. The Greenewald Consort

  • Richard Nicholson (c. 1639)
    • "I am Merry May Mom"

VI. Witty Watson

  • Robert Johnson (fl. 1630)
    • "Come Away, Come Away, Sweet Love"
    • "Go, Crystal Tears"
    • "Go, Sleepy Sleep"

VII. Ellen Haskel, Harpsichord

  • Francis Couperin (1668-1733)
    • From the Second Order of the "Ordre de Clavecin" (Harpsichord Order)
    • "Allemagne: Le Laborieux"

VIII. The Greenewald Consort

  • Domenico Scarlatti (1685-1757)
    • Three Sonatas: K. 141, 208, 113

IX. Ellen Haskel, Harpsichord

  • Claude Le Jeune (c. 1568-1600)
    • Various dances

Additional Details

  • Conductor: The concert was conducted by John Haines.

This program highlights a rich selection of early music from various periods and composers, showcasing the diversity and depth of the Cambridge Society for Early Music's offerings.

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The image shows a yellow concert program printed in red text. The program details the twenty-fourth season of a fall concert series in 1975, with three performances scheduled:

  1. Wednesday, October 8: Music from Aston Magna, with Albert Fuller as Artistic Director. Nine vocalists and instrumentalists will perform music by Rameau, Bach, Domenico Scarlatti, and others. This is the Boston debut of the group.

  2. Wednesday, October 29: All-Bach Recital by Gustav Leonhardt on harpsichord, including 15 Three-part Inventions, two toccatas, and Leonhardt's harpsichord version of the Partita in d minor.

  3. Monday, November 10: A Major Choral Program conducted by Iva Dee Hiatt, featuring soloists, chamber chorus, and early instruments performing polychoral motets and madrigals from Renaissance Italy and other music.

The program also lists previous Erwin Bodky Award winners from 1968 to 1975 on the left panel. On the right panel, there is a detailed program of a specific concert featuring The Greenwood Consort, Ellen Haskel (harpsichord), and selections of early music by composers such as Guillaume Dufay, Claude Gervaise, Johann Sebastian Bach, Richard Nicholson, Robert Johnson, John Dowland, François Couperin, and Domenico Scarlatti.

The right panel is split into four parts, each listing musical pieces and the performers involved. The program includes various Renaissance and Baroque music pieces performed on period instruments like recorders, harpsichord, lute, and Flemish harp.

Azure OpenAI Service, gpt-4

The image shows a yellow brochure or program flyer with text printed on it. The brochure is laid out flat and open, so we can see three panels of content with writings that are both right-side up and upside down.

On the left panel, there's a list of "Erwin Bodky Award Winners" from different years, starting with 1968 and ending with 1975. The names and instruments associated with the winners are listed under each year.

The center panel has text that is oriented upside down in relation to the left panel. This is usually done for brochures so that both sides can be read when it's folded. The text is not legible in this orientation from the perspective of the image.

The right panel features the "Program" for presumably a concert or recital. It lists performances by "The Greenwood Consort" and individuals with their specific parts or instruments. The program appears to include works from various composers such as Johann Sebastian Bach, Guillaume Dufay, Richard Nicholson, Robert Johnson, and others. The date "Wednesday, October 8" likely refers to when the event was taking or took place, and this is under the title "Twenty-fourth Season Fall Concert Series, 1975".

Given the content, it seems this brochure is related to a concert series focused on classical, renaissance, or baroque music, as indicated by the types of instruments and the composers mentioned.

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The image shows a program booklet for the Twenty-fourth Season of the Fall Concert Series, 1975, presented by the Greenwood Consort. The booklet is predominantly yellow with black text and includes detailed information about the concert series, performers, and repertoire.

Key Elements of the Image:

Left Side:

  • Erwin Bodky Award Winners:
    • A list of past winners of the Erwin Bodky Award, spanning from 1968 to 1975. Each entry includes the winner's name, instrument(s), and year.
    • 1968: Lisa Gude (cravichord), David Campisi (John Molin, baritone).
    • 1969: Daniel Colin (countertenor), Joel Gibbon (harpsichord).
    • 1970: Jane Beyden (soprano) and Joel Cohen (lute), Roger Evans (organ).
    • 1971: William Porter (organ), Sarah Cunningham (canto), and Lisa Kulbach (harpsichord), Hopkins Smith (lute).
    • 1972: Martin Pearlman (harpsichord), Renaissance Consort (Stanley Boorman, harpsichord), Susan Davidson (soprano), Pascal Bentoiu (lute), Susan Zimmerman (recorder and Renaissance flute).
    • 1973: Scott Murty (Kosslyn, recorders), Jean Lemon (baroque violin).
    • 1975: Ellen Haekel (harpsichord), John Tyyn (recorders, crumhorn), Kathleen Delore (violin, Renaissance flute, recorders), Ruth Rubino (cello), Nancy Wilson (soprano, Harpsichord).

Right Side:

  • Program Details:

    • Concerts: The booklet outlines three concerts scheduled for the season:
      1. Wednesday, October 8:
        • Music from Aston Magna: Works by Renaissance composers, including Dufay, Josquin des Prez, and others. Performers include Albert Fuller (organ), Dominick Scarola (cello), and others.
      2. Wednesday, October 29:
        • All Bach Recital: A solo recital by Günter Leonhardt, harpsichord. Features Bach's Partita No. 6 in E minor, BWV 830, among other works.
      3. Monday, November 10:
        • A Major Choral Program: Features works by Heinrich Schütz, including madrigals and motets, conducted by Ives Hatt. Includes pieces such as "Schnelle, schone, leicht und lustig" and motets from the courts of Renaissance Italy.
  • Greenwood Consort Program:

    • Program Listing: The right side also includes a detailed program for the Greenwood Consort's performance, featuring works by:
      • Johann Sebastian Bach: Partita in D minor, BWV 831 (Overture after the Passacaglia).
      • Claudio Monteverdi: Il Combattimento di Tancredi e Clorinda.
      • Giulio Caccini: La Toccata.
      • Claudio Giovanni Antonio (likely referring to Claudio Giovanni Antonio**): La Bellezza di San Marco.
      • Claudio Giovanni Antonio: Danza delle Danzarie.
      • Claudio Giovanni Antonio: Il Ballo.
      • Ellen Haekel: Harpsichord.
      • Johann Sebastian Bach: Partita in D minor, BWV 831.
      • Richard Nicholson: In a Merry May Morning.
      • John Dowland: Witty Wanton, Come Sweet Love, Go, Crystal Tears, Can She Excuse.
      • François Couperin: Allemande in D Major, Seconde Courante, La Gernie.
      • Domenico Scarlatti: Trio Sonatas, K. 141, 208, 11.

Design and Layout:

  • The booklet uses a clean, organized layout with clear headings and sections.
  • The text is printed in a serif font, typical of formal concert programs.
  • The background is a bright yellow, making the black text stand out clearly.

Overall Context:

This program booklet serves as a historical record of the Greenwood Consort's 1975-1976 season, highlighting both the ensemble's performances and the Erwin Bodky Award winners. It reflects a focus on early music, particularly works from the Renaissance and Baroque periods, performed on period instruments. The inclusion of detailed program listings and performer credits indicates a commitment to authenticity and scholarly presentation.

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The image appears to be a yellow-colored brochure or booklet with black text. It seems to be a program or schedule for an event or series of events. The text is organized in a structured format with headings, subheadings, and bullet points. The headings include "Erwin Body Award Winners," "Program," "Fall Concert Series," "Wednesday Recital," "Thursday Recital," and "A Major Choral Program." The text provides information about the winners of the Erwin Body Award, the program schedule, and details about the performances and musicians involved.