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Busch-Reisinger Museum Scrapbook, 1974-1975

ARCH.2013.5.17, Rendition: 799411

Mistral, mistral.magistral-small-2509

The image shows a program for a musical performance. The program is divided into four sections, each featuring different performers and pieces.

I. The Greenwood Consort

  • Performers:
    • John Tyson, recorders and krummhorn
    • Kathleen DeVore Tyson, Renaissance flute and recorders
    • Douglas Freundlich, Renaissance lute
    • Ruth Rubinow, viola da gamba
    • Nancy Wilson, soprano and Flemish harp
  • Pieces:
    • J'atendray tant
    • La belle se siet
    • Ce moys de mai
    • Dances from Livres de Danseries
  • Composer: Guillaume Dufay (c. 1400–1474)

II. Ellen Haskel, Harpsichord

  • Piece: Partita in B minor, BWV 831 (Overture after the French Manner) by Johann Sebastian Bach (1685–1750)
    • Overture
    • Courante
    • Gavottes I and II
    • Sarabande
    • Echo

III. The Greenwood Consort

  • Piece: In a Merry May Morn
    • Witty Wanton
    • Come Away, Come Sweet Love
    • Go, Crystal Tears
    • Volta
    • Can She Excuse
  • Composers:
    • Richard Nicholson (d. 1639)
    • Robert Johnson (d. 1634)
    • John Dowland (1563–1626)

IV. Ellen Haskel, Harpsichord

  • Piece: From the Second Ordre of the Pièces de Clavecin (Livre I) by François Couperin (1668–1733)
    • Allemande la Laborieuse
    • Seconde Courante
    • La Garnier
  • Additional pieces: Three Sonatas, K. 141, 208, 113 by Domenico Scarlatti (1685–1757)

The program provides a detailed list of the musical works to be performed, along with the names of the performers and the composers. The overall theme appears to span Renaissance and Baroque music, featuring a mix of instrumental and vocal pieces.

Mistral, mistral.ministral-3-3b-instruct

The image depicts a yellow program sheet for a classical music concert featuring a variety of instrumental and vocal works from the Renaissance and Baroque periods.

Section I: The Greenwood Consort

  • Performers:

    • John Tyson: recorders and krummhorn
    • Kathleen DeVore Tyson: Renaissance flute and recorders
    • Douglas Freundlich: Renaissance lute
    • Ruth Rubinow: viola da gamba
    • Nancy Wilson: soprano and Flemish harp
  • Works:

    • Guillaume Dufay (c. 1400–1474):
      • J’atendray tant
      • La belle se sieit
      • Ce mois de mai
      • Dances from Livres de Danseries

Section II: Ellen Haskel, Harpsichord

  • Works by Johann Sebastian Bach (1685–1750):
    • Partita in B minor, BWV 831 (Overture after the French Manner)
      • Ouverture
      • Courante
      • Gavottes I and II
      • Sarabande
      • Echo

Section III: The Greenwood Consort

  • Works:
    • Richard Nicholson (d. 1639):
      • In a Merry May Morn
    • Robert Johnson (d. 1634):
      • Witty Wanton
    • John Dowland (1563–1626):
      • Come Away, Come Sweet Love
      • Go, Crystal Tears
      • Volta
      • Can She Excuse

Section IV: Ellen Haskel, Harpsichord

  • Works:
    • François Couperin (1668–1733):
      • From the Second Ordre of the Pièces de Clavecin (Livre I):
        • Allemande la Laborieuse
        • Seconde Courante
        • La Garnier
    • Domenico Scarlatti (1685–1757):
      • Three Sonatas: K. 141, 208, 113

The program highlights a blend of Renaissance and Baroque music, showcasing both vocal and instrumental pieces performed by a mix of historical instruments and modern performers.

Mistral, mistral.ministral-3-14b-instruct

The image displays a program for a musical performance. The program lists the pieces to be performed along with the performers and composers involved.

Program Sections:

I. The Greenwood Consort

Members:

  • John Tyson, recorders and krummhorn
  • Kathleen DeVore Tyson, Renaissance flute and recorders
  • Douglas Freundlich, Renaissance lute
  • Ruth Rubinow, viola da gamba
  • Nancy Wilson, soprano and Flemish harp

Pieces:

  • J'atendray tant by Guillaume Dufay (c. 1400-1474)
  • La belle se siet by Guillaume Dufay (c. 1400-1474)
  • Ce mois de mai by Guillaume Dufay (c. 1400-1474)
  • Dances from Livres de Danseries by Claude Gervaise (c. 1550)

II. Ellen Haskel, Harpsichord

Piece:

  • Partita in B minor, BWV 831 (Overture after the French Manner) by Johann Sebastian Bach (1685-1750)
    • Overture
    • Courante
    • Gavottes I and II
    • Sarabande
    • Echo

III. The Greenwood Consort

Pieces:

  • In a Merry May Morn by Richard Nicholson (d. 1639)
  • Witty Wanton by Robert Johnson (d. 1634)
  • Come Away, Come Sweet Love by John Dowland (1563-1626)
  • Go, Crystal Tears by John Dowland (1563-1626)
  • Volta: Can She Excuse by John Dowland (1563-1626)

IV. Ellen Haskel, Harpsichord

Pieces:

  • From the Second Ordre of the Pièces de Clavecin (Livre I) by François Couperin (1668-1733)
    • Allemande la Laborieuse
    • Seconde Courante
    • La Garnier
  • Three Sonatas: K. 141, 208, 113 by Domenico Scarlatti (1685-1757)

This program showcases a diverse range of music from the Renaissance to the Baroque period, performed by a consort of musicians and a harpsichordist.

Mistral, mistral.mistral-large-3-675b-instruct

The image is of a concert program featuring performances by "The Greenwood Consort" and "Ellen Haskel" on the harpsichord. Here is a detailed summary of the program:

Program

I. The Greenwood Consort

Performers:

  • John Tyson: recorders and krummhorn
  • Kathleen DeVore Tyson: Renaissance flute and recorders
  • Douglas Freundlich: Renaissance lute
  • Ruth Rubinow: viola da gamba
  • Nancy Wilson: soprano and Flemish harp

Pieces:

  1. "J'attendray tant" - Anonymous
  2. "La belle se siet" - Anonymous
  3. "Ce moys de may" - Anonymous
  4. Dances from Livres de Danceries - Claude Gervaise (c. 1550)

Composers Mentioned:

  • Guillaume Dufay (c. 1400–1474)

II. Ellen Haskel, Harpsichord

Piece:

  • Partita in B minor, BWV 831 (Overture after the French Manner) - Johann Sebastian Bach (1685–1750)

Movements:

  1. Ouverture
  2. Courante
  3. Gavottes I and II
  4. Sarabande
  5. Echo

III. The Greenwood Consort

Pieces:

  1. "In a Merry May Morn" - Richard Nicholson (d. 1639)
  2. "Witty Wanton" - Robert Johnson (d. 1634)
  3. "Come Away, Come Sweet Love" - John Dowland (1563–1626)
  4. "Go, Crystal Tears"
  5. "Volta"
  6. "Can She Excuse"

IV. Ellen Haskel, Harpsichord

Pieces:

  1. From the second Ordre of the Pièces de Clavecin (Livre I) - François Couperin (1668–1733)
    • Allemande la Laborieuse
    • Seconde Courante
    • La Garnier
  2. Three Sonatas - Domenico Scarlatti (1685–1757)
    • K. 141
    • K. 208
    • K. 113

The program showcases a variety of Renaissance and Baroque music, featuring both instrumental and vocal performances.

Mistral, mistral.ministral-3-8b-instruct

The image shows a program for a classical music concert. It lists the performers and the musical pieces to be played, divided into four sections.

Section I: The Greenwood Consort

  • Musicians:

    • John Tyson (recorders and krummhorn)
    • Kathleen DeVore Tyson (Renaissance flute and recorders)
    • Douglas Freundlich (Renaissance lute)
    • Ruth Rubinow (viola da gamba)
    • Nancy Wilson (soprano and Flemish harp)
  • Compositions:

    • Guillaume Dufay (c. 1400–1474):
      • J’attendray tant
      • La belle se siet
      • Ce moys de mai
    • Dances from Livres de Danseries by Claude Gervaise (c. 1550)

Section II: Ellen Haskel, Harpsichord

  • Composition:
    • Partita in B minor, BWV 831 by Johann Sebastian Bach (1685–1750)
      • Overture
      • Courante
      • Gavottes I and II
      • Sarabande
      • Echo

Section III: The Greenwood Consort

  • Compositions:
    • Richard Nicholson (d. 1639):
      • In a Merry May Morn
    • Robert Johnson (d. 1634):
      • Witty Wanton
    • John Dowland (1563–1626):
      • Come Away, Come Sweet Love
      • Go, Crystal Tears
      • Volta
      • Can She Excuse

Section IV: Ellen Haskel, Harpsichord

  • Compositions:
    • François Couperin (1668–1733):
      • From the Second Ordre of the Pièces de Clavecin (Livre I):
        • Allemande la Laborieuse
        • Seconde Courante
        • La Garnier
    • Domenico Scarlatti (1685–1757):
      • Three Sonatas: K. 141, 208, 113

Mistral, us.mistral.pixtral-large-2502-v1:0

The image shows a yellow program for a musical performance. The program is divided into four sections, each featuring different performers and pieces. Here is a detailed summary:

Section I: The Greenwood Consort

  • Performers:

    • John Tyson: recorders and krummhorn
    • Kathleen DeVore Tyson: Renaissance flute and recorders
    • Douglas Freundlich: Renaissance lute
    • Ruth Rubinow: viola da gamba
    • Nancy Wilson: soprano and Flemish harp
  • Pieces:

    • "J'atendray tant" by Guillaume Dufay (c. 1400-1474)
    • "La belle se siet" by Guillaume Dufay
    • "Ce moys de mai" by Guillaume Dufay
    • Dances from "Livres de Danseries" by Claude Gervaise (c. 1550)

Section II: Ellen Haskel, Harpsichord

  • Pieces:
    • "Partita in B minor, BWV 831 (Overture after the French Manner)" by Johann Sebastian Bach (1685-1750)
      • Overture
      • Courante
      • Sarabande I and II
      • Sarabande
      • Echo

Section III: The Greenwood Consort

  • Pieces:
    • "In a Merry May Mom" by Richard Nicholson (d. 1639)
    • "Witty Wanton" by Robert Johnson (d. 1634)
    • "Come Away, Come Sweet Love" by John Dowland (1563-1626)
    • "Go, Crystal Tears" by John Dowland
    • "Volta"
    • "Can She Excuse" by John Dowland

Section IV: Ellen Haskel, Harpsichord

  • Pieces:
    • "From the Second Ordre of the Pièces de Clavecin (Livre I)" by François Couperin (1668-1733)
      • Allemande la Laborieuse
      • Seconde Courante
      • La Garrier
    • Three Sonatas: K. 141, 208, 113 by Domenico Scarlatti (1685-1757)

The program features a mix of Renaissance and Baroque music, performed by The Greenwood Consort and harpsichordist Ellen Haskel.

Azure OpenAI Service, gpt-4

This is a photograph of an event program printed on a yellow background. The program is divided into four parts and details the performances as well as the performing artists and the composers whose music will be featured. The headings "I", "II", "III", and "IV" likely denote different sections of the concert.

Part I lists "The Greenwood Consort" with the names of the musicians and the instruments they will be playing: John Tyson on recorders and krummhorn, Kathleen DeVore Tyson on Renaissance flute and recorders, Douglas Freundlich on Renaissance lute, Ruth Rubinow on viola da gamba, and Nancy Wilson on soprano and Flemish harp. They will be performing works by Guillaume Dufay and Claude Gervaise, with the pieces identified under the composers' names.

Part II features Ellen Haskel on harpsichord performing Johann Sebastian Bach's 'Partita in B minor, BWV 831 (Overture after the French Manner)' with the movements listed below the main title.

Part III again features "The Greenwood Consort" with music by Richard Nicholson, Robert Johnson, and John Dowland. Specific pieces are listed under the composers' names.

Part IV returns to Ellen Haskel on the harpsichord playing pieces by François Couperin and Domenico Scarlatti, with the specific works listed beneath their names.

The program is clearly outlining the repertoire for a classical music concert focused on early music, including Renaissance and Baroque periods.

Azure OpenAI Service, gpt-4.1-mini-2025-04-14

The image shows a yellow-colored program sheet for a musical performance. The text is printed in red and is neatly organized into four numbered sections (I, II, III, IV).

Section I is titled "The Greenwood Consort" and lists the performers and their instruments:

  • John Tyson, recorders and krummhorn
  • Kathleen DeVore Tyson, Renaissance flute and recorders
  • Douglas Freundlich, Renaissance lute
  • Ruth Rubinow, viola da gamba
  • Nancy Wilson, soprano and Flemish harp

This section includes the following pieces:

  • "J'atendray tant," "La belle se siet," and "Ce moys de mai" by Guillaume Dufay (c. 1400-1474)
  • "Dances from Livres de Danseries" by Claude Gervaise (c. 1550)

Section II is for Ellen Haskel, Harpsichord, performing:

  • "Partita in B minor, BWV 831 (Overture after the French Manner)" by Johann Sebastian Bach (1685-1750), including Overture, Courante, Gavottes I and II, Sarabande, and Echo.

Section III is again with The Greenwood Consort, performing:

  • "In a Merry May Morn" by Richard Nicholson (d. 1639)
  • "Witty Wanton" by Robert Johnson (d. 1634)
  • "Come Away, Come Sweet Love," "Go, Crystal Tears," "Volta," and "Can She Excuse" by John Dowland (1563-1626)

Section IV features Ellen Haskel, Harpsichord, performing:

  • Pieces from the "Second Ordre of the Pièces de Clavecin (Livre I)" by François Couperin (1668-1733): "Allemande la Laborieuse," "Seconde Courante," and "La Garnier"
  • "Three Sonatas: K. 141, 208, 113" by Domenico Scarlatti (1685-1757).

The sheet provides a classical and Renaissance music program with details of the performers and composers with their approximate lifetimes.

Amazon, us.amazon.nova-2-lite-v1:0

The image shows a yellow program booklet or flyer for a musical performance. The text is printed in black, and the layout is organized into sections labeled "I," "II," "III," and "IV," each detailing a part of the program. Here's a breakdown of the content:

Program Overview:

I. The Greenwood Consort

  • Performers: John Tyson (recorders and crumhorn), Kathleen DeVore Tyson (Renaissance flute and recorders), Douglas Freundlich (Renaissance lute), Ruth Rubinow (viola da gamba), Nancy Wilson (soprano and Flemish harp).
  • Pieces:
    • J'atendray tant by Guillaume Dufay (c. 1400–1474)
    • La belle se sief
    • Ce moys de mai
    • Dances from Livres de Danseires by Claude Gervaise (c. 1550)

II. Ellen Haskell, Harpsichord

  • Piece: Parita in B minor, BWV 831 by Johann Sebastian Bach (1685–1750)
    • Movements: Ouverture (after the French Manner), Courante, Gavottes I and II, Sarabande, Echo

III. The Greenwood Consort

  • Pieces:
    • In a Merry May Morn by Richard Nicholson (d. 1639)
    • Witty Wanton by Robert Johnson (d. 1634)
    • Come Away, Come Sweet Love by John Dowland (1563–1626)
    • Go, Crystal Tears
    • Volta
    • Can She Excuse

IV. Ellen Haskell, Harpsichord

  • Pieces:
    • Pièces de Second Ordre of the Pièces de Clavecin (Livre I) by François Couperin (1668–1733)
      • Movements: Allemande la Laborieuse, Seconde Courante, La Garnier
    • Three Sonatas: K. 141, 208, 113 by Domenico Scarlatti (1685–1757)

Design and Layout:

  • The background is a bright yellow, making the black text stand out clearly.
  • The text is neatly aligned and organized, with each section clearly labeled and separated.
  • The program includes the names of the performers, the composers, and the titles of the pieces, along with the composers' lifespans where applicable.

Purpose:

This program appears to be for a concert or performance featuring a mix of early music, including Renaissance, Baroque, and early modern compositions. The Greenwood Consort and Ellen Haskell are the primary performers, showcasing a variety of instruments and musical styles. The inclusion of composers' lifespans suggests an educational or historical focus on the music being performed.

Overall, the image depicts a well-organized and informative program for a musical event.

Amazon, amazon.nova-lite-v1:0

The image is of a yellow booklet with a list of songs and composers. The booklet has four sections, each with a different title. The first section is titled "Program," and it lists the performers and instruments for the first song. The second section is titled "Ellen Haskel, Harpsichord," and it lists the songs that Ellen Haskel will play on the harpsichord. The third section is titled "The Greenwood Consort," and it lists the songs that The Greenwood Consort will play. The fourth section is titled "Ellen Haskel, Harpsichord," and it lists the songs that Ellen Haskel will play on the harpsichord again. The booklet has a yellow cover with red text.