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The image shows a printed program for a recital at the Busch-Reisinger Museum, Harvard University, which took place on March 7, 1975. The recital was part of the "Thursday Noon Recital Series." The organist for the event was James Johnson.

The program included selections from "Clavierübung, Dritter Teil," also known as the "German Organ Mass," composed by Johann Sebastian Bach between 1685 and 1750. The pieces performed were:

1. Prelude in E-flat major:

   • "Dies sind die heil'ge zehn Gebot"
   • "Wir glauben all' an einen Gott, Schöpfer"
   • "Christ, unser Herr, zum Jordan kam"

2. Fugue in E-flat major, "St. Anne"

Additional information provided in the program:

• James Johnson is the Director of the Thursday Noon Recital Series, Music Director of First Church in Cambridge, and Director of the Cambridge Concert Series in First Church.
• On Easter Night, March 30, the sequence of large chorales from the "Clavierübung, Dritter Teil," will be presented on the Frobenius Organ in First Church, with the Robert Ensemble of the Cambridge Concert Series performing the choral settings appropriate to each prelude.
• The organ used in the recital was the Flentrop Organ, built in 1958, with 33 ranks.
• The next recital was scheduled for March 14, 1975, and would feature another Bach program by James Johnson.

The image shows a program from the Busch-Reisinger Museum at Harvard University, titled "Thursday Noon Recital Series," dated March 7, 1975. The recital features James Johnson as the organist. The program includes works from "CLAVIERUBUNG, DRITTER TEIL, the 'German Organ Mass'" by J.S. Bach, who lived from 1685 to 1750. The pieces performed include a Prelude in E flat major with several movements and a Fugue in E flat major, "St. Anne."

Additional information provided includes James Johnson's roles as the Director of the Thursday Noon Recital Series, Music Director of the First Church in Cambridge, and Director of the Cambridge Concert Series at First Church. It mentions that on Easter Night, March 30, the sequence of the large chorales from the CLAVIERUBUNG, Part III, will be presented on the Frobenius Organ in First Church, with the Resident Ensemble of the Cambridge Concert Series performing choral settings appropriate to each prelude. The Flentrop Organ, installed in 1958 with 33 ranks, is also noted. The next recital is scheduled for March 14, 1975, with James Johnson presenting a Bach program.

The image shows a program from a Thursday Noon Recital Series event held at the Busch-Reisinger Museum at Harvard University on March 7, 1975. The recitalist for this event was James Johnson, who performed on the organ.

The program featured selections from "Clavierübung, Dritter Teil" (Third Part of the Keyboard Practice), known as the "German Organ Mass" by J.S. Bach, who lived from 1685 to 1750.

The pieces performed included:

1. Preludes in E-flat major:
   • "Dies sind die heil'ge zehn Gebot" (These are the holy Ten Commandments)
   • "Wir glauben all' an einen Gott, Schöpfer" (We all believe in one God, Creator)
   • "Christ, unser Herr, zum Jordan kam" (Christ, our Lord, came to the Jordan)
2. Fugue in E-flat major, known as "St. Anne"

Additionally, there is a note stating that James Johnson is the Director of the Thursday Noon Recital Series, Music Director of First Church in Cambridge, and Director of the Cambridge Concert Series. The note also mentions that on Easter Night, March 30, the sequence of the large chorales from the Clavierübung, Part III, will be presented on the Frobenius Organ in First Church with the Resident Ensemble of the Cambridge Concert Series performing the choral settings.

The organ used for the recital is a Flentrop Organ with 33 ranks, installed in 1958.

The next recital was scheduled for March 14, 1975, featuring James Johnson again with a Bach program.

The image is a program from the Busch-Reisinger Museum at Harvard University for a Thursday Noon Recital Series event held on March 7, 1975. The recital featured James Johnson, an organist.

The program lists the following pieces performed:

1. Prelude in F flat major from the "German Organ Mass" by J.S. Bach (1685-1750).
2. Chorales from the same work:
   • "Dies sind die heil'ge zehn Gebot"
   • "Wir glauben all' an einen Gott, Schöpfer"
   • "Christ, unser Herr, zum Jordan kam"
3. Fugue in E-flat major, "St. Anne"

Additional information provided includes:

• James Johnson's roles as Director of the Thursday Noon Recital Series, Music Director of First Church in Cambridge, and Director of the Cambridge Concert Series in First Church.
• An upcoming performance on Easter Night, March 30, featuring the sequence of large chorales from the "Clavierübung," Part III, performed on the Frobenius Organ in First Church, with the Resident Ensemble of the Cambridge Concert Series performing the appropriate choral settings for each prelude.

The organ used for the recital is the Flentrop Organ, installed in 1958, with 33 ranks.

The program also mentions the next recital on March 14, 1975, featuring James Johnson and a Bach program.

The image shows a page from the program of the Busch-Reisinger Museum at Harvard University for a Thursday Noon Recital Series event held on March 7, 1975. The recital was performed by James Johnson, who was the organist.

The program listed the following pieces from Johann Sebastian Bach's "Clavierübung, Dritter Teil," also known as the "German Organ Mass" (1685-1750):

• A prelude in E flat major titled "Dies sind die heil'ge zehn Gebot'".
• The choral pieces "Wir glauben all' an einen Gott, Schöpfer" and "Christ, unser Herr, zum Jordan kam".
• A fugue in E flat major titled "St. Anne".

Additional information includes:

• James Johnson is noted as the Director of the Thursday Noon Recital Series, Music Director of First Church in Cambridge, and Director of the Cambridge Concert Series in First Church.
• On Easter Night, March 30, the sequence of large chorales from the Clavierübung, Part III, would be presented on the Frobenius Organ in First Church, with the Resident Ensemble of the Cambridge Concert Series performing the choral settings.
• The organ used was a Flentrop Organ from 1958, with 33 ranks.
• The next recital was scheduled for March 14, 1975, with James Johnson performing a Bach program.

The image shows a page from the program booklet of the Thursday Noon Recital Series at the Busch-Reisinger Museum of Harvard University. The recital took place on March 7, 1975, and featured James Johnson, the organist.

The program listed for that day includes:

• Prelude in F-flat major from the "German Organ Mass" (Dritter Teil) by J.S. Bach, specifically from the Clavierübung, Part III.
• Three chorales:
  • "Dies sind die heil'ge zehn Gebot"
  • "Wir glauben all' an einen Gott, Schöpfer"
  • "Christ, unser Herr, zum Jordan kam"
• A Fugue in E-flat major, titled "St. Anne."

Below this, there's an additional note explaining that James Johnson is the Director of the Thursday Noon Recital Series, the Music Director of First Church in Cambridge, and the Director of the Cambridge Concert Series. On Easter Night, March 30, Part III of the Clavierübung, with chorales from the Resident Ensemble of the Cambridge Concert Series, will perform the settings appropriate to each prelude on the Flentrop Organ, which has 33 ranks.

The page also mentions the next recital scheduled for March 14, 1975, featuring James Johnson with a Bach program.

This is an archival image of a page from a printed program for a music recital event. Here are the details visible on the page:

• Title at the top of the page reads "BUSCH-REISINGER MUSEUM, HARVARD UNIVERSITY" indicating the location or affiliation of the event.
• Below the title, it mentions "Thursday Noon Recital Series" and gives a specific date: March 7, 1975.
• The featured artist is named as "James Johnson, organist."
• The program includes selections from CLAVIERÜBUNG, DRITTER TEIL, the "German Organ Mass" by J.S. Bach (1685-1750). Listed are several musical pieces in E-flat major: Prelude "Dies sind die heil'ge zehn Gebot'!", Chorales "Wir glauben all' an einen Gott, Schöpfer" and "Christ, unser Herr, zum Jordan kam", followed by a Fugue in E-flat major, "St. Anne".
• There is a section of asterisks, followed by additional information about James Johnson, stating that he is the Director of the Thursday Noon Recital Series, Music Director of First Church in Cambridge, and Director of the Cambridge Concert Series in First Church.
• It mentions a specific performance that will take place on Easter Night, March 30th, of the same year, during which a sequence of large chorales from the CLAVIERÜBUNG, Part III, will be presented on the Frobenius Organ as part of the CAMBRIDGE CONCERT SERIES.
• Details of the organ used are provided: "Flentrop Organ 1958 33 ranks."
• Lastly, it announces the next recital which will occur on March 14, 1975, featuring James Johnson with a Bach program.

The page has signs of age, such as discoloration and adhesive marks, indicative of a document that has been preserved for a considerable amount of time.

The image shows an open book or program from the Busch-Reisinger Museum at Harvard University. The visible page is a program for a Thursday Noon Recital Series held on March 7, 1975. The event features James Johnson as the organist, performing a program titled "From CLAVIERUBUNG, DRITTER TEIL, the 'German Organ Mass'" by J.S. Bach (1685–1750).

Program Details:

• Prelude in F flat major:

  • "Dies sind die heil'ge zehn Gebot"
  • "Wir glauben all' an einen Gott, Schöpfer"
  • "Christ, unser Herr, zum Jordan kam"

• Fugue in E-flat major, "St. Anne"

Additional Information:

• James Johnson is identified as the Director of the Thursday Noon Recital Series, Music Director of First Church in Cambridge, and Director of the Cambridge Concert Series in First Church.
• The program notes that on Easter Night, March 30, the sequence of large chorales from the CLAVIERUBUNG, Part III, will be presented on the Frobenius Organ in First Church, with the RESIDENT ENSEMBLE OF THE CAMBRIDGE CONCERT SERIES performing the choral settings appropriate to each prelude.
• The Flentrop Organ (1958, 33 ranks) will be used for the recital.
• The next recital is scheduled for March 14, 1975, also featuring James Johnson with a Bach program.

Visual Context:

• The page appears to be part of a bound document or booklet, likely an archive or historical record from the Busch-Reisinger Museum.
• The text is typed, and the layout is formal, consistent with a concert program or archival document.
• The book itself has a dark green spine and is open to this specific page, suggesting it may be part of a larger collection or archive.

This document provides insight into a musical event at Harvard University, highlighting Bach's organ works and the involvement of James Johnson in the performance and direction of the recital series.

The image shows a page from a booklet or program, likely from a musical event or recital. The text on the page is centered and includes information about an upcoming recital event. The event is titled "Thursday Noon Recital Series" and is scheduled for March 7, 1975. The recital is organized by the Busch-Reisinger Museum at Harvard University.

The page also includes the name of the organist, James Johnson, and the program for the recital, which consists of compositions by J.S. Bach, specifically the "German Organ Mass" and the "Fugue in E-flat major, 'St. Anne'."

Additionally, the page provides information about James Johnson's role as the Director of the Thursday Noon Recital Series, Music Director of the First Church in Cambridge, and Director of the Cambridge Concert Series in First Church. It also mentions that on Easter Night, March 30, the sequence of large chorales from the Clavierübung, Part III, will be presented on the Frobenius Organ in First Church, with the Resident Ensemble of the Cambridge Concert Series performing the choral settings appropriate to each prelude.

The page also includes details about the Flentrop Organ, which has 33 ranks, and the next recital scheduled for March 14, 1975, with James Johnson presenting a Bach program.

The image shows a page from a book that is open, and the page is filled with text. The text is written in black font, and it is organized into different sections, with headings and subheadings. The text is written in a formal and professional tone, and it appears to be a program for an event or a series of events. The headings include "Busch-Reisinger Museum, Harvard University," "Thursday Noon Recital Series," and "March 7, 1975." The text also includes information about the performers, the program, and the venue. The page is well-organized and easy to read, with clear headings and subheadings that make it easy to navigate. The text is also concise and to the point, providing all the necessary information without unnecessary details. Overall, the image shows a professional and well-designed program for an event or series of events.