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The image is a photograph of a program for a Thursday Noon Recital Series held at the Busch-Reisinger Museum, Harvard University, on October 31, 1974. The recital featured a performance by a consort named Alexander's Feast.

The program is divided into two main sections: music from Spain and music from England.

From Spain:

1. Alfonso el Sabio
   • Canticum 47: "Guard us, Holy Virgin, whose Son suffered and died for us."
   • Canticum 353: "How a boy an abbot was raising brough food to the statue of the Christ Child."
   • Canticum 353: "Veni, IV en latin da Ovidio, Hanc tua Penelope."
   • Sephardic, 15th Century: "Triste estava el rey David"
   • Alfonso el Sabio: "Vilches," 16th Century
   • Juan del Encina, 1469-1534: "Soy contento y vos servidá"
   • Diego Ortiz, 1553: "Recercada segunda"

From England:

1. Thomas Weelkes, 1575-1623: "To Shorten Winter's Sadness"
2. Thomas Campion, 1567-1620: "Thrice Toss These Oaken Ashes"
3. Thomas Vautor, 16th-17th Century: "Fire, Fire!"
4. Anonymous, 1609: "Sweet Suffolk Owl"
5. Anonymous, 1609: "The First Witches' Dance"
6. Henry Lawes, 1634: "Sabrina"
7. Anonymous, 1609: "The Second Witches' Dance"

The performers listed include:

• Elizabeth Herchey: lute, viola da gamba, oud, saz, guitar
• Lisle Kulbach: viola da gamba, viola, rebec, medieval fiddle, recorders, krummhorns
• David Lawrence: recorders, krummhorns, shawm, chalumeau
• Margaret Raines: viola da gamba, percussion
• Tobias: harp, krummhorn, percussion
• Terrence: **********

The director of the Thursday Noon Recital Series is James Johnson. The organ used is a Flentrop Organ from 1958 with 33 ranks. The next recital was scheduled for November 7, 1974, featuring Jean Clay Radice as the organist.

The image depicts a program from a Thursday Noon Recital Series at the Busch-Reisinger Museum, Harvard University, held on October 31, 1974. The recital is titled "Alexander's Feast," and it features a consort performing a variety of medieval and Renaissance music.

The program is divided into two sections: music from Spain and music from England.

From Spain:

1. Alfonso el Sabio (12th Century)

   • Cantiga 47: Guard us, Holy Virgin, whose Son suffered and died for us. (Sephardic, 15th Century)

   • Cantiga 353: Pur la tu puerta yo pasi, I passed by your door, but you would not see me...

   • Cantiga 353: How a boy an abbot was raising bread for the statue of the Christ Child.

   • Cantiga I - Cantiga 353: Verso IV en latín de Ovidio, Hanc tua Penelope: Ulysses, your Penelope send you this message, write not more letters, but come home.

   • Triste estaba el rey David: King David was deeply grieved when he heard of the death of Absalom.

   • Ya cantan los gallos: When the cocks are crowing, how I would like to be with my lover.

   • Soy contento y vos servida: I am content to serve you, whatever may be - I would rather die for you than live without you.

   • Recercada segunda: by Diego Ortiz, 1553

   • Attributed to Alfonso Mudarra, 1546

From England:

1. Thomas Weelkes (1575-1623)

   • To Shorten Winter's Sadness
   • Thrice Tosse These Oaken Ashes
   • Fire, Fire!

2. Thomas Campion (1567-1620)

   • Sweet Suffolk Owl

3. Anonymous (16th-17th Century)

   • The First Witches’ Dance
   • The Second Witches’ Dance

4. Thomas Vautour (16th-17th Century)

   • Sabrina

The instrumentalists listed at the bottom include:

• Elizabeth Hershey: lute, viol, viola da gamba, oud, saz, guitar
• Lisle Kulbach: viola da gamba, viol, rebec, medieval fiddle
• David Lawrence: recorders, krumhorns, shawm
• Margaret Raines: viola da gamba, percussion
• Terrence Tobias: harp, krummhorn, percussion

The director of the series is James Johnson, and the organist for the next recital on November 7, 1974, is Jean Clay Radice. The organ used is the Flentrop Organ from 1958, with 33 ranks.

The image shows a program for the Busch-Reisinger Museum at Harvard University, titled "Thursday Noon Recital Series," dated October 31, 1974. The program is for a recital titled "Alexander's Feast, consort," featuring musical pieces from Spain and England.

From Spain:

1. Alfonso el Sabio:

   • Cantiga 47: "Guard us, Holy Virgin, whose Son suffered and died for us."
   • Cantiga 353: "How a boy an abbot was raising brought food to the statue of the Christ Child."
   • Cantiga I -- Cantiga 353

2. Alfonso Mudarra, 1546:

   • Verso IV en Latin de Ovidio, Hanc tua Penelope: "Ulysses, your Penelope sends you this message — write not more letters, but come home."

3. Vilches, 16th C.:

   • Triste estaba el rey David: "King David was deeply grieved when he heard of the death of Absolom."

4. Juan del Encina, 1469-1534:

   • Ya cantan los gallos: "When the cocks are crowing, how I would like to be with my lover."

5. Diego Ortiz, 1553:

   • Recercada segunda: "I am content to serve you, whatever may be — I would rather die for you than live without you."

From England:

1. Thomas Weelkes, 1575-1623:

   • To Shorten Winter's Sadness

2. Thomas Campion, 1567-1620:

   • Thrice Tossed These Oaken Ashes

3. Thomas Vautor, 16th-17th C.:

   • Fire, Fire!

4. Anonymous, 1609:

   • The First Witches' Dance

5. Henry Lawes, 1634:

   • Sabrina

6. Anonymous, 1609:

   • The Second Witches' Dance

The performers listed include:

• Elizabeth Hershey: lute, vielle, viola da gamba, oud, saz, guitar
• Lisle Kulbach: viola da gamba, vielle, rebec, medieval fidel, recorders, krummhorns
• David Lawrence: recorders, krummhorns, shawm, chalumeau
• Margaret Raines: viola da gamba, percussion
• Terrence Tobia: harp, krummhorn, percussion

The program also mentions that James Johnson is the director of the Thursday Noon Recital Series, and the next recital is scheduled for November 7, 1974, with Jean Clay Radice as the organist. The organ used is the Flenthrop Organ from 1958 with 33 ranks.

The image is a program for a Thursday Noon Recital Series event held at the Busch-Reisinger Museum at Harvard University on October 31, 1974.

Program Details:

Ensemble:
Alexander's Feast, consort

Selections from Spain:

1. Cantiga 47

   • Guard us, Holy Virgin, whose Son suffered and died for us.
   • Alfonso el Sabio (Sephardic, 13th Century)

2. Anonymous Text:

   • Pur la tu puerta yo pasí / I passed by your door, but you would not see me...
   • Alfonso el Sabio

3. Cantiga 353

   • How a boy an abbot was raising through food to the statue of the Christ Child.
   • Alfonso el Sabio

4. Cantiga I (Cantiga 353)

   • Verso IV en Latín de Ovidio, Hanc tua Penelope / Ulysses, your Penelope send you this message — write not more letters, but come home.
   • Alfonso Mudarra, 1546

5. Triste estava el rey David

   • King David was deeply grieved when he heard of the death of Absolom.
   • Vilches, 16th Century

6. Ya cantan los gallos

   • When the cocks are crowing, how I would like to be with my lover.
   • Juan del Encina, 1469-1534

7. Soy contento y vos servida

   • I am content to serve you, whatever may be — I would rather die for you than live without you.
   • Anonymous

8. Recercada segunda

   • Diego Ortiz, 1553

Selections from England:

1. To Shorten Winter's Sadness

   • Thomas Weelkes, 1575-1623

2. Thrice Tosse These Oaken Ashes

   • Thomas Campion, 1567-1620

3. Fire, Fire

   • Anonymous

4. Sweet Suffolk Owl

   • Thomas Vautor, 16th-17th Century

5. The First Witches' Dance

   • Anonymous, 1609

6. Sabrina

   • Henry Lawes, 1634

7. The Second Witches' Dance

   • Anonymous, 1609

Musicians and Instruments:

• Elizabeth Hersey: Lute, vielle, viola da gamba, oud, saz, guitar
• Lisle Kulbach: Viola da gamba, vielle, rebec, medieval fiddle, recorders, krummhorns
• David Lawrence: Recorders, krummhorns, shawm, chalumeau
• Margaret Raines: Viola da gamba, percussion
• Tobias: Harp, krummhorn, percussion

Additional Information:

• Director: James Johnson
• Organ: Flentrop Organ 1958, 33 ranks
• Next Recital: November 7, 1974, Jean Clay Radice, organist

The image is a program sheet for a Thursday Noon Recital Series event held at the Busch-Reisinger Museum, Harvard University, on October 31, 1974. The recital was titled "Alexander's Feast, consort."

The program includes musical pieces from Spain and England:

From Spain:

1. Cantiga 47 by Alfonso el Sabio: "Guard us, Holy Virgin, whose Son suffered and died for us."
2. A Sephardic song from the 15th Century: "Pur la tu puerta yo pasi."
3. Cantiga 353 by Alfonso el Sabio: "How a boy an abbot was raising."
4. Verso IV en Latin de Ovidio by Alfonso Mudarra (1546): "Hanc tua Penelope."
5. A song by Vilches from the 16th Century: "King David was deeply grieved."
6. A song by Juan del Encina (1469-1534): "Ya cantan los gallos."
7. A song by Diego Ortiz (1553): "Soy contento y vos servida."

From England:

1. "To Shorten Winter's Sadness" by Thomas Weelkes (1575-1623).
2. "Thrice Tosse These Oaken Ashes" by Thomas Campion (1567-1620).
3. "Fire, Fire" by Thomas Vautor (16th-17th Century).
4. "Sweet Suffolk Owl" by an anonymous composer from 1609.
5. "The First Witches' Dance" by an anonymous composer from 1609.
6. "Sabrina" by Henry Lawes (1634).
7. "The Second Witches' Dance" by an anonymous composer from 1609.

The program lists the performers and their instruments:

• Elizabeth Hershey: lute, vieille, viola da gamba, oud, saz, guitar.
• Lisle Kulbach: viola da gamba, vieille, rebec, medieval fiedel.
• Recorders: krummhorns, shawm, chalumeau, Margaret Raines: viola da gamba, percussion.
• Terrence Tobias: harp, krummhorn, percussion.

The director of the Thursday Noon Recital Series was James Johnson, and the recital took place on the Flentrop Organ 1958, which has 33 ranks.

The next recital was scheduled for November 7, 1974, with Jean Clay Radice as the organist.

The image displays a program from the Busch-Reisinger Museum at Harvard University for a Thursday Noon Recital Series held on October 31, 1974. The recital is titled "Alexander's Feast, consort."

The program includes a selection of pieces from Spain and England:

From Spain:

• Cantiga 47 by Alfonso el Sabio, a 15th-century piece titled "Guard us, Holy Virgin, whose Son suffered and died for us."
• Cantiga 353 by Alfonso el Sabio, with the lyrics "I passed by your door, but you would not see me."
• Cantiga I — Cantiga 353, Verso IV en Latin de Ovidio, Hanc tua Penelope by Alfonso Mudarra, 1546, with the lines "Ulysses, your Penelope send you this message — write not more letters, but come home."
• Triste estava el rey David by Vilches, 16th century, recounting King David's grief upon hearing of Absalom's death.
• Ya cantan los gallos by an unknown author from the 16th century, with the lines "When the cocks are crowing, how I would like to be with my lover."
• Soy contento y vos servida by Juan del Encina, 1469-1534, which translates to "I am content to serve you, whatever may be — I would rather die for you than live without you."
• Recercada segunda by Diego Ortiz, 1553.

From England:

• To Shorten Winter's Sadness by Thomas Weelkes, 1575-1623.
• Thrice Tosse These Oaken Ashes by Thomas Campion, 1567-1620.
• Fire, Fire! by Thomas Vautour, 16th-17th century.
• Sweet Suffolk Owl by an anonymous author from the 16th century.
• The First Witches' Dance by Anonymous, 1609.
• Sabrina by Henry Lawes, 1634.
• The Second Witches' Dance by Anonymous, 1609.

The performers listed include Elizabeth Hershey, Lisle Kulbach, David Lawrence, Margaret Raines, and Terrence Tobias, each with their respective instruments: lute, viella, viola da gamba, oud, saz, guitar, recorder, krummhorn, shawm, chalumeau, and percussion.

The recital is directed by James Johnson, and the venue is the Flentrop Organ, 1958, with 33 ranks. The next recital is scheduled for November 7, 1974, with Jean Clay Radice as the organist.

The image shows a typed program for a recital event at the Busch-Reisinger Museum, Harvard University. The event is part of the Thursday Noon Recital Series and was held on October 31, 1974. The recital group is "Alexander's Feast, consort."

The program is divided into two sections: "From Spain" and "From England."

From Spain:

• Cantiga 47 by Alfonso el Sabio
• Pur la tu puerta yo pasi (Sephardic, 15th C.)
• Cantiga 353 by Alfonso el Sabio
• Cantiga I - Cantiga 353 Verso IV in Latin de Ovidio, Hanc tua Penelope by Alfonso Mudarra, 1546
• Triste estava el rey David by Vilches, 16th C.
• Ya cantan los gallos by Juan del Encina, 1469-1534
• Recercada segunda by Diego Ortiz, 1553

From England:

• To Shorten Winter's Sadness by Thomas Weelkes, 1575-1623
• Thrice Tosse These Oaken Ashes by Thomas Campion, 1567-1620
• Fire, Fire! by Thomas Vautor, 16th-17th C.
• Sweet Suffolk Owl (Anonymous)
• The First Witches' Dance, Sabrina by Henry Lawes, 1634
• The Second Witches' Dance (Anonymous, 1609)

The program also lists the performers and the instruments they play:

• Elizabeth Hershey: lute, vielle, viola da gamba, oud, saz, guitar
• Lisle Kulbach: viola da gamba, vielle, rebec, medieval fiedel, recorders, krummhorns
• David Lawrence: recorders, krummhorns, shawm, chalumeau
• Margaret Raines: viola da gamba, percussion
• Terrence Tobias: harp, krummhorn, percussion

At the bottom, it mentions that the director is James Johnson, the recital is played on a Flentrop Organ from 1958 with 33 ranks, and the next recital is scheduled for November 7, 1974, with Jean Clay Radice as the organist.

The image depicts a page from a printed program for a music event that took place on Thursday, October 31, 1974, as part of the "Thursday Noon Recital Series" at the Busch-Reisinger Museum, Harvard University. The event was titled "Alexander's Feast, consort."

The program lists a selection of musical pieces from Spain and England. The section "From Spain" includes historical works by composers such as Alfonso el Sabio and Juan del Encina, as well as pieces attributed to Sephardic tradition and other composers from the 16th century like Diego Ortiz.

For the "From England" section, pieces by Thomas Weelkes and Thomas Campion are included, alongside anonymous works from the 17th century such as "The First Witches' Dance" and "The Second Witches' Dance."

The musicians performing these pieces are listed at the bottom with asterisks, including Elizabeth Hershey and Lisle Kulbach among others, playing a variety of historical instruments like the lute, vielle, viola da gamba, and more. James Johnson is noted as the Director.

The program also mentions that the Thursday Noon Recital Series features a Flentrop Organ with 33 ranks and gives information about the next recital scheduled for November 7, 1974, with Jean Clay Radice as the organist.

The image shows a printed program for a musical recital titled "Alexander's Feast, consort", held at the Busch-Reisinger Museum, Harvard University, as part of the Thursday Noon Recital Series on October 31, 1974. The program is neatly typed and formatted, listing a selection of musical pieces from both Spain and England.

Program Details:

From Spain:

The program includes several works from Spanish composers and poets, primarily from the 15th to 16th centuries:

1. Cantiga 47

   • Guard us, Holy Virgin, whose Son suffered and died for us.
   • Composer: Alfonso el Sabio (Sephardic, 15th C.)

2. Pur la tu puerta yo pasi

   • I passed by your door, but you would not see me…
   • Composer: Alfonso el Sabio

3. Cantiga 353

   • How a boy an abbot was raising brough food to the statue of the Christ Child.
   • Composer: Alfonso el Sabio

4. Canto I — Cantiga 353

   • Verso IV en Latin de Ovidio, Hanc tua Penelope
   • Composer: Alfonso Mudarra, 1546

5. Ulysses, your Penelope send you this message — write not more letters, but come home.

   • Composer: Alfonso Mudarra, 1546

6. Triste esta el rey David

   • King David was deeply grieved when he heard of the death of Absolom.
   • Composer: Vilches, 16th C.

7. Ya cantan los gallos

   • When the cocks are crowing, how I would like to be with my lover.
   • Composer: Juan del Encina, 1469–1534

8. Soy contento y vos servida

   • I am content to serve you, whatever may be — I would rather die for you than live without you.
   • Composer: Diego Ortiz, 1553

From England:

The program also features works from English composers from the 16th to 17th centuries:

1. To Shorten Winter's Sadness

   • Composer: Thomas Weelkes, 1575–1623

2. Thrice Tosse These Oaken Ashes

   • Composer: Thomas Campion, 1567–1620

3. Fire, Fire!

   • Composer: Thomas Vautor, 16th–17th C.

4. Sweet Suffolk Owl

   • Composer: Thomas Vautor, 16th–17th C.

5. The First Witches' Dance

   • Composer: Anonymous, 1609

6. Sabrina

   • Composer: Henry Lawes, 1634

7. The Second Witches' Dance

   • Composer: Anonymous, 1609

Performers:

The program lists the performers and their instruments:

• Elizabeth Hershey: lute, vielle, viola da gamba, oud, saz, guitar, recorders, crumhorn, David Lawrence, recorder, medieval fiddle, chalumeau, Margaret Raines: viola da gamba, percussion, Terrence Tobias: harp, Krummhorn: percussion

Additional Information:

• James Johnson: Director
• Flentrop Organ 1958, 33 ranks
• Next Recital: November 7, 1974, with Jean Clay Radice as organist.

The program is clean, well-organized, and reflects a scholarly and historically rich musical event, showcasing a blend of Spanish and English compositions performed on period instruments.

This is an image of a program for a Thursday Noon Recital Series at the Busch-Reisinger Museum, Harvard University. The recital took place on October 31, 1974, and featured music from Spain and England. The program includes a variety of compositions, such as "Alexander's Feast" by consort, "Cantiga 47" by Alfonso el Sabio, "Cantiga 353" by Alfonso el Sabio, "Cantiga I - Cantiga 353, Hanc vero Penelope" by Alfonso Mudarra, "Triste estaba el rey David" by Vilches, "Ya cantan los gallos" by Juan del Encina, and "Recercada segunda" by Diego Ortiz. The program also includes a list of performers, including Elizabeth Hershey, Lisle Kulbach, David Lawrence, and others. The recital was directed by James Johnson, and the next recital was scheduled for November 7, 1974, with Jean Clay Radice as the organist.