Ctrl-C, Ctrl-V. Rinse, repeat.
ARCH.2013.5.17, Rendition: 799364
The image is of a newspaper article titled "Schilling Chronicle Prints on Display at the Busch," written by Richard Bloom. The article discusses the display of prints from Diebold Schilling's Chronicle at the Busch.
Key points from the article include:
Humorous Introduction: The article begins with a humorous anecdote about a young maid in Baden who finds herself in an unfortunate situation involving a priest and seeks refuge in a church.
Schilling's Chronicle: The focus of the article is on Diebold Schilling's Chronicle, a historical document from 1513 that contains 342 parchment pages with 443 color illustrations. The Chronicle is described as a rare and ambitious work that attempts to mirror society in the late Middle Ages.
Content of the Chronicle: The Chronicle covers various concerns of the time, including political turmoil, natural disasters, and social issues. It is noted for its vivid and sometimes exaggerated illustrations, which often depict scenes of violence and corruption.
Artistic Style: The illustrations in the Chronicle are described as having a naive charm and a strong sense of realism. They are compared to the work of other artists like Hans von Weiditz and Hans Holbein. The illustrations are praised for their accurate depiction of landscapes and the moods and actions of people.
Historical Context: The article mentions that the Chronicle was created during a time of significant political and social upheaval, including the persecution of Jews and the execution of officials. The Chronicle is noted for its detailed and often humorous depictions of these events.
Display Information: The original of the Chronicle is kept in the Lucerne Central Library, and the exhibition at the Busch allows the public to view these historical prints.
The article is accompanied by two images: one of a page from the Diebold Schilling Chronicle (1513) and another of "The Rhine Crossing in Basel, 1475." The handwritten note "Harvard Independent" is visible at the bottom left of the article.
The image shows a newspaper article titled "Schilling Chronicle Prints on Display at the Busch." The article, written by Richard Bloom, discusses an exhibit featuring reproductions of the Schilling Chronicle at the Busch-Reisinger Museum.
Key points in the article include:
Content and Scope:
Historical Context:
Diebold Schilling:
Artistic Significance:
Exhibit Details:
The article underscores the historical and artistic value of the Schilling Chronicle and its importance as a cultural and historical document.
The image shows a newspaper clipping titled "Schilling Chronicle Prints on Display at the Busch" by Richard Bloom. The article discusses the exhibition of Diebold Schilling's "Chronicle," a series of 143 woodcut illustrations from the 1513 edition, which are on display at the Busch-Reisinger Museum.
Here are some key points from the article:
Storyline and Context:
Artistic Significance:
Cultural and Historical Insights:
Artistic Collaboration:
Exhibition Details:
Visuals:
The article underscores the Chronicle's unique blend of historical narrative and artistic achievement, providing a window into the medieval world through Schilling's detailed and often humorous illustrations.
The image shows a newspaper clipping from the "Harrisburg Independent" with an article titled "Schilling Chronicle Prints on Display at the Busch." The article, written by Richard Bloom, discusses the Diebold Schilling Chronicle, a historical work of art from the 15th century.
Key points from the article include:
The article also includes two images from the Chronicle, illustrating various historical scenes. The first image shows a scene from the Diebold Schilling Chronicle from 1513, and the second image depicts the Rhine Crossing in Basel from 1475.
The image shows a page from a newspaper article titled "Schilling Chronicle Prints on Display at the Busch." The article is authored by Richard Bloom and appears in the "Art" section.
The article discusses the exhibition of Diebold Schilling's Chronicle, a series of illustrations from the 16th century. The Chronicle is displayed at the Busch-Reisinger Museum, focusing on scenes that reflect social and political issues of the time. The text describes how Schilling's work, which includes 443 color illustrations, provides a vivid portrayal of the era's superstitions, social hierarchies, and moral issues.
Key points include:
The article also notes that the Chronicle's illustrations were created with a combination of parchment and pen-and-ink, highlighting the intricate and detailed artistry involved.
Additionally, there are two images included in the article:
The newspaper page is from the "Hiram Independent." The article includes a note that the Chronicle remains in the safekeeping of the Lacerne Central Library, and the exhibition is open to the public until November 9.
The image shows an open book or magazine featuring an article titled "Schilling Chronicle Prints on Display at the Busch." The article is written by Richard Bloom. The text discusses the Schilling Chronicle, a 15th-century illustrated manuscript, highlighting its vivid depictions and historical significance. The article mentions that the chronicle, created by Diebold Schilling, includes scenes such as the escape of a young maid, the parading of a criminal, and the crossing of the Rhine.
The layout of the page includes two black-and-white illustrations from the chronicle. The first illustration, labeled "The Diebold Schilling Chronicle, 1513," depicts a scene from that year. The second illustration, labeled "The Rhine Crossing in Basel, 1475," shows a historical event from that period. The text explains that the chronicle's illustrations are rich in detail and color, blending Gothic and Renaissance styles, and that this particular display at the Busch is the first public showing of a selection of reproductions from the Lacreme Central Library.
The article also provides context about the chronicle's origins, its focus on military and political history, and its humorous and critical approach to the issues of the time. The chronicle is noted for its large volume, with 43 parchment pages and 143 color illustrations, unusual for the period. The exhibit is organized thematically around topics like "law and order," "war," and "work," with the reproductions accompanied by explanatory text. The display is set to remain open until November 9. At the bottom of the article, there is a handwritten note that says, "Harvard Independent."
The image is a newspaper or magazine clipping featuring an article titled "Schilling Chronicle Prints on Display at the Busch" by Richard Bloom. The article discusses the Diebold Schilling's Chronicle, specifically mentioning sixty-nine reproductions of the chronicle displayed at the Busch-Reisinger Museum in a series of 342 parchment pages with 443 color illustrations. It highlights the chronicle's focus on military and political affairs, as well as rural feasts, punitive tortures, tradesmen in the streets, and monsters at sea from the 15th century.
The text explains how secular laws evolved, often weak and abused, alongside the Church's control, including superstition and plagues. There are some thematic topics in the exhibit such as law and order, war, and work, accompanied by captions. The article describes the artistry and dramatic elements of the illustrations, including some by Hans von Arx, and notes the humor in the chronicle.
Two black and white images accompany the text:
The article concludes by noting the exhibit is open at the Busch through November 9. There is a handwritten note at the bottom reading "HARVARD Independent."
This image is a photograph of a newspaper clipping. The title of the article is "Schilling Chronicle Prints on Display at the Busch" written by Richard Bloom. The article discusses an art exhibition featuring the works of Diebold Schilling. The text describes how the Schilling Chronicle, a series of 63 woodcut prints on display at the Busch-Reisinger Museum, illustrates scenes of military and political affairs of 15th-century Switzerland, with an emphasis on the Swis' "heroic age." The article mentions the narrative and visual style of the prints, noting Schilling's use of humor and criticism towards social and religious authorities.
Two prints from the Schilling Chronicle are featured in the clipping: "The Diebold Schilling Chronicle, 1532," and "The Rhine Crossing in Basel, 1475." These prints depict intricate scenes with multiple figures, typical of the woodcut art technique used in the time period they represent.
The newspaper clipping exhibits signs of aging, such as yellowing of the paper, and has a handwritten note at the bottom that reads "Harvard Independent" with a signature that cuts off in the photo. There's also a stamp or a handwritten date near the note, but only "4/9/82" is clearly visible.
The image shows an open book or magazine page titled "Schilling Chronicle Prints on Display at the Busch", authored by Richard Bloom. The page is from a publication titled "Art", as indicated at the top left corner. The content is an article discussing the Diebold Schilling Chronicle, a historical manuscript featuring 443 color illustrations and 32 parchment pages.
Title and Author:
Subject Matter:
Content Highlights:
Visual Elements:
Exhibit Information:
Design and Layout:
Additional Notes:
The image depicts a page from an art publication discussing the Diebold Schilling Chronicle, a medieval manuscript known for its vivid illustrations and satirical commentary on 15th-century society. The article highlights the Chronicle's historical and artistic significance and mentions an exhibit of its reproductions at the Busch, scheduled to close on November 9. The page includes two illustrative examples from the Chronicle and is part of a larger publication, as evidenced by the handwritten note at the bottom.
The image shows a page from a magazine or book featuring an article about the "Schilling Chronicle Prints on Display at the Busch." The article includes a brief description of the prints, which depict scenes from the life of Diebold Schilling, a Swiss chronicler from the 15th century. The article highlights the historical and artistic significance of the prints, which are currently on display at the Busch-Reisinger Museum in Cambridge, Massachusetts. The article also mentions that the prints are the first time a selection of reproductions has been assembled for public viewing. The page includes a few illustrations of the prints, which depict scenes from the chronicle, such as a scene of Pope Julius II riding in gaudy regalia and a scene of a man being punished by submersion in water.