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ARCH.2013.5.17, Rendition: 799363
The image shows a program for the Busch-Reisinger Museum at Harvard University, dated October 21, 1974, as part of the Thursday Noon Recital Series. The program features John Skelton, an organist, and includes a list of musical pieces to be performed.
The program is as follows:
Suite of Dances by Anonymous German Composers of the 16th and 17th Centuries:
Voluntary for Double Organ by Henry Purcell
Voluntary No. 4 in D Minor and Major by William Walond (c.1725-1770)
Two Chorale Preludes by Dietrich Buxtehude:
Chorale Fantasia by Ich Ruf zu dir, Herr Jesu Christ
Prelude and Fugue in F Sharp Minor
Additional notes on the program:
The image shows a page from a program booklet for a Thursday Noon Recital Series at the Busch-Reisinger Museum, Harvard University, scheduled for October 21, 1974.
The program features works by various composers from the 16th and 17th centuries, specifically by anonymous German composers, and includes:
A Suite of Dances:
Voluntary for Double Organ:
Voluntary No. 4 in D Minor and Major:
Two Chorale Preludes:
Chorale Fantasia:
Prelude and Fugue in F Sharp Minor
The page also notes that John Skelton, the organist for this recital, is an organist at the First Congregational Church, Winchester, and a member of the faculty of the University of New Hampshire and Lowell State College. The recital is directed by James Johnson, with the Flentrop Organ from 1958, which has 33 ranks. The next recital is scheduled for October 31, titled Alexander's Feast, with a consort.
The image is a program for a recital event held at the Busch-Reisinger Museum, Harvard University, as part of their Thursday Noon Recital Series on October 21, 1974. The recital featured John Skelton as the organist.
The program includes the following pieces:
Suite of Dances by Anonymous German Composers of the 16th and 17th Centuries:
Voluntary for Double Organ by Henry Purcell
Voluntary No.4 in D Minor and Major by William Walond (c.1725-1770)
Two Chorale Preludes by Dietrich Buxtehude:
Chorale Fantasia by an unknown composer:
Prelude and Fugue in F Sharp Minor by an unknown composer
Additional information provided:
The program is neatly organized and provides a detailed schedule of the musical pieces to be performed during the recital.
The image is a program for a Thursday Noon Recital held at the Busch-Reisinger Museum, Harvard University, on October 21, 1974. The recital featured John Skelton as the organist.
Program Details:
Suite of Dances by Anonymous German Composers of the 16th and 17th Centuries:
Voluntary for Double Organ by Henry Purcell
Voluntary No. 4 in D Minor and Major by William Walond (circa 1725-1770)
Two Chorale Preludes by Dietrich Buxtehude:
Chorale Fantasia by Dietrich Buxtehude:
Prelude and Fugue in F Sharp Minor
Additional information:
The program appears to be neatly typed on a single sheet of paper, preserved in a bound book.
The image is a program from an organ recital that took place at the Busch-Reisinger Museum, Harvard University, as part of their Thursday Noon Recital Series on October 21, 1974. The organist for the recital was John Skelton.
Here is the detailed program:
Suite of Dances by Anonymous German Composers of the 16th and 17th Centuries:
Voluntary for Double Organ by Henry Purcell
Voluntary No.4 in D Minor and Major by William Walond (c.1725-1770)
Two Chorale Preludes by Dietrich Buxtehude:
Chorale Fantasia "Ich Ruf zu dir, Herr Jesu Christ" (composer not specified)
Prelude and Fugue in F Sharp Minor (composer indicated by ***)
Additional Information:
The image shows a program for a Thursday Noon Recital Series held at the Busch-Reisinger Museum, Harvard University, on October 21, 1974. The recital featured John Skelton as the organist. The program included a variety of pieces by anonymous German composers from the 16th and 17th centuries, as well as works by Henry Purcell, William Walond, and Dietrich Buxtehude.
The detailed program is as follows:
Anonymous German Composers of the 16th and 17th Centuries:
Henry Purcell:
William Walond (c.1725-1770):
Dietrich Buxtehude:
Additional information about the performer indicates that Mr. Skelton was the organist at the First Congregational Church in Winchester and a member of the faculty of the University of New Hampshire and Lowell State College.
The recital series was directed by James Johnson. The organ used was a Flentrop Organ built in 1958, with 33 ranks. The next recital in the series was scheduled for October 31 and featured Alexander's Feast, a consort performance.
The image shows a page from a printed program for a musical recital. At the top, it specifies that the venue is the Busch-Reisinger Museum at Harvard University, and it's part of the Thursday Noon Recital Series dated October 21, 1974.
The program lists the performances of John Skelton, organist. It details a sequence of musical pieces, many of which are from anonymous German composers of the 16th and 17th centuries, including several dances like "Intrada", "La Corante du roy", and "Herzog Moritz Tanz-Proportio", among others. Additionally, the program includes works by Henry Purcell ("Voluntary for Double Organ"), William Walond ("Voluntary No.4 in D minor and Major"), and Dietrich Buxtehude ("Two Chorale Preludes"). A "Chorale Fantasia" and a "Prelude and Fugue in F Sharp Minor" are also part of the lineup, with the composer not specified for these two pieces.
Below the program, a note adds that Mr. Skelton is an organist at the First Congregational Church in Winchester, a member of the faculty at the University of New Hampshire and Lowell State College. The series director is named as James Johnson, and the organ used is specified as the Flentrop Organ (1958, 33 ranks). The next recital is announced for October 31, featuring "Alexander's Feast" by the consort.
The page itself is showing signs of aging, and there's a distinct discoloration suggesting it could be a yellowed paper or a photocopy of the original program. There is a green binding visible on the left edge, indicating that this program is part of a bound collection or a booklet.
This image shows a printed program for an organ recital at the Busch-Reisinger Museum, Harvard University, dated October 21, 1974. The recital is part of the Thursday Noon Recital Series and features John Skelton as the organist.
The program includes:
Suite of Dances by anonymous German composers of the 16th and 17th centuries, with individual pieces like Intrada, Alemando Novelle-Proportz darauf, La Corante du roy, Ein Schöner Englischer Dantz, Spaniol Kochersperg, Herzog Moritz Tanz-Proportio, Ungarescha, and Saltarello.
Voluntary for Double Organ by Henry Purcell.
Voluntary No.4 in D Minor and Major by William Walond (circa 1725-1770).
Two Chorale Preludes by Dietrich Buxtehude, including "Gott der Vater Wohn uns bei" and "Herr Jesu Christ, ich weiss gar wohl."
Chorale Fantasia titled "Ich Ruf zu dir, Herr Jesu Christ."
Prelude and Fugue in F Sharp Minor.
At the bottom, it notes that Mr. Skelton is the organist at the First Congregational Church in Winchester and a faculty member at the University of New Hampshire and Lowell State College. The director of the recital series is James Johnson. The organ used is a Flentrop Organ from 1958 with 33 ranks. The next recital is scheduled for October 31, featuring Alexander's Feast.
The image shows a program for a musical recital held at the Busch-Reisinger Museum, Harvard University, on Thursday, October 21, 1974, as part of the Thursday Noon Recital Series. The recital was performed by John Skelton, an organist.
The program is neatly printed on light-colored paper with a clean, formal layout, typical of concert programs from the mid-20th century. The text is centered and organized into clear sections, making it easy to read and follow. The overall design suggests a professional and academic setting, consistent with a university recital series.
The image is a page from a program booklet for a musical recital. The page is open to reveal a detailed program for a Thursday Noon Recital Series. The event is hosted by the Busch-Reisinger Museum at Harvard University and is scheduled for October 21, 1974. The recital features John Skelton, an organist, who is also associated with the First Congregational Church in Winchester and is a faculty member at the University of New Hampshire and Lowell State College. The program includes a variety of compositions by different composers, such as Anonymous German Composers of the 16th and 17th centuries, Henry Purcell, William Walond, and Dietrich Buxtehude. The recital will be performed on the Flentrop Organ of 1958, which has 33 ranks. The next recital is scheduled for October 31, Alexander's Feast, which will be a concert.