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Busch-Reisinger Museum Scrapbook, 1973-1974

ARCH.2013.5.16, Rendition: 799636

Mistral, us.mistral.pixtral-large-2502-v1:0

The image shows a program for a choral music performance by the Williams College Chamber Singers, conducted by Kenneth Roberts. The program is divided into five sections, each featuring different types of music:

  1. Renaissance Motets:

    • Orlando di Lasso: Jubilate Deo (1551-1594)
    • William Byrd: Ave Verum Corpus (1543-1623)
    • Heinrich Schuetz: Cantate Domino (1585-1672)
  2. Renaissance Vernacular Songs:

    • Clement Janequin: Martin menait son porceau au marché (ca. 1485- ca.1560)
    • Michael Praetorius: Sie ist mir lieb (1571-1621)
    • Claudio Monteverdi: Ohime! (Madrigals, Book IV) (1567-1643)
  3. Renaissance Mass:

    • Giovanni Pierluigi da Palestrina: Missa "de beata virgine" (ca. 1525-1594)
      • Kyrie
      • Gloria
      • Credo
      • Sanctus
      • Agnus Dei
  4. Contemporary Music:

    • Pauline Oliveros: Sound Patterns (1964) (1932-)
    • Goffredo Petrassi: Nonsense (1955) (1904-)
      • a cycle of 5 pieces on poetry of Edward Lear
    • György Ligeti: Lux aeterna (1964) (1923-)
  5. English Madrigals of the Elizabethan Period:

    • John Bartlett: Of all the birds
    • John Bennet: Let go the time, will you stay me?
    • Thomas Morley: My Bonny Lass
    • Orlando Gibbons: The Silver Swan
    • John Bennet: All creatures now

The performance took place at the Busch-Reisinger Museum of Harvard University in Cambridge, Massachusetts, on May 11, 1974, at 8:00 PM.

Mistral, mistral.magistral-small-2509

The image shows a program for a concert by the Williams College Chamber Singers, conducted by Kenneth Roberts. The concert took place at The Busch-Reisinger Museum of Harvard University in Cambridge, Massachusetts, on May 11, 1974, at 8:00 p.m. The program is divided into several sections, each featuring different types of music and composers:

  1. Renaissance Motets:

    • Orlando di Lasso (1532-1594): Jubilate Deo
    • William Byrd (1543-1623): Ave Verum Corpus
    • Heinrich Schuetz (1585-1672): Cantate Domino
  2. Renaissance Vernacular Songs:

    • Clement Janequin (ca. 1485 - ca. 1560): Martin menait son porceau au marché
    • Michael Praetorius (1571-1621): Sie ist mir lieb
    • Claudio Monteverdi (1567-1643): Ohimè (Madrigals, Book IV)
  3. Renaissance Mass:

    • Giovanni Pierluigi da Palestrina (ca. 1525-1594): Missa “de beata virgine”
      • Kyrie
      • Gloria
      • Credo
      • Sanctus
      • Agnus Dei

    Pause

  4. Contemporary Music:

    • Pauline Oliveros (1932-): Sound Patterns (1964)
    • Goffredo Petrassi (1904-): Nonsense (1952)
      • A cycle of 5 pieces on poetry of Edward Lear
    • György Ligeti (1923-): Lux aeterna (1966)
  5. English Madrigals of the Elizabethan Period:

    • John Bartlett: Of all the birds
    • John Bennett: Let Go, why do you stay me?
    • Thomas Morley: My Bonny Lass
    • Orlando Gibbons: The Silver Swan
    • John Bennett: All Creatures Now

The program provides a comprehensive view of the musical pieces and their respective composers, spanning from the Renaissance to contemporary works.

Mistral, mistral.mistral-large-3-675b-instruct

The image is of a concert program for a performance by the Williams College Chamber Singers, conducted by Kenneth Roberts. The concert took place on May 11, 1974, at 8:00 p.m. in the Busch-Reisinger Museum of Harvard University in Cambridge, Massachusetts.

Here is a detailed breakdown of the program:

I. Renaissance Motets

  1. Orlando di Lasso (1532-1594):
    • "Jubilate Deo"
  2. William Byrd (1543-1623):
    • "Ave Verum Corpus"
  3. Heinrich Schütz (1585-1672):
    • "Cantate Domino"

II. Renaissance Vernacular Songs

  1. Clement Janequin (ca. 1485 - ca. 1560):
    • "Martin menoit son porceau au marché"
  2. Michael Praetorius (1571-1621):
    • "Sie ist mir lieb"
  3. Claudio Monteverdi (1567-1643):
    • "Ohimè!" (from Madrigals, Book IV)

III. Renaissance Mass

Giovanni Pierluigi da Palestrina (ca. 1525-1594):

  • "Missa de beata virgine"
    • Kyrie
    • Gloria
    • Credo
    • Sanctus
    • Agnus Dei

Pause (Intermission)

IV. Contemporary Music

  1. Pauline Oliveros (1932-):
    • "Sound Patterns" (1964)
  2. Goffredo Petrassi (1904-):
    • "Nonsense" (1952) - a cycle of 5 pieces on poetry of Edward Lear
  3. György Ligeti (1966):
    • "Lux aeterna"

V. English Madrigals of the Elizabethan Period

  1. John Bartlett:
    • "Of all the birds"
  2. John Bennet:
    • "Let Go, why do you stay me?"
  3. Thomas Morley:
    • "My Bonny Lass"
  4. Orlando Gibbons:
    • "The Silver Swan"
  5. John Bennet:
    • "All Creatures Now"

Mistral, mistral.ministral-3-14b-instruct

The image shows a program for a choral performance by The Williams College Chamber Singers, conducted by Kenneth Roberts. The concert took place at the Busch-Reisinger Museum of Harvard University in Cambridge, Massachusetts, on May 11, 1974, at 8:00 p.m.

The program is divided into five sections:

  1. Renaissance Motets:

    • Orlando di Lasso: "Jubilate Deo" (1532-1594)
    • William Byrd: "Ave Verum Corpus" (1543-1623)
    • Heinrich Schuetz: "Cantate Domino" (1585-1672)
  2. Renaissance Vernacular Songs:

    • Clément Janequin: "Martin menait son porceau au marché" (ca. 1485 - ca. 1560)
    • Michael Praetorius: "Sie ist mir lieb" (1571-1621)
    • Claudio Monteverdi: "Ohime!" from Madrigals, Book IV (1567-1643)
  3. Renaissance Mass:

    • Giovanni Pierluigi da Palestrina: "Missa 'de beata virgine'" (ca. 1525-1594)
      • Kyrie
      • Gloria
      • Credo
      • Sanctus
      • Agnus Dei

    There is a pause scheduled after this section.

  4. Contemporary Music:

    • Pauline Oliveros: "Sound Patterns" (1964) (1932-)
    • Goffredo Petrassi: "Nonsense" (1952) (1904-)
      • A cycle of 5 pieces on poetry of Edward Lear
    • György Ligeti: "Lux aeterna" (1966) (1923-2006)
  5. English Madrigals of the Elizabethan Period:

    • John Bartlet: "Of all the Birds"
    • John Bennett: "Let Go, why do you stay me?"
    • Thomas Morley: "My Bonny Lass"
    • Orlando Gibbons: "The Silver Swan"
    • John Bennett: "All Creatures Now"

The program is neatly organized and lists the composers, titles, and dates of composition for each piece.

Mistral, mistral.ministral-3-8b-instruct

The image is a page from a program booklet for a choral concert performed by the Williams College Chamber Singers, conducted by Kenneth Roberts. The concert took place at the Busch-Reisinger Museum of Harvard University in Cambridge, Massachusetts, on May 11, 1974, at 8:00 p.m.

The program is divided into five sections:

I. Renaissance Motets:

  • Orlando di Lasso: "Jubilate Deo" (1532-1594)
  • William Byrd: "Ave Verum Corpus" (1543-1623)
  • Heinrich Schuetz: "Cantate Domino" (1585-1672)

II. Renaissance Vernacular Songs:

  • Clement Janequin: "Martin menait son porceau au marché" (ca. 1485-ca. 1560)
  • Michael Praetorius: "Sie ist mir lieb" (1571-1621)
  • Claudio Monteverdi: "Ohime!" from Madrigals, Book IV (1567-1643)

III. Renaissance Mass:

  • Giovanni Pierluigi da Palestrina: "Missa 'de beata virgine'" (ca. 1525-1594)
    • Kyrie
    • Gloria
    • Credo
    • Sanctus
    • Agnus Dei

There is a pause after the Renaissance Mass.

IV. Contemporary Music:

  • Pauline Oliveros: "Sound Patterns" (1964) (1932-)
  • Goffredo Petrassi: "Nonsense" (1952) (1904-)
    • A cycle of 5 pieces on poetry of Edward Lear
  • György Ligeti: "Lux aeterna" (1966) (1923-)

V. English Madrigals of the Elizabethan Period:

  • John Bartlett: "Of all the Birds"
  • John Bennett: "Let Go, why do you stay me?"
  • Thomas Morley: "My Bonny Lass"
  • Orlando Gibbons: "The Silver Swan"
  • John Bennett: "All Creatures Now"

The program details the composers, their works, and the years they lived, providing a rich mix of Renaissance and contemporary choral music.

Mistral, mistral.ministral-3-3b-instruct

The image shows a page from a program booklet for a choral performance. The performance is organized by the Williams College Chamber Singers under the direction of Kenneth Roberts.

The program is divided into five sections:

  1. Renaissance Motets:

    • Orlando di Lasso: "Jubilate Deo" (1532-1594)
    • William Byrd: "Ave Verum Corpus" (1543-1623)
    • Heinrich Schütz: "Cantate Domino" (1585-1672)
  2. Renaissance Vernacular Songs:

    • Clement Janequin: "Martin menait son porceau au marché" (circa 1485–ca. 1560)
    • Michael Praetorius: "Sie ist mir lieb" (1571-1621)
    • Claudio Monteverdi: "Ohm!" (Madrigals, Book IV) (1567-1643)
  3. Renaissance Mass:

    • Giovanni Pierluigi da Palestrina: "Missa 'de beata virgine'" (circa 1525-1594)
      • Kyrie
      • Gloria
      • Credo
      • Sanctus
      • Agnus Dei

    A pause is indicated after this section.

  4. Contemporary Music:

    • Pauline Oliveros: "Sound Patterns" (1964) (1932-)
    • Goffredo Petrassi: "Nonsense" (1952) (1904-)
      • A cycle of five pieces on the poetry of Edward Lear
    • György Ligeti: "Lux aeterna" (1966) (1923-)
  5. English Madrigals of the Elizabethan Period:

    • John Bartlet: "Of all the Birds"
    • John Bennett: "Let Go, why do you stay me?"
    • Thomas Morley: "My Bonny Lass"
    • Orlando Gibbons: "The Silver Swan"
    • John Bennett: "All Creatures Now"

The event was scheduled to take place at The Busch-Reisinger Museum of Harvard University in Cambridge, Massachusetts, on May 11, 1974, at 8:00 p.m.

Azure OpenAI Service, gpt-4

This image shows an open program booklet for a choral concert. The performance is by The Williams College Chamber Singers conducted by Kenneth Roberts. The program is segmented into parts, detailing various pieces of choral music from different eras.

Here is the layout of the program:

I. Renaissance Motets

  • Orlando di Lasso: Jubilate Deo (1532-1594)
  • William Byrd: Ave Verum Corpus (1543-1623)
  • Heinrich Schuetz: Cantate Domino (1585-1672)

II. Renaissance Vernacular Songs

  • Clement Janequin: Martin menait son porceau au marché (ca. 1485-ca. 1560)
  • Michael Praetorius: Sie ist mir lieb' (1571-1621)
  • Claudio Monteverdi: Ohimè! (Madrigals, Book IV) (1567-1643)

III. Renaissance Mass

  • Giovanni Pierluigi da Palestrina: Missa "de beata virgine" (ca. 1525-1594), which includes sections Kyrie, Gloria, Credo, Sanctus, Agnus Dei (there's a pause noted after this).

IV. Contemporary Music

  • Pauline Oliveros: Sound Patterns (1964) (1932- )
  • Goffredo Petrassi: Nonsense (1952) (1904- ) — a cycle of 5 pieces on poetry of Edward Lear

V. English Madrigals of the Elizabethan Period

  • György Ligeti: Lux aeterna (1966) (1923- )
  • John Bartlett: Of all the Birds
  • John Bennet: Let go, Why do you stay me?
  • Thomas Morley: My Bonny Lass
  • Orlando Gibbons: The Silver Swan
  • John Bennett: All Creatures Now

At the bottom, the page indicates that the concert took place at The Busch-Reisinger Museum of Harvard University in Cambridge, Massachusetts, on May 11, 1974, at 8:00 p.m.

Azure OpenAI Service, gpt-4.1-mini-2025-04-14

The image shows a typed program for a concert by The Williams College Chamber Singers, conducted by Kenneth Roberts. The program is divided into five sections:

I. Renaissance Motets

  • Orlando di Lasso: Jubilate Deo (1532-1594)
  • William Byrd: Ave Verum Corpus (1543-1623)
  • Heinrich Schuetz: Cantate Domino (1585-1672)

II. Renaissance Vernacular Songs

  • Clement Janequin: Martin menait son porceau au marché (ca. 1485 - ca. 1560)
  • Michael Praetorius: Sie ist mir lieb' (1571-1621)
  • Claudio Monteverdi: Ohime! (Madrigals, Book IV) (1567-1643)

III. Renaissance Mass

  • Giovanni Pierluigi da Palestrina: Missa "de beata virgine" (ca. 1525-1594)
    • Kyrie
    • Gloria
    • Credo
    • Sanctus
    • Agnus Dei

Pause

IV. Contemporary Music

  • Pauline Oliveros: Sound Patterns (1964) (1932- )
  • Goffredo Petrassi: Nonsense (1952), a cycle of 5 pieces on poetry of Edward Lear (1904- )
  • György Ligeti: Lux aeterna (1966) (1923- )

V. English Madrigals of the Elizabethan Period

  • John Bartlet: Of all the Birds
  • John Bennett: Let Go, why do you stay me?
  • Thomas Morley: My Bonny Lass
  • Orlando Gibbons: The Silver Swan
  • John Bennett: All Creatures Now

The event was held at The Busch-Reisinger Museum of Harvard University, Cambridge, Massachusetts, on May 11, 1974, at 8:00 p.m.

Amazon, us.amazon.nova-2-lite-v1:0

The image shows a program for a concert performed by The Williams College Chamber Singers, conducted by Kenneth Roberts. The program is neatly typed and formatted, listing the musical selections to be performed, organized into five distinct sections:

I. Renaissance Motets

  • Orlando di Lasso: Jubilate Deo (1532–1594)
  • William Byrd: Ave Verum Corpus (1543–1623)
  • Heinrich Schütz: Cantate Domino (1585–1672)

II. Renaissance Vernacular Songs

  • Clement Janequin: Martin menait son porceu au marché (ca. 1485–ca. 1560)
  • Michael Praetorius: Sie ist mir lieb (1571–1621)
  • Claudio Monteverdi: Ohime! (Madrigals, Book IV, 1567–1643)

III. Renaissance Mass

  • Giovanni Pierluigi da Palestrina: Missa "de beata virgine"
    • Kyrie
    • Gloria
    • Credo
    • Sanctus
    • Agnus Dei
    • (ca. 1525–1594)

IV. Contemporary Music

  • Pauline Oliveros: Sound Patterns (1964)
  • Goffredo Petrassi: Nonsense (1952)
    • A cycle of 5 pieces on poetry of Edward Lear (1904–)
  • György Ligeti: Lux aeterna (1966)

V. English Madrigals of the Elizabethan Period

  • John Bartlet: Of all the Birds
  • John Bennett: Let Go, why do you stay me?
  • Thomas Morley: My Bonny Lass
  • Orlando Gibbons: The Silver Swan
  • John Bennett: All Creatures Now

Additional Information

  • The program is dated May 11, 1974, and the performance was scheduled for 8:00 p.m.
  • The event was held at The Busch-Reisinger Museum of Harvard University in Cambridge, Massachusetts.

The layout is clean and structured, with each section clearly labeled and the pieces listed with their composers and dates. The program reflects a diverse musical program spanning Renaissance, contemporary, and Elizabethan madrigal works.

Amazon, amazon.nova-lite-v1:0

The image shows an open book with a white page that appears to be a program for a concert. The title at the top reads "The Williams College Chamber Singers Kenneth Roberts, conductor." The program is divided into several sections, each with a title and a list of composers and works performed. The first section is titled "I. Renaissance Motets" and includes works by Orlando di Lasso, William Byrd, and Heinrich Schuetz. The second section is titled "II. Renaissance Vernacular Songs" and includes works by Clement Janequin, Michael Praetorius, and Claudio Monteverdi. The third section is titled "III. Renaissance Mass" and includes works by Giovanni Pierluigi da Palestrina, Kyrie, Gloria, Credo, Sanctus, and Agnus Dei. The fourth section is titled "IV. Contemporary Music" and includes works by Pauline Oliveros, Goffredo Petrassi, and Gyorgy Ligeti. The fifth section is titled "V. English Madrigals of the Elizabethan Period" and includes works by John Bennet, Orlando Gibbons, and John Bennet. The bottom of the page includes information about the venue, The Busch-Reisinger Museum of Harvard University, and the date and time of the concert, May 11, 1974, at 8:00 p.m.