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The image shows a program for a "Monday Concert" held at the Busch-Reisinger Museum, Harvard University, on April 18, 1974, at 12:10 p.m. The concert features members of the University Choir, with John Ferris as the Choirmaster and Lenora Stein as the Assistant Choirmaster. The program includes the following pieces:

1. "Psalm 150" (Sung in German) by Johann Hermann Schein - This is a praise song with instructions to praise God with various instruments and voices.

2. "When David heard" (Sung in English) by Thomas Tomkins - This is a piece based on the biblical story of David's reaction upon hearing of the death of Saul.

3. "Jehova quam multi sunt hostes" (Sung in Latin) by Henry Purcell - This is a supplication for help against many enemies, expressing trust in God's protection.

4. "Chansons Françaises" by Francis Poulenc, including:

   • "Margo va t'a l'eau" - A French song about a woman named Margo going to the well with her jug.

The program is typed and includes both the titles of the pieces and the lyrics, mostly in the original languages (German, English, Latin, and French). The document is yellowed with age and has some visible creases.

The image shows a page from a concert program for a "Noonday Concert" held at the Busch-Reisinger Museum, Harvard University, on April 18, 1974, at 12:10 p.m.

The concert was organized by members of the University Choir, with John Ferris as the Chormaster and Lenora Stein as the Assistant Chormaster. The program includes several choral works:

1. Psalm 150 (sung in German) by Johann Hermann Schein:

   • The text instructs the choir to praise God in various ways, such as with instruments like harp, trumpet, cymbals, and organs.

2. When David heard (sung in English) by Thomas Tomkins:

   • This piece is based on Psalm 56, featuring the lyrics "Jehovah quam multi sunt hostes," which translates to "Jehovah, how many are they that rise up against me!"

3. Jehova quam multi sunt hostes (sung in Latin) by Henry Purcell:

   • This section of the program also appears to be based on Psalm 56, with lyrics detailing David’s feelings of being surrounded by enemies and his trust in God.

4. Chansons Françaises (sung in French) by Francis Poulenc:

   • The first song listed is titled "Margo va t'a l'iau," which tells the story of a young girl named Margo who goes to a well and is almost drowned, with a humorous and somewhat light-hearted narrative.

Each piece is noted with the specific language in which it is to be sung. The page is part of a larger concert program, indicating a varied and culturally rich choral performance.

The image is a program from a noonday concert held at the Busch-Reisinger Museum at Harvard University on April 18, 1974, at 12:10 p.m. The concert was performed by members of the University Choir, with John Ferris as the Chormaster and Lenora Stein as the Assistant Chormaster.

The program includes the following pieces:

1. Psalm 150 (Sung in German) by Johann Hermann Schein:

   • The lyrics are a praise to God, detailing various instruments and ways to praise Him, such as with psaltery, trumpet, timbrel, dance, stringed instruments, cymbals, and organs.

2. When David heard (Sung in English) by Thomas Tomkins:

   • The lyrics are a prayer for protection and deliverance from enemies, invoking God's strength and blessing.

3. Jehova quam multi sunt hostes (Sung in Latin) by Henry Purcell:

   • This piece is a plea for divine protection against enemies, expressing a sense of despair and a call for God's intervention.

4. Chansons Françaises (Sung in French) by Francis Poulenc:

   • The first song is "Margo va t'a l'iau":
     • A humorous narrative about Margo going to the well with a jug, which overflows, causing her to fall to the bottom. Three handsome boys pass by and react with "Oh! Oh! Oh!" to her plight.

The program sheet appears to be a handwritten or typed document, and the concert was part of a larger series or event at the university.

The image shows a program from a noonday concert held at the Busch-Reisinger Museum of Harvard University on April 18, 1974, at 12:10 p.m. The concert was performed by members of the University Choir, with John Ferris as the Choirmaster and Lenora Stein as the Assistant Choirmaster.

The program includes three pieces of music:

1. Psalm 150 (Sung in German) by Johann Hermann Schein:

   • This piece is a call to praise God with various instruments and voices, including strings, trumpets, cymbals, and organs.

2. When David Heard (Sung in English) by Thomas Tomkins:

   • This piece is a choral work based on the biblical story of David hearing the Philistines boasting about their victory over Israel, followed by David's prayer to God for deliverance.

3. Jejova quam multi sunt hostes (Sung in Latin) by Henry Purcell:

   • This is a Latin choral piece expressing the multitude of troubles and the plea for divine help.

4. Chansons Françaises (Sung in French) by Francis Poulenc:

   • This piece includes the song "Margo va t'a l'iau," which tells a humorous story about a girl named Margo who trips and spills her jug, and the reactions of those who see her.

The program also lists the performers' names and the language in which each piece is sung.

The image shows a program from a choral concert held on April 18, 1974, at 12:10 p.m. in the Busch-Reisinger Museum at Harvard University. The concert was performed by the Members of the University Choir, with John Ferris serving as the Choirmaster and Lenora Stein as the Assistant Choirmaster.

Here is the detailed program:

1. Psalm 150 by Johann Hermann Schein (Sung in German)

   • The lyrics are a call to praise God with various instruments and dance, taken from Psalm 150 of the Bible. It includes verses encouraging praise with trumpets, psalteries, harps, timbrels, strings, organs, and cymbals.

2. When David heard by Thomas Tomkins (Sung in English)

   • This piece reflects the biblical story where King David mourns the death of his son Absalom.

3. Jehova quam multi sunt hostes by Henry Purcell (Sung in Latin)

   • The text expresses distress and hope in God's protection, referencing the many troubles and enemies the psalmist faces. It's a plea for salvation and divine intervention.

4. Chansons Françaises by Francis Poulenc (Sung in French)

   • The first song listed is "Margo va t'a l'iau," which tells a humorous story about a girl named Margo who falls into a well and the reaction of three young boys who see the event.

This program reflects a diverse repertoire including sacred music in different languages and styles, showcasing works from the Baroque period and the 20th century.

The image shows a program for a noonday concert held on April 18, 1974, at 12:10 p.m. at the Busch-Reisinger Museum, Harvard University. The concert featured members of the University Choir, with John Ferris as the Choirmaster and Lenora Stein as the Assistant Choirmaster.

The program includes the following pieces:

1. Psalm 150 (Sung in German)

   • Composer: Johann Hermann Schein
   • Text by Thomas Tomkins
   • The piece is a musical setting of Psalm 150, which calls for praise to the Lord using various instruments and voices.

2. When David Heard (Sung in English)

   • Composer: Henry Purcell
   • The text appears to be a lament, likely based on the biblical account of King David's grief.

3. Jubilate quam multi sunt hostes (Sung in Latin)

   • Composer: Francis Poulenc
   • The text is a prayer for protection against enemies and a plea for God's help.

4. Chansons Françaises (Sung in French)

   • The text provided is an excerpt from a French song, "Margo va t'a l'iau," which tells a story about a character named Margo.

The program is typed on a sheet of paper that appears aged, with some visible wear and tear, and is placed in a binder or folder with green and orange tabs visible on the left side.

This image appears to show a page of a printed concert program. The header indicates it's for a "NOONDAY CONCERT" by the "MEMBERS OF THE UNIVERSITY CHOIR" with John Perris as Choirmaster and Lenora Stein as Assistant Choirmaster. According to the program, the concert took place at the "Busch-Reisinger Museum Harvard University" on "April 18, 1974 at 12:10 p.m."

The program lists several musical pieces which were performed during the concert. The texts of the pieces are printed in English, even though some were sung in different languages as indicated. The pieces and languages are as follows:

1. "Psalm 150" by Johann Hermann Schein, sung in German.
2. "When David Heard" by Thomas Tomkins, sung in English.
3. A work which begins with "Jehova quam multi sunt hostes" (likely a Latin text), followed by several lines of a text that appears biblical or prayer-like in English.
4. "Salvation belongeth unto the Lord" by Francis Poulenc.
5. "Chansons Françaises" sung in French. The text of the first song in the set is given: "Margo va t'à l'iau", along with its English translation.

The printed text of the songs is slightly obscured by a tear in the paper on the left side where the pages have been partially separated from a staple or binding. The overall tone of the image suggests an archival or historical document, as the paper has a slightly yellowed and aged appearance.

The image shows an open book, likely a program or booklet, detailing a Noonday Concert held by the University Choir on April 18, 1974, at 12:10 p.m. The concert was organized by the Busch-Reisinger Museum at Harvard University. The program lists the members of the choir, including John Perris, Choirmaster, and Lenora Stein, Assistant Choirmaster.

The program features a repertoire of musical pieces, with each entry indicating the composer and the language in which the piece was sung. The selections include:

1. Psalm 150 by Thomas Tomkins (sung in German).
2. When David heard by Henry Purcell (sung in English).
3. Jehova quam multi sunt hostes by Francis Poulenc (sung in Latin).
4. Chansons Françaises by an unspecified composer (sung in French), which includes the song "Margo va t'a l'eau".

The text is printed in a clear, formal font, typical of concert programs or archival documents. The pages appear slightly aged, with some visible wear and tear, such as creases and minor discoloration, suggesting the document is from the 1970s and may have been handled or stored over time. The overall layout is neat and organized, reflecting the structure of a formal concert program.

The image shows a piece of paper that appears to be a program from a concert. The paper is folded in half, and the upper half is torn. The text on the paper is printed in black ink and includes the title "Monday Concert," the name of the choir "Members of the University Choir," and the names of the choirmaster and assistant choirmaster, John Ferris and Lenora Stein. The date of the concert is April 18, 1974, and the time is 12:10 p.m. The program includes a list of songs, including "Psalm 150" by Johann Hermann Schein, "When David heard" by Henry Purcell, "Jehova quam multi sunt hostes" by Thomas Tomkins, and "Chansons Françaises" by Francis Poulenc. The paper appears to be old and worn, with some stains and discoloration.

The image depicts an old document, possibly a program or a leaflet, which appears to be from a concert event. The document is slightly worn and has some creases, indicating its age. The text is printed in black ink on a cream-colored paper. The top of the document contains the title "NOONDAY CONCERT" and the date "April 18, 1974." Below the title, the venue is mentioned as "Busch-Reisinger Museum, Harvard University." The names of the choirmaster and the assistant choirmaster are also listed.

The main body of the document lists the program for the concert, including the names of composers and the titles of the pieces to be performed. The composers mentioned include Johann Hermann Schein, Thomas Tomkins, Henry Purcell, and Francis Poulenc. The pieces are described in various languages, including German, English, and Latin.

The document also includes a brief description of each piece, providing context and possibly the lyrics or themes of the songs. The text is neatly printed, with some sections highlighted or emphasized, possibly indicating the order of performance or special notes about the pieces.

Overall, the document serves as a program for a concert, providing information about the event, the performers, and the repertoire to be presented.