Archives Scrapbooks

The image shows a program for a concert by The Boston Musica Viva, which took place on Tuesday, April 16, 1974, at 8:30 p.m. at the Busch-Reisinger Museum, Harvard University, in Cambridge, Massachusetts. Richard Pittman served as the Music Director.

The program included the following pieces:

1. Nicolas Roussakis - SEXTET (1964) in 3 movements.
2. Arnold Schoenberg - FANTASY FOR VIOLIN AND PIANO, Op. 48 (1949), performed by Nancy Cirillo on violin and Evelyn Zuckerman on piano.
3. Aaron Copland - AS IT FELL UPON A DAY (1953) for mezzo-soprano, flute, and clarinet.
4. Zsolt Durkó - FIRE MUSIC (1971) for clarinet, violin, viola, cello, and piano.

There was an intermission after the first four pieces.

5. George Rochberg - CONTRA MORTEM ET TEMPUS (1965) for flute, clarinet, violin, and piano.
6. Joyce Mekeel - CORRIDORS OF DREAM (1972) for mezzo-soprano, performed by Jan Curtis (a Goethe-Institute of Boston commission).

The performers listed include:

• Nancy Cirillo, violin
• Evelyn Zuckerman, piano
• Jan Curtis, mezzo-soprano
• Gloria Johns, cello
• William Wriesen, clarinet
• Cynthia Price, harp

The program also notes that members of the audience were invited to join the musicians and the Board of Directors after the concert in the outer hall for a season's-end reception.

Additionally, there is a note at the bottom indicating that on Sunday, May 5, from 5:30 to 7:00 p.m., a tape of the Boston Musica Viva concert of February 17, 1972, would be broadcast by station WRM. The broadcast included works by Joseph Schwantner, "Cantorial Fantasy," and Karlheinz Stockhausen, "Time Off," with Karlheinz Stockhausen and Karl Reine Püschel, and "Miorita" with Elsa Charleston, soprano.

The image is a page from a program booklet for a concert by "The Boston Musica Viva," directed by Richard Pittman, held on Tuesday, April 16, 1974, at 8:30 p.m. The concert took place at the Busch-Reisinger Museum, Harvard University, in Cambridge, Massachusetts.

The program featured several pieces:

1. Nicolas Roussaia's "SEXTET" (1964), performed in three movements.
2. Arnold Schoenberg's "Fantasy for Violin and Piano, Op. 48" (1949), with Nancy Cirillo on violin and Evelyn Zuckerman on piano.
3. Aaron Copland's "As It Fell Upon a Day" (1923), for mezzo-soprano, flute, and clarinet.
4. Zsolti Durkó's "Fire Music" (1971), for flute, clarinet, violin, viola, cello, and piano.
5. George Hochberg's "Contra Mortem Et Tempus" (1965), for flute, clarinet, violin, and piano.
6. Joyce Meeke's "Corridors of Dream" (1972), with Jan Curtis as the mezzo-soprano (commissioned by the Goethe-Institute of Boston).

The performers listed include:

• Nancy Cirillo, violin
• Peter Hatch, viola
• Evelyn Zuckerman, piano
• Elinor Preble, flute
• Gloria Johns, cello
• William Wrzesien, clarinet
• Cynthia Price, harp

After the concert, an invitation was extended to the audience to join the musicians and the Board of Directors for a season's-end reception in the outer hall.

Additionally, the program notes that a tape of the Boston Musica Viva concert from February 7, 1972, would be broadcast on Sunday, May 5, from 5:30 to 7:00 p.m. The broadcast would feature works by Joseph Schwantner, George Crumb, and Karlheinz Stockhausen (with Elsa Charleston as soprano). The specific pieces mentioned are:

• Joseph Schwantner, "Consortium II"
• Mozart, "The Kegelstatt Trio"
• George Crumb, "11 Echoes of Autumn"
• Karlheinz Stockhausen, "Miora" with Elsa Charleston, soprano

The image is of a page from a program for a classical music concert titled "The Boston Musica Viva." The concert took place on Tuesday, April 16, 1974, at 8:30 p.m. at the Busch-Reisinger Museum of Harvard University in Cambridge, Massachusetts.

Here is a detailed summary of the program:

1. Nicolas Roussakis

   • Work: SEXTET (1964), in three movements.

2. Arnold Schoenberg

   • Work: FANTASY FOR VIOLIN AND PIANO, Op. 48 (1949)
   • Performers: Nancy Cirillo, violin; Evelyn Zackerman, piano

3. Aaron Copland

   • Work: AS IT FELL UPON A DAY (1923)
   • Instrumentation: Mezzo-soprano, flute, and clarinet

4. Zoltán Durkó

   • Work: FIRE MUSIC (1971)
   • Instrumentation: Flute, clarinet, violin, viola, cello, and piano

An intermission follows these performances.

5. George Rochberg

   • Work: CONTRA MORTEM ET TEMPUS (1965)
   • Instrumentation: Flute, clarinet, violin, and piano

6. Joyce Mekoel

   • Work: CORRIDORS OF DREAM (1972)
   • Performer: Jan Curtis, mezzo-soprano (a commission from the Goethe-Institute of Boston)

The concert features the following musicians:

• Nancy Cirillo, violin
• Evelyn Zuckerman, piano
• Peter Hatch, viola
• Gloria Johns, cello
• Elinor Preble, flute
• William Wrzesien, clarinet
• Cynthia Price, harp

At the end of the program, it notes that the audience is invited to join the musicians and the Board of Directors in the outer hall for a season's-end reception.

Additionally, there is a note about a broadcast of the concert from February 7, 1972, which will be available on May 5, 2007 (likely a typo and should be 2012), from 5:30 p.m. to 7:00 p.m. on station WBUR. The works to be performed on this broadcast include:

• Joseph Schwantner, "Consortium II"
• Mozart, "The Kegelstatt Trio"
• George Crumb, "Eleven Echoes of Autumn"
• Karlheinz Stockhausen, "Miorita" with Elsa Charleston, soprano

The image shows a program for a concert by "The Boston Musica Viva," held on Tuesday, April 16, 1974, at 8:30 p.m. at the Busch-Reisinger Museum, Harvard University, Cambridge, Massachusetts. Richard Pittman is listed as the Music Director.

The program includes the following pieces:

1. "SEXTET (1964)" by Nicolas Roussakis, in 3 movements.
2. "FANTASY FOR VIOLIN AND PIANO, Op. 48 (1949)" by Arnold Schoenberg, performed by Nancy Cirillo (violin) and Evelyn Zuckerman (piano).
3. "AS IT FELL UPON A DAY (1923)" by Aaron Copland, for mezzo-soprano, flute, and clarinet.
4. "FIRE MUSIC (1971)" by Zsolt Durk6, for flute, clarinet, violin, viola, cello, and piano.

There is an intermission, followed by:

5. "CONTRA MORTEN ET TEMPUS (1965)" by George Rochberg, for flute, clarinet, violin, and piano, performed by Jan Curtis (mezzo-soprano, commissioned by the Goethe-Institute of Boston).

The performers listed include:

• Nancy Cirillo, violin
• Evelyn Zuckerman, piano
• Peter Hatch, viola
• Elinor Preble, flute
• William Wrzesien, clarinet
• Cynthia Price, harp

The program also invites the audience to join the musicians and the Board of Directors for a season's-end reception in the outer hall after the concert.

Additionally, it notes that on Sunday, May 5, from 5:30 to 7:00 p.m., a tape of the Boston Musica Viva concert from February 7, 1972, will be broadcast by station WBUR. The works to be performed include pieces by Joseph Schwantner, Mozart, George Crumb, and Karlheinz Stockhausen.

The image is of a concert program from a performance by The Boston Musica Viva. Here are the details:

Ensemble:

• The Boston Musica Viva
• Music Director: Richard Pittman

Event Details:

• Date: Tuesday, April 16, 1974
• Time: 8:30 p.m.
• Venue: Busch-Reisinger Museum, Harvard University, Cambridge, Massachusetts

Program:

1. Nicolas Roussakis

   • SEXTET (1964)
     • In 3 movements

2. Arnold Schoenberg

   • FANTASY FOR VIOLIN AND PIANO, Op. 47 (1949)
     • Performers: Nancy Cirillo (violin), Evelyn Zuckerman (piano)

3. Aaron Copland

   • AS IT FELL UPON A DAY (1923)
     • For mezzo-soprano, flute, and clarinet

4. Zsolt Durkó

   • FIRE MUSIC (1971)
     • For flute, clarinet, violin, viola, cello, and piano

Intermission

5. George Rochberg

   • CONTRA MORTEM ET TEMPUS (1965)
     • For flute, clarinet, violin, and piano

6. Joyce Mekeel

   • COORDINATES OF DREAM (1972)
     • For mezzo-soprano (A Goethe-Institut of Boston commission)
     • Performer: Jan Curtis

Musicians of The Boston Musica Viva:

• Nancy Cirillo, violin
• Peter Hatch, viola
• Gloria Johns, cello
• Cynthia Price, harp
• Evelyn Zuckerman, piano
• Elinor Freer, flute
• William Wrzesien, clarinet

Additional Notes:

• Members of the audience and the Board of Directors are cordially invited to join the musicians and the board in the outer hall for a season’s-end reception.
• A future event is mentioned: On Sunday, May 5, from 5:30 to 7:00 p.m., a tape of the Boston Musica Viva concert from February 7, 1972, will be broadcast by station WHR. The program will include works by Joseph Schwantner, "Consortium II"; Mozart, "The Kegelstatt Trio"; George Crumb, "Vox Balaenae (All Echoes of Autumn)"; and Karl Heine Füssel, "Miorita" with Elsa Charlston, soprano.

The image shows a program from a concert held by The Boston Musica Viva. The concert took place on Tuesday, April 16, 1974, at 8:30 p.m. in the Busch-Reisinger Museum at Harvard University in Cambridge, Massachusetts. Richard Pittman was the Music Director.

The program included several pieces of music by different composers:

1. Nicolas Roussakis: "SEXTET" (1964) in three movements.
2. Arnold Schoenberg: "FANTASY FOR VIOLIN AND PIANO, Op. 47" (1949) performed by Nancy Cirillo on violin and Evelyn Zuckerman on piano.
3. Aaron Copland: "AS IT FELL UPON A DAY" (1923) for mezzo-soprano, flute, and clarinet.
4. Zsolti Durkó: "FIRE MUSIC" (1971) for flute, clarinet, violin, viola, cello, and piano.

There was an intermission.

The second half of the concert featured:

1. George Rochberg: "CONTRA MORTEM ET TEMPUS" (1965) for flute, clarinet, violin, and piano.
2. Joyce Meekel: "CORRIDORS OF DREAM" (1972) performed by Jan Curtis, mezzo-soprano (commissioned by Goethe-Institute of Boston).

The musicians included:

• Nancy Cirillo, violin
• Evelyn Zuckerman, piano
• Peter Hatch, viola
• Elinor Preble, flute
• William Wrzesien, clarinet
• Gloria Johns, cello
• Cynthia Price, harp

The program also invited members of the audience to join the musicians and the Board of Directors for a season's-end reception after the concert.

Additionally, there was an announcement about an upcoming broadcast on Sunday, May 5, from 5:30 to 7:00 p.m., of a tape of the Boston Musica Viva concert from February 7, 1972, on station WBUR. The broadcast would feature works by Joseph Schwantner, George Crumb, and Karl Heinz Füssl.

The image shows the interior of a printed program for a classical music concert. The title at the top of the page reads "THE BOSTON MUSICA VIVA" with Richard Pittman listed as the Music Director. The concert was scheduled for Tuesday, April 16, 1974, at 8:30 p.m. The venue is the Busch-Reisinger Museum at Harvard University in Cambridge, Massachusetts.

The program lists several pieces of music to be performed:

1. "SEXTET (1964) in 3 movements" by Nicolas Roussakis
2. "FANTASY FOR VIOLIN AND PIANO, Op. 48 (1949)" by Arnold Schoenberg featuring Nancy Cirillo on violin and Evelyn Zuckerman on piano.
3. "IN THE BEGINNING" by Aaron Copland (A Variation for Soprano, Flute, and Clarinet)
4. "FIVE MUSIC (1970)" by Zsolt Durkó for Flute, Clarinet, Violin, Viola, Cello, and Piano.

After these pieces, there is an intermission followed by:

5. "CONTRA MORTEM ET TEMPUS (1965)" by George Rochberg for Flute, Clarinet, Violin, and Piano
6. "CORRIDORS OF DREAM (1972)" by Joyce Mekeel featuring Jan Curtis, mezzo-soprano (a Goethe-Institute of Boston commission)

The text at the bottom invites members of the audience to join the musicians and the Board of Directors after the concert for a season's end reception. Additionally, there is a note about a broadcast of a tape of the Boston Musica Viva concert from February 7, 1971, to be broadcast on radio station WBUR. Works mentioned for the broadcast include those by Joseph Schwantner, Mozart, and others, concluding with "Miroir" with Elsa Charleston, soprano.

To the left, we can see the edges of other pages behind the displayed one, indicating the program is part of a booklet. The text is clear and legible, laid out in a simple format typical of concert programs.

The image shows an open book with a page displaying a program for a concert. The title of the book is "The Boston Musica Viva." The concert is scheduled for Tuesday, April 16, 1974, at 8:30 p.m. The location is the Busch-Reisinger Museum at Harvard University in Cambridge, Massachusetts. The program lists the pieces to be performed, including "Sextet" by Nicolas Roussakis, "Fantasy for Violin and Piano, Op. 48" by Arnold Schoenberg, "As It Fell Upon a Day" by Aaron Copland, "Fire Music" by Zoltán Kodály, "Contra Mortem et Tempus" by George Rochberg, and "Corridors of Dreams" by Joyce Mekeel. The musicians listed are Nancy Cirillo, violin; Evelyn Zuckerman, piano; Peter Hatch, viola; Elinor Preble, flute; Gloria Johns, cello; and William Wrzesien, clarinet. The page also includes a note inviting members of the audience to join the musicians and the Board of Directors after the concert for a season's-end reception.

The image is a photograph of an open book with a green cover and a white page. The page contains a program for a musical event titled "The Boston Musica Viva," which took place on Tuesday, April 16, 1974, at 8:30 p.m. at the Busch-Reisinger Museum, Harvard University, Cambridge, Massachusetts. The music director for the event was Richard Pittman. The program lists the performers and the pieces they will perform, including works by Nicolas Roussakis, Arnold Schoenberg, Aaron Copland, Zsolt Durkó, George Rochberg, and Joyce Mekel. The performers include Nancy Cirillo on violin, Evelyn Zuckerman on piano, and others. The program also mentions a broadcast of a previous concert on May 5, 1974, and invites audience members to join the musicians and the Board of Directors after the concert for a season's-end reception.

The image shows the inside pages of a program booklet for a concert by The Boston Musica Viva, held on Tuesday, April 16, 1974, at 8:30 p.m. The venue is the Busch-Reisinger Museum at Harvard University in Cambridge, Massachusetts. The program is under the direction of Richard Pittman, who is listed as the Music Director.

Program Details:

The concert features a diverse lineup of compositions, including:

1. Nicolas Roussakis – Sextet (1964) in 3 movements
2. Arnold Schoenberg – Fantasy for Violin and Piano, Op. 48 (1949)
   • Performed by Nancy Cirillo (violin) and Evelyn Zuckerman (piano)
3. Aaron Copland – As It Fell Upon a Day (1923)
   • For mezzo-soprano, flute, and clarinet
4. Zolt Durkó – Fire Music (1971)
   • For flute, clarinet, violin, viola, cello, and piano
5. Intermission
6. George Rochberg – Contra Mortem et Tempus (1965)
   • For flute, clarinet, violin, and piano
7. Joyce Meckel – Corridors of Dream (1972)
   • A Goethe-Institute of Boston commission, performed by Jan Curtis (mezzo-soprano)

Performers:

The program lists the following musicians:

• Nancy Cirillo (violin)
• Evelyn Zuckerman (piano)
• Peter Hatch (viola)
• Gloria Johns (cello)
• Elinor Preble (flute)
• William Wrzesienski (clarinet)
• Cynthia Price (harp)

Additional Information:

• Audience Invitation: Members of the audience are cordially invited to join the musicians and the Board of Directors after the concert in the outer hall for a season’s-end reception.
• Broadcast Announcement: A tape of the Boston Musica Viva concert of February 7, 1972, will be broadcast on Sunday, May 5, from 5:30 to 7:00 p.m. by station WHR. The works to be performed include:
  • Joseph Schwantner – Consortium II
  • Mozart – The Kegelstatt Trio
  • George Crumb – II Echoes of Autumn
  • Karl Heine Füssel – Miortita (with Elsa Charleston, soprano)

Design and Layout:

The program is neatly formatted with clear headings, bullet points, and a structured layout. The text is printed in a clean, readable font, and the booklet appears to be part of a larger collection, as indicated by the green spine and the open page displaying additional content. The overall design suggests a formal and professional presentation typical of classical music concert programs.