Ctrl-C, Ctrl-V. Rinse, repeat.
ARCH.2013.5.16, Rendition: 799594
The image shows a program from an event, likely a musical performance, with details about the donors, patrons, benefactors, and the program notes for a piece titled "SHADOWS II."
Donors:
Patrons:
Quarantors:
Benefactors:
Program Notes:
The piece "SHADOWS II" for Baritone, VIII Players, and Tape is subtitled "Concertino VI." It is the fourth in a series written for the Boston Musica Viva. The score requires multiple instruments for a total of twenty-seven instruments, including:
The vocal text consists of twelve Japanese poems from the collection "One Hundred Poems from the Japanese" compiled and translated by Kenneth Rexroth. The poems are drawn from traditional "Man'yoshu" (middle 8th century), "Kokinshu" (early 10th century), and "Hyakunin Isshu" (single poems of a hundred poets) collections, including examples of haiku and other later forms.
The image shows a page with a list of donors, patrons, and benefactors, along with detailed program notes for a musical performance. Here is a detailed summary:
Donors:
Patrons:
Guarantors:
Benefactors:
Program Notes:
The musical work is titled "Shadows II" for Baritone, eight players, and tape, subtitled "Consortium VI." It is the fourth piece in a series specifically created for the Boston Musica Viva.
Instrumentation Details:
Text:
The vocal text consists of twelve Japanese poems by various authors taken from the collection "One Hundred Poems from the Japanese," compiled and translated by Kenneth Rexroth. These poems are primarily drawn from the traditional "Mantoshu" (middle 9th century), "Kokushu" (early 10th century), and "Hyakunin Isshu" (Single Poems of a Hundred Poets) collections, which include examples of haiku and other poetic forms.
The image is a page from a program, likely for a concert or musical performance. It lists various donors, patrons, benefactors, and program notes.
Donors:
Patrons:
Quartantors:
Benefactors:
Program Notes:
The piece titled "Shadows II" for baritone, eight players, and tape, subtitled "Consortium VI," is the fourth in a series of pieces written for the Boston Musica Viva. The score requires a multiple instrumentation for each player, involving a total of twenty-seven instruments. The instrumentation for each player is detailed as follows:
The vocal text consists of twelve Japanese poems by various authors from the collection "One Hundred Poems from the Japanese" (New Directions Books), compiled and translated by Kenneth Rexroth. The poems are drawn from the traditional collections "MANYOSHU" (7th-8th century), "KOKTUSHU" (early 10th century), and "HYAKUNIN ISHU" (Single Poems of a Hundred Poets), including examples of haiku and other forms.
The image shows a document listing acknowledgments and program notes for a musical performance. Here is a detailed summary:
The program notes detail the piece "Shadows II" for Baritone, VIII Players, and Tape, also subtitled "Consortium VI." This piece is the fourth in a series created specifically for the Boston Musica Viva.
Instrumentation:
The vocal text consists of twelve Japanese poems by various authors, taken from the collection "ONE HUNDRED POEMS FROM THE JAPANESE" (New Directions Books), compiled and translated by Kenneth Rexroth. The poems are primarily drawn from traditional collections such as "MAN'YOSHU" (middle 8th century), "KOKINSHU" (early 10th century), and "HYAKUNIN ISSHU" (single poems of a hundred poets), including examples of haiku and other later forms.
The image shows a program or a page from a concert program detailing the participants and the musical piece being performed. Here is a detailed summary:
Donors:
Patrons:
Guarantors:
Benefactors:
Piece Title: Shadows II for Baritone, VIII Players and Tape
Subtitle: Consortium VI
Composer: Ezra Sims
Description:
Instrumentation:
Vocal Text:
The image shows a page from a book or document, which contains acknowledgments and program notes. Here's a detailed summary of the content:
The program notes describe a piece titled "Shadows II" for Baritone, VIII Players, and Tape, subtitled "Commercial VI." It is the fourth in a series of pieces written especially for the Boston Symphony Chamber Players. The piece is described as a "dramatic entertainment" with a total number of twenty-seven individual instruments, each player employing different instruments throughout the ensemble. The instrumentation includes:
The vocal text consists of twelve Japanese poems by various authors taken from the collection "One Hundred Poems from the Japanese" (translated by Kenneth Rexroth). The poems were drawn primarily from the traditional collections "Manyoshu" (mid-8th century), "Kokinshu" (early 10th century), and "Hyakunin Isshu" (single poems by single poets). The collection includes examples of both early and later forms.
The image displays a printed page of what appears to be program notes or a concert program. On the left side of the image, a section of the page is visible, titled "Donors," "Patrons," "Guarantors," and "Benefactors," listing names of individuals under each category, likely those who have supported a particular event or organization.
Below these categories, the title "PROGRAM NOTES" introduces a section on the right side of the page that gives details about a specific musical piece or performance. The text mentions "SHADOWS II for Baritone, VIII Players and Tape," subtitled "Consortium VI," and it explains that the work is the fourth in a series created especially for the Boston Musica Viva. A detailed list of instrumentation for the performance is given, detailing unique instruments for each player part, such as suspended triangles, a variety of flutes, clarinet, water triangle, bass clarinet, mandolin, wind chimes, tam-tam, and others. The notes describe that the vocal text employed consists of "five Japanese poems by various authors" taken from collections of world traditional poems.
The paper with the program notes is atop another paper, and underneath both, you can see a glimpse of a book or booklet with a tattered edge protruding on the right side of the image. The background is plain and appears to be a light-colored desk or table surface.
The image shows a typed document with three sections titled "Donors," "Patrons," and "Guarantors," with a smaller section called "Benefactors." Below these lists is a detailed text titled "PROGRAM NOTES."
The "Donors" section lists names such as Alfred Braunthal, Mrs. Kenneth J. Conant, Mrs. Arthur Edwards, Mrs. Laurence B. Ellis, Mrs. Colette F. Grann, Mrs. Richard Ginsberg, Mr. Robert Kastenbaum, Joyce McKeel, Ruth L. Porter, Dr. and Mrs. James L. Rabb, and Mr. and Mrs. Herbert F. Stewart.
The "Patrons" section includes Mr. Charles R. Blyth, Watson B. Dickerman, Mr. and Mrs. Everett P. Grossman, Mr. and Mrs. George Anthony Palmer, and Mr. and Mrs. James W. Perkins.
The "Guarantors" section lists Chris and Sue Carlson, Mr. and Mrs. Jacob Gitelman, Robert MacWilliams, Dr. J. Murray, Dr. and Mrs. Harold Wilkinson, and Dr. and Mrs. Albert C. England, Jr.
The "Benefactors" section names Mrs. Gardner Cox and Mr. and Mrs. William McCune.
The "PROGRAM NOTES" section discusses a musical piece titled "SHADOWS II," written for baritone, eight players, and tape. It is subtitled "Consortium VI" and is the fourth in a series for the Boston Musica Viva. The score requires each player to handle multiple instruments, with a total of twenty-seven instruments used throughout the ensemble.
The instrumentation for each player is listed as follows:
The notes mention that the vocal text consists of twelve Japanese poems from the collection "ONE HUNDRED POEMS FROM THE JAPANESE," compiled and translated by Kenneth Rexroth. These poems come primarily from traditional collections "MANYOSHU" (8th century), "KOKISHU" (early 10th century), and "HYAKUNIN ISSHU" (Single Poems of a Hundred Poets), including examples of haiku and other later forms.
The image shows a page from a program booklet or document, likely for a musical performance or event. The page is divided into several sections, each listing names and roles:
The instrumentation is listed for each of the eight players (Baritone and Players 1–8), specifying the instruments required for each player. Examples include:
The page is printed on white paper and appears to be part of a larger document, as indicated by the visible page numbers and margins on the right side. The layout is clean and organized, typical of a formal program or booklet.
The image is a document titled "PROGRAM NOTES" from the Boston Musica Viva. It provides information about a musical composition titled "SHADOWS II for Baritone, VIII Players and Tape," subtitled "Consortium VI." The document lists the instruments and players involved in the performance, along with the vocal texts used, which are twelve Japanese poems translated by Kenneth Rexroth. The document also includes a list of donors, patrons, guarantors, and benefactors associated with the performance.