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The image shows a page from a program booklet for a concert by The Boston Musica Viva, held on Tuesday, February 26, 1974, at 8:30 PM at the Busch-Reisinger Museum, Harvard University, in Cambridge, Massachusetts. The concert was directed by Richard Pittman, with David Evitts as the baritone.

The program included the following pieces:

1. Joseph Schwantner:

   • Shadows II (Commissioned by Musica Viva for Baritone and 8 players) (1973) - World Premiere performance.
   • Shadows II (repeat).

2. Richard Orton:

   • Cycle for 2 or 4 Players (1967).

3. Eigar Varèse:

   • Density 21.5 (1936).

4. Arnold Schoenberg:

   • Serenade, Op. 24 (1924), featuring:
     • I. March
     • II. Minuet
     • III. Variations
     • IV. Sonett von Petrarca (for a deep male voice)
     • V. Dance
     • VI. Lied
     • VII. Finale
     • David Evitts, Baritone

The ensemble included:

• John Heiss, flute and alto flute
• William Wrzesien, clarinet, e-flat clarinet, and water triangle
• Robert Winters, clarinet, bass clarinet, and water triangle
• Robert Sullivan, guitar, 12 string guitar, and water triangle
• Henry Viktrovics, mandolin, guitar, and water triangle
• Judy Epstein, piano
• Peggy Hatch, viola and tam-tam
• Gloria Johns, cello and tam-tam

The 1973-74 season of the Boston Musica Viva was supported by grants from the Massachusetts Council on the Arts and Humanities, the Boston Musica Viva's third Rockefeller Fund for Music, and by the contributors whose names are listed on this program.

Additionally, WGBH radio planned to present a delayed broadcast of a Boston Musica Viva concert on Sunday, March 10th, at 9:30 PM. The final concert of the season was scheduled for Tuesday, April 16.

The image shows a page from a program booklet for a concert by The Boston Musica Viva, which was held on Tuesday, February 26, 1974, at 6:30 PM in the Busch-Reisinger Museum at Harvard University in Cambridge, Massachusetts.

Here's a detailed breakdown of the page:

1. Concert Information:

   • Music Director: Richard Pittman
   • Baritone: David Evitts

2. Program:

   • Joseph Schwantner: Shadows II (Consortium VI) for Baritone and 8 Players (1973) - World Premiere performance.
   • Richard Orton: Cycle for 2 or 4 Players (1967).
   • Eugene Varèse: Density 21.5 (1936).
   • Joseph Schwantner: Shadows II (repeat).

   There is an intermission after the first set of compositions.

3. Arnold Schoenberg’s Serenade, Op. 24 (1924):

   • This piece is divided into seven movements:
     1. Marsch
     2. Menuett
     3. Andante
     4. Sonett von Petrarca (for a deep male voice)
     5. Tanzszene
     6. Lied
     7. Finale

4. Musical Instruments and Performers:

   • Flute and Alto Flute: John Heiss
   • Clarinets and Water Triangle: William Wrzesien, Anthony Fulginiti
   • Bass Clarinet and Water Triangle: Robert Sullivan
   • Guitar and Water Triangle: Henry Cowell
   • Violin and Tam-tam: Edna Pirillo
   • Viola and Tam-tam: Peter Hatch
   • Cello and Tam-tam: Gloria Johns

5. Support:

   • The concert is supported by grants from the Massachusetts Council on the Arts and Humanities, the Goethe Institute Boston, the Martha Baird Rockefeller Fund for Music, and individual contributors listed in the program.

6. Additional Information:

   • There is a mention of a delayed broadcast of a Boston Musica Viva concert on Sunday, March 10th at 5:30 PM on NPR radio.
   • The final concert of the season is scheduled for Tuesday, April 16th.

The page is part of a historical concert program, detailing the musical works to be performed, the performers, and the logistical details of the event.

The image shows a program for a concert by "The Boston Musica Viva," held on Tuesday, February 26, 1974, at 6:30 P.M. at the Busch-Reisinger Museum, Harvard University, Cambridge, Massachusetts. The music director is Richard Pittman, and the baritone is David Evitts.

The program includes the following pieces:

1. "Shadows II (Consortium VI) for Baritone and 8 Players" (1973) by Joseph Schwantner, featuring David Evitts, baritone (World Premiere performance).
2. "Cycle for 2 or 4 Players" (1967) by Richard Orton.
3. "Density 21.5" (1936) by Edgar Varèse.
4. A repeat performance of "Shadows II" by Joseph Schwantner.

After intermission:

• "Serenade, Op. 24" (1924) by Arnold Schoenberg, featuring David Evitts, baritone, with movements including Marsch, Menuett, and others.

The performing members of The Boston Musica Viva are listed, including John Heiss (flute and alto flute), William Wrzesien (clarinet, E-flat clarinet, recorder, and water triangle), Anthony P. Fulipini (bass clarinet, clarinet, and water triangle), Robert Sullivan (guitar and water triangle), Henry Banta (guitar, mandolin, guitar, and water triangle), Paul Fromm (violin and tam-tam), Peter Hatch (viola and tam-tam), and Gloria Johns (cello and tam-tam).

The program also notes that the 1973-74 season is supported by grants from the Massachusetts Council on the Arts and Humanities, the Goethe Institute Boston, the Martha Baird Rockefeller Fund for Music, and other contributors. It mentions a delayed broadcast of the concert on WMBR radio on Sunday, March 10th at 5:30 p.m., and announces the final concert of the season on Tuesday, April 16.

The image shows a concert program from a performance by The Boston Musica Viva. Here are the details:

Ensemble:

• The Boston Musica Viva
• Richard Pittman, Music Director
• David Evitts, Baritone

Event Details:

• Date: Tuesday, February 26, 1974
• Time: 8:30 P.M.
• Venue: Busch-Reisinger Museum, Harvard University, Cambridge, Massachusetts

Program:

1. Joseph Schwantner:

   • "Shadows II (CONSORTIUM VI)" for Baritone and 8 Players (1973)
     • World Premiere performance
     • David Evitts, Baritone

2. Richard Orton:

   • "Cycle for 2 or 4 Players" (1967)

3. Edgar Varèse:

   • "DENSITY 21.5" (1936)

4. Joseph Schwantner:

   • "Shadows II" (repeat)

   (Intermission)

5. Arnold Schoenberg:

   • "Serenade, Op. 24" (1924)
     • Marsch
     • Menuett
     • Variations
     • Sonett von Petrarca (for a deep male voice)
     • Tanzscene
     • Lied (without words)
     • Finale
     • David Evitts, Baritone

Performers of The Boston Musica Viva:

• John Heiss: flute and alto flute
• William Wrzesien: clarinet, E-flat clarinet, recorder, and water triangle
• Anthony Fulginiti: bass clarinet, bassoon, and water triangle
• Robert Sullivan: trumpet, mandolin, guitar, and water triangle
• Richard Pittman: conductor, guitar, and water triangle
• Nancy Cirillo: violin and tambourine
• Peter Hicks: viola and tam-tam
• Gloria Johns: cello and tam-tam

Additional Information:

• The 1973-74 season of the Boston Musica Viva is supported in part by grants from the Massachusetts Council on the Arts and Humanities, the Goethe Institute Boston, the Martha Baird Rockefeller Fund for Music, and by the contributors whose names are listed in this program.
• A delayed broadcast of this concert will be presented by WGBH radio on Sunday, March 10th, at 5:30 P.M.
• The final concert of the season is scheduled for Tuesday, April 16. The audience is encouraged to save the date.

The image shows a typed program for a concert by "The Boston Musica Viva" held at the Busch-Reisinger Museum, Harvard University, Cambridge, Massachusetts, on Tuesday, February 26, 1974, at 8:30 PM.

Concert Details:

• Music Director: Richard Pittman
• Baritone: David Evitts

Program:

1. Joseph Schwantner - "Shadows II (Consortium VI)" for Baritone and 8 Players (1973)

   • Performed by David Evitts, baritone
   • World Premiere performance

2. Richard Orton - "Cycle for 2 or 4 Players" (1967)

3. Edgar Varèse - "Density 21.5" (1936)

4. Joseph Schwantner - "Shadows II" (repeat)

Intermission

5. Arnold Schoenberg - "Serenade, Op. 24" (1924)
   • Performed by David Evitts, baritone
   • Contains the following movements:
     1. Marsch (March)
     2. Menuett (Minuet)
     3. Duettino (Duettino)
     4. Lied (Song) from "Concert von Petrarca" (for a deep male voice)
     5. Tanzscene (Dance Scene)
     6. Lied (Song)
     7. Finale

Additional Performers:

• John Heiss: flute and alto flute
• William Wrzesien: clarinet, Eb clarinet, recorder, and water triangle
• Anthony Pulginiti: bass clarinet and water triangle
• Robert Sullivan: guitar and water triangle
• Henry Brant: mandolin, guitar, and water triangle
• Nicola Cirillo: violin and tam-tam
• Peter Hatch: viola and tam-tam
• Gloria Johns: cello and tam-tam

Support and Announcements:

• The 1973-74 season of The Boston Musica Viva is supported by grants from the Massachusetts Council on the Arts and Humanities, the Goethe Institute Boston, the Martha Baird Rockefeller Fund for Music, and by contributors listed on the program.
• WGBH radio will present a delayed broadcast of a Boston Musica Viva concert on Sunday, March 10th, at 5:30 PM.
• The final concert of the season is scheduled for Tuesday, April 16.

The program is neatly organized and includes the names of the performers, the pieces to be played, and additional concert-related information.

The image shows a page from a program booklet for a concert titled "The Boston Musica Viva." The concert took place on Tuesday, February 26, 1974, at 6:30 PM at the Busch-Reisinger Museum, Harvard University, in Cambridge, Massachusetts. The concert featured Richard Pittman as the Music Director and David Evitts as the baritone.

The program included the following pieces:

1. Joseph Schwantner's "Shadows II (Consortium VI)" for baritone and eight players, composed in 1973, with David Evitts as the baritone. This was a world premiere performance.
2. Richard Orton's "Cycle for 2 or 4 Players," composed in 1967.
3. Edgar Varèse's "Density 21.5," composed in 1936.
4. A repeat of Joseph Schwantner's "Shadows II."

There was an intermission after the initial performances.

Following the intermission, Arnold Schoenberg's "Serenade, Op. 24" (1924) was performed. The pieces within this serenade included:

• 1. Marsch
• 2. Menuett
• 3. Intermezzo
• 4. Sonett von Petrarka (for a deep male voice)
• 5. Tanzszenen
• 6. Lied
• 7. Finale

The performers listed included:

• John Heiss (flute and alto flute)
• William Wrzesien (clarinet)
• Anthony Fuligniti (bass clarinet, recorder, and water triangle)
• Robert Sullivan (guitar)
• Henry Mancini (cello)
• Peter Hatch (viola and tam-tam)
• Gloria Johns (cello and tam-tam)

The program also notes that the 1973-74 season of The Boston Musica Viva was supported by grants from the Massachusetts Council on the Arts and Humanities, the Goethe Institute Boston, the Martha Baird Rockefeller Fund for Music, and other contributors. Additionally, it mentions that WBUR radio would present a delayed broadcast of the concert on Sunday, March 10th, at 5:30 PM. The final concert of the season was scheduled for Tuesday, April 16.

The image shows a typed program page for a Boston Musica Viva concert dated Tuesday, February 26, 1974, at 8:30 P.M. The event took place at the Busch-Reisinger Museum at Harvard University in Cambridge, Massachusetts.

The program is as follows:

• Joseph Schwantner: SHADOWS II (CONSORTIUM VI) for Baritone and 8 Players (1973), featuring David Evitts, baritone, which was a world premiere performance.
• Richard Orton: CYCLE FOR 2 OR 4 PLAYERS (1967).
• Edgar Varèse: DENSITY 21.5 (1936).
• Joseph Schwantner: SHADOWS II (repeat).

There is an intermission followed by:

• Arnold Schoenberg: SERENADE, Op. 24 (1924), which includes the movements:
  1. Marsch
  2. Menuett
  3. Variationen
  4. Sonett von Petrarca (for a deep male voice)
  5. Tanzscene
  6. Lied
  7. Finale
     Featuring David Evitts, Baritone.

The program also lists the members of the Boston Musica Viva ensemble with their instruments:

• John Heiss: flute and alto flute
• William Wrzésien: clarinet, Eb clarinet, recorder, and water triangle
• Anthony Fulginiti: bass clarinet, clarinet, and water triangle
• Robert Sullivan: guitar, 12 string guitar, and water triangle
• Henry Wiktorowicz: mandolin, guitar, and water triangle
• Nancy Cirillo: violin and tam-tam
• Peter Hatch: viola and tam-tam
• Gloria Johns: cello and tam-tam

Additional notes indicate support from various grants and organizations including the Massachusetts Council on the Arts and Humanities, the Goethe Institute Boston, the Martha Baird Rockefeller Fund for Music, and contributors.

Also mentioned is that WBUR radio would present a delayed broadcast of the concert on Sunday, March 10th, at 5:30 p.m.

The final concert of the season is scheduled for Tuesday, April 16, with a note to save the date.

This image shows an open book or program booklet detailing a music concert event. The heading at the top reads "THE BOSTON MUSICA VIVA" with an emphasis on Richard Pittman, the music director, and David Evitts, the baritone who performed in the event. The date and time listed are "Tuesday, February 26, 1974, 8:30 P.M." It took place at the Busch-Reisinger Museum of Harvard University in Cambridge, Massachusetts.

Below the event details, the program lists the pieces that were performed, including works by Joseph Schwantner, Richard Orton, Edgar Varèse, and Arnold Schoenberg. Schoenberg's "SERENADE, Op. 24 (1920)" contains seven parts, including 'March,' 'Menuett,' and 'Sonnet von Petrarea.'

At the bottom, recognition is given to the various individuals and organizations that contributed to the event or the Boston Musica Viva season. Mention is made of a delayed broadcast of a Boston Musica Viva concert on a local radio station with a specific date. A footnote prompts readers to "Save the date!" for the final concert of the season on Tuesday, April 16.

The book appears to be a comprehensive program from a historical music event, providing information about the pieces performed, artists involved, and funding acknowledgments.

The image shows an open book, likely a program or booklet, detailing a musical performance by "The Boston Musica Viva." The page is neatly typed and formatted, providing information about a concert held on Tuesday, February 26, 1974, at 6:30 P.M. The event took place at the Busch-Reisinger Museum, Harvard University, Cambridge, Massachusetts. The program is under the direction of Richard Pittman, with David Evitts as the baritone.

Program Details:

The concert features a diverse selection of compositions, including:

1. Joseph Schwantner

   • Shadows II (Concerto VI) for baritone and 8 players (1973), with David Evitts as the baritone. This was noted as a World Premiere performance.
   • Shadows II (repeat)

2. Richard Orton

   • Cycle for 2 or 4 Players (1967)

3. Edgar Varèse

   • Density 21.5 (1936)

4. Arnold Schoenberg

   • Serenade, Op. 24 (1924), featuring:
     • March
     • Menuett
     • Variationen
     • Bonett von Petrarca (for a deep male voice)
     • Tanzscene
     • Lied
     • Finale
       David Evitts, baritone, performed the solo vocal parts.

Performers:

The performers listed include:

• John Heis: flute and alto flute
• William Wrzesienski: clarinet, recorder, and water triangle
• Anthony Fulginiti: bass clarinet and water triangle
• Robert Sullivan: guitar, 12-string guitar, and water triangle
• Henry Wikrowicz: mandolin, guitar, and water triangle
• Anne Cirillo: violin and tam-tam
• Peter Hatch: viola and tam-tam
• Gloris Johns: cello and tam-tam

Additional Information:

• The 1973-74 season of the Boston Musica Viva is supported in part by grants from the Massachusetts Council on the Arts and Humanities, the Goethe Institute Boston, the Martha Baird Rockefeller Fund for Music, and The Contributors.
• A WGBH radio broadcast of a Boston Musica Viva concert will be presented on Sunday, March 10th, at 5:30 p.m. The final concert of the season is scheduled for Tuesday, April 16.

The book itself has a green spine and appears to be part of a larger collection, as indicated by the visible page numbers and the structured layout. The text is clean and formal, typical of a concert program or archival document.

The image shows an open book with a program for a concert by the Boston Musica Viva, held on Tuesday, February 26, 1974, at the Buch-Reisinger Museum at Harvard University in Cambridge, Massachusetts. The program lists the performers, composers, and pieces to be played, including "Shadows II" by Joseph Schwantner, "Cycle for 2, 4 or 8 Players" by Richard Orton, "Density 21.5" by Edgar Varèse, and "Pierrot Lunaire" by Arnold Schoenberg. The program also mentions that the concert will be broadcast on WBUR radio on Sunday, March 10th, at 5:30 p.m.