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The image shows a program from the Busch-Reisinger Museum at Harvard University, titled 'Thursday Noon Recital Series,' dated December 13, 1973, at 12:15. The event features the Consort Hodie of the Quadrivium Center, directed by Marleen Montgomery, and focuses on 'Music of Light.'

The program includes settings of 'WIE SCHÖN LEUCHTET DER MORGENSTERN' by Michael Praetorius from 1609. It is noted that the audience will join the group in singing the chorale hymn 'Wie Schön Leuchtet der Morgenstern.'

Next, 'MISSA DE VIRGINIBUS, "O QUAM PULCHRA ES" by Pierre de la Rue (1460-1518) will be performed. The readings during the Mass are from Maori, Hebrew, Apache, Eskimo, and Aztec cultures. The audience is asked to participate in the responsive reading and singing of 'Es ist ein Ros entsprungen.'

The program also lists the different parts of the Mass: Kyrie eleison, Gloria, Credo (with a responsive reading), Sanctus, Benedictus, and Agnus Dei. The final piece is 'Es ist ein Ros entsprungen' by Michael Praetorius from 1609.

The program concludes with information about the next concert on December 20, featuring the First Church Collegium, with James Johnson as the organist and the Cambridge School of Ballet.

The image shows a page from a program or schedule related to the Thursday Moon Recital Series at the Busch-Reisinger Museum of Harvard University.

The event is scheduled for December 13, 1973, at 12:15 PM. The program is conducted by the Consort Hodie of the Quadrivium Center, with Marleen Montgomery as the director.

The program includes:

1. A musical setting of "WIE SCHON LEUCHTET DER MORGENSTERN" by Michael Praetorius (1609). At the end of this piece, the audience is invited to join in the chorale hymn, "Wie Schön Leuchtet der Morgenstern."

2. The Missa de Virginibus, titled "O Quam Pulchra Est" by Pierre de la Rue (1460-1518). During this Mass, readings from various cultures (Maori, Hebrew, Apache, Eskimo, and Aztec) will be included. The audience is asked to participate by reading the responsive reading and singing the line "Es ist ein Ros entsprungen."

The Kyrie and Gloria sections of the Mass are detailed, along with other parts including:

• Qui tollis est
• Credo (with a responsive reading)
• Pleni sunt coeli
• Hosanna
• Benedictus
• In nomine patris
• Agnus Dei

The final piece is "Es ist ein Ros entsprungen" by M. Praetorius (1609).

At the bottom, there is an announcement for the next concert on December 20, held at First Church Collegium, featuring James Johnson as the organist and the Cambridge School of Ballet.

The image is a program for a Thursday Noon Recital Series event held at the Busch-Reisinger Museum, Harvard University, on December 13, 1973, at 12:15 PM.

The concert was organized by the Consort Hodie of the Quadrivium Center, with Marleen Montgomery as the director. The theme of the recital was "Music of Light."

The program included the following pieces:

1. Settings of Wie Schon Leuchtet der Morgenstern by Michael Praetorius (1609):

   • The audience was invited to join in singing the chorale hymn, "Wie Schön Leuchtet der Morgenstern" at the end of the group.

2. Missa de Virginibus, "O Quam Pulchra Est" by Pierre de la Rue (1460-1518):

   • The readings during the Mass were from various cultures: Maori, Hebrew, Apache, Eskimo, and Aztec.
   • The audience was invited to participate in a responsive reading and singing of "Es ist ein Ros entsprungen" by Michael Praetorius (1609).
   • The order of the Mass included:
     • Kyrie eleison - Christe eleison - Kyrie eleison
     • Gloria
     • Qui tollis est
     • Credo (with responsive reading)
     • Pleni sunt coeli
     • Hosanna
     • Benedictus
     • In nomine patris
     • Hosanna
     • Agnus Dei
     • Es ist ein Ros entsprungen

Additionally, the program announced the next concert to be held on December 20 at the First Church Collegium, featuring a consort directed by James Johnson, with the Cambridge School of Ballet. The organist was also mentioned but not named in the visible portion of the program.

The image shows a program for a Thursday Moon Recital Series event held at the Busch-Reisinger Museum, Harvard University, on December 13, 1973, at 12:15 PM.

The concert is presented by Consort Hodie of the Quadrivium Center, with Marleen Montgomery as the Director. The theme of the recital is "Music of Light."

The program includes the following details:

1. Michael Praetorius (1609) - Settings of "Wie Schön Leuchtet der Morgenstern"

   • At the end of this group, the audience is invited to join in singing the chorale hymn "Wie Schön Leuchtet der Morgenstern."

2. Pierre de la Rue (1460-1518) - Missa De Virginibus, "O Quam Pulchra Est"

   • The readings during the Mass are drawn from various cultures: Maori, Hebrew, Apache, Eskimo, and Aztec.
   • The audience is invited to participate in reading the responsive readings and singing "Es ist ein Ros entsprungen."

The specific parts of the Mass include:

• Kyrie eleison
• Christe eleison
• Kyrie eleison
• Gloria
• Qui tollis est
• Credo (with responsive readings)
• Pleni sunt coeli
• Hosanna
• Benedictus
• In nomine patris
• Hosanna
• Agnus Dei

3. Michael Praetorius (1609) - "Es ist ein Ros entsprungen"

At the end of the program, the next concert is announced for December 20, featuring the First Church Collegium with James Johnson as the Organist, and a performance by the Cambridge School of Ballet.

The image shows a program from a musical recital event held at the Busch-Reisinger Museum at Harvard University. The event is part of the "Thursday Noon Recital Series" and took place on December 13, 1973, at 12:15 PM.

The recital featured the "Consort Hodie of the Quadrivium Center," directed by Marleen Montgomery.

Program Details:

1. Music of Light:

   • "Sattynje of WIE SCHÖN LEUCHTET DER MORGENSTERN" by Michael Praetorius (1609)
   • At the end of this group, the audience was invited to join in singing the chorale hymn "Wie Schön Leuchtet der Morgenstern."

2. "MISSA DE VIRGINIBUS, 'O QUAM PULCHRA EST'" by Pierre de la Rue (1460-1518)

   • The readings during the Mass were from various cultures: Maori, Hebrew, Apache, Eskimo, and Aztec.
   • The audience was asked to participate in reading the responsive reading and in singing "Es ist ein Ros entsprungen."

The order of the Mass included:

• Kyrie eleison
• Christe eleison
• Kyrie eleison
• Gloria
• Qui tollis est
• Credo (Responsive reading)
• Pleni sunt coeli
• Hosanna
• Benedictus
• In nomine patris
• Hosanna
• Agnus Dei

3. "Es ist ein Ros entsprungen" by M. Praetorius (1609)

The next concert mentioned at the bottom of the program was scheduled for December 20 and was to feature a consort from the First Church Collegium, with James Johnson as the organist, and a performance by the Cambridge School of Ballet.

The image shows a page from a program for the "Thursday Noon Recital Series" held at the Busch-Reisinger Museum, Harvard University on December 13, 1973, at 12:15 PM. The concert was directed by Marleen Montgomery of the Quadrivium Center.

The program includes two main pieces of music:

1. Settings of Wie Schön Leuchtet Der Morgenstern by Michael Praetorius (1571-1621):

   • At the end of the group performance, the audience was invited to join in singing the chorale hymn "Wie Schön Leuchtet Der Morgenstern."

2. Missa de Virginibus, "O Quam Pulchra Es" by Pierre de la Rue (1460-1518):

   • The readings during the Mass were taken from various cultures, including Maori, Hebrew, Apache, Sahimo, and Aztec.
   • The audience was encouraged to participate in the responsive reading and to sing "Es ist ein Ros entsprungen."

The program listed the parts of the Mass and the responsive reading as follows:

• Kyrie eleison
• Christe eleison
• Kyrie eleison
• Qui tollis est
• Credo (Responsive reading)
• Pleni sunt coeli
• Sanctus
• Benedictus
• In nomine patris
• Hosanna
• Agnus Dei
• Es ist ein Ros entsprungen

The next concert in the series was scheduled for December 20 at the First Church Collegium, featuring James Johnson as the organist and the Cambridge School of Ballet.

The image shows a typed program or announcement for a musical recital at the Busch-Reisinger Museum, Harvard University, as part of the Thursday Noon Recital Series. The recital took place on December 13, 1973, at 12:15 PM.

Details of the program include:

• The performing group is "Consort Hodie of the Quadrivium Center," directed by Marleen Montgomery.
• The theme or title of the performance is "Music of Light."
• The first part features a setting of "WIE SCHÖN LEUCHTET DER MORGENSTERN" by Michael Praetorius, composed in 1609. The audience is invited to join in singing the chorale hymn.
• The second part is "MISSA DE VIRGINIBUS, 'O QUAM PULCHRA EST'" by Pierre de la Rue (1460-1518). The readings during the Mass include various world cultures (Maori, Hebrew, Apache, Eskimo, Aztec), and the audience is invited to participate in a responsive reading and singing "Es ist ein Ros entsprungen."
• The Mass parts listed include Kyrie eleison, Christe eleison, Gloria, Qui tollis est, Credo (responsive reading), Pleni sunt coeli, Hosanna, Benedictus, In nomine patris, Hosanna, Agnus Dei.
• The piece "Es ist ein Ros entsprungen" is attributed again to M. Praetorius, dated 1609.

At the bottom, there is a note about the next concert scheduled for December 20 at the First Church Collegium, involving a consort, James Johnson as organist, and the Cambridge School of Ballet.

This image shows a printed program from the Busch-Reisinger Museum, Harvard University, for the Thursday Noon Recital Series that took place on December 13, 1973, at 12:15. The program features the Consort Hodie of the Quadrivium Center, directed by Marleen Montgomery, with the theme "Music of Light."

The program includes:

• Settings of "Wie Schön Leuchtet der Morgenstern" by Michael Praetorius (1609), with a note that the audience will join in the choral hymn at the end of the group.
• "Missa de Virginebus," "O Quam Pulchra Est" by Pierre de la Rue (1460-1518), with readings from different cultures during the Mass including Maori, Hebrew, Apache, Eskimo, and Aztec.

It indicates that the audience will be invited to participate by joining in the responsive reading and in singing "Es ist ein Ros entsprungen."

The program then lists parts of the Mass such as Kyrie Eleison, Gloria, Credo (Responsive reading), Pleni sunt coeli, Hosanna, Benedictus, In nomine patris, Hosanna, and Agnus Dei, followed by "Es ist ein Ros entsprungen" by M. Praetorius (1609).

Lastly, there is information about the next concert on December 20, featuring the First Church Collegium, consort; with James Johnson as the organist and a performance by the Cambridge School of Ballet.

The image shows a page from a book, likely a program or brochure for a musical event. The text on the page reads "BUSCH-REISING MUSEUM, HARVARD UNIVERSITY Thursday Moon Recital Series December 13, 1973 12:15." The page also includes a list of music pieces to be performed, along with their composers and cultural origins. The text is written in a cursive font and is accompanied by a musical notation. The page has a green border on the right side and a white border on the left side.

The image shows an open book with the pages facing each other. The book is open to the title page, which contains information about an event. The event is called the Thursday Noon Recital Series, which took place on December 13, 1973, at 12:15. The venue of the event is the Consort Hodie of the Quadrivium Center, with Marleen Montgomery as the director. The event is titled "Music of Light," and the audience is invited to join in the chorale hymn, "Wie Schon Leuchtet der Morgenstern." The program also includes "Missa de Virginibus," and the audience is invited to participate in a responsive reading and singing. The next concert is scheduled for December 20 at First Church College, with James Johnson as the organist and Cambridge School of Ballet as the organizer.