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The image shows a program for a concert titled "Camerata Vocale in Concert," which took place at the Busch-Reisinger Museum on Monday, December 10, 1973. The event was organized by the Goethe Institute Boston, the German Cultural Center for New England.

The program is divided into two main sections, "Advent" and "Weihnachit," featuring various musical pieces. The "Advent" section includes the following works:

• "Hosianna" by Anonymous (16th century)
• "Veni redemptor gentium" by Jacobus Hiemus (512-540)
• "Nun komm, der Heiden Heiland" by Melchior Vulpius (1560-1615)
• "In teneris annis (Sibylla Cimmeria)" by Orlando di Lasso (1532-1594)
• "Virgine matre sum (Sibylla Persica)" by Orlando di Lasso (1532-1594)
• "Ubers Gebirg Maria geht" by Johannes Eccard (1533-1594)

The "Weihnachit" section includes the following works:

• "Missa solemnis" by Jacobus Gallus (1550-1591)
• "Veni, redemptor gentium" by Michael Praetorius (1571-1621)
• "Puer natus in Bethlehem" by Michael Praetorius (1571-1621)
• "Vom Himmel hoch" by Hans Leo Hassler (1564-1612)

After the intermission ("Pause"), the concert continues with:

• "Lasst uns das Kindlein wiegen" by Max Bruch (1838-1920)
• "Lass uns das Kindlein wiegen" by Max Bruch (1838-1920)
• "Joseph, lieber Joseph mein" by Erhard Bodenschatz (1576-1636)
• "Schlaf mein Kindelein" by Robert Fuchs (1847-1927)
• "O Jesulein süss" by Johann Sebastian Bach (1685-1750)
• "Still, ihr Winde" by Franz Wolfgang (1828-1892)

Additional pieces include:

• "Ein Kindlein so lobilich" by Sethus Calvisius (1556-1615)
• "Uns ist ein Kindlein heiss geboren" by Johann Sebastian Bach (1685-1750)
• "Die Hirten an der Krippe" by Michael Praetorius (1571-1621)
• "O quæ nova laetitia" by Francisco Guerrero (1528-1599)
• "In dulci jubilo" by Michael Praetorius (1571-1621)
• "Allein, gay Bergers" by Guillaume Coustou (1677-1746)
• "Auf, auf, ihr Hirten" by Wilhelm Kienzl (1857-1941)
• "Dan geberor, en Magd" by Elias Blum (1853-1934)
• "Wart du doch bei uns geboren" by Helmut Eder (1916-2005)
• "Vom Himmel hoch, da komm ich her" by Helmut Eder (1916-2005)
• "Kaschubisches Weihnachtslied (Bergengruen)" by Hans Mielenz (1885-1965)

The image shows a page from a program booklet for a concert organized by the Goethe Institute Boston, specifically for the German Cultural Center for New England. The concert took place at the Busch-Reisinger Museum on Monday, December 10, 1973.

The program is titled "Camerata Vocale in Concert" and includes various choral pieces categorized under Advent, Weihnachten (Christmas), and a pause section. Here are the details:

Advent:

1. Anonymous (16th century): Hosianna
2. HIMMUS (17th century): Veni redemptor gentium
3. Melchor Vulpius (1600-1653): Non dormiam
4. Andreas Raselius (1560-1606): Non dormiam der Heiden Heiland
5. Orlando di Lasso (1532-94): In teneris annis (Sibylla Cimberia), Virgine matre satus (Sibylla Persica)
6. Johannes Jaccard (1553-1611): Ubers Gebirg Maria geht

Weihnachten (Christmas):

1. Jacobus Gallus (1550-91): Miserable mysteriun
2. Johannes Jaccard (1553-1611): Veni, veni Emmanuel
3. Hans Leo Haßler (1564-1612): Vom Himmel hoch
4. Johannes Jacobus (1586-1630): Vom Himmel hoch

Pause:
The pause section includes the following pieces:

1. Max Bruch (1838-1920): Lass uns das Kindlein wiegen
2. Robert Fuchs (1561-1621): Schlaf mein Kindlein
3. Joseph Haydn (1732-1809): Joseph, lieber Joseph mein
4. Franz Xaver Gruber (1787-1863): Stille Nacht, heilige Nacht (Silent Night)
5. Franz Schubert (1797-1828): El aus Blum (from "Die schöne Müllerin")
6. Helmut Eder (1899-1975): Warst du doch bei uns geboren
7. Hans Mielenz (1798-1856): Kaschubisches Weihnachtslied (Bergengruen)

The program also features some well-known composers and their respective works, illustrating a rich assortment of choral music from various periods and composers, focusing on Advent and Christmas themes.

The image shows a program for a concert held at the Goethe Institute Boston, specifically at the Busch-Reisinger Museum on Monday, December 10, 1973. The concert was titled "Camerata Vocale in Concert" and featured a variety of choral music centered around themes of Advent and Christmas.

The program is divided into two main sections: Advent and Weihnachts (Christmas). The Advent section includes pieces by various composers such as:

• Anonymous (16th century): "Hosianna"
• Heinrich Isaac: "Veni redemptor gentium"
• Melchior Vulpius: "Nun komm, der Heiden Heiland"
• Andreas Raselius: "Non rompus est os Heiden Heiland"
• Orlando di Lasso: "In tenebris annis" and "Vergine, madre satta"
• Johannes Eccard: "Ubers Gebirg Maria geht"

The Weihnachts (Christmas) section includes pieces like:

• Jacobus Gallus: "Missae Mysterium"
• Johannes Eccard: "Vom Himmel hoch"
• Hans Leo Hassler: "Vom Himmel hoch"
• Robert Fuchs: "Schlaf mein Kindlein"
• Johann Sebastian Bach: "O Jesu süß"
• Franz Wullner: "Still, ihr Winde"

There is also a section for a pause in the concert. Following the pause, the program continues with more Christmas-themed pieces including:

• Max Bruch: "Lasst uns das Kindlein wiegen"
• Friedrich Rodschitzky: "Joseph, lieber Joseph mein"
• Franz Guerrero: "O quid nova"
• Michael Praetorius: "In dulci jubilo"
• Wilhelm Kienzel: "Auf, auf ihr Hirten"
• Helmut Eder: "Wart ihr doch bei uns geboren"
• Hans Mielitz: "Kaschubisches Weihnachtslied"

The program also lists the years of birth and death of several composers, and it is printed on a sheet of paper that appears to be part of a book, likely a bound program booklet.

The image is a concert program from the Goethe Institute Boston, specifically for a performance by Camerata Vocale. The concert was held on Monday, December 10, 1973, at the Busch-Reisinger Museum.

The program is divided into two main sections: "Advent" and "Weihnachten" (Christmas), with a pause in between.

Advent:

1. Anonymous (16th century): "Hosianna"
2. Anonymous (16th century): "Veni redemptor gentium"
3. Melchior Vulpius (1560-1615) and Andreas Raselius (1560): "Nun komm der Heiden Heiland"
4. Orlando di Lasso (1532-1594): "In tenebris annis" (Sybilla Cimmeria)
5. Orlando di Lasso: "Virgine mater satus" (Sybilla Persica)
6. Johannes Eccard (1553-1611): "Übers Gebürg Maria geht"

Weihnachten (Christmas):

1. Jacobus Gallus (1550-91): "Missa brevis"
2. Johannes Eccard (1553-1611): "Vom Himmel hoch"
3. Hans Leo Hassler (1564-1612): "Vom Himmel hoch"
4. Johann Sebastian Bach (1685-1750): "Uns ist ein Kindlein heut geboren"

Intermission:

After Intermission:

1. Anonymous: "Die Hirten an der Krippe"
2. Francisco Guerrero (1528-1599): "O qui mea"
3. Michael Praetorius (1571-1621): "In dulci jubilo"
4. Guillaume Costeley (1530-1606): "Allons, gay bergers"
5. Wilhelm Kienzl (1857-1941): "Auf, auf, ihr Hirten"
6. Sethus Calvisius (1556-1615) and Michael Praetorius (1571-1621): "Ein Kindelein so lablich"
7. Johann Sebastian Bach (1685-1750): "Uns ist ein Kindlein heut geboren"
8. Max Bruch (1838-1920): "Lasst uns das Kindlein wiegen"
9. Friedrich Bodenschatz (1572-1663): "Joseph, lieber Joseph mein"
10. Robert Fuchs (1847-1927): "Schlaf mein Kindlein"
11. Johann Sebastian Bach (1685-1750): "O Jesulein süß"
12. Franz Wüllner (1832-1902): "Still, ihr Winde"
13. Anonymous: "El aus Blum, oth. 17th"
14. Helmut Edelmann (20th century): "Vom braven Fischerlein"
15. Hans Mielenz (17th century): "Kaschubisches Weihnachtslied (Bergengruen)"

The program provides a rich selection of choral pieces spanning several centuries, reflecting both traditional and well-known Christmas music.

The image is of a concert program from the Goethe Institute German Cultural Center for New England in Boston. The event features a performance by the group Camerata Vocale.

Program Details:

Date and Venue:

• Monday, December 10, 1973
• Busch-Reisinger Museum

First Half of the Concert:

1. Advent

   • Anonymous (16th century): Hosianna.
   • Heinrich Schütz (similar style): Veni redemptor gentium.
   • Melchior Vulpius (1560–1616): Lobt Gott, ihr Christen allzugleich.
   • Andreas Hammerschmidt (ca. 1610): O Herr vom Himmelreich.
   • Orlando di Lasso (1532–1594): In tenebris artais (Sibylla Cimmeria), Virgine matre satus (Sibylla Persica).
   • Johannes Eccard (1553–1611): Übers Gebirg Maria geht.

2. Weihnacht (Christmas)

   • Jacobus Gallus (1550–1591): Mirabile mysterium.
   • Johannes Eccard (1553–1611): Maria wallt zum Heiligtum.
   • Hans Leo Haßler (1564–1612): Verbum caro factum est.
   • Michael Praetorius (1571–1621): Vom Himmel hoch.

Pause

Second Half of the Concert:

• Works by various composers centered around the theme "Ein Kindlein so lobelich" (A Praiseworthy Little Child):

  • Sethus Calvisius (1556–1615)
  • Michael Praetorius (1571–1621)
  • Johann Sebastian Bach (1685–1750): Uns ist ein Kindlein heut' geborn.
  • Die Hirten an der Krippe (The Shepherds at the Manger):
    • Franzcois Gebauer (178?–18??): O gib mir!
    • Michael Praetorius: In dulci jubilo.
    • Giuseppe Cazzati (1610–1678): Allons, gay bergères.
    • Wilhelm Kienzl (1857–1941): Au, auf, ihr Hirten.

• Works by the composer Johann Sebastian Bach:

  • "Laßt uns das Kindlein wiegen" (Max Bruch 1838–1920): Lasset uns das Kindlein wiegen.
  • "Joseph, lieber Joseph mein" (Erhard Bodenschatz, 1576–1636)
  • Robert Schumann (1810–1856): Schlaf wohl, mein Kindelein.

• "O Jesulein süß"

  • Johann Sebastian Bach: Various pieces.

• Franz Wullner (1832–1902): Still, ihr Winde.

• Additional pieces by various composers, including:

  • Elaus Blum: Es ist ein Ros' entsprungen.
  • Heinrich Isaac (ca. 1450–1517): Vom Himmel hoch.
  • Johann Michael: Kaschubisches Weihnachtslied (Bergreihen).

This program appears to be a Christmas-themed concert, featuring a mix of Advent and Christmas music from various composers.

The image shows a program for a concert titled "Camerata Vocale in Concert," held on Monday, December 10, 1973, at the Busch-Reisinger Museum. The event was organized by the Goethe Institute Boston, which is part of the German Cultural Center for New England.

The program is divided into two main sections: "Advent" and "Weihnachten" (Christmas), followed by a pause and then a section featuring secular songs.

Advent Section:

1. Anonymous (16. Jahrhundert) - Hodie Christus natus est.
2. Johann Walter (1496-1570) - Vom Himmel hoch.
3. Samuel Scheidt (1587-1654) - Nun komm der Heiden Heiland.
4. Orlando di Lasso (1532-1594) - Veni, veni Emmanuel (O Come, O Come Emmanuel).
5. Johann Sebastian Bach (1685-1750) - Obers Geborg, Maria geht.

Weihnachten Section:

1. Michael Praetorius (1571-1621) - In dulci jubilo.
2. Guillaume Costeley (1530-1605) - Allons, gay bergers.
3. Wilhelm Kienzl (1857-1941) - Auf, auf, ihr Hirten.

Pause

Secular Songs:

1. Max Bruch (1838-1920) - Lass uns das Kindlein wiegen.
2. Erhard Bodenschatz (1576-1636) - Joseph, lieber Joseph mein.
3. Robert Fuchs (1847-1927) - O du fröhliche, o du selige.
4. Johann Sebastian Bach (1685-1750) - O Jesulein zart.
5. Franz Wüllner (1832-1902) - Still, die Winde.
6. Klaus Blum (b. 1931) - Das Geburtstag ein Magd.
7. Helmut Eder (b. 1916) - Wart du doch, bei uns geboren.
8. Hans Mielke (1889-1964) - Katschubisches Weihnachtslied (Berggruen).

The program reflects a mix of traditional and contemporary compositions, highlighting the rich cultural heritage of German music.

This image shows a program pamphlet from the Goethe Institut Boston, which is identified as a German cultural center for New England. The text on the page is partially in German and suggests that it's a program for a musical concert with the date indicated as Monday, December 10, 1973. The event took place at the Busch-Reisinger Museum.

The program features sections titled "Advent," "Weihnacht" (which means Christmas in German), and there is a "PAUSE" indicated, likely denoting an intermission. Various musical works are listed with the names of their composers and the years those composers lived. For example, works by "ANONYMUS (15. Jahrhundert)" and "JOHANN SEBASTIAN BACH 1685–1750" are included.

Pieces include titles such as "Nun komm der Heiden Heiland" by Andreas Raselius, and "Schlaf mein Kindlein" by Robert Fuchs. The full program of the concert includes classical and religious-themed music appropriate for the Advent and Christmas seasons.

The image shows an open book titled "Program" from the Goethe Institute Boston, which is identified as the German Cultural Center for New England. The page appears to be a program or schedule for a musical event, likely a concert or performance series.

Key Details:

Header Information:

• Title: "Goethe Institute Boston"
• Subtitle: "German Cultural Center for New England"
• Program: Indicates this is a program or schedule for performances.

Content Layout:

The page is divided into sections, with a focus on musical pieces and their details. The layout includes:

1. Left Column:

   • Title: "CAMERATA VOCALE IN CONCERT"
   • Date: "Monday, December 10, 1973"
   • Venue: "BUSCH-REISINGER MUSEUM"
   • List of Works:
     • Advent:
       • Anonymous (16th century): Hostiana
       • Hymnus (minoritatis): Veni redemptor gentium
       • Melchior Vulpius (1560–1615): Non kom der Heiden Heiland
       • Orlando di Lasso (1532–1594): In tenebris anis (Sibylla Cimmeria), Virgin matre saxis (Sibylla Persica)
       • Johannes Eccard (1553–1611): Übers Gebärg Maria geh
     • Weihnacht:
       • Jacobus Gallus (1550–1591): Missa mysterium
       • Johannes Eccard (1553–1611): Hans Leo Hassler (1564–1612), Bartholomäus Gesius (1562–1613): Vom Himmel hoch
     • Pause Section:
       • Additional works listed under "Pause," including:
         • Elias Blum (1596–1658): Damm geboren hast ein Magd
         • War du doch bei uns geboren...
         • Hans Mühlen (1590–1630): Katschisches Weihnachtslied (Bergengren)

2. Right Column:

   • Works Performed:
     • Sethus Calvisius (1556–1606): Ein Kindlein so lieblich
     • Johann Sebastian Bach (1685–1750): Uns ist ein Kindlein heunt geborn
     • Die Hirten der der Krippe: O que meavel
     • Michael Praetorius (1571–1628): In dulci jubilo
     • Guillaume Costeley (1531–1606): Allons, gay bergeret
     • Wilhelm Kienzl (1857–1941): Auf, auf, ihr Hirten

Design and Formatting:

• The page is clean and organized, with a structured layout typical of a concert program.
• Text is printed in a serif font, giving it a formal and classic appearance.
• The page includes titles, composers, dates, and brief descriptions of the works.
• The left column is labeled "CAMERATA VOCALE IN CONCERT," indicating the performing group.
• The date and venue are clearly stated at the top left, providing context for the event.

Overall Impression:

The image depicts a well-organized concert program from the Goethe Institute Boston, showcasing a diverse selection of choral and vocal works from various composers spanning several centuries. The program highlights a mix of sacred and festive pieces, likely intended for a Christmas or Advent-themed concert. The layout and design suggest a formal and culturally rich event.

The image shows an open book with a white page. It appears to be a program for a musical event, possibly a concert. The title of the book is "Goethe Institute Boston German Cultural Center for New England." The page contains text in German, which includes the names of various composers, such as Johann Sebastian Bach, and the names of their compositions, such as "Ein Kindlein so liebeich" and "Die Hirten an der Krippe." The page also includes the date of the event, which is Monday, December 10, 1973. The book is placed on a white surface, and the edges of the pages are slightly curled.

The image is a photograph of an open page from a program booklet for a concert held at the Goethe Institute in Boston. The program is titled "CAMERATA VOCALE IN CONCERT" and is presented by the German Cultural Center for New England. The concert is scheduled for Monday, December 10, 1973, at the Busch-Reisinger Museum.

The program lists various musical pieces and their composers, indicating a diverse selection of works. The pieces include works by composers such as Sethus Calvisius, Michael Praetorius, Johann Sebastian Bach, Francesco Guerrero, Michael Praetorius, Guillaume Costeley, Wilhelm Kienzl, Orlando di Lasso, Johannes Eccard, Jacobus Gallus, Hans Leo Hassler, Bartholomäus Gesius, and Franz Woelfl.

The program also includes a pause in the middle of the concert, followed by additional pieces by composers such as Erhard Joseph, Robert Fuchs, and Hans Mielenz.

The program is formatted with the title and date at the top, followed by the list of musical pieces and their composers. The text is printed in a clear, legible font, and the page is bordered by a green margin on the right side. The overall design of the program is simple and straightforward, with a focus on providing information about the concert and its musical selections.