Archives Scrapbooks

The image shows a page from a newspaper, specifically "The Harvard Independent," dated November 8-14, 1973. The page contains an article titled "A Lesser Lautrec" by Mike Lyndon. The article discusses the work of Ernst Matthies, a German artist who lived in the late nineteenth and early twentieth centuries. The article mentions that a collection of Matthies's watercolors and gouaches is on display at the Busch-Reisinger Museum.

The article highlights that Matthies's work is reminiscent of Henri de Toulouse-Lautrec, particularly in his depictions of Parisian street scenes, café society, and cabaret life. The author notes that Matthies's work lacks the immediacy and vibrancy of Lautrec's but is still notable for its technical skill and the artist's ability to capture the essence of his subjects. The article includes a black-and-white photograph of one of Matthies's paintings, titled "Potsdamer Platz, Berlin" (1918).

Additionally, there is a smaller section on the right side of the page titled "Social News" from "The Patriot Ledger," dated November 5, 1973. This section, written by Miriam Tod, discusses a social event at the Museum of Fine Arts, Boston, which featured an exhibition of works by Ernst Matthies. The article mentions the attendees and the atmosphere of the event, highlighting the exhibition's reception and the social interactions among the guests.

The image shows two newspaper clippings from the late 1970s.

1. The Harvard Independent (November 8-14, 1973):

   • Headline: "At the Busch: A Lesser Lautrec"
   • Article by Mike Lyndon: The article discusses an exhibition of works by the relatively unknown German artist Ernst Matthes at the Busch-Reisinger Museum. Matthes, who is compared to Henri de Toulouse-Lautrec, is noted for his depictions of Parisian life around the turn of the 19th century. The article highlights Matthes' use of strong colors and caricature in his paintings and sketches, although it notes that his work is not as well-known or as impactful as Lautrec's. Matthes' works include scenes of Paris streets, cafes, and theater, with a particular focus on the Moroccan studies. The exhibition is open through December 15.

2. The Patriot Ledger (November 5, 1973, Social News Section):

   • Headline: "SOCIETY"
   • Article by Miriam Tod: This article discusses the opening of the Busch-Reisinger Museum exhibition and the importance of the museum itself. It mentions that the museum is a leading institution of its kind in the United States and is dedicated to the art of Germany and Austria, particularly from the 19th and early 20th centuries. The exhibition includes works by Ernst Matthes, who lived from 1878 to 1918. The article highlights Matthes' unique style and the significance of his work, noting that his paintings and sketches capture Parisian life with a distinct artistic flair. The article also mentions the cultural and social events associated with the exhibition.

Both articles focus on the same exhibition of Ernst Matthes' works, emphasizing the artist's distinctive style and the cultural significance of the Busch-Reisinger Museum.

The image shows a collection of newspaper clippings from November 1972, specifically from "The Harvard Independent" and "The Patriot Ledger".

1. Main Clipping from "The Harvard Independent" (November 8-14, 1972):

   • Title: "At the Busch: A Lesser Lautrec"

   • Author: Mike Lyndon

   • Content: The article discusses an exhibition at the Busch-Reisinger Museum featuring works by the artist Ernst Matthes. Matthes is described as a relatively unknown German artist from the late 19th and early 20th centuries. The article highlights Matthes’ ability to capture the essence of Parisian life, both in his paintings and sketches. The exhibit includes works that depict the social life and fashion of the time, and it is noted that Matthes’ work is somewhat underappreciated compared to that of Toulouse-Lautrec.

   • Image Included: There's a photograph of a painting titled "Posadaner Platz, Berlin" by Ernst Matthes, which is part of the exhibition.

2. Social News Clipping from "The Patriot Ledger" (November 5, 1973):

   • Title: "Society"
   • Author: Miriam Tod
   • Content: This section mentions the opening of another exhibition at the Busch-Reisinger Museum. It highlights that the special exhibition features works by Ernest Matthes. The article describes Matthes as a versatile artist who lived from 1878 to 1918 and is known for his vivid depictions of Parisian life, including street scenes and Moroccan studies. The article mentions that the exhibit includes a painting of a Paris street scene with a woman wearing a hat and floral accessories.

The clippings together provide an overview of the exhibitions and the artistic contributions of Ernst Matthes during the late 19th to early 20th century, showcasing his distinctive style and the appreciation he received in academic circles.

The image shows an open book or newspaper with two visible articles. The left page features an article titled "A Lesser Lautrec," published in "The Harvard Independent" on November 8-14, 1973. The article, written by Mike Lyndon, discusses the work of Ernst Matthes, a relatively unknown German artist of the late nineteenth century, whose paintings are compared to those of Toulouse-Lautrec. The article includes a black-and-white photograph of Matthes' work titled "Posadener Platz, Berlin by Ernst Matthes (1878-1918)," displayed at the Busch-Reisinger Museum. The text critiques Matthes' work, highlighting his use of strong primary colors and his focus on the demimonde of Paris, while also noting his shortcomings in color and vitality compared to Lautrec.

The right page features an article from "The Patriot Ledger," dated Monday, November 5, 1973, with the headline "SOCIETY" by Miriam Tod. This article discusses the opening of an exhibition at the Busch-Reisinger Museum, focusing on the work of Ernst Matthes. It mentions the museum's role as an institution of advanced art and its presentation of less familiar artists. The article also details a preview event held at the museum, including the attendees and their attire, as well as the social significance of the event. The text provides context about the artist, his life, and the historical significance of his work, which captures the spirit of the Parisian demimonde.

The image is a page from a 1973 issue of "The Harvard Independent," a student newspaper. The page features two main articles and a section titled "Social News."

Left Article: "At the Busch - A Lesser Lautrec"

Author: By MIKEL LYNDON

Content:
The article discusses an exhibition of works by Ernst Mathews (1877-1918) at the Busch-Reisinger Museum, running through December 15. Mathews is described as a relatively unknown German artist who produced a wide variety of works, including paintings, drawings, watercolors, and sketches.

The author draws parallels between Mathews and Henri de Toulouse-Lautrec, particularly in their shared focus on the nightlife and cultural scenes of their respective cities (Paris for Toulouse-Lautrec, Berlin for Mathews). The article notes that Mathews' work captures the essence of Berlin around the turn of the century, much like Toulouse-Lautrec's depiction of Paris.

The article further explores Mathews' use of caricature and strong primary color, which is more exaggerated compared to Toulouse-Lautrec. Mathews' work is described as bold and often fantastical, capturing the spirit of Berlin's nightlife. The Moroccan studies are highlighted for their successful depiction of the local atmosphere.

Right Column: "Social News"

Author: By Miriam Tod

Content:
The social news column reports on various events and activities involving Harvard's social scene. Key points include:

• The Mason Fine Arts Lecture featuring German artist Ernst Mathews, where the speaker discusses Mathews' work and the period's artistic environment.
• The speaker, a fan of Mathews, noted that the artist's works have been exhibited in various prestigious places, including the Busch-Reisinger Museum in Cambridge.
• The evening lecture was well-attended by notable figures from the art community, such as Martin Solomon, John Coolidge, and Countessa Maria di Carrobio.

Visual Elements:

• The left side of the page includes a photograph titled "Posadaener Platz, Berlin" by Ernst Mathews, showcasing a busy urban scene.
• The right side features a decorative header for the "Social News" section.

The page overall provides a mix of art critique and social commentary, focusing on an exhibition and its cultural significance, along with updates on the Harvard social scene.

The image shows two articles from different newspapers, both discussing an art exhibition at the Busch-Reisinger Museum.

1. The Harvard Independent, November 8-14, 1973:

   • Title: "At the Busch: A Lesser Lautrec"
   • Author: Mike Lyndon
   • Content: The article discusses an exhibition featuring the works of German artist Ernst Matthes (1878-1918), who is described as a relatively unknown artist despite his significant contributions. Matthes' works, which include paintings, drawings, and etchings, are on display at the Busch-Reisinger Museum. The article highlights Matthes' style, which was influenced by Toulouse-Lautrec, focusing on the fashionable life in Paris around the turn of the century. The exhibition includes sketches from Matthes' travels in Spain and Morocco, with the Moroccan studies noted for their vivid colors and landscapes. The article mentions that Matthes' works are displayed in the same field as Toulouse-Lautrec, showcasing his artistic skills and the period's decadence.

2. The Patriot Ledger, Monday, November 5, 1973:

   • Title: "Society"
   • Author: Miriam Tod
   • Content: This article is a social news piece covering an event at the Busch-Reisinger Museum. It describes the opening of an exhibition featuring the works of Ernst Matthes, a German artist who lived from 1878 to 1918. The article notes that Matthes' works are reminiscent of Toulouse-Lautrec's style, with a focus on Parisian street scenes and life in Morocco. It mentions the presence of notable guests such as Martin Shoblin, John Gallier, and Countessa Maria di Carpegna, who attended the exhibition opening.

Both articles emphasize the significance of Matthes' work in relation to Toulouse-Lautrec and the cultural milieu of the late 19th and early 20th centuries.

The image shows an open scrapbook or album with several newspaper clippings pasted on the right-hand page. The top left clipping is an article titled "A Lesser Lautrec" by Mike Lyndon from The Harvard Independent, dated November 8-14, 1973. It discusses the work of Ernst Matthes, a German artist known for his depictions of Parisian life around the turn of the century, noting similarities to Toulouse-Lautrec. Below the article, there is a photograph of a painting titled "Posadener Platz, Berlin" by Ernst Matthes, part of an exhibition at the Busch-Reisinger Museum running through December 15.

To the right of this article are two more clippings. The larger one at the bottom is titled "SOCIETY" by Miriam Tod and the smaller one above it is "Social News," both from The Patriot Ledger, dated Monday, November 5, 1973. The "SOCIETY" article highlights the excitement around the Busch-Reisinger Museum exhibition and mentions notable guests, including some prominent figures in the Boston art and social scenes.

The scrapbook page itself is slightly yellowed with age, and the newspaper clippings are carefully arranged and affixed to the page. There are two corner photo mounts visible on the right edge, securing the page within the album.

The image depicts an open newspaper or magazine spread over several pages. The visible pages mainly feature two articles with accompanying black and white photographs or illustrations.

On the left side, the page is headlined with "At the Busch" and an article titled "A Lesser Lautrec" by Mikellindon. Below the headline, there is a black and white photograph showing a street scene with several people, presumably part of an art exhibition by Ernst Matthes who is mentioned in the article. The photo caption refers to "Potsdamer Platz, Berlin by Ernst Matthes (1878-1918), part of an exhibition at the Busch-Reisinger Museum through December 15."

On the right side, an article appears under the heading "The Harvard Independent" dated November 8–14, 1973. This side contains a separate article column titled "Social News" by Miriam Tod. The text from both articles is too small to read in detail, but they discuss matters related to art and society, with further content about specific places and events.

A white bookmark or paper slip is inserted at the top of the right page, serving as a placeholder. The pages are aged and show some wear and discoloration consistent with the passage of time. The visible part of the publication gives a sense of historical context, discussing cultural and social events from a specific period.

The image shows an open page from a publication titled The Harvard Independent, dated November 8–14, 1973. The page is divided into two main sections:

Left Section:

• Headline: "At the Busch"
• Subheading: "A Lesser Lautrec"
• Byline: By Mike Lyndon
• Content:
  • The article discusses the work of Ernst Matthes, a late nineteenth-century German artist who is relatively unknown but whose paintings are currently on exhibit at the Busch-Reisinger Museum in Cambridge.
  • The article highlights Matthes' work, which includes drawings, watercolors, and gouches, depicting the bohemian life of Paris in the late 19th century.
  • It compares Matthes to Toulouse-Lautrec, noting similarities in subject matter but differences in style and technique.
  • A black-and-white photograph is included, showing a scene titled "Posdamer Platz, Berlin by Ernst Matthes (1878–1918)," part of the exhibition at the Busch-Reisinger Museum, running through December 15.
  • The article critiques Matthes' work, suggesting that while his paintings are fascinating, they may not hold the same enduring appeal as Toulouse-Lautrec's.

Right Section:

• Headline: "Social News"
• Subtitle: "The Patriot Ledger, Mon. Nov. 5, 1973"
• Byline: by Miriam Tod
• Content:
  • This section reports on social events and gatherings, focusing on a special exhibition at the Busch-Reisinger Museum.
  • It mentions the opening of an exhibition featuring the works of Ernst Matthes, a versatile artist who lived from 1878 to 1918.
  • The article describes the exhibition as a departure from the usual French Impressionist style, noting Matthes' unique approach to capturing scenes in Morocco and Paris.
  • It details the event, including the attendees and the setting, and highlights the reception of the exhibition.
  • The text also references other social events, such as a gathering at the Harvard Cooperative and a visit by Martin Sobotka, the John Calera Countess Maria di Carpineto, and others.

Visual Elements:

• The page features a clean, typed layout typical of a newspaper or magazine from the early 1970s.
• The left section includes a black-and-white photograph, adding visual interest to the article.
• The right section is text-heavy, with no accompanying images, focusing on social commentary and event reporting.
• The page number "223" is visible at the top right corner of the right section, indicating its position within the publication.

Overall, the image captures a blend of art criticism and social reporting, reflecting the cultural and social interests of the time.

The image shows an open book with a newspaper article about Ernst Matthes, a German artist, displayed on the pages. The article is titled "At the Busch: A Lesser Lautrec" and is from The Harvard Independent, dated November 8–14, 1973. The article discusses an exhibition of Matthes's works at the Busch-Reisinger Museum, which ran from November 8 to December 15, 1973. The article features an image of Matthes's painting "Posadaner Platz, Berlin" from 1878–1891.