Archives Scrapbooks

The image shows a newspaper article from "The Boston Globe" dated Thursday, October 4, 1973. The article is titled "The Arts" and the main headline reads "Musica Viva opens season with 'Ancient Voices'". The article discusses the opening of the Musica Viva season at the Busch-Reisinger Museum, focusing on the performance of George Crumb's "Ancient Voices of Children". The review is written by Michael Steinberg, who praises the performance for its spontaneity, excitement, and the solid work of the musicians involved. The article also highlights the challenging nature of the piece, which integrates vocal and instrumental elements to create a theatrical effect. The review mentions specific performers such as Jan Curtis, De Gaetani, and Thomas Folan, and also touches on other works performed, including pieces by Paul Hindemith and Donald Martiny. The overall tone of the article is appreciative of the artistic and musical achievements of the performance.

The image shows a page from a newspaper, specifically from the Boston Globe, dated Thursday, October 4, 1973. The page is titled "THE ARTS" and focuses on an article titled "Musica Viva opens season with 'Ancient Voices'".

The article by Michael Steinberg discusses the Boston Musica Viva's opening performance at the Busch-Reisinger Museum. It features the piece "Ancient Voices" by George Crumb, which was performed by the group. Steinberg reviews the performance, highlighting several aspects:

1. The opening of the season with "Ancient Voices" is described as a spontaneous, exciting, and successful event.
2. The work, Crumb’s "Ancient Voices," was praised for its strong sense of theater, with striking vocal writing and theatricality.
3. De Gaetano’s performance was noted for its distinct, unorthodox vocal style, which contrasts with conventional singing.
4. Thomas Folan's performance as the boy soprano was appreciated for its sensitivity and connection to the piece’s context.
5. The work includes challenging musical texts by Pauline Hanson and Garcia Lorca, which are effectively rendered by the singers.
6. The performance also included works by J. Anderson and Donald Murail, with comments on their difficulty and the quality of the Musica Viva players' renditions.

Overall, the article reflects positively on the opening performance, highlighting the innovative and challenging nature of the musical pieces and the performers' abilities.

The image is a newspaper clipping from The Boston Globe, dated Thursday, October 4, 1973. The article is titled "Musica Viva opens season with 'Ancient Voices'" and is written by Michael Steinberg. It covers the opening concert of the Boston Musica Viva season at the Busch-Reisinger Museum.

The concert featured George Crumb's "Ancient Voices of Children," a piece that Steinberg describes as having a spontaneous, exciting, and firm success. The review highlights the performances of various musicians, including De Gaetani, Jan Curtis, Thomas Folan, and Scott Macallister. The critic praises De Gaetani's vocal performance as unruffled and virtuosic, and Thomas Folan's contribution as touching. The performance of "Beyond Silence" by J. Anderson is also noted for its emotional impact.

The article also mentions other works performed, such as Pauline Hanson's "Variables" and Donald Martino's "Notturno," and mentions the musicians involved, like cellist John Sessions and pianist Evelyn Davidson. Steinberg notes the technical proficiency and artistry of the performers, although he finds some of the music difficult to follow due to its unconventional nature. The concert is described as a varied and engaging experience.

The image shows a newspaper clipping from The Boston Globe, dated Thursday, October 4, 1973, featuring a review of a musical performance by the Boston Musica Viva. The headline reads "Musica Viva opens season with 'Ancient Voices'."

The review, written by Michael Steinberg, discusses George Crumb's "Ancient Voices of Children," a piece that was performed at the Busch-Reisinger Museum. Steinberg praises the work, calling it "spontaneous, excited, firm success," and highlights its unique blend of vocal and instrumental elements, as well as its theatricality.

The review mentions several performers:

• Jan Curtis, who sang with a "beautiful, unruffled, distant" quality, and was praised for her "earthy, domestic, familiar, aggressive" immediacy.
• Thomas Folan, a boy soprano, whose singing was described as having a "sensitive air for texture."
• Scott MacAlister, who was noted for his "clear, precise" playing of the harpsichord.

The review also touches on the musical structure and the innovative use of instruments, such as the "spinning and end" percussion and the "prepared piano." The performance is described as a "theatrical outburst," with the singers' gestures adding to the overall experience.

The program also included another work, "Notturno" by Donald Martirano, performed by cellist John Sessions and pianist Evelyn Steinberg. This work was noted for its "thoroughly fine" and "intelligent" composition.

The overall tone of the review is positive, praising the musicians' performances and the innovative nature of the works presented.

The image is a scanned page from The Boston Globe newspaper, dated Thursday, October 4, 1973. The article, found in the "Arts" section on page 27, is titled "Musica Viva opens season with 'Ancient Voices'."

Here's a detailed summary:

The Boston Musica Viva opened its season at the Busch-Reisinger Museum on Tuesday with a performance featuring George Crumb's "Ancient Voices of Children." The piece, which had its premiere three years prior, was praised for its beauty and emotional depth. Michael Steinberg, the reviewer, notes that while Crumb's work has sometimes been criticized for pretentiousness, this particular piece avoids that pitfall and offers a rich, evocative experience.

The composition sets texts by the Spanish poet Federico García Lorca, which Crumb chose for their emotional and surreal qualities. Steinberg describes the work as having a ritualistic quality, with the performers engaging in various unusual vocal sounds and playing on an array of exotic instruments.

The performance included soprano Benita Valente and oboist Ronald Roseman, among others. The Musica Viva players delivered a powerful rendition of the piece, although Steinberg felt that the emotional intensity was slightly diminished by the spoken words in the final movement.

The concert also included other works:

• "Beyond Silence," a piece by Thomas Folan, which was noted for its sensitive handling of a text by Richard Pitterman.
• "Jubilus" by Donald Martino, a complex work that was less accessible but still intellectually engaging.

Overall, the review praises the concert and the Musica Viva ensemble's performance, particularly highlighting the compelling interpretation of Crumb’s "Ancient Voices of Children."

The image shows a newspaper clipping from The Boston Globe dated Thursday, October 4, 1973. The article is titled "Musica Viva opens season with 'Ancient Voices'" and is written by Michael Steinberg.

The article discusses the opening of the Boston Musica Viva's season with a performance of George Crumb's "Ancient Voices of Children." The performance took place at the New England Conservatory on Tuesday, October 2, 1973. The piece is described as emotionally demanding and complex, requiring a soprano, boy soprano, and three instrumentalists.

Key points from the article include:

• The performance featured Jan De Gaetani as the soprano and Thomas Paulin as the boy soprano.
• The piece is noted for its vocal writing, which includes various special effects and challenging lyrics.
• The review praises the performance for its emotional intensity and the skill of the performers.
• The article also mentions other works performed, including pieces by T. J. Anderson and Evelyn Siegel.

Overall, the article provides a detailed review of the concert, highlighting the complexity and emotional depth of the music performed.

This image shows a newspaper clipping from "The Boston Globe" dated Thursday, October 4, 1973. The article's headline reads "THE ARTS" in large, bold letters, with a subheading "Musica Viva opens season with ‘Ancient Voices’". The article is written by MICHAEL STEINBERG and is marked as page 27.

The article describes the opening season of The Boston Musica Viva at the Busch-Reisinger Museum, which was met with a full crowd. It mentions George Crumb's "Ancient Voices of Children" and describes the work's qualities and some aspects of the performance. The writer gives attention to the successful delivery of the music, referencing various elements like the performance approach, vocal techniques, and instrumentation. There is a continuation of text that starts on another part of the page, and it appears that part of the article text is cut off or obscured.

The paper is pasted or clipped into a scrapbook or a collection of papers, with some wear showing around the edges and a slight age-related discoloration, indicating it has been preserved for archival or personal interest reasons.

The image shows a newspaper clipping titled "THE ARTS" from The Boston Globe dated Thursday, October 4, 1973. The headline reads "Musica Viva opens season with 'Ancient Voices'." The article is written by Michael Steinberg and discusses the opening season of the Boston Musica Viva at the Busch-Reisinger Museum with George Crumb’s "Ancient Voices of Children." It provides a detailed review of the performances, mentioning various artists including Jan De Gaetani and Jan Curtis, and comments on the different vocal styles and musical selections in the program.

The review discusses the emotional and artistic qualities of the pieces performed, including "Ancient Voices," a text by Garcia Lorca, and "Beyond Silence" by T.J. Anderson. There is also mention of Donald Martino’s "Notturno." The article notes the performers' contributions and the overall atmosphere and reception of the season opener. The clipping is cut and mounted roughly in an album or scrap book with a tan background visible around it.

The image shows a page from a newspaper or magazine, specifically from The Boston Globe, dated Thursday, October 4, 1973, and located on page 27. The headline at the top reads: "THE ARTS", followed by a subheading: "Musica Viva opens season with ‘Ancient Voices’". The article is authored by Michael Steinberg.

Key Details from the Image:

1. Headline and Context:

   • The article discusses the opening of the Musica Viva season at the Bunch-Reininger Museum in Boston.
   • The performance featured a piece titled “Ancient Voices” by composer George Crumb.

2. Content Overview:

   • The article provides a review of the performance, highlighting its unique qualities and the composer’s approach.
   • Crumb’s “Ancient Voices” is described as a spontaneous and exciting work, with the composer noting its emotional and theatrical impact.
   • The piece is noted for its use of unconventional techniques, such as vocal effects, gestures, and percussive elements, which challenge traditional singing methods.

3. Performance Details:

   • The performance involved five singers and five instruments, creating an almost anti-musical atmosphere.
   • The singers used techniques such as humming, whispering, and vocalizations that deviated from conventional singing.
   • The piece is praised for its originality and the way it explores the boundaries of musical expression.

4. Critical Analysis:

   • The reviewer, Michael Steinberg, comments on the piece’s emotional depth and its ability to evoke a sense of ancient, ritualistic qualities.
   • He notes the piece’s use of text by Pauline Oliveros, which is described as constant, echoing, and dies in the echo, creating an immersive sonic experience.
   • The reviewer also discusses the performance’s technical challenges and the singers’ skill in executing Crumb’s complex directions.

5. Visual and Layout:

   • The page is formatted in a classic newspaper style, with columns of text and a clear headline.
   • The article is accompanied by a small illustration or graphic in the top-left corner, which appears to be a faded or sepia-toned image, possibly depicting a musical instrument or a related visual element.
   • The page number (27) is visible in the top-right corner, and the date and publication name are clearly displayed at the top.

Summary:

The image depicts a newspaper article reviewing the premiere of George Crumb’s “Ancient Voices” by Musica Viva, highlighting its innovative and experimental nature. The review emphasizes the piece’s emotional impact, technical complexity, and departure from traditional musical forms. The layout and design reflect a typical newspaper format from the early 1970s.

A book with an open page shows a newspaper clipping. The clipping is titled "The Arts" and has a date of October 4, 1973. The clipping is about a music concert that was held by Musica Viva. The concert featured a piece called "Ancient Voices" by Drew Crumh. The article also mentions that the performance was well-received by the audience. The article also includes a review of the performance by Michael Steinberg.