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ARCH.2013.5.16, Rendition: 799470
The image is a page from a book or brochure, likely related to art exhibitions and collections. Here's a detailed summary of the content:
Title and Introduction:
Artists and Prints:
Graphic Art Contest:
Exhibition Details:
Artist Biography:
Tribute to Benjamin Rowland Jr.:
Image:
Overall, the image provides detailed information about art exhibitions, print rental programs, and tributes to notable figures in the art world.
The image shows a page from a magazine or newspaper featuring an article about a traveling exhibition titled "The Claude Lorrain Album." The exhibition is organized by the Norton Simon Museum of Art and is currently on display at the University of California, Berkeley.
Key points from the article include:
Exhibition Details:
Curator and Context:
Highlighted Works:
Additional Locations:
Rental Information:
Availability and Timing:
The magazine page also includes a small image of a drawing by Benjamin Rowland, Jr., and an introductory section highlighting his scholarly work and contributions to art education.
The image shows an open book or catalog with text and images related to art exhibitions and artists. The left page contains a section titled 'New Yorker Staff and Contributors,' listing various individuals and their roles, such as cartographers, photographers, and designers. It mentions that some of these contributors will have their work on display at the Harvard Cooperative Society.
The right page features an article about an art exhibition titled 'The Art of Landscape: French Paintings from the Fogg.' The exhibition includes works by Claude Lorrain, and the text discusses the significance of the artist's work and the details of the exhibition, which is held at the Fogg Art Museum and will travel to other institutions. The article also includes a description of a portrait of Benjamin Rowland, Jr., by his son, Benjamin Rowland, Jr., and details about his life and contributions to art education.
The bottom of the right page includes an image of a painting, which appears to be a landscape, and a description of the artwork next to it.
The image shows a page from a newspaper or magazine with several articles and an illustration related to art exhibitions.
Top Article (Left Column):
Middle Article (Left Column):
Top Article (Right Column):
Bottom Article (Right Column):
Illustrations:
Overall, the page is dedicated to various art exhibitions and tributes to significant figures in the art community.
The image shows a page from a publication, likely a catalog or brochure, detailing an art exhibition. The exhibition is titled "The Claude Lorrain Album in the Norton Simon Collection" and is organized by Princeton University's Art Museum. The exhibition runs from September 17 through September 29 and is open from 11 a.m. to 4 p.m. on weekdays and Saturdays.
Key points of the exhibition include:
Exhibition Overview:
Claude Lorrain Album:
Drawings and Exhibits:
Additional Details:
The page also includes an image of a watercolor painting by Benjamin Rowland Jr., titled "S. Newbury, Vt., 1949, watercolor, 21 7/8 x 14 5/8 inches," and a note acknowledging Rowland's contributions to the art community.
The image is a page from a booklet or brochure detailing various art exhibitions and programs at universities and museums. Here are the details from each section:
Top Left Section:
Top Right Section:
Middle Section:
Bottom Left Section:
Bottom Right Section:
Image of Benjamin Rowland Jr.:
Overall, the brochure serves as a guide to various art exhibitions and programs, emphasizing the availability of prints for rental and the significance of Claude Lorrain's work and the contributions of Benjamin Rowland Jr. to the field of art history.
The image shows an open book with text and two black-and-white images on the right-hand page. The text appears to discuss art exhibitions, artists, and specific artworks. On the left side of the right page, there is a small photograph of a girl on an empire sofa, which was produced by Philip Pearlstein in 1972, described as a lithograph in brown, hand-printed from an aluminum plate, measuring 32 1/4 x 24 inches.
On the right side of the right page is a detailed black-and-white illustration titled "Benjamin Rowland, Jr. Doe Corners, S. Newbury, Vt., 1949," a watercolor measuring 21 7/8 x 14 5/8 inches, lent by Mrs. Benjamin Rowland, Jr. The illustration depicts a rustic, stone building surrounded by trees.
The text on the page provides information about an exhibition featuring the Claude Lorrain Album, details about Benjamin Rowland Jr., and additional art exhibition details from institutions such as Harvard University and Princeton University. There is also a small illustration on the far left side of the spread, showing a drawing of a portion of a bricked wall and a chair.
The image shows an open book or magazine displaying two pages of text with a small inset image on the left page and a black and white illustration on the right page. The text appears to be from an art-focused publication.
On the left page, the inset image is a photograph of a sculpture or figurine titled "Philip Pearlstein, Girl on Empire Sofa, 1972," which is a photolithograph in brown, hand-printed from an aluminum plate, sized 32 x 24 inches. The caption mentions that it is through the Harvard Radcliffe Print Rental Program and framed prints such as this may be rented for the school year.
The right page features a black and white image of an artwork in the upper right corner. The text beside it discusses various topics related to art exhibitions, artists, and an individual named Benjamin Rowland, Jr., whose work, titled "Dee Coners, Newbury, Vt., 1949, watercolor," is mentioned. It mentions that sizes and information about this particular piece are lent by Mrs. Benjamin Rowland, Jr.
The surrounding text discusses details about different art exhibitions, including mentions of Harvard Corporation, the Fogg Art Museum, and the Claude Lorrain album. It also references a number of institutions such as Smith College, Wellesley College, and the University of California, Berkeley.
The text seems aimed at a readership interested in art history, exhibitions, and the fine arts, possibly serving as a newsletter or guide for academic or museum communities.
The image shows an open book with two pages visible. The left page is titled "highly contemporary American drawings completed in the 60s and 70s" and appears to be a catalog or description of an art exhibition. The text discusses a collection of drawings by artists such as Philip Pearlstein, Ed Ruscha, and others, including details about the exhibition, such as its opening date (September 21), location (at Harvard University), and the artists featured. The page also mentions that the drawings are available for rental, with prices ranging from $5 to $25, and includes a description of the exhibition's format and scope.
The right page continues the narrative, focusing on an exhibition of drawings by Benjamin Rowland, Jr., curated by Dorothy Simon. The text provides background on Rowland, describing him as a professor at Harvard University and a renowned watercolor painter. It highlights his contributions to the field of art, particularly his work in watercolor painting, and mentions his influence on various institutions and artists. The page also includes a brief tribute to Rowland, noting his passing and the legacy of his work.
The layout includes a small black-and-white photograph of a drawing or artwork on the left page, which appears to be a still life or figure study. The text is formatted in a standard book style, with paragraphs and headings clearly organized. The overall design suggests this is part of an art catalog, exhibition guide, or academic publication.
An open book with a black and white image of a woman sitting on a sofa with her legs crossed. The book contains text that reads, "Philip Pearlstein, Girl on Empire Sofa, 1972. Lithograph in brown, hand-printed from an aluminum plate, 32 1/2 x 24 inches. Through the Harvard Print Rental Program, framed Radcliffe prints such as this may be rented for the school year." The book also contains a black and white image of a building and a person standing in front of it.